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Color name
HEX #E62250

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E62250 it is the complementary color #19DDAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E62250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E62250 shade: #EB224B, #FC345E, #FF4671, #FF5884 and #FF6A97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E62250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E62250 shade: #E62250, #D5103D, #C4002A, #B30017 and #A20004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E62250 shade: #E62250 and #E62222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E62250 shade: #E62250, #E62285, #E622BA, #DD22E6 and #A922E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E62250 shade matches the following richer shades: #E62250 and #FA0E46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E62250 shade: #E62250, #D2365B, #BE4A65, #AB5E70 and #97717A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E62250 shade: #E622BC, #E62287, #E62253, #E62522 and #E65A22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E62250 shade: #A41234, #C91640, #E62250, #EA476E and #EE6C8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E62250 shade: #E62250, #E6DC22 and #22A1E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E62250 shade: #E62250, #53E622 and #2253E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E62250 shade: #E62250, #E6DC22, #22E6B5 and #222CE6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E62250 shade: #E62250, #B5E622, #22E6B5 and #5322E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 65 / 10

HEX #E62250

RGB 230 34 80

HSL 345.92, 0.8%, 0.52%

LAB 50.15, 72.06, 25.84

 

Complementary color

CMYK 89 / 0 / 21 / 13

HEX #19DDAF

RGB 25 221 175

HSL 165.92, 0.8%, 0.48%

LAB 79.05, -54.78, 10.21

 

CMYK 0 / 86 / 68 / 8

HEX #EB224B

RGB 235 34 75

HSL 347.76, 0.83%, 0.53%

LAB 51.05, 73.09, 30.19

 

CMYK 0 / 79 / 63 / 1

HEX #FC345E

RGB 252 52 94

HSL 347.4, 0.97%, 0.6%

LAB 56.05, 74.45, 25.92

 

CMYK 0 / 73 / 56 / 0

HEX #FF4671

RGB 255 70 113

HSL 346.05, 1%, 0.64%

LAB 58.82, 71.23, 18.51

 

CMYK 0 / 65 / 48 / 0

HEX #FF5884

RGB 255 88 132

HSL 344.19, 1%, 0.67%

LAB 61.57, 66.27, 11.24

 

CMYK 0 / 58 / 41 / 0

HEX #FF6A97

RGB 255 106 151

HSL 341.88, 1%, 0.71%

LAB 64.81, 60.59, 4.89

 

CMYK 0 / 85 / 65 / 10

HEX #E62250

RGB 230 34 80

HSL 345.92, 0.8%, 0.52%

LAB 50.15, 72.06, 25.84

 

CMYK 0 / 92 / 71 / 16

HEX #D5103D

RGB 213 16 61

HSL 346.29, 0.86%, 0.45%

LAB 45.43, 69.74, 30.75

 

CMYK 0 / 100 / 79 / 23

HEX #C4002A

RGB 196 0 42

HSL 347.14, 1%, 0.38%

LAB 41.06, 66.45, 36.24

 

CMYK 0 / 100 / 87 / 30

HEX #B30017

RGB 179 0 23

HSL 352.29, 1%, 0.35%

LAB 37.2, 61.74, 41.89

 

CMYK 0 / 100 / 98 / 36

HEX #A20004

RGB 162 0 4

HSL 358.52, 1%, 0.32%

LAB 33.33, 57.11, 45.84

 

CMYK 0 / 85 / 65 / 10

HEX #E62250

RGB 230 34 80

HSL 345.92, 0.8%, 0.52%

LAB 50.15, 72.06, 25.84

 

CMYK 0 / 85 / 85 / 10

HEX #E62222

RGB 230 34 34

HSL 0, 0.8%, 0.52%

LAB 49.6, 70.42, 51.13

 

CMYK 0 / 85 / 65 / 10

HEX #E62250

RGB 230 34 80

HSL 345.92, 0.8%, 0.52%

LAB 50.15, 72.06, 25.84

 

CMYK 0 / 85 / 42 / 10

HEX #E62285

RGB 230 34 133

HSL 329.69, 0.8%, 0.52%

LAB 51.45, 75.78, -4.54

 

CMYK 0 / 85 / 19 / 10

HEX #E622BA

RGB 230 34 186

HSL 313.47, 0.8%, 0.52%

LAB 53.51, 81.45, -32.79

 

CMYK 4 / 85 / 0 / 10

HEX #DD22E6

RGB 221 34 230

HSL 297.24, 0.8%, 0.52%

LAB 54.27, 85.87, -56.88

 

CMYK 27 / 85 / 0 / 10

HEX #A922E6

RGB 169 34 230

HSL 281.33, 0.8%, 0.52%

LAB 46.03, 77.6, -70.59

 

CMYK 0 / 85 / 65 / 10

HEX #E62250

RGB 230 34 80

HSL 345.92, 0.8%, 0.52%

LAB 50.15, 72.06, 25.84

 

CMYK 0 / 94 / 72 / 2

HEX #FA0E46

RGB 250 14 70

HSL 345.76, 0.96%, 0.52%

LAB 53.04, 79.25, 36.26

 

CMYK 0 / 85 / 65 / 10

HEX #E62250

RGB 230 34 80

HSL 345.92, 0.8%, 0.52%

LAB 50.15, 72.06, 25.84

 

CMYK 0 / 74 / 57 / 18

HEX #D2365B

RGB 210 54 91

HSL 345.77, 0.63%, 0.52%

LAB 48.38, 62.12, 16.11

 

CMYK 0 / 61 / 47 / 25

HEX #BE4A65

RGB 190 74 101

HSL 346.03, 0.47%, 0.52%

LAB 47.99, 48.91, 8.95

 

CMYK 0 / 45 / 35 / 33

HEX #AB5E70

RGB 171 94 112

HSL 345.97, 0.31%, 0.52%

LAB 49.29, 33.37, 3.79

 

CMYK 0 / 25 / 19 / 41

HEX #97717A

RGB 151 113 122

HSL 345.79, 0.15%, 0.52%

LAB 51.6, 16.43, 0.89

 

CMYK 0 / 85 / 18 / 10

HEX #E622BC

RGB 230 34 188

HSL 312.86, 0.8%, 0.52%

LAB 53.6, 81.7, -33.81

 

CMYK 0 / 85 / 41 / 10

HEX #E62287

RGB 230 34 135

HSL 329.08, 0.8%, 0.52%

LAB 51.51, 75.96, -5.65

 

CMYK 0 / 85 / 64 / 10

HEX #E62253

RGB 230 34 83

HSL 345, 0.8%, 0.52%

LAB 50.21, 72.21, 24.09

 

CMYK 0 / 84 / 85 / 10

HEX #E62522

RGB 230 37 34

HSL 0.92, 0.8%, 0.52%

LAB 49.81, 69.81, 51.31

 

CMYK 0 / 61 / 85 / 10

HEX #E65A22

RGB 230 90 34

HSL 17.14, 0.8%, 0.52%

LAB 56.34, 51.89, 56.79

 

CMYK 0 / 89 / 68 / 36

HEX #A41234

RGB 164 18 52

HSL 346.03, 0.8%, 0.36%

LAB 35.15, 56.44, 21.41

 

CMYK 0 / 89 / 68 / 21

HEX #C91640

RGB 201 22 64

HSL 345.92, 0.8%, 0.44%

LAB 43.3, 66.02, 25.73

 

CMYK 0 / 85 / 65 / 10

HEX #E62250

RGB 230 34 80

HSL 345.92, 0.8%, 0.52%

LAB 50.15, 72.06, 25.84

 

CMYK 0 / 70 / 53 / 8

HEX #EA476E

RGB 234 71 110

HSL 345.64, 0.8%, 0.6%

LAB 55.2, 64.64, 14.73

 

CMYK 0 / 55 / 42 / 7

HEX #EE6C8B

RGB 238 108 139

HSL 345.69, 0.79%, 0.68%

LAB 62.31, 52.97, 7.87

 

CMYK 0 / 85 / 65 / 10

HEX #E62250

RGB 230 34 80

HSL 345.92, 0.8%, 0.52%

LAB 50.15, 72.06, 25.84

 

CMYK 0 / 4 / 85 / 10

HEX #E6DC22

RGB 230 220 34

HSL 56.94, 0.8%, 0.52%

LAB 86.07, -14.6, 81.23

 

CMYK 85 / 30 / 0 / 10

HEX #22A1E6

RGB 34 161 230

HSL 201.12, 0.8%, 0.52%

LAB 62.96, -8.91, -43.94

 

CMYK 0 / 85 / 65 / 10

HEX #E62250

RGB 230 34 80

HSL 345.92, 0.8%, 0.52%

LAB 50.15, 72.06, 25.84

 

CMYK 64 / 0 / 85 / 10

HEX #53E622

RGB 83 230 34

HSL 105, 0.8%, 0.52%

LAB 81.04, -69.9, 73.83

 

CMYK 85 / 64 / 0 / 10

HEX #2253E6

RGB 34 83 230

HSL 225, 0.8%, 0.52%

LAB 41.59, 39.07, -78.32

 

CMYK 0 / 85 / 65 / 10

HEX #E62250

RGB 230 34 80

HSL 345.92, 0.8%, 0.52%

LAB 50.15, 72.06, 25.84

 

CMYK 0 / 4 / 85 / 10

HEX #E6DC22

RGB 230 220 34

HSL 56.94, 0.8%, 0.52%

LAB 86.07, -14.6, 81.23

 

CMYK 85 / 0 / 21 / 10

HEX #22E6B5

RGB 34 230 181

HSL 165, 0.8%, 0.52%

LAB 81.98, -56.29, 11.23

 

CMYK 85 / 81 / 0 / 10

HEX #222CE6

RGB 34 44 230

HSL 236.94, 0.8%, 0.52%

LAB 33.68, 61.04, -91.4

 

CMYK 0 / 85 / 65 / 10

HEX #E62250

RGB 230 34 80

HSL 345.92, 0.8%, 0.52%

LAB 50.15, 72.06, 25.84

 

CMYK 21 / 0 / 85 / 10

HEX #B5E622

RGB 181 230 34

HSL 75, 0.8%, 0.52%

LAB 85.27, -39.32, 79.13

 

CMYK 85 / 0 / 21 / 10

HEX #22E6B5

RGB 34 230 181

HSL 165, 0.8%, 0.52%

LAB 81.98, -56.29, 11.23

 

CMYK 64 / 85 / 0 / 10

HEX #5322E6

RGB 83 34 230

HSL 255, 0.8%, 0.52%

LAB 35.39, 67.84, -88.47

 

Description

Color code: HEX #E62250 | qconv.com Color code: HEX #E62250 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 34 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 34 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 65 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 65% 10% C M Y K

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