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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5F5A6 it is the complementary color #1A0A59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5F5A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5F5A6 shade: #EAF5A1, #FBFFB4, #FFFFC7, #FFFFDA and #FFFFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5F5A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5F5A6 shade: #E5F5A6, #D4E393, #C3D180, #B2BF6D and #A1AD5A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5F5A6 shade: #E5F5A7, #F5F0A7, #F5DBA7, #F5C6A7 and #F5B1A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5F5A6 shade: #E5F5A7, #D0F5A7, #BBF5A7, #A7F5A8 and #A7F5BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5F5A6 shade matches the following richer shades: #E5F5A7 and #EAFD9F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5F5A6 shade: #E5F5A7, #E0EDAF, #DCE5B7, #D7DDBF and #D2D5C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5F5A6 shade: #F5DBA7, #F5F0A7, #E5F5A7, #D1F5A7 and #BCF5A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5F5A6 shade: #CFED5D, #DAF182, #E5F5A7, #F0F9CC and #FBFDF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5F5A6 shade: #E5F5A6, #A7F5C6 and #E5A7F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5F5A6 shade: #E5F5A6, #A7E5F5 and #F5A7E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5F5A6 shade: #E5F5A6, #A7F5C6, #B7A7F5 and #F5A7D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5F5A6 shade: #E5F5A6, #A7F5DE, #B7A7F5 and #F5A7BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 32 / 4

HEX #E5F5A6

RGB 229 245 166

HSL 72.15, 0.8%, 0.81%

LAB 93.76, -17.63, 36.35

 

Complementary color

CMYK 71 / 89 / 0 / 65

HEX #1A0A59

RGB 26 10 89

HSL 252.15, 0.8%, 0.19%

LAB 10.24, 32.29, -43.62

 

CMYK 4 / 0 / 34 / 4

HEX #EAF5A1

RGB 234 245 161

HSL 67.86, 0.81%, 0.8%

LAB 94.04, -16.39, 39.28

 

CMYK 2 / 0 / 29 / 0

HEX #FBFFB4

RGB 251 255 180

HSL 63.2, 1%, 0.85%

LAB 98.16, -12.67, 35.49

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFED

RGB 255 255 237

HSL 60, 1%, 0.96%

LAB 99.57, -3.04, 8.59

 

CMYK 7 / 0 / 32 / 4

HEX #E5F5A6

RGB 229 245 166

HSL 72.15, 0.8%, 0.81%

LAB 93.76, -17.63, 36.35

 

CMYK 7 / 0 / 35 / 11

HEX #D4E393

RGB 212 227 147

HSL 71.25, 0.59%, 0.73%

LAB 87.51, -17.5, 37.45

 

CMYK 7 / 0 / 39 / 18

HEX #C3D180

RGB 195 209 128

HSL 70.37, 0.47%, 0.66%

LAB 81.16, -17.32, 38.59

 

CMYK 7 / 0 / 43 / 25

HEX #B2BF6D

RGB 178 191 109

HSL 69.51, 0.39%, 0.59%

LAB 74.72, -17.11, 39.76

 

CMYK 7 / 0 / 48 / 32

HEX #A1AD5A

RGB 161 173 90

HSL 68.67, 0.34%, 0.52%

LAB 68.17, -16.83, 40.95

 

CMYK 7 / 0 / 32 / 4

HEX #E5F5A7

RGB 229 245 167

HSL 72.31, 0.8%, 0.81%

LAB 93.78, -17.51, 35.87

 

CMYK 0 / 2 / 32 / 4

HEX #F5F0A7

RGB 245 240 167

HSL 56.15, 0.8%, 0.81%

LAB 93.68, -9.09, 35.96

 

CMYK 0 / 11 / 32 / 4

HEX #F5DBA7

RGB 245 219 167

HSL 40, 0.8%, 0.81%

LAB 88.38, 1.52, 28.89

 

CMYK 0 / 19 / 32 / 4

HEX #F5C6A7

RGB 245 198 167

HSL 23.85, 0.8%, 0.81%

LAB 83.23, 12.42, 21.86

 

CMYK 0 / 28 / 32 / 4

HEX #F5B1A7

RGB 245 177 167

HSL 7.69, 0.8%, 0.81%

LAB 78.26, 23.49, 14.95

 

CMYK 7 / 0 / 32 / 4

HEX #E5F5A7

RGB 229 245 167

HSL 72.31, 0.8%, 0.81%

LAB 93.78, -17.51, 35.87

 

CMYK 15 / 0 / 32 / 4

HEX #D0F5A7

RGB 208 245 167

HSL 88.46, 0.8%, 0.81%

LAB 92.36, -25.09, 33.73

 

CMYK 24 / 0 / 32 / 4

HEX #BBF5A7

RGB 187 245 167

HSL 104.62, 0.8%, 0.81%

LAB 91.08, -32.35, 31.8

 

CMYK 32 / 0 / 31 / 4

HEX #A7F5A8

RGB 167 245 168

HSL 120.77, 0.8%, 0.81%

LAB 90.02, -38.68, 29.69

 

CMYK 32 / 0 / 23 / 4

HEX #A7F5BD

RGB 167 245 189

HSL 136.92, 0.8%, 0.81%

LAB 90.41, -35.12, 19.5

 

CMYK 7 / 0 / 32 / 4

HEX #E5F5A7

RGB 229 245 167

HSL 72.31, 0.8%, 0.81%

LAB 93.78, -17.51, 35.87

 

CMYK 8 / 0 / 37 / 1

HEX #EAFD9F

RGB 234 253 159

HSL 72.13, 0.96%, 0.81%

LAB 96.1, -20.5, 42.93

 

CMYK 7 / 0 / 32 / 4

HEX #E5F5A7

RGB 229 245 167

HSL 72.31, 0.8%, 0.81%

LAB 93.78, -17.51, 35.87

 

CMYK 5 / 0 / 26 / 7

HEX #E0EDAF

RGB 224 237 175

HSL 72.58, 0.63%, 0.81%

LAB 91.46, -14.35, 28.67

 

CMYK 4 / 0 / 20 / 10

HEX #DCE5B7

RGB 220 229 183

HSL 71.74, 0.47%, 0.81%

LAB 89.24, -10.67, 21.46

 

CMYK 3 / 0 / 14 / 13

HEX #D7DDBF

RGB 215 221 191

HSL 72, 0.31%, 0.81%

LAB 86.96, -7.18, 14.05

 

CMYK 1 / 0 / 7 / 16

HEX #D2D5C7

RGB 210 213 199

HSL 72.86, 0.14%, 0.81%

LAB 84.7, -3.5, 6.55

 

CMYK 0 / 11 / 32 / 4

HEX #F5DBA7

RGB 245 219 167

HSL 40, 0.8%, 0.81%

LAB 88.38, 1.52, 28.89

 

CMYK 0 / 2 / 32 / 4

HEX #F5F0A7

RGB 245 240 167

HSL 56.15, 0.8%, 0.81%

LAB 93.68, -9.09, 35.96

 

CMYK 7 / 0 / 32 / 4

HEX #E5F5A7

RGB 229 245 167

HSL 72.31, 0.8%, 0.81%

LAB 93.78, -17.51, 35.87

 

CMYK 15 / 0 / 32 / 4

HEX #D1F5A7

RGB 209 245 167

HSL 87.69, 0.8%, 0.81%

LAB 92.42, -24.74, 33.83

 

CMYK 23 / 0 / 32 / 4

HEX #BCF5A7

RGB 188 245 167

HSL 103.85, 0.8%, 0.81%

LAB 91.14, -32.01, 31.89

 

CMYK 13 / 0 / 61 / 7

HEX #CFED5D

RGB 207 237 93

HSL 72.5, 0.8%, 0.65%

LAB 89.22, -29.44, 64.58

 

CMYK 10 / 0 / 46 / 5

HEX #DAF182

RGB 218 241 130

HSL 72.43, 0.8%, 0.73%

LAB 91.43, -23.9, 50.8

 

CMYK 7 / 0 / 32 / 4

HEX #E5F5A7

RGB 229 245 167

HSL 72.31, 0.8%, 0.81%

LAB 93.78, -17.51, 35.87

 

CMYK 4 / 0 / 18 / 2

HEX #F0F9CC

RGB 240 249 204

HSL 72, 0.79%, 0.89%

LAB 96.26, -10.4, 20.64

 

CMYK 1 / 0 / 4 / 1

HEX #FBFDF2

RGB 251 253 242

HSL 70.91, 0.73%, 0.97%

LAB 98.9, -2.55, 5.02

 

CMYK 7 / 0 / 32 / 4

HEX #E5F5A6

RGB 229 245 166

HSL 72.15, 0.8%, 0.81%

LAB 93.76, -17.63, 36.35

 

CMYK 32 / 0 / 19 / 4

HEX #A7F5C6

RGB 167 245 198

HSL 143.85, 0.8%, 0.81%

LAB 90.6, -33.47, 15.12

 

CMYK 7 / 32 / 0 / 4

HEX #E5A7F5

RGB 229 167 245

HSL 287.69, 0.8%, 0.81%

LAB 76.61, 35.87, -30.02

 

CMYK 7 / 0 / 32 / 4

HEX #E5F5A6

RGB 229 245 166

HSL 72.15, 0.8%, 0.81%

LAB 93.76, -17.63, 36.35

 

CMYK 32 / 7 / 0 / 4

HEX #A7E5F5

RGB 167 229 245

HSL 192.31, 0.8%, 0.81%

LAB 87.41, -15.78, -14.07

 

CMYK 0 / 32 / 7 / 4

HEX #F5A7E5

RGB 245 167 229

HSL 312.31, 0.8%, 0.81%

LAB 77.7, 38.02, -19.55

 

CMYK 7 / 0 / 32 / 4

HEX #E5F5A6

RGB 229 245 166

HSL 72.15, 0.8%, 0.81%

LAB 93.76, -17.63, 36.35

 

CMYK 32 / 0 / 19 / 4

HEX #A7F5C6

RGB 167 245 198

HSL 143.85, 0.8%, 0.81%

LAB 90.6, -33.47, 15.12

 

CMYK 25 / 32 / 0 / 4

HEX #B7A7F5

RGB 183 167 245

HSL 252.31, 0.8%, 0.81%

LAB 72.43, 22.02, -36.83

 

CMYK 0 / 32 / 13 / 4

HEX #F5A7D6

RGB 245 167 214

HSL 323.85, 0.8%, 0.81%

LAB 77.22, 35.53, -12.12

 

CMYK 7 / 0 / 32 / 4

HEX #E5F5A6

RGB 229 245 166

HSL 72.15, 0.8%, 0.81%

LAB 93.76, -17.63, 36.35

 

CMYK 32 / 0 / 9 / 4

HEX #A7F5DE

RGB 167 245 222

HSL 162.31, 0.8%, 0.81%

LAB 91.14, -28.71, 3.46

 

CMYK 25 / 32 / 0 / 4

HEX #B7A7F5

RGB 183 167 245

HSL 252.31, 0.8%, 0.81%

LAB 72.43, 22.02, -36.83

 

CMYK 0 / 32 / 22 / 4

HEX #F5A7BF

RGB 245 167 191

HSL 341.54, 0.8%, 0.81%

LAB 76.56, 32.02, -0.54

 

Description

Color code: HEX #E5F5A6 | qconv.com Color code: HEX #E5F5A6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 245 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 245 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 32 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 32% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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