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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5E45C it is the complementary color #1A1BA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5E45C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5E45C shade: #EAE457, #FBF66A, #FFFF7D, #FFFF90 and #FFFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5E45C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5E45C shade: #E5E45C, #D4D249, #C3C036, #B2AE23 and #A19C10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5E45C shade: #E4E35C, #E4BE5C, #E49A5C, #E4755C and #E45C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5E45C shade: #E4E35C, #C0E45C, #9CE45C, #77E45C and #5CE466

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5E45C shade matches the following richer shades: #E4E35C and #F3F24D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5E45C shade: #E4E35C, #D5D46B, #C6C57B, #B6B68A and #A7A799

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5E45C shade: #E4995C, #E4BE5C, #E4E25C, #C2E45C and #9EE45C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5E45C shade: #CDCC21, #DEDD39, #E4E35C, #EAE980 and #F0EFA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5E45C shade: #E5E45C, #5CE475 and #AB5CE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5E45C shade: #E5E45C, #5CE4E2 and #E25CE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5E45C shade: #E5E45C, #5CE475, #5C5EE4 and #E45CCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5E45C shade: #E5E45C, #5CE49E, #5C5EE4 and #E45CA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 60 / 10

HEX #E5E45C

RGB 229 228 92

HSL 59.56, 0.72%, 0.63%

LAB 88.41, -16.43, 64.58

 

Complementary color

CMYK 84 / 83 / 0 / 36

HEX #1A1BA3

RGB 26 27 163

HSL 239.56, 0.72%, 0.37%

LAB 22.47, 47.95, -70.63

 

CMYK 0 / 3 / 63 / 8

HEX #EAE457

RGB 234 228 87

HSL 57.55, 0.78%, 0.63%

LAB 88.77, -14.71, 67.14

 

CMYK 0 / 2 / 58 / 2

HEX #FBF66A

RGB 251 246 106

HSL 57.93, 0.95%, 0.7%

LAB 94.93, -15.43, 66.32

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7D

RGB 255 255 125

HSL 60, 1%, 0.75%

LAB 97.74, -16.78, 61.29

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 0 / 60 / 10

HEX #E5E45C

RGB 229 228 92

HSL 59.56, 0.72%, 0.63%

LAB 88.41, -16.43, 64.58

 

CMYK 0 / 1 / 66 / 17

HEX #D4D249

RGB 212 210 73

HSL 59.14, 0.62%, 0.56%

LAB 82.15, -15.69, 65.27

 

CMYK 0 / 2 / 72 / 24

HEX #C3C036

RGB 195 192 54

HSL 58.72, 0.57%, 0.49%

LAB 75.8, -14.8, 65.58

 

CMYK 0 / 2 / 80 / 30

HEX #B2AE23

RGB 178 174 35

HSL 58.32, 0.67%, 0.42%

LAB 69.37, -13.73, 65.2

 

CMYK 0 / 3 / 90 / 37

HEX #A19C10

RGB 161 156 16

HSL 57.93, 0.82%, 0.35%

LAB 62.84, -12.43, 63.63

 

CMYK 0 / 0 / 60 / 11

HEX #E4E35C

RGB 228 227 92

HSL 59.56, 0.72%, 0.63%

LAB 88.07, -16.35, 64.19

 

CMYK 0 / 17 / 60 / 11

HEX #E4BE5C

RGB 228 190 92

HSL 43.24, 0.72%, 0.63%

LAB 78.52, 2.43, 53.59

 

CMYK 0 / 32 / 60 / 11

HEX #E49A5C

RGB 228 154 92

HSL 27.35, 0.72%, 0.63%

LAB 69.74, 21.53, 43.35

 

CMYK 0 / 49 / 60 / 11

HEX #E4755C

RGB 228 117 92

HSL 11.03, 0.72%, 0.63%

LAB 61.64, 40.91, 33.43

 

CMYK 0 / 60 / 60 / 11

HEX #E45C5C

RGB 228 92 92

HSL 0, 0.72%, 0.63%

LAB 57, 52.9, 27.51

 

CMYK 0 / 0 / 60 / 11

HEX #E4E35C

RGB 228 227 92

HSL 59.56, 0.72%, 0.63%

LAB 88.07, -16.35, 64.19

 

CMYK 16 / 0 / 60 / 11

HEX #C0E45C

RGB 192 228 92

HSL 75.88, 0.72%, 0.63%

LAB 85.74, -31.13, 60.9

 

CMYK 32 / 0 / 60 / 11

HEX #9CE45C

RGB 156 228 92

HSL 91.76, 0.72%, 0.63%

LAB 83.61, -44.39, 57.94

 

CMYK 48 / 0 / 60 / 11

HEX #77E45C

RGB 119 228 92

HSL 108.09, 0.72%, 0.63%

LAB 81.94, -56.13, 55.59

 

CMYK 60 / 0 / 55 / 11

HEX #5CE466

RGB 92 228 102

HSL 124.41, 0.72%, 0.63%

LAB 81.14, -61.84, 49.97

 

CMYK 0 / 0 / 60 / 11

HEX #E4E35C

RGB 228 227 92

HSL 59.56, 0.72%, 0.63%

LAB 88.07, -16.35, 64.19

 

CMYK 0 / 0 / 68 / 5

HEX #F3F24D

RGB 243 242 77

HSL 59.64, 0.87%, 0.63%

LAB 93.06, -18.42, 75.55

 

CMYK 0 / 0 / 60 / 11

HEX #E4E35C

RGB 228 227 92

HSL 59.56, 0.72%, 0.63%

LAB 88.07, -16.35, 64.19

 

CMYK 0 / 0 / 50 / 16

HEX #D5D46B

RGB 213 212 107

HSL 59.43, 0.56%, 0.63%

LAB 83.07, -13.84, 51.51

 

CMYK 0 / 1 / 38 / 22

HEX #C6C57B

RGB 198 197 123

HSL 59.2, 0.4%, 0.63%

LAB 78.09, -10.66, 37.24

 

CMYK 0 / 0 / 24 / 29

HEX #B6B68A

RGB 182 182 138

HSL 60, 0.23%, 0.63%

LAB 73.05, -7.24, 22.47

 

CMYK 0 / 0 / 8 / 35

HEX #A7A799

RGB 167 167 153

HSL 60, 0.07%, 0.63%

LAB 68.13, -2.55, 7.24

 

CMYK 0 / 33 / 60 / 11

HEX #E4995C

RGB 228 153 92

HSL 26.91, 0.72%, 0.63%

LAB 69.5, 22.06, 43.07

 

CMYK 0 / 17 / 60 / 11

HEX #E4BE5C

RGB 228 190 92

HSL 43.24, 0.72%, 0.63%

LAB 78.52, 2.43, 53.59

 

CMYK 0 / 1 / 60 / 11

HEX #E4E25C

RGB 228 226 92

HSL 59.12, 0.72%, 0.63%

LAB 87.8, -15.86, 63.91

 

CMYK 15 / 0 / 60 / 11

HEX #C2E45C

RGB 194 228 92

HSL 75, 0.72%, 0.63%

LAB 85.87, -30.36, 61.08

 

CMYK 31 / 0 / 60 / 11

HEX #9EE45C

RGB 158 228 92

HSL 90.88, 0.72%, 0.63%

LAB 83.72, -43.7, 58.09

 

CMYK 0 / 0 / 84 / 20

HEX #CDCC21

RGB 205 204 33

HSL 59.65, 0.72%, 0.47%

LAB 79.77, -17.29, 75.43

 

CMYK 0 / 0 / 74 / 13

HEX #DEDD39

RGB 222 221 57

HSL 59.64, 0.71%, 0.55%

LAB 85.77, -17.73, 74.73

 

CMYK 0 / 0 / 60 / 11

HEX #E4E35C

RGB 228 227 92

HSL 59.56, 0.72%, 0.63%

LAB 88.07, -16.35, 64.19

 

CMYK 0 / 0 / 45 / 8

HEX #EAE980

RGB 234 233 128

HSL 59.43, 0.72%, 0.71%

LAB 90.47, -14.02, 50.85

 

CMYK 0 / 0 / 32 / 6

HEX #F0EFA3

RGB 240 239 163

HSL 59.22, 0.72%, 0.79%

LAB 92.97, -10.95, 36.97

 

CMYK 0 / 0 / 60 / 10

HEX #E5E45C

RGB 229 228 92

HSL 59.56, 0.72%, 0.63%

LAB 88.41, -16.43, 64.58

 

CMYK 60 / 0 / 49 / 11

HEX #5CE475

RGB 92 228 117

HSL 131.03, 0.72%, 0.63%

LAB 81.32, -59.84, 43.13

 

CMYK 25 / 60 / 0 / 11

HEX #AB5CE4

RGB 171 92 228

HSL 274.85, 0.72%, 0.63%

LAB 53.94, 55.65, -56.68

 

CMYK 0 / 0 / 60 / 10

HEX #E5E45C

RGB 229 228 92

HSL 59.56, 0.72%, 0.63%

LAB 88.41, -16.43, 64.58

 

CMYK 60 / 0 / 1 / 11

HEX #5CE4E2

RGB 92 228 226

HSL 179.12, 0.72%, 0.63%

LAB 83.58, -36.97, -10.09

 

CMYK 1 / 60 / 0 / 11

HEX #E25CE4

RGB 226 92 228

HSL 299.12, 0.72%, 0.63%

LAB 61.15, 68.89, -44.76

 

CMYK 0 / 0 / 60 / 10

HEX #E5E45C

RGB 229 228 92

HSL 59.56, 0.72%, 0.63%

LAB 88.41, -16.43, 64.58

 

CMYK 60 / 0 / 49 / 11

HEX #5CE475

RGB 92 228 117

HSL 131.03, 0.72%, 0.63%

LAB 81.32, -59.84, 43.13

 

CMYK 60 / 59 / 0 / 11

HEX #5C5EE4

RGB 92 94 228

HSL 239.12, 0.72%, 0.63%

LAB 46.82, 38.16, -68.54

 

CMYK 0 / 60 / 11 / 11

HEX #E45CCB

RGB 228 92 203

HSL 311.03, 0.72%, 0.63%

LAB 60.3, 65.38, -31.99

 

CMYK 0 / 0 / 60 / 10

HEX #E5E45C

RGB 229 228 92

HSL 59.56, 0.72%, 0.63%

LAB 88.41, -16.43, 64.58

 

CMYK 60 / 0 / 31 / 11

HEX #5CE49E

RGB 92 228 158

HSL 149.12, 0.72%, 0.63%

LAB 81.96, -52.86, 23.37

 

CMYK 60 / 59 / 0 / 11

HEX #5C5EE4

RGB 92 94 228

HSL 239.12, 0.72%, 0.63%

LAB 46.82, 38.16, -68.54

 

CMYK 0 / 60 / 29 / 11

HEX #E45CA2

RGB 228 92 162

HSL 329.12, 0.72%, 0.63%

LAB 58.75, 59.68, -10.83

 

Description

Color code: HEX #E5E45C | qconv.com Color code: HEX #E5E45C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 228 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 228 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 60 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 60% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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