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Color name
HEX #E6226C

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6226C it is the complementary color #19DD93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6226C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6226C shade: #EB2267, #FC347A, #FF468D, #FF58A0 and #FF6AB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6226C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6226C shade: #E6226C, #D51059, #C40046, #B30033 and #A20020

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6226C shade: #E6226C, #E62237 and #E62222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6226C shade: #E6226C, #E622A1, #E622D6, #C122E6 and #8D22E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6226C shade matches the following richer shades: #E6226C and #FA0E67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6226C shade: #E6226C, #D23671, #BE4A76, #AB5E7B and #977180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6226C shade: #E622D6, #E622A1, #E6226D, #E62239 and #E64022

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6226C shade: #A41249, #C9165A, #E6226C, #EA4785 and #EE6C9D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6226C shade: #E6226C, #E6C222 and #22BCE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6226C shade: #E6226C, #6DE622 and #226DE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6226C shade: #E6226C, #E6C222, #22E69B and #2246E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6226C shade: #E6226C, #CFE622, #22E69B and #3922E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 53 / 10

HEX #E6226C

RGB 230 34 108

HSL 337.35, 0.8%, 0.52%

LAB 50.75, 73.77, 9.6

 

Complementary color

CMYK 89 / 0 / 33 / 13

HEX #19DD93

RGB 25 221 147

HSL 157.35, 0.8%, 0.48%

LAB 78.48, -61.13, 24.12

 

CMYK 0 / 86 / 56 / 8

HEX #EB2267

RGB 235 34 103

HSL 339.4, 0.83%, 0.53%

LAB 51.59, 74.65, 13.97

 

CMYK 0 / 79 / 52 / 1

HEX #FC347A

RGB 252 52 122

HSL 339, 0.97%, 0.6%

LAB 56.64, 76.26, 10.08

 

CMYK 0 / 73 / 45 / 0

HEX #FF468D

RGB 255 70 141

HSL 336.97, 1%, 0.64%

LAB 59.49, 73.43, 3.01

 

CMYK 0 / 65 / 37 / 0

HEX #FF58A0

RGB 255 88 160

HSL 334.13, 1%, 0.67%

LAB 62.32, 68.92, -3.91

 

CMYK 0 / 58 / 30 / 0

HEX #FF6AB3

RGB 255 106 179

HSL 330.6, 1%, 0.71%

LAB 65.61, 63.7, -9.9

 

CMYK 0 / 85 / 53 / 10

HEX #E6226C

RGB 230 34 108

HSL 337.35, 0.8%, 0.52%

LAB 50.75, 73.77, 9.6

 

CMYK 0 / 92 / 58 / 16

HEX #D51059

RGB 213 16 89

HSL 337.77, 0.86%, 0.45%

LAB 45.96, 71.2, 14.13

 

CMYK 0 / 100 / 64 / 23

HEX #C40046

RGB 196 0 70

HSL 338.57, 1%, 0.38%

LAB 41.5, 67.63, 19.45

 

CMYK 0 / 100 / 72 / 30

HEX #B30033

RGB 179 0 51

HSL 342.91, 1%, 0.35%

LAB 37.52, 62.61, 25.7

 

CMYK 0 / 100 / 80 / 36

HEX #A20020

RGB 162 0 32

HSL 348.15, 1%, 0.32%

LAB 33.53, 57.66, 32.02

 

CMYK 0 / 85 / 53 / 10

HEX #E6226C

RGB 230 34 108

HSL 337.35, 0.8%, 0.52%

LAB 50.75, 73.77, 9.6

 

CMYK 0 / 85 / 76 / 10

HEX #E62237

RGB 230 34 55

HSL 353.57, 0.8%, 0.52%

LAB 49.79, 70.99, 40.18

 

CMYK 0 / 85 / 85 / 10

HEX #E62222

RGB 230 34 34

HSL 0, 0.8%, 0.52%

LAB 49.6, 70.42, 51.13

 

CMYK 0 / 85 / 53 / 10

HEX #E6226C

RGB 230 34 108

HSL 337.35, 0.8%, 0.52%

LAB 50.75, 73.77, 9.6

 

CMYK 0 / 85 / 30 / 10

HEX #E622A1

RGB 230 34 161

HSL 321.12, 0.8%, 0.52%

LAB 52.44, 78.55, -19.77

 

CMYK 0 / 85 / 7 / 10

HEX #E622D6

RGB 230 34 214

HSL 304.9, 0.8%, 0.52%

LAB 54.89, 85.13, -46.73

 

CMYK 16 / 85 / 0 / 10

HEX #C122E6

RGB 193 34 230

HSL 288.67, 0.8%, 0.52%

LAB 49.73, 81.25, -64.42

 

CMYK 39 / 85 / 0 / 10

HEX #8D22E6

RGB 141 34 230

HSL 272.76, 0.8%, 0.52%

LAB 42.03, 73.77, -77.29

 

CMYK 0 / 85 / 53 / 10

HEX #E6226C

RGB 230 34 108

HSL 337.35, 0.8%, 0.52%

LAB 50.75, 73.77, 9.6

 

CMYK 0 / 94 / 59 / 2

HEX #FA0E67

RGB 250 14 103

HSL 337.37, 0.96%, 0.52%

LAB 53.62, 80.85, 17.22

 

CMYK 0 / 85 / 53 / 10

HEX #E6226C

RGB 230 34 108

HSL 337.35, 0.8%, 0.52%

LAB 50.75, 73.77, 9.6

 

CMYK 0 / 74 / 46 / 18

HEX #D23671

RGB 210 54 113

HSL 337.31, 0.63%, 0.52%

LAB 48.92, 63.88, 3.45

 

CMYK 0 / 61 / 38 / 25

HEX #BE4A76

RGB 190 74 118

HSL 337.24, 0.47%, 0.52%

LAB 48.45, 50.69, -0.7

 

CMYK 0 / 45 / 28 / 33

HEX #AB5E7B

RGB 171 94 123

HSL 337.4, 0.31%, 0.52%

LAB 49.61, 34.86, -2.34

 

CMYK 0 / 25 / 15 / 41

HEX #977180

RGB 151 113 128

HSL 336.32, 0.15%, 0.52%

LAB 51.78, 17.45, -2.4

 

CMYK 0 / 85 / 7 / 10

HEX #E622D6

RGB 230 34 214

HSL 304.9, 0.8%, 0.52%

LAB 54.89, 85.13, -46.73

 

CMYK 0 / 85 / 30 / 10

HEX #E622A1

RGB 230 34 161

HSL 321.12, 0.8%, 0.52%

LAB 52.44, 78.55, -19.77

 

CMYK 0 / 85 / 53 / 10

HEX #E6226D

RGB 230 34 109

HSL 337.04, 0.8%, 0.52%

LAB 50.77, 73.84, 9.03

 

CMYK 0 / 85 / 75 / 10

HEX #E62239

RGB 230 34 57

HSL 352.96, 0.8%, 0.52%

LAB 49.81, 71.06, 39.06

 

CMYK 0 / 72 / 85 / 10

HEX #E64022

RGB 230 64 34

HSL 9.18, 0.8%, 0.52%

LAB 52.51, 62.22, 53.59

 

CMYK 0 / 89 / 55 / 36

HEX #A41249

RGB 164 18 73

HSL 337.4, 0.8%, 0.36%

LAB 35.61, 57.76, 8.4

 

CMYK 0 / 89 / 55 / 21

HEX #C9165A

RGB 201 22 90

HSL 337.21, 0.8%, 0.44%

LAB 43.84, 67.55, 10.2

 

CMYK 0 / 85 / 53 / 10

HEX #E6226C

RGB 230 34 108

HSL 337.35, 0.8%, 0.52%

LAB 50.75, 73.77, 9.6

 

CMYK 0 / 70 / 43 / 8

HEX #EA4785

RGB 234 71 133

HSL 337.18, 0.8%, 0.6%

LAB 55.78, 66.61, 1.89

 

CMYK 0 / 55 / 34 / 7

HEX #EE6C9D

RGB 238 108 157

HSL 337.38, 0.79%, 0.68%

LAB 62.79, 54.95, -1.79

 

CMYK 0 / 85 / 53 / 10

HEX #E6226C

RGB 230 34 108

HSL 337.35, 0.8%, 0.52%

LAB 50.75, 73.77, 9.6

 

CMYK 0 / 16 / 85 / 10

HEX #E6C222

RGB 230 194 34

HSL 48.98, 0.8%, 0.52%

LAB 79.34, -1.45, 75.74

 

CMYK 85 / 18 / 0 / 10

HEX #22BCE6

RGB 34 188 230

HSL 192.86, 0.8%, 0.52%

LAB 70.88, -23.34, -31.6

 

CMYK 0 / 85 / 53 / 10

HEX #E6226C

RGB 230 34 108

HSL 337.35, 0.8%, 0.52%

LAB 50.75, 73.77, 9.6

 

CMYK 53 / 0 / 85 / 10

HEX #6DE622

RGB 109 230 34

HSL 97.04, 0.8%, 0.52%

LAB 81.82, -63.61, 74.81

 

CMYK 85 / 53 / 0 / 10

HEX #226DE6

RGB 34 109 230

HSL 217.04, 0.8%, 0.52%

LAB 48.25, 22.49, -67.46

 

CMYK 0 / 85 / 53 / 10

HEX #E6226C

RGB 230 34 108

HSL 337.35, 0.8%, 0.52%

LAB 50.75, 73.77, 9.6

 

CMYK 0 / 16 / 85 / 10

HEX #E6C222

RGB 230 194 34

HSL 48.98, 0.8%, 0.52%

LAB 79.34, -1.45, 75.74

 

CMYK 85 / 0 / 33 / 10

HEX #22E69B

RGB 34 230 155

HSL 157.04, 0.8%, 0.52%

LAB 81.46, -62.12, 24.05

 

CMYK 85 / 70 / 0 / 10

HEX #2246E6

RGB 34 70 230

HSL 228.98, 0.8%, 0.52%

LAB 38.61, 47.06, -83.24

 

CMYK 0 / 85 / 53 / 10

HEX #E6226C

RGB 230 34 108

HSL 337.35, 0.8%, 0.52%

LAB 50.75, 73.77, 9.6

 

CMYK 10 / 0 / 85 / 10

HEX #CFE622

RGB 207 230 34

HSL 67.04, 0.8%, 0.52%

LAB 86.98, -28.97, 81.25

 

CMYK 85 / 0 / 33 / 10

HEX #22E69B

RGB 34 230 155

HSL 157.04, 0.8%, 0.52%

LAB 81.46, -62.12, 24.05

 

CMYK 75 / 85 / 0 / 10

HEX #3922E6

RGB 57 34 230

HSL 247.04, 0.8%, 0.52%

LAB 33.41, 66.2, -91.82

 

Description

Color code: HEX #E6226C | qconv.com Color code: HEX #E6226C | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 34 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 34 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 53 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 53% 10% C M Y K

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