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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5D032 it is the complementary color #1A2FCD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5D032. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5D032 shade: #EAD02D, #FBE240, #FFF453, #FFFF66 and #FFFF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5D032. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5D032 shade: #E5D032, #D4BE1F, #C3AC0C, #B29A00 and #A18800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5D032 shade: #E4CF33, #E4A033, #E47033, #E44033 and #E43333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5D032 shade: #E4CF33, #C9E433, #9AE433, #6AE433 and #3AE433

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5D032 shade matches the following richer shades: #E4CF33 and #F7DE21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5D032 shade: #E4CF33, #D2C146, #BFB359, #ACA56B and #9A977E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5D032 shade: #E46E33, #E49D33, #E4CD33, #CDE433 and #9DE433

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5D032 shade: #AF9D16, #D3BE1B, #E4CF33, #E9D858 and #EEE07C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5D032 shade: #E5D032, #33E43F and #8633E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5D032 shade: #E5D032, #33E4CD and #CD33E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5D032 shade: #E5D032, #33E43F, #334BE4 and #E433D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5D032 shade: #E5D032, #33E474, #334BE4 and #E433A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 78 / 10

HEX #E5D032

RGB 229 208 50

HSL 52.96, 0.77%, 0.55%

LAB 82.91, -8.57, 74.48

 

Complementary color

CMYK 87 / 77 / 0 / 20

HEX #1A2FCD

RGB 26 47 205

HSL 232.96, 0.77%, 0.45%

LAB 31.02, 51.33, -81.41

 

CMYK 0 / 11 / 81 / 8

HEX #EAD02D

RGB 234 208 45

HSL 51.75, 0.82%, 0.55%

LAB 83.33, -6.61, 76.45

 

CMYK 0 / 10 / 75 / 2

HEX #FBE240

RGB 251 226 64

HSL 51.98, 0.96%, 0.62%

LAB 89.52, -7.84, 76.83

 

CMYK 0 / 4 / 67 / 0

HEX #FFF453

RGB 255 244 83

HSL 56.16, 1%, 0.66%

LAB 94.56, -14.21, 75.19

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF66

RGB 255 255 102

HSL 60, 1%, 0.7%

LAB 97.53, -18.44, 70.9

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF79

RGB 255 255 121

HSL 60, 1%, 0.74%

LAB 97.7, -17.1, 63.02

 

CMYK 0 / 9 / 78 / 10

HEX #E5D032

RGB 229 208 50

HSL 52.96, 0.77%, 0.55%

LAB 82.91, -8.57, 74.48

 

CMYK 0 / 10 / 85 / 17

HEX #D4BE1F

RGB 212 190 31

HSL 52.71, 0.74%, 0.48%

LAB 76.63, -7.25, 73.53

 

CMYK 0 / 12 / 94 / 24

HEX #C3AC0C

RGB 195 172 12

HSL 52.46, 0.88%, 0.41%

LAB 70.27, -5.7, 71.3

 

CMYK 0 / 13 / 100 / 30

HEX #B29A00

RGB 178 154 0

HSL 51.91, 1%, 0.35%

LAB 63.82, -3.92, 67.4

 

CMYK 0 / 16 / 100 / 37

HEX #A18800

RGB 161 136 0

HSL 50.68, 1%, 0.32%

LAB 57.26, -1.93, 61.98

 

CMYK 0 / 9 / 78 / 11

HEX #E4CF33

RGB 228 207 51

HSL 52.88, 0.77%, 0.55%

LAB 82.57, -8.46, 73.84

 

CMYK 0 / 30 / 78 / 11

HEX #E4A033

RGB 228 160 51

HSL 36.95, 0.77%, 0.55%

LAB 70.78, 16.1, 63.05

 

CMYK 0 / 51 / 78 / 11

HEX #E47033

RGB 228 112 51

HSL 20.68, 0.77%, 0.55%

LAB 60.18, 41.23, 52.88

 

CMYK 0 / 72 / 78 / 11

HEX #E44033

RGB 228 64 51

HSL 4.41, 0.77%, 0.55%

LAB 52.29, 62.07, 44.92

 

CMYK 0 / 78 / 78 / 11

HEX #E43333

RGB 228 51 51

HSL 0, 0.77%, 0.55%

LAB 50.8, 66.2, 43.38

 

CMYK 0 / 9 / 78 / 11

HEX #E4CF33

RGB 228 207 51

HSL 52.88, 0.77%, 0.55%

LAB 82.57, -8.46, 73.84

 

CMYK 12 / 0 / 78 / 11

HEX #C9E433

RGB 201 228 51

HSL 69.15, 0.77%, 0.55%

LAB 86.08, -29.93, 76.21

 

CMYK 32 / 0 / 78 / 11

HEX #9AE433

RGB 154 228 51

HSL 85.08, 0.77%, 0.55%

LAB 83.23, -47.88, 72.56

 

CMYK 54 / 0 / 78 / 11

HEX #6AE433

RGB 106 228 51

HSL 101.36, 0.77%, 0.55%

LAB 81.18, -62.94, 69.9

 

CMYK 75 / 0 / 78 / 11

HEX #3AE433

RGB 58 228 51

HSL 117.63, 0.77%, 0.55%

LAB 79.97, -72.9, 68.32

 

CMYK 0 / 9 / 78 / 11

HEX #E4CF33

RGB 228 207 51

HSL 52.88, 0.77%, 0.55%

LAB 82.57, -8.46, 73.84

 

CMYK 0 / 10 / 87 / 3

HEX #F7DE21

RGB 247 222 33

HSL 52.99, 0.93%, 0.55%

LAB 88.03, -8.44, 83.61

 

CMYK 0 / 9 / 78 / 11

HEX #E4CF33

RGB 228 207 51

HSL 52.88, 0.77%, 0.55%

LAB 82.57, -8.46, 73.84

 

CMYK 0 / 8 / 67 / 18

HEX #D2C146

RGB 210 193 70

HSL 52.71, 0.61%, 0.55%

LAB 77.45, -8.11, 61.58

 

CMYK 0 / 6 / 53 / 25

HEX #BFB359

RGB 191 179 89

HSL 52.94, 0.44%, 0.55%

LAB 72.25, -7.56, 46.9

 

CMYK 0 / 4 / 38 / 33

HEX #ACA56B

RGB 172 165 107

HSL 53.54, 0.28%, 0.55%

LAB 67.08, -6.26, 30.99

 

CMYK 0 / 2 / 18 / 40

HEX #9A977E

RGB 154 151 126

HSL 53.57, 0.12%, 0.55%

LAB 62.09, -3.28, 13.59

 

CMYK 0 / 52 / 78 / 11

HEX #E46E33

RGB 228 110 51

HSL 20, 0.77%, 0.55%

LAB 59.78, 42.23, 52.49

 

CMYK 0 / 31 / 78 / 11

HEX #E49D33

RGB 228 157 51

HSL 35.93, 0.77%, 0.55%

LAB 70.07, 17.7, 62.37

 

CMYK 0 / 10 / 78 / 11

HEX #E4CD33

RGB 228 205 51

HSL 52.2, 0.77%, 0.55%

LAB 82.05, -7.44, 73.38

 

CMYK 10 / 0 / 78 / 11

HEX #CDE433

RGB 205 228 51

HSL 67.8, 0.77%, 0.55%

LAB 86.36, -28.32, 76.57

 

CMYK 31 / 0 / 78 / 11

HEX #9DE433

RGB 157 228 51

HSL 84.07, 0.77%, 0.55%

LAB 83.39, -46.81, 72.76

 

CMYK 0 / 10 / 87 / 31

HEX #AF9D16

RGB 175 157 22

HSL 52.94, 0.78%, 0.39%

LAB 64.39, -6.53, 64.19

 

CMYK 0 / 10 / 87 / 17

HEX #D3BE1B

RGB 211 190 27

HSL 53.15, 0.77%, 0.47%

LAB 76.53, -7.77, 74.27

 

CMYK 0 / 9 / 78 / 11

HEX #E4CF33

RGB 228 207 51

HSL 52.88, 0.77%, 0.55%

LAB 82.57, -8.46, 73.84

 

CMYK 0 / 7 / 62 / 9

HEX #E9D858

RGB 233 216 88

HSL 52.97, 0.77%, 0.63%

LAB 85.57, -9.09, 63.3

 

CMYK 0 / 6 / 48 / 7

HEX #EEE07C

RGB 238 224 124

HSL 52.63, 0.77%, 0.71%

LAB 88.42, -8.33, 50.34

 

CMYK 0 / 9 / 78 / 10

HEX #E5D032

RGB 229 208 50

HSL 52.96, 0.77%, 0.55%

LAB 82.91, -8.57, 74.48

 

CMYK 78 / 0 / 72 / 11

HEX #33E43F

RGB 51 228 63

HSL 124.07, 0.77%, 0.55%

LAB 79.93, -73.02, 64.36

 

CMYK 41 / 78 / 0 / 11

HEX #8633E4

RGB 134 51 228

HSL 268.14, 0.77%, 0.55%

LAB 42.82, 66.91, -74.9

 

CMYK 0 / 9 / 78 / 10

HEX #E5D032

RGB 229 208 50

HSL 52.96, 0.77%, 0.55%

LAB 82.91, -8.57, 74.48

 

CMYK 78 / 0 / 10 / 11

HEX #33E4CD

RGB 51 228 205

HSL 172.2, 0.77%, 0.55%

LAB 82.16, -48.02, -1.15

 

CMYK 10 / 78 / 0 / 11

HEX #CD33E4

RGB 205 51 228

HSL 292.2, 0.77%, 0.55%

LAB 52.89, 78.88, -58.1

 

CMYK 0 / 9 / 78 / 10

HEX #E5D032

RGB 229 208 50

HSL 52.96, 0.77%, 0.55%

LAB 82.91, -8.57, 74.48

 

CMYK 78 / 0 / 72 / 11

HEX #33E43F

RGB 51 228 63

HSL 124.07, 0.77%, 0.55%

LAB 79.93, -73.02, 64.36

 

CMYK 78 / 67 / 0 / 11

HEX #334BE4

RGB 51 75 228

HSL 231.86, 0.77%, 0.55%

LAB 40.14, 44.52, -79.55

 

CMYK 0 / 78 / 5 / 11

HEX #E433D8

RGB 228 51 216

HSL 304.07, 0.77%, 0.55%

LAB 55.91, 81.4, -46.27

 

CMYK 0 / 9 / 78 / 10

HEX #E5D032

RGB 229 208 50

HSL 52.96, 0.77%, 0.55%

LAB 82.91, -8.57, 74.48

 

CMYK 78 / 0 / 49 / 11

HEX #33E474

RGB 51 228 116

HSL 142.03, 0.77%, 0.55%

LAB 80.43, -66.88, 42.32

 

CMYK 78 / 67 / 0 / 11

HEX #334BE4

RGB 51 75 228

HSL 231.86, 0.77%, 0.55%

LAB 40.14, 44.52, -79.55

 

CMYK 0 / 78 / 29 / 11

HEX #E433A3

RGB 228 51 163

HSL 322.03, 0.77%, 0.55%

LAB 53.5, 74.47, -19.37

 

Description

Color code: HEX #E5D032 | qconv.com Color code: HEX #E5D032 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 208 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 208 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 78 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 78% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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