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Color name
HEX #E5C32E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5C32E it is the complementary color #1A3CD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5C32E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5C32E shade: #EAC329, #FBD53C, #FFE74F, #FFF962 and #FFFF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5C32E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5C32E shade: #E5C32E, #D4B11B, #C39F08, #B28D00 and #A17B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5C32E shade: #E5C32E, #E5912E, #E5602E, #E52F2E and #E52E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5C32E shade: #E5C32E, #D5E52E, #A4E52E, #73E52E and #41E52E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5C32E shade matches the following richer shades: #E5C32E and #F8CF1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5C32E shade: #E5C32E, #D2B741, #BFAB54, #AC9F67 and #99937A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5C32E shade: #E55F2E, #E58F2E, #E5C02E, #D8E52E and #A8E52E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5C32E shade: #AB8F15, #D0AE19, #E5C32E, #E9CD52 and #EED877

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5C32E shade: #E5C32E, #2EE52E and #772EE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5C32E shade: #E5C32E, #2EE5C0 and #C02EE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5C32E shade: #E5C32E, #2EE52E, #2E52E5 and #E52EE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5C32E shade: #E5C32E, #2EE565, #2E52E5 and #E52EAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 80 / 10

HEX #E5C32E

RGB 229 195 46

HSL 48.85, 0.78%, 0.54%

LAB 79.55, -2.07, 72.69

 

Complementary color

CMYK 88 / 71 / 0 / 18

HEX #1A3CD1

RGB 26 60 209

HSL 228.85, 0.78%, 0.46%

LAB 34.1, 45.27, -78.65

 

CMYK 0 / 17 / 82 / 8

HEX #EAC329

RGB 234 195 41

HSL 47.88, 0.82%, 0.54%

LAB 80, -0.07, 74.68

 

CMYK 0 / 15 / 76 / 2

HEX #FBD53C

RGB 251 213 60

HSL 48.06, 0.96%, 0.61%

LAB 86.22, -1.45, 75.08

 

CMYK 0 / 9 / 69 / 0

HEX #FFE74F

RGB 255 231 79

HSL 51.82, 1%, 0.65%

LAB 91.22, -8.01, 73.33

 

CMYK 0 / 2 / 62 / 0

HEX #FFF962

RGB 255 249 98

HSL 57.71, 1%, 0.69%

LAB 95.95, -15.8, 70.83

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 0 / 15 / 80 / 10

HEX #E5C32E

RGB 229 195 46

HSL 48.85, 0.78%, 0.54%

LAB 79.55, -2.07, 72.69

 

CMYK 0 / 17 / 87 / 17

HEX #D4B11B

RGB 212 177 27

HSL 48.65, 0.77%, 0.47%

LAB 73.23, -0.58, 71.67

 

CMYK 0 / 18 / 96 / 24

HEX #C39F08

RGB 195 159 8

HSL 48.45, 0.92%, 0.4%

LAB 66.84, 1.15, 69.26

 

CMYK 0 / 21 / 100 / 30

HEX #B28D00

RGB 178 141 0

HSL 47.53, 1%, 0.35%

LAB 60.35, 3.14, 64.96

 

CMYK 0 / 24 / 100 / 37

HEX #A17B00

RGB 161 123 0

HSL 45.84, 1%, 0.32%

LAB 53.75, 5.31, 59.53

 

CMYK 0 / 15 / 80 / 10

HEX #E5C32E

RGB 229 195 46

HSL 48.85, 0.78%, 0.54%

LAB 79.55, -2.07, 72.69

 

CMYK 0 / 37 / 80 / 10

HEX #E5912E

RGB 229 145 46

HSL 32.46, 0.78%, 0.54%

LAB 67.36, 24.34, 61.79

 

CMYK 0 / 58 / 80 / 10

HEX #E5602E

RGB 229 96 46

HSL 16.39, 0.78%, 0.54%

LAB 57.29, 49.14, 52.42

 

CMYK 0 / 79 / 80 / 10

HEX #E52F2E

RGB 229 47 46

HSL 0.33, 0.78%, 0.54%

LAB 50.56, 67.44, 45.87

 

CMYK 0 / 80 / 80 / 10

HEX #E52E2E

RGB 229 46 46

HSL 0, 0.78%, 0.54%

LAB 50.46, 67.7, 45.78

 

CMYK 0 / 15 / 80 / 10

HEX #E5C32E

RGB 229 195 46

HSL 48.85, 0.78%, 0.54%

LAB 79.55, -2.07, 72.69

 

CMYK 7 / 0 / 80 / 10

HEX #D5E52E

RGB 213 229 46

HSL 65.25, 0.78%, 0.54%

LAB 87.18, -25.71, 78.87

 

CMYK 28 / 0 / 80 / 10

HEX #A4E52E

RGB 164 229 46

HSL 81.31, 0.78%, 0.54%

LAB 84.03, -44.91, 74.87

 

CMYK 50 / 0 / 80 / 10

HEX #73E52E

RGB 115 229 46

HSL 97.38, 0.78%, 0.54%

LAB 81.77, -61.08, 71.98

 

CMYK 72 / 0 / 80 / 10

HEX #41E52E

RGB 65 229 46

HSL 113.77, 0.78%, 0.54%

LAB 80.38, -72.41, 70.18

 

CMYK 0 / 15 / 80 / 10

HEX #E5C32E

RGB 229 195 46

HSL 48.85, 0.78%, 0.54%

LAB 79.55, -2.07, 72.69

 

CMYK 0 / 17 / 89 / 3

HEX #F8CF1B

RGB 248 207 27

HSL 48.87, 0.94%, 0.54%

LAB 84.31, -0.56, 81.84

 

CMYK 0 / 15 / 80 / 10

HEX #E5C32E

RGB 229 195 46

HSL 48.85, 0.78%, 0.54%

LAB 79.55, -2.07, 72.69

 

CMYK 0 / 13 / 69 / 18

HEX #D2B741

RGB 210 183 65

HSL 48.83, 0.62%, 0.54%

LAB 74.79, -3.2, 60.88

 

CMYK 0 / 10 / 56 / 25

HEX #BFAB54

RGB 191 171 84

HSL 48.79, 0.46%, 0.54%

LAB 70.07, -3.77, 46.76

 

CMYK 0 / 8 / 40 / 33

HEX #AC9F67

RGB 172 159 103

HSL 48.7, 0.29%, 0.54%

LAB 65.39, -3.51, 30.93

 

CMYK 0 / 4 / 20 / 40

HEX #99937A

RGB 153 147 122

HSL 48.39, 0.13%, 0.54%

LAB 60.82, -2.1, 14.05

 

CMYK 0 / 59 / 80 / 10

HEX #E55F2E

RGB 229 95 46

HSL 16.07, 0.78%, 0.54%

LAB 57.11, 49.6, 52.25

 

CMYK 0 / 38 / 80 / 10

HEX #E58F2E

RGB 229 143 46

HSL 31.8, 0.78%, 0.54%

LAB 66.9, 25.4, 61.38

 

CMYK 0 / 16 / 80 / 10

HEX #E5C02E

RGB 229 192 46

HSL 47.87, 0.78%, 0.54%

LAB 78.78, -0.52, 72.02

 

CMYK 6 / 0 / 80 / 10

HEX #D8E52E

RGB 216 229 46

HSL 64.26, 0.78%, 0.54%

LAB 87.4, -24.48, 79.14

 

CMYK 27 / 0 / 80 / 10

HEX #A8E52E

RGB 168 229 46

HSL 80, 0.78%, 0.54%

LAB 84.26, -43.43, 75.16

 

CMYK 0 / 16 / 88 / 33

HEX #AB8F15

RGB 171 143 21

HSL 48.8, 0.78%, 0.38%

LAB 60.21, -0.81, 60.88

 

CMYK 0 / 16 / 88 / 18

HEX #D0AE19

RGB 208 174 25

HSL 48.85, 0.79%, 0.46%

LAB 72.06, -0.8, 71.01

 

CMYK 0 / 15 / 80 / 10

HEX #E5C32E

RGB 229 195 46

HSL 48.85, 0.78%, 0.54%

LAB 79.55, -2.07, 72.69

 

CMYK 0 / 12 / 65 / 9

HEX #E9CD52

RGB 233 205 82

HSL 48.87, 0.77%, 0.62%

LAB 82.7, -3.88, 62.75

 

CMYK 0 / 9 / 50 / 7

HEX #EED877

RGB 238 216 119

HSL 48.91, 0.78%, 0.7%

LAB 86.32, -4.73, 50.19

 

CMYK 0 / 15 / 80 / 10

HEX #E5C32E

RGB 229 195 46

HSL 48.85, 0.78%, 0.54%

LAB 79.55, -2.07, 72.69

 

CMYK 80 / 0 / 80 / 10

HEX #2EE52E

RGB 46 229 46

HSL 120, 0.78%, 0.54%

LAB 80.08, -75.06, 69.79

 

CMYK 48 / 80 / 0 / 10

HEX #772EE5

RGB 119 46 229

HSL 263.93, 0.78%, 0.54%

LAB 40.46, 66.96, -79.4

 

CMYK 0 / 15 / 80 / 10

HEX #E5C32E

RGB 229 195 46

HSL 48.85, 0.78%, 0.54%

LAB 79.55, -2.07, 72.69

 

CMYK 80 / 0 / 16 / 10

HEX #2EE5C0

RGB 46 229 192

HSL 167.87, 0.78%, 0.54%

LAB 82.07, -52.25, 5.58

 

CMYK 16 / 80 / 0 / 10

HEX #C02EE5

RGB 192 46 229

HSL 287.87, 0.78%, 0.54%

LAB 50.47, 78.09, -62.66

 

CMYK 0 / 15 / 80 / 10

HEX #E5C32E

RGB 229 195 46

HSL 48.85, 0.78%, 0.54%

LAB 79.55, -2.07, 72.69

 

CMYK 80 / 0 / 80 / 10

HEX #2EE52E

RGB 46 229 46

HSL 120, 0.78%, 0.54%

LAB 80.08, -75.06, 69.79

 

CMYK 80 / 64 / 0 / 10

HEX #2E52E5

RGB 46 82 229

HSL 228.2, 0.78%, 0.54%

LAB 41.65, 40.17, -77.66

 

CMYK 0 / 80 / 0 / 10

HEX #E52EE5

RGB 229 46 229

HSL 300, 0.78%, 0.54%

LAB 56.36, 84.72, -52.9

 

CMYK 0 / 15 / 80 / 10

HEX #E5C32E

RGB 229 195 46

HSL 48.85, 0.78%, 0.54%

LAB 79.55, -2.07, 72.69

 

CMYK 80 / 0 / 56 / 10

HEX #2EE565

RGB 46 229 101

HSL 138.03, 0.78%, 0.54%

LAB 80.49, -69.92, 49.43

 

CMYK 80 / 64 / 0 / 10

HEX #2E52E5

RGB 46 82 229

HSL 228.2, 0.78%, 0.54%

LAB 41.65, 40.17, -77.66

 

CMYK 0 / 80 / 24 / 10

HEX #E52EAE

RGB 229 46 174

HSL 318.03, 0.78%, 0.54%

LAB 53.67, 77.26, -25.54

 

Description

Color code: HEX #E5C32E | qconv.com Color code: HEX #E5C32E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 195 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 195 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 80 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 80% 10% C M Y K

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