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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5E7A5 it is the complementary color #1A185A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5E7A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5E7A5 shade: #EAE7A0, #FBF9B3, #FFFFC6, #FFFFD9 and #FFFFEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5E7A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5E7A5 shade: #E5E7A5, #D4D592, #C3C37F, #B2B16C and #A19F59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5E7A5 shade: #E5E7A6, #E7D7A6, #E7C6A6, #E7B4A6 and #E7A6A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5E7A5 shade: #E5E7A6, #D3E7A6, #C2E7A6, #B0E7A6 and #A6E7AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5E7A5 shade matches the following richer shades: #E5E7A6, #EDF09D and #F6F994

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5E7A5 shade: #E5E7A6, #DCDEAF, #D4D5B8, #CBCCC1 and #C3C3CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5E7A5 shade: #E7C5A6, #E7D7A6, #E6E7A6, #D4E7A6 and #C3E7A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5E7A5 shade: #D2D665, #DCDE85, #E5E7A6, #EEF0C6 and #F8F8E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5E7A5 shade: #E5E7A5, #A6E7B4 and #CEA6E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5E7A5 shade: #E5E7A5, #A6E6E7 and #E7A6E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5E7A5 shade: #E5E7A5, #A6E7B4, #A7A6E7 and #E7A6D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5E7A5 shade: #E5E7A5, #A6E7C7, #A7A6E7 and #E7A6C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 29 / 9

HEX #E5E7A5

RGB 229 231 165

HSL 61.82, 0.58%, 0.78%

LAB 90.1, -10.85, 32

 

Complementary color

CMYK 71 / 73 / 0 / 65

HEX #1A185A

RGB 26 24 90

HSL 241.82, 0.58%, 0.22%

LAB 13.3, 24.34, -39.26

 

CMYK 0 / 1 / 32 / 8

HEX #EAE7A0

RGB 234 231 160

HSL 57.57, 0.64%, 0.77%

LAB 90.41, -9.59, 35.01

 

CMYK 0 / 1 / 29 / 2

HEX #FBF9B3

RGB 251 249 179

HSL 58.33, 0.9%, 0.84%

LAB 96.62, -9.85, 33.93

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD9

RGB 255 255 217

HSL 60, 1%, 0.93%

LAB 99.14, -6.17, 18.19

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEC

RGB 255 255 236

HSL 60, 1%, 0.96%

LAB 99.55, -3.2, 9.07

 

CMYK 1 / 0 / 29 / 9

HEX #E5E7A5

RGB 229 231 165

HSL 61.82, 0.58%, 0.78%

LAB 90.1, -10.85, 32

 

CMYK 0 / 0 / 31 / 16

HEX #D4D592

RGB 212 213 146

HSL 60.9, 0.44%, 0.7%

LAB 83.79, -10.62, 33.09

 

CMYK 0 / 0 / 35 / 24

HEX #C3C37F

RGB 195 195 127

HSL 60, 0.36%, 0.63%

LAB 77.38, -10.36, 34.22

 

CMYK 0 / 1 / 39 / 30

HEX #B2B16C

RGB 178 177 108

HSL 59.14, 0.31%, 0.56%

LAB 70.87, -10.03, 35.41

 

CMYK 0 / 1 / 45 / 37

HEX #A19F59

RGB 161 159 89

HSL 58.33, 0.29%, 0.49%

LAB 64.24, -9.63, 36.64

 

CMYK 1 / 0 / 28 / 9

HEX #E5E7A6

RGB 229 231 166

HSL 61.85, 0.58%, 0.78%

LAB 90.12, -10.72, 31.51

 

CMYK 0 / 7 / 28 / 9

HEX #E7D7A6

RGB 231 215 166

HSL 45.23, 0.58%, 0.78%

LAB 86.18, -1.86, 26.22

 

CMYK 0 / 14 / 28 / 9

HEX #E7C6A6

RGB 231 198 166

HSL 29.54, 0.58%, 0.78%

LAB 81.91, 6.97, 20.37

 

CMYK 0 / 22 / 28 / 9

HEX #E7B4A6

RGB 231 180 166

HSL 12.92, 0.58%, 0.78%

LAB 77.51, 16.5, 14.23

 

CMYK 0 / 28 / 28 / 9

HEX #E7A6A6

RGB 231 166 166

HSL 0, 0.58%, 0.78%

LAB 74.2, 23.98, 9.54

 

CMYK 1 / 0 / 28 / 9

HEX #E5E7A6

RGB 229 231 166

HSL 61.85, 0.58%, 0.78%

LAB 90.12, -10.72, 31.51

 

CMYK 9 / 0 / 28 / 9

HEX #D3E7A6

RGB 211 231 166

HSL 78.46, 0.58%, 0.78%

LAB 88.81, -17.37, 29.52

 

CMYK 16 / 0 / 28 / 9

HEX #C2E7A6

RGB 194 231 166

HSL 94.15, 0.58%, 0.78%

LAB 87.67, -23.46, 27.79

 

CMYK 24 / 0 / 28 / 9

HEX #B0E7A6

RGB 176 231 166

HSL 110.77, 0.58%, 0.78%

LAB 86.57, -29.63, 26.12

 

CMYK 28 / 0 / 25 / 9

HEX #A6E7AD

RGB 166 231 173

HSL 126.46, 0.58%, 0.78%

LAB 86.14, -31.75, 21.83

 

CMYK 1 / 0 / 28 / 9

HEX #E5E7A6

RGB 229 231 166

HSL 61.85, 0.58%, 0.78%

LAB 90.12, -10.72, 31.51

 

CMYK 1 / 0 / 35 / 6

HEX #EDF09D

RGB 237 240 157

HSL 62.17, 0.73%, 0.78%

LAB 92.91, -13.28, 39.83

 

CMYK 1 / 0 / 41 / 2

HEX #F6F994

RGB 246 249 148

HSL 61.78, 0.89%, 0.78%

LAB 95.78, -15.25, 48.05

 

CMYK 1 / 0 / 28 / 9

HEX #E5E7A6

RGB 229 231 166

HSL 61.85, 0.58%, 0.78%

LAB 90.12, -10.72, 31.51

 

CMYK 1 / 0 / 21 / 13

HEX #DCDEAF

RGB 220 222 175

HSL 62.55, 0.42%, 0.78%

LAB 87.27, -8.31, 22.89

 

CMYK 0 / 0 / 14 / 16

HEX #D4D5B8

RGB 212 213 184

HSL 62.07, 0.26%, 0.78%

LAB 84.51, -5.27, 14.24

 

CMYK 0 / 0 / 5 / 20

HEX #CBCCC1

RGB 203 204 193

HSL 65.45, 0.1%, 0.78%

LAB 81.69, -2.3, 5.35

 

CMYK 3 / 3 / 0 / 21

HEX #C3C3CA

RGB 195 195 202

HSL 240, 0.06%, 0.78%

LAB 78.98, 1.31, -3.51

 

CMYK 0 / 15 / 28 / 9

HEX #E7C5A6

RGB 231 197 166

HSL 28.62, 0.58%, 0.78%

LAB 81.66, 7.5, 20.02

 

CMYK 0 / 7 / 28 / 9

HEX #E7D7A6

RGB 231 215 166

HSL 45.23, 0.58%, 0.78%

LAB 86.18, -1.86, 26.22

 

CMYK 0 / 0 / 28 / 9

HEX #E6E7A6

RGB 230 231 166

HSL 60.92, 0.58%, 0.78%

LAB 90.2, -10.35, 31.63

 

CMYK 8 / 0 / 28 / 9

HEX #D4E7A6

RGB 212 231 166

HSL 77.54, 0.58%, 0.78%

LAB 88.88, -17, 29.63

 

CMYK 16 / 0 / 28 / 9

HEX #C3E7A6

RGB 195 231 166

HSL 93.23, 0.58%, 0.78%

LAB 87.73, -23.1, 27.89

 

CMYK 2 / 0 / 53 / 16

HEX #D2D665

RGB 210 214 101

HSL 62.12, 0.58%, 0.62%

LAB 83.3, -16.55, 54.52

 

CMYK 1 / 0 / 40 / 13

HEX #DCDE85

RGB 220 222 133

HSL 61.35, 0.57%, 0.7%

LAB 86.58, -13.54, 43.36

 

CMYK 1 / 0 / 28 / 9

HEX #E5E7A6

RGB 229 231 166

HSL 61.85, 0.58%, 0.78%

LAB 90.12, -10.72, 31.51

 

CMYK 1 / 0 / 18 / 6

HEX #EEF0C6

RGB 238 240 198

HSL 62.86, 0.58%, 0.86%

LAB 93.7, -7.52, 20.12

 

CMYK 0 / 0 / 7 / 3

HEX #F8F8E7

RGB 248 248 231

HSL 60, 0.55%, 0.94%

LAB 97.17, -2.89, 8.15

 

CMYK 1 / 0 / 29 / 9

HEX #E5E7A5

RGB 229 231 165

HSL 61.82, 0.58%, 0.78%

LAB 90.1, -10.85, 32

 

CMYK 28 / 0 / 22 / 9

HEX #A6E7B4

RGB 166 231 180

HSL 132.92, 0.58%, 0.78%

LAB 86.28, -30.52, 18.39

 

CMYK 11 / 28 / 0 / 9

HEX #CEA6E7

RGB 206 166 231

HSL 276.92, 0.58%, 0.78%

LAB 73.65, 26.44, -27.16

 

CMYK 1 / 0 / 29 / 9

HEX #E5E7A5

RGB 229 231 165

HSL 61.82, 0.58%, 0.78%

LAB 90.1, -10.85, 32

 

CMYK 28 / 0 / 0 / 9

HEX #A6E6E7

RGB 166 230 231

HSL 180.92, 0.58%, 0.78%

LAB 87.23, -19.76, -6.98

 

CMYK 0 / 28 / 0 / 9

HEX #E7A6E6

RGB 231 166 230

HSL 300.92, 0.58%, 0.78%

LAB 76.05, 34.21, -22.73

 

CMYK 1 / 0 / 29 / 9

HEX #E5E7A5

RGB 229 231 165

HSL 61.82, 0.58%, 0.78%

LAB 90.1, -10.85, 32

 

CMYK 28 / 0 / 22 / 9

HEX #A6E7B4

RGB 166 231 180

HSL 132.92, 0.58%, 0.78%

LAB 86.28, -30.52, 18.39

 

CMYK 28 / 28 / 0 / 9

HEX #A7A6E7

RGB 167 166 231

HSL 240.92, 0.58%, 0.78%

LAB 70.36, 14.56, -32.51

 

CMYK 0 / 28 / 6 / 9

HEX #E7A6D9

RGB 231 166 217

HSL 312.92, 0.58%, 0.78%

LAB 75.62, 31.89, -16.31

 

CMYK 1 / 0 / 29 / 9

HEX #E5E7A5

RGB 229 231 165

HSL 61.82, 0.58%, 0.78%

LAB 90.1, -10.85, 32

 

CMYK 28 / 0 / 14 / 9

HEX #A6E7C7

RGB 166 231 199

HSL 150.46, 0.58%, 0.78%

LAB 86.69, -26.97, 9.05

 

CMYK 28 / 28 / 0 / 9

HEX #A7A6E7

RGB 167 166 231

HSL 240.92, 0.58%, 0.78%

LAB 70.36, 14.56, -32.51

 

CMYK 0 / 28 / 15 / 9

HEX #E7A6C5

RGB 231 166 197

HSL 331.38, 0.58%, 0.78%

LAB 75.01, 28.55, -6.29

 

Description

Color code: HEX #E5E7A5 | qconv.com Color code: HEX #E5E7A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 231 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 231 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 29 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 29% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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