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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E63B5B it is the complementary color #19C4A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E63B5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E63B5B shade: #EB3B56, #FC4D69, #FF5F7C, #FF718F and #FF83A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E63B5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E63B5B shade: #E63B5B, #D52948, #C41735, #B30522 and #A2000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E63B5B shade: #E53C5C and #E53C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E63B5B shade: #E53C5C, #E53C8A, #E53CB7, #E53CE5 and #B83CE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E63B5B shade matches the following richer shades: #E53C5C and #F72B51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E63B5B shade: #E53C5C, #D44E67, #C26072, #B0727D and #9E8388

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E63B5B shade: #E53CB8, #E53C8B, #E53C5E, #E5483C and #E5753C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E63B5B shade: #B81735, #DC1C40, #E53C5C, #EA617B and #EF8599

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E63B5B shade: #E63B5B, #E5E53C and #3CA2E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E63B5B shade: #E63B5B, #5EE53C and #3C5EE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E63B5B shade: #E63B5B, #E5E53C, #3CE5C4 and #3C3CE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E63B5B shade: #E63B5B, #B3E53C, #3CE5C4 and #6F3CE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 60 / 10

HEX #E63B5B

RGB 230 59 91

HSL 348.77, 0.77%, 0.57%

LAB 52.63, 66.25, 22.45

 

Complementary color

CMYK 87 / 0 / 16 / 23

HEX #19C4A4

RGB 25 196 164

HSL 168.77, 0.77%, 0.43%

LAB 71.12, -47.49, 4.76

 

CMYK 0 / 75 / 63 / 8

HEX #EB3B56

RGB 235 59 86

HSL 350.8, 0.81%, 0.58%

LAB 53.45, 67.38, 26.68

 

CMYK 0 / 69 / 58 / 1

HEX #FC4D69

RGB 252 77 105

HSL 350.4, 0.97%, 0.65%

LAB 59, 67.44, 23.35

 

CMYK 0 / 63 / 51 / 0

HEX #FF5F7C

RGB 255 95 124

HSL 349.13, 1%, 0.69%

LAB 62.42, 62.81, 17.05

 

CMYK 0 / 56 / 44 / 0

HEX #FF718F

RGB 255 113 143

HSL 347.32, 1%, 0.72%

LAB 65.79, 56.66, 10.87

 

CMYK 0 / 49 / 36 / 0

HEX #FF83A2

RGB 255 131 162

HSL 345, 1%, 0.76%

LAB 69.54, 50.15, 5.48

 

CMYK 0 / 74 / 60 / 10

HEX #E63B5B

RGB 230 59 91

HSL 348.77, 0.77%, 0.57%

LAB 52.63, 66.25, 22.45

 

CMYK 0 / 81 / 66 / 16

HEX #D52948

RGB 213 41 72

HSL 349.19, 0.68%, 0.5%

LAB 47.24, 65.59, 26.29

 

CMYK 0 / 88 / 73 / 23

HEX #C41735

RGB 196 23 53

HSL 349.6, 0.79%, 0.43%

LAB 42.16, 64.07, 30.87

 

CMYK 0 / 97 / 81 / 30

HEX #B30522

RGB 179 5 34

HSL 350, 0.95%, 0.36%

LAB 37.5, 61.43, 36.09

 

CMYK 0 / 100 / 91 / 36

HEX #A2000F

RGB 162 0 15

HSL 354.44, 1%, 0.32%

LAB 33.38, 57.26, 41.25

 

CMYK 0 / 74 / 60 / 10

HEX #E53C5C

RGB 229 60 92

HSL 348.64, 0.76%, 0.57%

LAB 52.58, 65.7, 21.76

 

CMYK 0 / 74 / 74 / 10

HEX #E53C3C

RGB 229 60 60

HSL 0, 0.76%, 0.57%

LAB 52.08, 64.06, 39.84

 

CMYK 0 / 74 / 60 / 10

HEX #E53C5C

RGB 229 60 92

HSL 348.64, 0.76%, 0.57%

LAB 52.58, 65.7, 21.76

 

CMYK 0 / 74 / 40 / 10

HEX #E53C8A

RGB 229 60 138

HSL 332.31, 0.76%, 0.57%

LAB 53.73, 69.43, -4.18

 

CMYK 0 / 74 / 20 / 10

HEX #E53CB7

RGB 229 60 183

HSL 316.33, 0.76%, 0.57%

LAB 55.39, 74.56, -28.13

 

CMYK 0 / 74 / 0 / 10

HEX #E53CE5

RGB 229 60 229

HSL 300, 0.76%, 0.57%

LAB 57.6, 81.11, -50.92

 

CMYK 20 / 74 / 0 / 10

HEX #B83CE5

RGB 184 60 229

HSL 284.02, 0.76%, 0.57%

LAB 50.78, 72.32, -62.23

 

CMYK 0 / 74 / 60 / 10

HEX #E53C5C

RGB 229 60 92

HSL 348.64, 0.76%, 0.57%

LAB 52.58, 65.7, 21.76

 

CMYK 0 / 83 / 67 / 3

HEX #F72B51

RGB 247 43 81

HSL 348.82, 0.93%, 0.57%

LAB 54.13, 74.61, 30.97

 

CMYK 0 / 74 / 60 / 10

HEX #E53C5C

RGB 229 60 92

HSL 348.64, 0.76%, 0.57%

LAB 52.58, 65.7, 21.76

 

CMYK 0 / 63 / 51 / 17

HEX #D44E67

RGB 212 78 103

HSL 348.81, 0.61%, 0.57%

LAB 52.31, 54.55, 14.33

 

CMYK 0 / 51 / 41 / 24

HEX #C26072

RGB 194 96 114

HSL 348.98, 0.45%, 0.57%

LAB 53, 40.98, 8.34

 

CMYK 0 / 35 / 29 / 31

HEX #B0727D

RGB 176 114 125

HSL 349.35, 0.28%, 0.57%

LAB 54.81, 25.98, 4.13

 

CMYK 0 / 17 / 14 / 38

HEX #9E8388

RGB 158 131 136

HSL 348.89, 0.12%, 0.57%

LAB 57.35, 11.15, 1.17

 

CMYK 0 / 74 / 20 / 10

HEX #E53CB8

RGB 229 60 184

HSL 315.98, 0.76%, 0.57%

LAB 55.43, 74.69, -28.64

 

CMYK 0 / 74 / 39 / 10

HEX #E53C8B

RGB 229 60 139

HSL 331.95, 0.76%, 0.57%

LAB 53.76, 69.53, -4.73

 

CMYK 0 / 74 / 59 / 10

HEX #E53C5E

RGB 229 60 94

HSL 347.93, 0.76%, 0.57%

LAB 52.62, 65.83, 20.61

 

CMYK 0 / 69 / 74 / 10

HEX #E5483C

RGB 229 72 60

HSL 4.26, 0.76%, 0.57%

LAB 53.62, 59.81, 41.55

 

CMYK 0 / 49 / 74 / 10

HEX #E5753C

RGB 229 117 60

HSL 20.24, 0.76%, 0.57%

LAB 61.4, 39.47, 49.94

 

CMYK 0 / 88 / 71 / 28

HEX #B81735

RGB 184 23 53

HSL 348.82, 0.78%, 0.41%

LAB 39.68, 60.9, 27.31

 

CMYK 0 / 87 / 71 / 14

HEX #DC1C40

RGB 220 28 64

HSL 348.75, 0.77%, 0.49%

LAB 47.52, 69.86, 31.78

 

CMYK 0 / 74 / 60 / 10

HEX #E53C5C

RGB 229 60 92

HSL 348.64, 0.76%, 0.57%

LAB 52.58, 65.7, 21.76

 

CMYK 0 / 59 / 47 / 8

HEX #EA617B

RGB 234 97 123

HSL 348.61, 0.77%, 0.65%

LAB 59.41, 55.14, 12.94

 

CMYK 0 / 44 / 36 / 6

HEX #EF8599

RGB 239 133 153

HSL 348.68, 0.77%, 0.73%

LAB 67.6, 42.59, 7.47

 

CMYK 0 / 74 / 60 / 10

HEX #E63B5B

RGB 230 59 91

HSL 348.77, 0.77%, 0.57%

LAB 52.63, 66.25, 22.45

 

CMYK 0 / 0 / 74 / 10

HEX #E5E53C

RGB 229 229 60

HSL 60, 0.76%, 0.57%

LAB 88.46, -18.62, 76.47

 

CMYK 74 / 29 / 0 / 10

HEX #3CA2E5

RGB 60 162 229

HSL 203.79, 0.76%, 0.57%

LAB 63.72, -7.3, -42.17

 

CMYK 0 / 74 / 60 / 10

HEX #E63B5B

RGB 230 59 91

HSL 348.77, 0.77%, 0.57%

LAB 52.63, 66.25, 22.45

 

CMYK 59 / 0 / 74 / 10

HEX #5EE53C

RGB 94 229 60

HSL 107.93, 0.76%, 0.57%

LAB 81.15, -65.74, 66.92

 

CMYK 74 / 59 / 0 / 10

HEX #3C5EE5

RGB 60 94 229

HSL 227.93, 0.76%, 0.57%

LAB 45.11, 34.02, -71.96

 

CMYK 0 / 74 / 60 / 10

HEX #E63B5B

RGB 230 59 91

HSL 348.77, 0.77%, 0.57%

LAB 52.63, 66.25, 22.45

 

CMYK 0 / 0 / 74 / 10

HEX #E5E53C

RGB 229 229 60

HSL 60, 0.76%, 0.57%

LAB 88.46, -18.62, 76.47

 

CMYK 74 / 0 / 14 / 10

HEX #3CE5C4

RGB 60 229 196

HSL 168.28, 0.76%, 0.57%

LAB 82.37, -49.8, 3.93

 

CMYK 74 / 74 / 0 / 10

HEX #3C3CE5

RGB 60 60 229

HSL 240, 0.76%, 0.57%

LAB 37.57, 54.2, -84.35

 

CMYK 0 / 74 / 60 / 10

HEX #E63B5B

RGB 230 59 91

HSL 348.77, 0.77%, 0.57%

LAB 52.63, 66.25, 22.45

 

CMYK 22 / 0 / 74 / 10

HEX #B3E53C

RGB 179 229 60

HSL 77.75, 0.76%, 0.57%

LAB 84.97, -38.64, 71.94

 

CMYK 74 / 0 / 14 / 10

HEX #3CE5C4

RGB 60 229 196

HSL 168.28, 0.76%, 0.57%

LAB 82.37, -49.8, 3.93

 

CMYK 52 / 74 / 0 / 10

HEX #6F3CE5

RGB 111 60 229

HSL 258.11, 0.76%, 0.57%

LAB 41.64, 60, -77.5

 

Description

Color code: HEX #E63B5B | qconv.com Color code: HEX #E63B5B | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 59 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 59 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 60 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 60% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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