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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5CA32 it is the complementary color #1A35CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5CA32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5CA32 shade: #EACA2D, #FBDC40, #FFEE53, #FFFF66 and #FFFF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5CA32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5CA32 shade: #E5CA32, #D4B81F, #C3A60C, #B29400 and #A18200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5CA32 shade: #E4C933, #E49A33, #E46A33, #E43A33 and #E43333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5CA32 shade: #E4C933, #CFE433, #9FE433, #70E433 and #40E433

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5CA32 shade matches the following richer shades: #E4C933 and #F7D621

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5CA32 shade: #E4C933, #D2BC46, #BFB059, #ACA36B and #9A967E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5CA32 shade: #E46833, #E49833, #E4C733, #D2E433 and #A3E433

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5CA32 shade: #AF9816, #D3B71B, #E4C933, #E9D358 and #EEDD7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5CA32 shade: #E5CA32, #33E439 and #8033E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5CA32 shade: #E5CA32, #33E4C7 and #C733E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5CA32 shade: #E5CA32, #33E439, #3351E4 and #E433DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5CA32 shade: #E5CA32, #33E46E, #3351E4 and #E433A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 78 / 10

HEX #E5CA32

RGB 229 202 50

HSL 50.95, 0.77%, 0.55%

LAB 81.36, -5.53, 73.1

 

Complementary color

CMYK 87 / 74 / 0 / 20

HEX #1A35CD

RGB 26 53 205

HSL 230.95, 0.77%, 0.45%

LAB 32.2, 47.99, -79.46

 

CMYK 0 / 14 / 81 / 8

HEX #EACA2D

RGB 234 202 45

HSL 49.84, 0.82%, 0.55%

LAB 81.8, -3.56, 75.12

 

CMYK 0 / 12 / 75 / 2

HEX #FBDC40

RGB 251 220 64

HSL 50.05, 0.96%, 0.62%

LAB 88, -4.84, 75.41

 

CMYK 0 / 7 / 67 / 0

HEX #FFEE53

RGB 255 238 83

HSL 54.07, 1%, 0.66%

LAB 93.03, -11.27, 73.64

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF66

RGB 255 255 102

HSL 60, 1%, 0.7%

LAB 97.53, -18.44, 70.9

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF79

RGB 255 255 121

HSL 60, 1%, 0.74%

LAB 97.7, -17.1, 63.02

 

CMYK 0 / 12 / 78 / 10

HEX #E5CA32

RGB 229 202 50

HSL 50.95, 0.77%, 0.55%

LAB 81.36, -5.53, 73.1

 

CMYK 0 / 13 / 85 / 17

HEX #D4B81F

RGB 212 184 31

HSL 50.72, 0.74%, 0.48%

LAB 75.06, -4.15, 72.25

 

CMYK 0 / 15 / 94 / 24

HEX #C3A60C

RGB 195 166 12

HSL 50.49, 0.88%, 0.41%

LAB 68.68, -2.54, 70.11

 

CMYK 0 / 17 / 100 / 30

HEX #B29400

RGB 178 148 0

HSL 49.89, 1%, 0.35%

LAB 62.21, -0.68, 66.26

 

CMYK 0 / 19 / 100 / 37

HEX #A18200

RGB 161 130 0

HSL 48.45, 1%, 0.32%

LAB 55.63, 1.39, 60.83

 

CMYK 0 / 12 / 78 / 11

HEX #E4C933

RGB 228 201 51

HSL 50.85, 0.77%, 0.55%

LAB 81.02, -5.41, 72.45

 

CMYK 0 / 32 / 78 / 11

HEX #E49A33

RGB 228 154 51

HSL 34.92, 0.77%, 0.55%

LAB 69.36, 19.3, 61.71

 

CMYK 0 / 54 / 78 / 11

HEX #E46A33

RGB 228 106 51

HSL 18.64, 0.77%, 0.55%

LAB 59.01, 44.19, 51.72

 

CMYK 0 / 75 / 78 / 11

HEX #E43A33

RGB 228 58 51

HSL 2.37, 0.77%, 0.55%

LAB 51.56, 64.08, 44.17

 

CMYK 0 / 78 / 78 / 11

HEX #E43333

RGB 228 51 51

HSL 0, 0.77%, 0.55%

LAB 50.8, 66.2, 43.38

 

CMYK 0 / 12 / 78 / 11

HEX #E4C933

RGB 228 201 51

HSL 50.85, 0.77%, 0.55%

LAB 81.02, -5.41, 72.45

 

CMYK 9 / 0 / 78 / 11

HEX #CFE433

RGB 207 228 51

HSL 67.12, 0.77%, 0.55%

LAB 86.5, -27.51, 76.75

 

CMYK 30 / 0 / 78 / 11

HEX #9FE433

RGB 159 228 51

HSL 83.39, 0.77%, 0.55%

LAB 83.49, -46.09, 72.9

 

CMYK 51 / 0 / 78 / 11

HEX #70E433

RGB 112 228 51

HSL 99.32, 0.77%, 0.55%

LAB 81.39, -61.3, 70.17

 

CMYK 72 / 0 / 78 / 11

HEX #40E433

RGB 64 228 51

HSL 115.59, 0.77%, 0.55%

LAB 80.08, -71.97, 68.46

 

CMYK 0 / 12 / 78 / 11

HEX #E4C933

RGB 228 201 51

HSL 50.85, 0.77%, 0.55%

LAB 81.02, -5.41, 72.45

 

CMYK 0 / 13 / 87 / 3

HEX #F7D621

RGB 247 214 33

HSL 50.75, 0.93%, 0.55%

LAB 85.99, -4.42, 81.99

 

CMYK 0 / 12 / 78 / 11

HEX #E4C933

RGB 228 201 51

HSL 50.85, 0.77%, 0.55%

LAB 81.02, -5.41, 72.45

 

CMYK 0 / 10 / 67 / 18

HEX #D2BC46

RGB 210 188 70

HSL 50.57, 0.61%, 0.55%

LAB 76.14, -5.53, 60.22

 

CMYK 0 / 8 / 53 / 25

HEX #BFB059

RGB 191 176 89

HSL 51.18, 0.44%, 0.55%

LAB 71.45, -5.99, 45.96

 

CMYK 0 / 5 / 38 / 33

HEX #ACA36B

RGB 172 163 107

HSL 51.69, 0.28%, 0.55%

LAB 66.54, -5.19, 30.28

 

CMYK 0 / 3 / 18 / 40

HEX #9A967E

RGB 154 150 126

HSL 51.43, 0.12%, 0.55%

LAB 61.82, -2.73, 13.2

 

CMYK 0 / 54 / 78 / 11

HEX #E46833

RGB 228 104 51

HSL 17.97, 0.77%, 0.55%

LAB 58.63, 45.16, 51.35

 

CMYK 0 / 33 / 78 / 11

HEX #E49833

RGB 228 152 51

HSL 34.24, 0.77%, 0.55%

LAB 68.89, 20.37, 61.26

 

CMYK 0 / 13 / 78 / 11

HEX #E4C733

RGB 228 199 51

HSL 50.17, 0.77%, 0.55%

LAB 80.5, -4.38, 71.98

 

CMYK 8 / 0 / 78 / 11

HEX #D2E433

RGB 210 228 51

HSL 66.1, 0.77%, 0.55%

LAB 86.72, -26.29, 77.03

 

CMYK 29 / 0 / 78 / 11

HEX #A3E433

RGB 163 228 51

HSL 82.03, 0.77%, 0.55%

LAB 83.71, -44.63, 73.18

 

CMYK 0 / 13 / 87 / 31

HEX #AF9816

RGB 175 152 22

HSL 50.98, 0.78%, 0.39%

LAB 63.03, -3.86, 63.09

 

CMYK 0 / 13 / 87 / 17

HEX #D3B71B

RGB 211 183 27

HSL 50.87, 0.77%, 0.47%

LAB 74.7, -4.15, 72.8

 

CMYK 0 / 12 / 78 / 11

HEX #E4C933

RGB 228 201 51

HSL 50.85, 0.77%, 0.55%

LAB 81.02, -5.41, 72.45

 

CMYK 0 / 9 / 62 / 9

HEX #E9D358

RGB 233 211 88

HSL 50.9, 0.77%, 0.63%

LAB 84.29, -6.57, 61.91

 

CMYK 0 / 7 / 48 / 7

HEX #EEDD7C

RGB 238 221 124

HSL 51.05, 0.77%, 0.71%

LAB 87.65, -6.82, 49.4

 

CMYK 0 / 12 / 78 / 10

HEX #E5CA32

RGB 229 202 50

HSL 50.95, 0.77%, 0.55%

LAB 81.36, -5.53, 73.1

 

CMYK 78 / 0 / 75 / 11

HEX #33E439

RGB 51 228 57

HSL 122.03, 0.77%, 0.55%

LAB 79.89, -73.46, 66.34

 

CMYK 44 / 78 / 0 / 11

HEX #8033E4

RGB 128 51 228

HSL 266.1, 0.77%, 0.55%

LAB 42.09, 66.03, -76.12

 

CMYK 0 / 12 / 78 / 10

HEX #E5CA32

RGB 229 202 50

HSL 50.95, 0.77%, 0.55%

LAB 81.36, -5.53, 73.1

 

CMYK 78 / 0 / 13 / 11

HEX #33E4C7

RGB 51 228 199

HSL 170.17, 0.77%, 0.55%

LAB 82.01, -49.58, 1.8

 

CMYK 13 / 78 / 0 / 11

HEX #C733E4

RGB 199 51 228

HSL 290.17, 0.77%, 0.55%

LAB 51.96, 77.78, -59.64

 

CMYK 0 / 12 / 78 / 10

HEX #E5CA32

RGB 229 202 50

HSL 50.95, 0.77%, 0.55%

LAB 81.36, -5.53, 73.1

 

CMYK 78 / 0 / 75 / 11

HEX #33E439

RGB 51 228 57

HSL 122.03, 0.77%, 0.55%

LAB 79.89, -73.46, 66.34

 

CMYK 78 / 64 / 0 / 11

HEX #3351E4

RGB 51 81 228

HSL 229.83, 0.77%, 0.55%

LAB 41.52, 40.86, -77.3

 

CMYK 0 / 78 / 3 / 11

HEX #E433DE

RGB 228 51 222

HSL 302.03, 0.77%, 0.55%

LAB 56.22, 82.29, -49.17

 

CMYK 0 / 12 / 78 / 10

HEX #E5CA32

RGB 229 202 50

HSL 50.95, 0.77%, 0.55%

LAB 81.36, -5.53, 73.1

 

CMYK 78 / 0 / 52 / 11

HEX #33E46E

RGB 51 228 110

HSL 140, 0.77%, 0.55%

LAB 80.36, -67.78, 45.1

 

CMYK 78 / 64 / 0 / 11

HEX #3351E4

RGB 51 81 228

HSL 229.83, 0.77%, 0.55%

LAB 41.52, 40.86, -77.3

 

CMYK 0 / 78 / 26 / 11

HEX #E433A9

RGB 228 51 169

HSL 320, 0.77%, 0.55%

LAB 53.74, 75.17, -22.53

 

Description

Color code: HEX #E5CA32 | qconv.com Color code: HEX #E5CA32 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 202 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 202 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 78 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 78% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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