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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5CE4C it is the complementary color #1A31B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5CE4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5CE4C shade: #EACE47, #FBE05A, #FFF26D, #FFFF80 and #FFFF93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5CE4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5CE4C shade: #E5CE4C, #D4BC39, #C3AA26, #B29813 and #A18600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5CE4C shade: #E5CE4C, #E5A54C, #E57B4C, #E5524C and #E54C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5CE4C shade: #E5CE4C, #D3E54C, #A9E54C, #80E54C and #57E54C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5CE4C shade matches the following richer shades: #E5CE4C and #F6DA3B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5CE4C shade: #E5CE4C, #D4C25D, #C4B76D, #B3AB7E and #A3A08E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5CE4C shade: #E57A4C, #E5A34C, #E5CC4C, #D6E54C and #ADE54C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5CE4C shade: #C3AA1B, #E0C428, #E5CE4C, #EAD870 and #EFE294

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5CE4C shade: #E5CE4C, #4CE551 and #8E4CE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5CE4C shade: #E5CE4C, #4CE5CC and #CB4CE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5CE4C shade: #E5CE4C, #4CE551, #4C65E5 and #E54CE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5CE4C shade: #E5CE4C, #4CE57F, #4C65E5 and #E54CB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 67 / 10

HEX #E5CE4C

RGB 229 206 76

HSL 50.98, 0.75%, 0.6%

LAB 82.55, -6.4, 64.95

 

Complementary color

CMYK 85 / 73 / 0 / 30

HEX #1A31B3

RGB 26 49 179

HSL 230.98, 0.75%, 0.4%

LAB 28.57, 41.25, -70.16

 

CMYK 0 / 12 / 70 / 8

HEX #EACE47

RGB 234 206 71

HSL 49.69, 0.8%, 0.6%

LAB 82.96, -4.56, 67.48

 

CMYK 0 / 11 / 64 / 2

HEX #FBE05A

RGB 251 224 90

HSL 49.94, 0.95%, 0.67%

LAB 89.19, -5.57, 66.79

 

CMYK 0 / 5 / 57 / 0

HEX #FFF26D

RGB 255 242 109

HSL 54.66, 1%, 0.71%

LAB 94.26, -11.66, 64.37

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF80

RGB 255 255 128

HSL 60, 1%, 0.75%

LAB 97.77, -16.54, 59.98

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF93

RGB 255 255 147

HSL 60, 1%, 0.79%

LAB 97.99, -14.83, 51.43

 

CMYK 0 / 10 / 67 / 10

HEX #E5CE4C

RGB 229 206 76

HSL 50.98, 0.75%, 0.6%

LAB 82.55, -6.4, 64.95

 

CMYK 0 / 11 / 73 / 17

HEX #D4BC39

RGB 212 188 57

HSL 50.71, 0.64%, 0.53%

LAB 76.23, -5.33, 65.43

 

CMYK 0 / 13 / 81 / 24

HEX #C3AA26

RGB 195 170 38

HSL 50.45, 0.67%, 0.46%

LAB 69.82, -4.07, 65.3

 

CMYK 0 / 15 / 89 / 30

HEX #B29813

RGB 178 152 19

HSL 50.19, 0.81%, 0.39%

LAB 63.32, -2.57, 64.09

 

CMYK 0 / 17 / 100 / 37

HEX #A18600

RGB 161 134 0

HSL 49.94, 1%, 0.32%

LAB 56.71, -0.83, 61.59

 

CMYK 0 / 10 / 67 / 10

HEX #E5CE4C

RGB 229 206 76

HSL 50.98, 0.75%, 0.6%

LAB 82.55, -6.4, 64.95

 

CMYK 0 / 28 / 67 / 10

HEX #E5A54C

RGB 229 165 76

HSL 34.9, 0.75%, 0.6%

LAB 72.29, 15.04, 54.08

 

CMYK 0 / 46 / 67 / 10

HEX #E57B4C

RGB 229 123 76

HSL 18.43, 0.75%, 0.6%

LAB 62.8, 37.22, 43.44

 

CMYK 0 / 64 / 67 / 10

HEX #E5524C

RGB 229 82 76

HSL 2.35, 0.75%, 0.6%

LAB 55.29, 56.58, 34.56

 

CMYK 0 / 67 / 67 / 10

HEX #E54C4C

RGB 229 76 76

HSL 0, 0.75%, 0.6%

LAB 54.4, 59.01, 33.47

 

CMYK 0 / 10 / 67 / 10

HEX #E5CE4C

RGB 229 206 76

HSL 50.98, 0.75%, 0.6%

LAB 82.55, -6.4, 64.95

 

CMYK 8 / 0 / 67 / 10

HEX #D3E54C

RGB 211 229 76

HSL 67.06, 0.75%, 0.6%

LAB 87.2, -25.18, 69.26

 

CMYK 26 / 0 / 67 / 10

HEX #A9E54C

RGB 169 229 76

HSL 83.53, 0.75%, 0.6%

LAB 84.48, -41.44, 65.6

 

CMYK 44 / 0 / 67 / 10

HEX #80E54C

RGB 128 229 76

HSL 99.61, 0.75%, 0.6%

LAB 82.46, -55.32, 62.86

 

CMYK 62 / 0 / 67 / 10

HEX #57E54C

RGB 87 229 76

HSL 115.69, 0.75%, 0.6%

LAB 81.06, -66.06, 60.95

 

CMYK 0 / 10 / 67 / 10

HEX #E5CE4C

RGB 229 206 76

HSL 50.98, 0.75%, 0.6%

LAB 82.55, -6.4, 64.95

 

CMYK 0 / 11 / 76 / 4

HEX #F6DA3B

RGB 246 218 59

HSL 51.02, 0.91%, 0.6%

LAB 87.02, -6.12, 75.98

 

CMYK 0 / 10 / 67 / 10

HEX #E5CE4C

RGB 229 206 76

HSL 50.98, 0.75%, 0.6%

LAB 82.55, -6.4, 64.95

 

CMYK 0 / 8 / 56 / 17

HEX #D4C25D

RGB 212 194 93

HSL 50.92, 0.58%, 0.6%

LAB 78.09, -6.25, 52.25

 

CMYK 0 / 7 / 44 / 23

HEX #C4B76D

RGB 196 183 109

HSL 51.03, 0.42%, 0.6%

LAB 74, -5.72, 39.17

 

CMYK 0 / 4 / 30 / 30

HEX #B3AB7E

RGB 179 171 126

HSL 50.94, 0.26%, 0.6%

LAB 69.62, -4.25, 24.26

 

CMYK 0 / 2 / 13 / 36

HEX #A3A08E

RGB 163 160 142

HSL 51.43, 0.1%, 0.6%

LAB 65.66, -2.12, 9.77

 

CMYK 0 / 47 / 67 / 10

HEX #E57A4C

RGB 229 122 76

HSL 18.04, 0.75%, 0.6%

LAB 62.59, 37.73, 43.2

 

CMYK 0 / 29 / 67 / 10

HEX #E5A34C

RGB 229 163 76

HSL 34.12, 0.75%, 0.6%

LAB 71.81, 16.1, 53.55

 

CMYK 0 / 11 / 67 / 10

HEX #E5CC4C

RGB 229 204 76

HSL 50.2, 0.75%, 0.6%

LAB 82.04, -5.38, 64.42

 

CMYK 7 / 0 / 67 / 10

HEX #D6E54C

RGB 214 229 76

HSL 65.88, 0.75%, 0.6%

LAB 87.42, -23.97, 69.55

 

CMYK 24 / 0 / 67 / 10

HEX #ADE54C

RGB 173 229 76

HSL 81.96, 0.75%, 0.6%

LAB 84.71, -39.96, 65.91

 

CMYK 0 / 13 / 86 / 24

HEX #C3AA1B

RGB 195 170 27

HSL 51.07, 0.76%, 0.44%

LAB 69.78, -4.38, 68.2

 

CMYK 0 / 13 / 82 / 12

HEX #E0C428

RGB 224 196 40

HSL 50.87, 0.75%, 0.52%

LAB 79.32, -4.91, 74

 

CMYK 0 / 10 / 67 / 10

HEX #E5CE4C

RGB 229 206 76

HSL 50.98, 0.75%, 0.6%

LAB 82.55, -6.4, 64.95

 

CMYK 0 / 8 / 52 / 8

HEX #EAD870

RGB 234 216 112

HSL 51.15, 0.74%, 0.68%

LAB 85.89, -6.94, 52.93

 

CMYK 0 / 5 / 38 / 6

HEX #EFE294

RGB 239 226 148

HSL 51.43, 0.74%, 0.76%

LAB 89.34, -6.55, 39.73

 

CMYK 0 / 10 / 67 / 10

HEX #E5CE4C

RGB 229 206 76

HSL 50.98, 0.75%, 0.6%

LAB 82.55, -6.4, 64.95

 

CMYK 67 / 0 / 65 / 10

HEX #4CE551

RGB 76 229 81

HSL 121.96, 0.75%, 0.6%

LAB 80.83, -67.8, 58.63

 

CMYK 38 / 67 / 0 / 10

HEX #8E4CE5

RGB 142 76 229

HSL 265.88, 0.75%, 0.6%

LAB 47.72, 57.56, -67.44

 

CMYK 0 / 10 / 67 / 10

HEX #E5CE4C

RGB 229 206 76

HSL 50.98, 0.75%, 0.6%

LAB 82.55, -6.4, 64.95

 

CMYK 67 / 0 / 11 / 10

HEX #4CE5CC

RGB 76 229 204

HSL 170.2, 0.75%, 0.6%

LAB 82.88, -45.67, 0.48

 

CMYK 11 / 67 / 0 / 10

HEX #CB4CE5

RGB 203 76 229

HSL 289.8, 0.75%, 0.6%

LAB 55.61, 70.23, -54.33

 

CMYK 0 / 10 / 67 / 10

HEX #E5CE4C

RGB 229 206 76

HSL 50.98, 0.75%, 0.6%

LAB 82.55, -6.4, 64.95

 

CMYK 67 / 0 / 65 / 10

HEX #4CE551

RGB 76 229 81

HSL 121.96, 0.75%, 0.6%

LAB 80.83, -67.8, 58.63

 

CMYK 67 / 56 / 0 / 10

HEX #4C65E5

RGB 76 101 229

HSL 230.2, 0.75%, 0.6%

LAB 47.63, 31.71, -67.84

 

CMYK 0 / 67 / 2 / 10

HEX #E54CE0

RGB 229 76 224

HSL 301.96, 0.75%, 0.6%

LAB 59.17, 75.15, -45.63

 

CMYK 0 / 10 / 67 / 10

HEX #E5CE4C

RGB 229 206 76

HSL 50.98, 0.75%, 0.6%

LAB 82.55, -6.4, 64.95

 

CMYK 67 / 0 / 45 / 10

HEX #4CE57F

RGB 76 229 127

HSL 140, 0.75%, 0.6%

LAB 81.35, -61.81, 38.21

 

CMYK 67 / 56 / 0 / 10

HEX #4C65E5

RGB 76 101 229

HSL 230.2, 0.75%, 0.6%

LAB 47.63, 31.71, -67.84

 

CMYK 0 / 67 / 22 / 10

HEX #E54CB2

RGB 229 76 178

HSL 320, 0.75%, 0.6%

LAB 57.12, 68.49, -22.57

 

Description

Color code: HEX #E5CE4C | qconv.com Color code: HEX #E5CE4C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 206 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 206 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 67 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 67% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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