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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5BECD it is the complementary color #1A4132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5BECD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5BECD shade: #EABEC8, #FBD0DB, #FFE2EE and #FFF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5BECD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5BECD shade: #E5BECD, #D4ACBA, #C39AA7, #B28894 and #A17681

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5BECD shade: #E4BDCC, #E4BDC1 and #E4BDBD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5BECD shade: #E4BDCC, #E4BDD7, #E4BDE1, #DDBDE4 and #D2BDE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5BECD shade matches the following richer shades: #E4BDCC, #ECB5CA, #F3AEC9 and #FBA7C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5BECD shade: #E4BDCC, #DDC4CE, #D5CCCF, #CED3D1 and #C7DBD3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5BECD shade: #E4BDE2, #E4BDD7, #E4BDCD, #E4BDC2 and #E4C2BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5BECD shade: #CD829F, #D99FB5, #E4BDCC, #F0DAE3 and #FCF8F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5BECD shade: #E5BECD, #E4DCBD and #BDDCE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5BECD shade: #E5BECD, #CDE4BD and #BDCDE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5BECD shade: #E5BECD, #E4DCBD, #BDE4D5 and #BDC5E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5BECD shade: #E5BECD, #E0E4BD, #BDE4D5 and #C1BDE4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 10 / 10

HEX #E5BECD

RGB 229 190 205

HSL 336.92, 0.43%, 0.82%

LAB 80.68, 16.32, -2.3

 

Complementary color

CMYK 60 / 0 / 23 / 75

HEX #1A4132

RGB 26 65 50

HSL 156.92, 0.43%, 0.18%

LAB 24.42, -18.13, 5.01

 

CMYK 0 / 19 / 15 / 8

HEX #EABEC8

RGB 234 190 200

HSL 346.36, 0.51%, 0.83%

LAB 81.01, 17.27, 0.93

 

CMYK 0 / 17 / 13 / 2

HEX #FBD0DB

RGB 251 208 219

HSL 344.65, 0.84%, 0.9%

LAB 87.36, 16.79, 0.24

 

CMYK 0 / 11 / 7 / 0

HEX #FFE2EE

RGB 255 226 238

HSL 335.17, 1%, 0.94%

LAB 92.5, 11.91, -2.19

 

CMYK 0 / 4 / 0 / 0

HEX #FFF4FF

RGB 255 244 255

HSL 300, 1%, 0.98%

LAB 97.3, 5.59, -3.97

 

CMYK 0 / 17 / 10 / 10

HEX #E5BECD

RGB 229 190 205

HSL 336.92, 0.43%, 0.82%

LAB 80.68, 16.32, -2.3

 

CMYK 0 / 19 / 12 / 17

HEX #D4ACBA

RGB 212 172 186

HSL 339, 0.32%, 0.75%

LAB 74.22, 16.8, -1.64

 

CMYK 0 / 21 / 14 / 24

HEX #C39AA7

RGB 195 154 167

HSL 340.98, 0.25%, 0.68%

LAB 67.65, 17.33, -0.94

 

CMYK 0 / 24 / 17 / 30

HEX #B28894

RGB 178 136 148

HSL 342.86, 0.21%, 0.62%

LAB 60.97, 17.91, -0.19

 

CMYK 0 / 27 / 20 / 37

HEX #A17681

RGB 161 118 129

HSL 344.65, 0.19%, 0.55%

LAB 54.15, 18.57, 0.62

 

CMYK 0 / 17 / 11 / 11

HEX #E4BDCC

RGB 228 189 204

HSL 336.92, 0.42%, 0.82%

LAB 80.32, 16.33, -2.3

 

CMYK 0 / 17 / 15 / 11

HEX #E4BDC1

RGB 228 189 193

HSL 353.85, 0.42%, 0.82%

LAB 80.03, 14.55, 3.21

 

CMYK 0 / 17 / 17 / 11

HEX #E4BDBD

RGB 228 189 189

HSL 0, 0.42%, 0.82%

LAB 79.93, 13.92, 5.23

 

CMYK 0 / 17 / 11 / 11

HEX #E4BDCC

RGB 228 189 204

HSL 336.92, 0.42%, 0.82%

LAB 80.32, 16.33, -2.3

 

CMYK 0 / 17 / 6 / 11

HEX #E4BDD7

RGB 228 189 215

HSL 320, 0.42%, 0.82%

LAB 80.62, 18.21, -7.77

 

CMYK 0 / 17 / 1 / 11

HEX #E4BDE1

RGB 228 189 225

HSL 304.62, 0.42%, 0.82%

LAB 80.92, 19.99, -12.71

 

CMYK 3 / 17 / 0 / 11

HEX #DDBDE4

RGB 221 189 228

HSL 289.23, 0.42%, 0.82%

LAB 80.39, 18.22, -15.19

 

CMYK 8 / 17 / 0 / 11

HEX #D2BDE4

RGB 210 189 228

HSL 272.31, 0.42%, 0.82%

LAB 79.44, 14.6, -16.7

 

CMYK 0 / 17 / 11 / 11

HEX #E4BDCC

RGB 228 189 204

HSL 336.92, 0.42%, 0.82%

LAB 80.32, 16.33, -2.3

 

CMYK 0 / 23 / 14 / 7

HEX #ECB5CA

RGB 236 181 202

HSL 337.09, 0.59%, 0.82%

LAB 79.12, 23.09, -2.88

 

CMYK 0 / 28 / 17 / 5

HEX #F3AEC9

RGB 243 174 201

HSL 336.52, 0.74%, 0.82%

LAB 78.19, 29.11, -3.62

 

CMYK 0 / 33 / 21 / 2

HEX #FBA7C7

RGB 251 167 199

HSL 337.14, 0.91%, 0.82%

LAB 77.44, 35.27, -3.54

 

CMYK 0 / 17 / 11 / 11

HEX #E4BDCC

RGB 228 189 204

HSL 336.92, 0.42%, 0.82%

LAB 80.32, 16.33, -2.3

 

CMYK 0 / 11 / 7 / 13

HEX #DDC4CE

RGB 221 196 206

HSL 336, 0.27%, 0.82%

LAB 81.46, 10.49, -1.77

 

CMYK 0 / 4 / 3 / 16

HEX #D5CCCF

RGB 213 204 207

HSL 340, 0.1%, 0.82%

LAB 82.83, 3.65, -0.39

 

CMYK 2 / 0 / 1 / 17

HEX #CED3D1

RGB 206 211 209

HSL 156, 0.05%, 0.82%

LAB 84.13, -2.06, 0.38

 

CMYK 9 / 0 / 4 / 14

HEX #C7DBD3

RGB 199 219 211

HSL 156, 0.22%, 0.82%

LAB 85.76, -8.18, 1.64

 

CMYK 0 / 17 / 1 / 11

HEX #E4BDE2

RGB 228 189 226

HSL 303.08, 0.42%, 0.82%

LAB 80.95, 20.18, -13.2

 

CMYK 0 / 17 / 6 / 11

HEX #E4BDD7

RGB 228 189 215

HSL 320, 0.42%, 0.82%

LAB 80.62, 18.21, -7.77

 

CMYK 0 / 17 / 10 / 11

HEX #E4BDCD

RGB 228 189 205

HSL 335.38, 0.42%, 0.82%

LAB 80.35, 16.5, -2.8

 

CMYK 0 / 17 / 15 / 11

HEX #E4BDC2

RGB 228 189 194

HSL 352.31, 0.42%, 0.82%

LAB 80.06, 14.71, 2.71

 

CMYK 0 / 15 / 17 / 11

HEX #E4C2BD

RGB 228 194 189

HSL 7.69, 0.42%, 0.82%

LAB 81.15, 11.27, 6.98

 

CMYK 0 / 37 / 22 / 20

HEX #CD829F

RGB 205 130 159

HSL 336.8, 0.43%, 0.66%

LAB 62.88, 32.85, -3.3

 

CMYK 0 / 27 / 17 / 15

HEX #D99FB5

RGB 217 159 181

HSL 337.24, 0.43%, 0.74%

LAB 71.48, 24.83, -2.85

 

CMYK 0 / 17 / 11 / 11

HEX #E4BDCC

RGB 228 189 204

HSL 336.92, 0.42%, 0.82%

LAB 80.32, 16.33, -2.3

 

CMYK 0 / 9 / 5 / 6

HEX #F0DAE3

RGB 240 218 227

HSL 335.45, 0.42%, 0.9%

LAB 89.02, 9.09, -1.66

 

CMYK 0 / 2 / 1 / 1

HEX #FCF8F9

RGB 252 248 249

HSL 345, 0.4%, 0.98%

LAB 97.9, 1.51, -0.02

 

CMYK 0 / 17 / 10 / 10

HEX #E5BECD

RGB 229 190 205

HSL 336.92, 0.43%, 0.82%

LAB 80.68, 16.32, -2.3

 

CMYK 0 / 4 / 17 / 11

HEX #E4DCBD

RGB 228 220 189

HSL 47.69, 0.42%, 0.82%

LAB 87.66, -2.31, 16.22

 

CMYK 17 / 4 / 0 / 11

HEX #BDDCE4

RGB 189 220 228

HSL 192.31, 0.42%, 0.82%

LAB 85.81, -8.53, -7.35

 

CMYK 0 / 17 / 10 / 10

HEX #E5BECD

RGB 229 190 205

HSL 336.92, 0.43%, 0.82%

LAB 80.68, 16.32, -2.3

 

CMYK 10 / 0 / 17 / 11

HEX #CDE4BD

RGB 205 228 189

HSL 95.38, 0.42%, 0.82%

LAB 88.04, -14.55, 16.51

 

CMYK 17 / 10 / 0 / 11

HEX #BDCDE4

RGB 189 205 228

HSL 215.38, 0.42%, 0.82%

LAB 81.88, -0.71, -13.2

 

CMYK 0 / 17 / 10 / 10

HEX #E5BECD

RGB 229 190 205

HSL 336.92, 0.43%, 0.82%

LAB 80.68, 16.32, -2.3

 

CMYK 0 / 4 / 17 / 11

HEX #E4DCBD

RGB 228 220 189

HSL 47.69, 0.42%, 0.82%

LAB 87.66, -2.31, 16.22

 

CMYK 17 / 0 / 7 / 11

HEX #BDE4D5

RGB 189 228 213

HSL 156.92, 0.42%, 0.82%

LAB 87.54, -15.61, 3.09

 

CMYK 17 / 14 / 0 / 11

HEX #BDC5E4

RGB 189 197 228

HSL 227.69, 0.42%, 0.82%

LAB 79.81, 3.55, -16.31

 

CMYK 0 / 17 / 10 / 10

HEX #E5BECD

RGB 229 190 205

HSL 336.92, 0.43%, 0.82%

LAB 80.68, 16.32, -2.3

 

CMYK 2 / 0 / 17 / 11

HEX #E0E4BD

RGB 224 228 189

HSL 66.15, 0.42%, 0.82%

LAB 89.4, -7.83, 18.62

 

CMYK 17 / 0 / 7 / 11

HEX #BDE4D5

RGB 189 228 213

HSL 156.92, 0.42%, 0.82%

LAB 87.54, -15.61, 3.09

 

CMYK 15 / 17 / 0 / 11

HEX #C1BDE4

RGB 193 189 228

HSL 246.15, 0.42%, 0.82%

LAB 78.07, 9.13, -18.91

 

Description

Color code: HEX #E5BECD | qconv.com Color code: HEX #E5BECD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 190 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 190 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 10 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 10% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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