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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E613C0 it is the complementary color #19EC3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E613C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E613C0 shade: #EB13BB, #FC25CE, #FF37E1, #FF49F4 and #FF5BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E613C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E613C0 shade: #E613C0, #D501AD, #C4009A, #B30087 and #A20074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E613C0 shade: #E712C0, #E71287, #E7124E, #E71215 and #E71212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E613C0 shade: #E712C0, #D412E7, #9A12E7, #6112E7 and #2812E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E613C0 shade matches the following richer shades: #E712C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E613C0 shade: #E712C0, #D226B3, #BE3BA7, #AA4F9A and #96638D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E613C0 shade: #9912E7, #D112E7, #E712C3, #E7128B and #E71252

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E613C0 shade: #9A0C81, #C00FA1, #E712C0, #EE34CD and #F15AD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E613C0 shade: #E613C0, #E76012 and #12E7B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E613C0 shade: #E613C0, #C3E712 and #12C3E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E613C0 shade: #E613C0, #E76012, #12E736 and #1299E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E613C0 shade: #E613C0, #E7A012, #12E736 and #1259E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 17 / 10

HEX #E613C0

RGB 230 19 192

HSL 310.81, 0.85%, 0.49%

LAB 53.05, 84.34, -36.98

 

Complementary color

CMYK 89 / 0 / 73 / 7

HEX #19EC3F

RGB 25 236 63

HSL 130.81, 0.85%, 0.51%

LAB 82.14, -77.76, 66.51

 

CMYK 0 / 92 / 20 / 8

HEX #EB13BB

RGB 235 19 187

HSL 313.33, 0.85%, 0.5%

LAB 53.72, 84.68, -32.96

 

CMYK 0 / 85 / 18 / 1

HEX #FC25CE

RGB 252 37 206

HSL 312.84, 0.97%, 0.57%

LAB 58.49, 87.74, -36.24

 

CMYK 0 / 78 / 12 / 0

HEX #FF37E1

RGB 255 55 225

HSL 309, 1%, 0.61%

LAB 61.16, 87.08, -42.77

 

CMYK 0 / 71 / 4 / 0

HEX #FF49F4

RGB 255 73 244

HSL 303.63, 1%, 0.64%

LAB 63.8, 84.84, -49.21

 

CMYK 0 / 64 / 0 / 0

HEX #FF5BFF

RGB 255 91 255

HSL 300, 1%, 0.68%

LAB 66.49, 80.46, -51.02

 

CMYK 0 / 92 / 17 / 10

HEX #E613C0

RGB 230 19 192

HSL 310.81, 0.85%, 0.49%

LAB 53.05, 84.34, -36.98

 

CMYK 0 / 100 / 19 / 16

HEX #D501AD

RGB 213 1 173

HSL 311.32, 0.99%, 0.42%

LAB 48.49, 80.38, -33.24

 

CMYK 0 / 100 / 21 / 23

HEX #C4009A

RGB 196 0 154

HSL 312.86, 1%, 0.38%

LAB 44.33, 74.99, -28.65

 

CMYK 0 / 100 / 25 / 30

HEX #B30087

RGB 179 0 135

HSL 314.75, 1%, 0.35%

LAB 40.14, 69.45, -23.86

 

CMYK 0 / 100 / 28 / 36

HEX #A20074

RGB 162 0 116

HSL 317.04, 1%, 0.32%

LAB 35.87, 63.82, -18.88

 

CMYK 0 / 92 / 17 / 9

HEX #E712C0

RGB 231 18 192

HSL 310.99, 0.86%, 0.49%

LAB 53.2, 84.63, -36.74

 

CMYK 0 / 92 / 42 / 9

HEX #E71287

RGB 231 18 135

HSL 327.04, 0.86%, 0.49%

LAB 50.89, 78.56, -6.56

 

CMYK 0 / 92 / 66 / 9

HEX #E7124E

RGB 231 18 78

HSL 343.1, 0.86%, 0.49%

LAB 49.46, 74.67, 26.21

 

CMYK 0 / 92 / 91 / 9

HEX #E71215

RGB 231 18 21

HSL 359.15, 0.86%, 0.49%

LAB 48.85, 72.96, 56.31

 

CMYK 0 / 92 / 92 / 9

HEX #E71212

RGB 231 18 18

HSL 0, 0.86%, 0.49%

LAB 48.84, 72.93, 57.41

 

CMYK 0 / 92 / 17 / 9

HEX #E712C0

RGB 231 18 192

HSL 310.99, 0.86%, 0.49%

LAB 53.2, 84.63, -36.74

 

CMYK 8 / 92 / 0 / 9

HEX #D412E7

RGB 212 18 231

HSL 294.65, 0.86%, 0.49%

LAB 52.06, 86.84, -61.07

 

CMYK 33 / 92 / 0 / 9

HEX #9A12E7

RGB 154 18 231

HSL 278.31, 0.86%, 0.49%

LAB 42.87, 78.8, -76.41

 

CMYK 58 / 92 / 0 / 9

HEX #6112E7

RGB 97 18 231

HSL 262.25, 0.86%, 0.49%

LAB 35.49, 73.33, -88.84

 

CMYK 83 / 92 / 0 / 9

HEX #2812E7

RGB 40 18 231

HSL 246.2, 0.86%, 0.49%

LAB 31, 70.66, -96.42

 

CMYK 0 / 92 / 17 / 9

HEX #E712C0

RGB 231 18 192

HSL 310.99, 0.86%, 0.49%

LAB 53.2, 84.63, -36.74

 

CMYK 0 / 92 / 17 / 9

HEX #E712C0

RGB 231 18 192

HSL 310.99, 0.86%, 0.49%

LAB 53.2, 84.63, -36.74

 

CMYK 0 / 82 / 15 / 18

HEX #D226B3

RGB 210 38 179

HSL 310.81, 0.69%, 0.49%

LAB 49.91, 75.68, -34.59

 

CMYK 0 / 69 / 12 / 25

HEX #BE3BA7

RGB 190 59 167

HSL 310.53, 0.53%, 0.49%

LAB 48.09, 63.33, -30.61

 

CMYK 0 / 54 / 9 / 33

HEX #AA4F9A

RGB 170 79 154

HSL 310.55, 0.37%, 0.49%

LAB 47.59, 47.16, -23.92

 

CMYK 0 / 34 / 6 / 41

HEX #96638D

RGB 150 99 141

HSL 310.59, 0.2%, 0.49%

LAB 48.67, 27.51, -14.75

 

CMYK 34 / 92 / 0 / 9

HEX #9912E7

RGB 153 18 231

HSL 278.03, 0.86%, 0.49%

LAB 42.72, 78.68, -76.66

 

CMYK 10 / 92 / 0 / 9

HEX #D112E7

RGB 209 18 231

HSL 293.8, 0.86%, 0.49%

LAB 51.56, 86.38, -61.9

 

CMYK 0 / 92 / 16 / 9

HEX #E712C3

RGB 231 18 195

HSL 310.14, 0.86%, 0.49%

LAB 53.34, 85.01, -38.25

 

CMYK 0 / 92 / 40 / 9

HEX #E7128B

RGB 231 18 139

HSL 325.92, 0.86%, 0.49%

LAB 51.02, 78.92, -8.77

 

CMYK 0 / 92 / 65 / 9

HEX #E71252

RGB 231 18 82

HSL 341.97, 0.86%, 0.49%

LAB 49.53, 74.86, 23.87

 

CMYK 0 / 92 / 16 / 40

HEX #9A0C81

RGB 154 12 129

HSL 310.56, 0.86%, 0.33%

LAB 35.44, 62.31, -27.84

 

CMYK 0 / 92 / 16 / 25

HEX #C00FA1

RGB 192 15 161

HSL 310.51, 0.86%, 0.41%

LAB 44.41, 73.67, -32.79

 

CMYK 0 / 92 / 17 / 9

HEX #E712C0

RGB 231 18 192

HSL 310.99, 0.86%, 0.49%

LAB 53.2, 84.63, -36.74

 

CMYK 0 / 78 / 14 / 7

HEX #EE34CD

RGB 238 52 205

HSL 310.65, 0.85%, 0.57%

LAB 57.12, 81.65, -37.99

 

CMYK 0 / 63 / 11 / 5

HEX #F15AD6

RGB 241 90 214

HSL 310.73, 0.84%, 0.65%

LAB 62.4, 71.21, -34.8

 

CMYK 0 / 92 / 17 / 10

HEX #E613C0

RGB 230 19 192

HSL 310.81, 0.85%, 0.49%

LAB 53.05, 84.34, -36.98

 

CMYK 0 / 58 / 92 / 9

HEX #E76012

RGB 231 96 18

HSL 21.97, 0.86%, 0.49%

LAB 57.46, 49.25, 63

 

CMYK 92 / 0 / 22 / 9

HEX #12E7B5

RGB 18 231 181

HSL 165.92, 0.86%, 0.49%

LAB 82.17, -57.53, 11.48

 

CMYK 0 / 92 / 17 / 10

HEX #E613C0

RGB 230 19 192

HSL 310.81, 0.85%, 0.49%

LAB 53.05, 84.34, -36.98

 

CMYK 16 / 0 / 92 / 9

HEX #C3E712

RGB 195 231 18

HSL 70.14, 0.86%, 0.49%

LAB 86.4, -34.59, 82.98

 

CMYK 92 / 16 / 0 / 9

HEX #12C3E7

RGB 18 195 231

HSL 190.14, 0.86%, 0.49%

LAB 72.84, -27.36, -29.13

 

CMYK 0 / 92 / 17 / 10

HEX #E613C0

RGB 230 19 192

HSL 310.81, 0.85%, 0.49%

LAB 53.05, 84.34, -36.98

 

CMYK 0 / 58 / 92 / 9

HEX #E76012

RGB 231 96 18

HSL 21.97, 0.86%, 0.49%

LAB 57.46, 49.25, 63

 

CMYK 92 / 0 / 77 / 9

HEX #12E736

RGB 18 231 54

HSL 130.14, 0.86%, 0.49%

LAB 80.49, -77.39, 67.76

 

CMYK 92 / 34 / 0 / 9

HEX #1299E7

RGB 18 153 231

HSL 201.97, 0.86%, 0.49%

LAB 60.5, -4.89, -48.4

 

CMYK 0 / 92 / 17 / 10

HEX #E613C0

RGB 230 19 192

HSL 310.81, 0.85%, 0.49%

LAB 53.05, 84.34, -36.98

 

CMYK 0 / 31 / 92 / 9

HEX #E7A012

RGB 231 160 18

HSL 40, 0.86%, 0.49%

LAB 70.99, 16.56, 72.6

 

CMYK 92 / 0 / 77 / 9

HEX #12E736

RGB 18 231 54

HSL 130.14, 0.86%, 0.49%

LAB 80.49, -77.39, 67.76

 

CMYK 92 / 61 / 0 / 9

HEX #1259E7

RGB 18 89 231

HSL 220, 0.86%, 0.49%

LAB 42.83, 34.86, -76.88

 

Description

Color code: HEX #E613C0 | qconv.com Color code: HEX #E613C0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 19 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 19 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 17 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 17% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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