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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5DF42 it is the complementary color #1A20BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5DF42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5DF42 shade: #EADF3D, #FBF150, #FFFF63, #FFFF76 and #FFFF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5DF42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5DF42 shade: #E5DF42, #D4CD2F, #C3BB1C, #B2A909 and #A19700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5DF42 shade: #E5DF42, #E5B342, #E58742, #E55B42 and #E54242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5DF42 shade: #E5DF42, #BFE542, #93E542, #67E542 and #42E549

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5DF42 shade matches the following richer shades: #E5DF42 and #F6EF31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5DF42 shade: #E5DF42, #D3CF53, #C2BF65, #B1AF76 and #9F9F87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5DF42 shade: #E58642, #E5B142, #E5DD42, #C2E542 and #96E542

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5DF42 shade: #BBB519, #DFD81E, #E5DF42, #EAE566 and #EFEB8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5DF42 shade: #E5DF42, #42E55A and #9C42E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5DF42 shade: #E5DF42, #42E5DD and #DD42E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5DF42 shade: #E5DF42, #42E55A, #424AE5 and #E542CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5DF42 shade: #E5DF42, #42E58B, #424AE5 and #E5429C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 71 / 10

HEX #E5DF42

RGB 229 223 66

HSL 57.79, 0.76%, 0.58%

LAB 86.91, -15.42, 73.04

 

Complementary color

CMYK 86 / 83 / 0 / 26

HEX #1A20BD

RGB 26 32 189

HSL 237.79, 0.76%, 0.42%

LAB 26.53, 53.75, -79.49

 

CMYK 0 / 5 / 74 / 8

HEX #EADF3D

RGB 234 223 61

HSL 56.18, 0.8%, 0.58%

LAB 87.29, -13.56, 75.21

 

CMYK 0 / 4 / 68 / 2

HEX #FBF150

RGB 251 241 80

HSL 56.49, 0.96%, 0.65%

LAB 93.45, -14.53, 75.07

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF63

RGB 255 255 99

HSL 60, 1%, 0.69%

LAB 97.5, -18.63, 72.08

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF76

RGB 255 255 118

HSL 60, 1%, 0.73%

LAB 97.67, -17.33, 64.31

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF89

RGB 255 255 137

HSL 60, 1%, 0.77%

LAB 97.87, -15.76, 55.97

 

CMYK 0 / 3 / 71 / 10

HEX #E5DF42

RGB 229 223 66

HSL 57.79, 0.76%, 0.58%

LAB 86.91, -15.42, 73.04

 

CMYK 0 / 3 / 78 / 17

HEX #D4CD2F

RGB 212 205 47

HSL 57.45, 0.66%, 0.51%

LAB 80.66, -14.39, 72.81

 

CMYK 0 / 4 / 86 / 24

HEX #C3BB1C

RGB 195 187 28

HSL 57.13, 0.75%, 0.44%

LAB 74.33, -13.17, 71.7

 

CMYK 0 / 5 / 95 / 30

HEX #B2A909

RGB 178 169 9

HSL 56.8, 0.9%, 0.37%

LAB 67.92, -11.73, 69.23

 

CMYK 0 / 6 / 100 / 37

HEX #A19700

RGB 161 151 0

HSL 56.27, 1%, 0.32%

LAB 61.4, -10.04, 64.94

 

CMYK 0 / 3 / 71 / 10

HEX #E5DF42

RGB 229 223 66

HSL 57.79, 0.76%, 0.58%

LAB 86.91, -15.42, 73.04

 

CMYK 0 / 22 / 71 / 10

HEX #E5B342

RGB 229 179 66

HSL 41.6, 0.76%, 0.58%

LAB 75.63, 7.08, 61.93

 

CMYK 0 / 41 / 71 / 10

HEX #E58742

RGB 229 135 66

HSL 25.4, 0.76%, 0.58%

LAB 65.26, 30.45, 51.16

 

CMYK 0 / 60 / 71 / 10

HEX #E55B42

RGB 229 91 66

HSL 9.2, 0.76%, 0.58%

LAB 56.62, 52.2, 41.65

 

CMYK 0 / 71 / 71 / 10

HEX #E54242

RGB 229 66 66

HSL 0, 0.76%, 0.58%

LAB 52.89, 62.27, 37.38

 

CMYK 0 / 3 / 71 / 10

HEX #E5DF42

RGB 229 223 66

HSL 57.79, 0.76%, 0.58%

LAB 86.91, -15.42, 73.04

 

CMYK 17 / 0 / 71 / 10

HEX #BFE542

RGB 191 229 66

HSL 73.99, 0.76%, 0.58%

LAB 85.76, -33.68, 70.97

 

CMYK 36 / 0 / 71 / 10

HEX #93E542

RGB 147 229 66

HSL 90.18, 0.76%, 0.58%

LAB 83.25, -49.9, 67.64

 

CMYK 55 / 0 / 71 / 10

HEX #67E542

RGB 103 229 66

HSL 106.38, 0.76%, 0.58%

LAB 81.46, -63.11, 65.26

 

CMYK 71 / 0 / 68 / 10

HEX #42E549

RGB 66 229 73

HSL 122.58, 0.76%, 0.58%

LAB 80.56, -70.3, 61.43

 

CMYK 0 / 3 / 71 / 10

HEX #E5DF42

RGB 229 223 66

HSL 57.79, 0.76%, 0.58%

LAB 86.91, -15.42, 73.04

 

CMYK 0 / 3 / 80 / 4

HEX #F6EF31

RGB 246 239 49

HSL 57.87, 0.92%, 0.58%

LAB 92.37, -16.84, 83.59

 

CMYK 0 / 3 / 71 / 10

HEX #E5DF42

RGB 229 223 66

HSL 57.79, 0.76%, 0.58%

LAB 86.91, -15.42, 73.04

 

CMYK 0 / 2 / 61 / 17

HEX #D3CF53

RGB 211 207 83

HSL 58.13, 0.59%, 0.58%

LAB 81.35, -13.99, 60.32

 

CMYK 0 / 2 / 48 / 24

HEX #C2BF65

RGB 194 191 101

HSL 58.06, 0.43%, 0.58%

LAB 75.87, -11.46, 45.42

 

CMYK 0 / 1 / 33 / 31

HEX #B1AF76

RGB 177 175 118

HSL 57.97, 0.27%, 0.58%

LAB 70.4, -8.2, 29.54

 

CMYK 0 / 0 / 15 / 38

HEX #9F9F87

RGB 159 159 135

HSL 60, 0.11%, 0.58%

LAB 64.9, -4.26, 12.55

 

CMYK 0 / 41 / 71 / 10

HEX #E58642

RGB 229 134 66

HSL 25.03, 0.76%, 0.58%

LAB 65.04, 30.97, 50.92

 

CMYK 0 / 23 / 71 / 10

HEX #E5B142

RGB 229 177 66

HSL 40.86, 0.76%, 0.58%

LAB 75.14, 8.14, 61.43

 

CMYK 0 / 3 / 71 / 10

HEX #E5DD42

RGB 229 221 66

HSL 57.06, 0.76%, 0.58%

LAB 86.39, -14.43, 72.53

 

CMYK 15 / 0 / 71 / 10

HEX #C2E542

RGB 194 229 66

HSL 72.88, 0.76%, 0.58%

LAB 85.96, -32.5, 71.23

 

CMYK 34 / 0 / 71 / 10

HEX #96E542

RGB 150 229 66

HSL 89.08, 0.76%, 0.58%

LAB 83.4, -48.87, 67.84

 

CMYK 0 / 3 / 87 / 27

HEX #BBB519

RGB 187 181 25

HSL 57.78, 0.76%, 0.42%

LAB 72.02, -13.66, 70.17

 

CMYK 0 / 3 / 87 / 13

HEX #DFD81E

RGB 223 216 30

HSL 57.82, 0.76%, 0.5%

LAB 84.43, -15.67, 80.45

 

CMYK 0 / 3 / 71 / 10

HEX #E5DF42

RGB 229 223 66

HSL 57.79, 0.76%, 0.58%

LAB 86.91, -15.42, 73.04

 

CMYK 0 / 2 / 56 / 8

HEX #EAE566

RGB 234 229 102

HSL 57.73, 0.76%, 0.66%

LAB 89.15, -14.21, 61.23

 

CMYK 0 / 2 / 42 / 6

HEX #EFEB8B

RGB 239 235 139

HSL 57.6, 0.76%, 0.74%

LAB 91.52, -11.99, 46.94

 

CMYK 0 / 3 / 71 / 10

HEX #E5DF42

RGB 229 223 66

HSL 57.79, 0.76%, 0.58%

LAB 86.91, -15.42, 73.04

 

CMYK 71 / 0 / 61 / 10

HEX #42E55A

RGB 66 229 90

HSL 128.83, 0.76%, 0.58%

LAB 80.7, -68.58, 54.65

 

CMYK 32 / 71 / 0 / 10

HEX #9C42E5

RGB 156 66 229

HSL 273.13, 0.76%, 0.58%

LAB 47.78, 64.77, -67.26

 

CMYK 0 / 3 / 71 / 10

HEX #E5DF42

RGB 229 223 66

HSL 57.79, 0.76%, 0.58%

LAB 86.91, -15.42, 73.04

 

CMYK 71 / 0 / 3 / 10

HEX #42E5DD

RGB 66 229 221

HSL 177.06, 0.76%, 0.58%

LAB 83.13, -42.53, -8.16

 

CMYK 3 / 71 / 0 / 10

HEX #DD42E5

RGB 221 66 229

HSL 297.06, 0.76%, 0.58%

LAB 57, 77.64, -51.95

 

CMYK 0 / 3 / 71 / 10

HEX #E5DF42

RGB 229 223 66

HSL 57.79, 0.76%, 0.58%

LAB 86.91, -15.42, 73.04

 

CMYK 71 / 0 / 61 / 10

HEX #42E55A

RGB 66 229 90

HSL 128.83, 0.76%, 0.58%

LAB 80.7, -68.58, 54.65

 

CMYK 71 / 68 / 0 / 10

HEX #424AE5

RGB 66 74 229

HSL 237.06, 0.76%, 0.58%

LAB 40.76, 46.88, -79.08

 

CMYK 0 / 71 / 11 / 10

HEX #E542CC

RGB 229 66 204

HSL 309.2, 0.76%, 0.58%

LAB 56.99, 75.54, -37.71

 

CMYK 0 / 3 / 71 / 10

HEX #E5DF42

RGB 229 223 66

HSL 57.79, 0.76%, 0.58%

LAB 86.91, -15.42, 73.04

 

CMYK 71 / 0 / 39 / 10

HEX #42E58B

RGB 66 229 139

HSL 146.87, 0.76%, 0.58%

LAB 81.33, -61.37, 32.14

 

CMYK 71 / 68 / 0 / 10

HEX #424AE5

RGB 66 74 229

HSL 237.06, 0.76%, 0.58%

LAB 40.76, 46.88, -79.08

 

CMYK 0 / 71 / 32 / 10

HEX #E5429C

RGB 229 66 156

HSL 326.87, 0.76%, 0.58%

LAB 55.03, 69.37, -12.91

 

Description

Color code: HEX #E5DF42 | qconv.com Color code: HEX #E5DF42 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 223 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 223 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 71 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 71% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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