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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E641A0 it is the complementary color #19BE5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E641A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E641A0 shade: #EB419B, #FC53AE, #FF65C1, #FF77D4 and #FF89E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E641A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E641A0 shade: #E641A0, #D52F8D, #C41D7A, #B30B67 and #A20054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E641A0 shade: #E641A0, #E64173, #E64147 and #E64141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E641A0 shade: #E641A0, #E641CC, #D341E6, #A641E6 and #7A41E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E641A0 shade matches the following richer shades: #E641A0 and #F730A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E641A0 shade: #E641A0, #D5529D, #C3649B, #B27598 and #A18695

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E641A0 shade: #D341E6, #E641CD, #E641A1, #E64175 and #E64149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E641A0 shade: #BC1877, #E11D8E, #E641A0, #EB65B2 and #EF8AC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E641A0 shade: #E641A0, #E6A741 and #41E3E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E641A0 shade: #E641A0, #A1E641 and #41A1E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E641A0 shade: #E641A0, #E6A741, #41E686 and #4180E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E641A0 shade: #E641A0, #E6D841, #41E686 and #414FE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 30 / 10

HEX #E641A0

RGB 230 65 160

HSL 325.45, 0.77%, 0.58%

LAB 55.22, 70.41, -14.95

 

Complementary color

CMYK 87 / 0 / 50 / 25

HEX #19BE5F

RGB 25 190 95

HSL 145.45, 0.77%, 0.42%

LAB 67.92, -60.02, 36.92

 

CMYK 0 / 72 / 34 / 8

HEX #EB419B

RGB 235 65 155

HSL 328.24, 0.81%, 0.59%

LAB 55.9, 71.14, -10.91

 

CMYK 0 / 67 / 31 / 1

HEX #FC53AE

RGB 252 83 174

HSL 327.69, 0.97%, 0.66%

LAB 61.6, 71.49, -13.1

 

CMYK 0 / 60 / 24 / 0

HEX #FF65C1

RGB 255 101 193

HSL 324.16, 1%, 0.7%

LAB 65.29, 67.56, -18.32

 

CMYK 0 / 53 / 17 / 0

HEX #FF77D4

RGB 255 119 212

HSL 318.97, 1%, 0.73%

LAB 68.9, 62.3, -23.48

 

CMYK 0 / 46 / 9 / 0

HEX #FF89E7

RGB 255 137 231

HSL 312.2, 1%, 0.77%

LAB 72.84, 56.7, -27.95

 

CMYK 0 / 72 / 30 / 10

HEX #E641A0

RGB 230 65 160

HSL 325.45, 0.77%, 0.58%

LAB 55.22, 70.41, -14.95

 

CMYK 0 / 78 / 34 / 16

HEX #D52F8D

RGB 213 47 141

HSL 326.02, 0.66%, 0.51%

LAB 49.62, 69.51, -12.42

 

CMYK 0 / 85 / 38 / 23

HEX #C41D7A

RGB 196 29 122

HSL 326.59, 0.74%, 0.44%

LAB 44.26, 67.79, -9.24

 

CMYK 0 / 94 / 42 / 30

HEX #B30B67

RGB 179 11 103

HSL 327.14, 0.88%, 0.37%

LAB 39.25, 64.9, -5.22

 

CMYK 0 / 100 / 48 / 36

HEX #A20054

RGB 162 0 84

HSL 328.89, 1%, 0.32%

LAB 34.64, 60.64, -0.2

 

CMYK 0 / 72 / 30 / 10

HEX #E641A0

RGB 230 65 160

HSL 325.45, 0.77%, 0.58%

LAB 55.22, 70.41, -14.95

 

CMYK 0 / 72 / 50 / 10

HEX #E64173

RGB 230 65 115

HSL 341.82, 0.77%, 0.58%

LAB 53.86, 65.99, 9.77

 

CMYK 0 / 72 / 69 / 10

HEX #E64147

RGB 230 65 71

HSL 357.82, 0.77%, 0.58%

LAB 53.01, 63.15, 34.71

 

CMYK 0 / 72 / 72 / 10

HEX #E64141

RGB 230 65 65

HSL 0, 0.77%, 0.58%

LAB 52.93, 62.88, 38.04

 

CMYK 0 / 72 / 30 / 10

HEX #E641A0

RGB 230 65 160

HSL 325.45, 0.77%, 0.58%

LAB 55.22, 70.41, -14.95

 

CMYK 0 / 72 / 11 / 10

HEX #E641CC

RGB 230 65 204

HSL 309.45, 0.77%, 0.58%

LAB 57.04, 76.09, -37.63

 

CMYK 8 / 72 / 0 / 10

HEX #D341E6

RGB 211 65 230

HSL 293.09, 0.77%, 0.58%

LAB 55.42, 76.09, -55.12

 

CMYK 28 / 72 / 0 / 10

HEX #A641E6

RGB 166 65 230

HSL 276.73, 0.77%, 0.58%

LAB 49.01, 67.26, -65.78

 

CMYK 47 / 72 / 0 / 10

HEX #7A41E6

RGB 122 65 230

HSL 260.73, 0.77%, 0.58%

LAB 43.7, 59.58, -74.65

 

CMYK 0 / 72 / 30 / 10

HEX #E641A0

RGB 230 65 160

HSL 325.45, 0.77%, 0.58%

LAB 55.22, 70.41, -14.95

 

CMYK 0 / 81 / 34 / 3

HEX #F730A3

RGB 247 48 163

HSL 325.33, 0.93%, 0.58%

LAB 56.62, 79.63, -14.31

 

CMYK 0 / 72 / 30 / 10

HEX #E641A0

RGB 230 65 160

HSL 325.45, 0.77%, 0.58%

LAB 55.22, 70.41, -14.95

 

CMYK 0 / 62 / 26 / 16

HEX #D5529D

RGB 213 82 157

HSL 325.65, 0.61%, 0.58%

LAB 54.67, 58.95, -14.28

 

CMYK 0 / 49 / 21 / 24

HEX #C3649B

RGB 195 100 155

HSL 325.26, 0.44%, 0.58%

LAB 55.16, 44.63, -12.64

 

CMYK 0 / 34 / 15 / 30

HEX #B27598

RGB 178 117 152

HSL 325.57, 0.28%, 0.58%

LAB 56.54, 29.22, -9.03

 

CMYK 0 / 17 / 7 / 37

HEX #A18695

RGB 161 134 149

HSL 326.67, 0.13%, 0.58%

LAB 58.79, 12.89, -4.16

 

CMYK 8 / 72 / 0 / 10

HEX #D341E6

RGB 211 65 230

HSL 293.09, 0.77%, 0.58%

LAB 55.42, 76.09, -55.12

 

CMYK 0 / 72 / 11 / 10

HEX #E641CD

RGB 230 65 205

HSL 309.09, 0.77%, 0.58%

LAB 57.09, 76.23, -38.13

 

CMYK 0 / 72 / 30 / 10

HEX #E641A1

RGB 230 65 161

HSL 325.09, 0.77%, 0.58%

LAB 55.25, 70.53, -15.49

 

CMYK 0 / 72 / 49 / 10

HEX #E64175

RGB 230 65 117

HSL 341.09, 0.77%, 0.58%

LAB 53.91, 66.15, 8.64

 

CMYK 0 / 72 / 68 / 10

HEX #E64149

RGB 230 65 73

HSL 357.09, 0.77%, 0.58%

LAB 53.04, 63.25, 33.59

 

CMYK 0 / 87 / 37 / 26

HEX #BC1877

RGB 188 24 119

HSL 325.24, 0.77%, 0.42%

LAB 42.27, 66.58, -10.53

 

CMYK 0 / 87 / 37 / 12

HEX #E11D8E

RGB 225 29 142

HSL 325.41, 0.77%, 0.5%

LAB 50.5, 76.38, -11.48

 

CMYK 0 / 72 / 30 / 10

HEX #E641A0

RGB 230 65 160

HSL 325.45, 0.77%, 0.58%

LAB 55.22, 70.41, -14.95

 

CMYK 0 / 57 / 24 / 8

HEX #EB65B2

RGB 235 101 178

HSL 325.52, 0.77%, 0.66%

LAB 61.81, 59.85, -15.33

 

CMYK 0 / 42 / 18 / 6

HEX #EF8AC4

RGB 239 138 196

HSL 325.54, 0.76%, 0.74%

LAB 69.83, 45.8, -13.35

 

CMYK 0 / 72 / 30 / 10

HEX #E641A0

RGB 230 65 160

HSL 325.45, 0.77%, 0.58%

LAB 55.22, 70.41, -14.95

 

CMYK 0 / 27 / 72 / 10

HEX #E6A741

RGB 230 167 65

HSL 37.09, 0.77%, 0.58%

LAB 72.79, 13.82, 59.49

 

CMYK 72 / 1 / 0 / 10

HEX #41E3E6

RGB 65 227 230

HSL 181.09, 0.77%, 0.58%

LAB 82.79, -39.24, -13.44

 

CMYK 0 / 72 / 30 / 10

HEX #E641A0

RGB 230 65 160

HSL 325.45, 0.77%, 0.58%

LAB 55.22, 70.41, -14.95

 

CMYK 30 / 0 / 72 / 10

HEX #A1E641

RGB 161 230 65

HSL 85.09, 0.77%, 0.58%

LAB 84.25, -45.48, 69.22

 

CMYK 72 / 30 / 0 / 10

HEX #41A1E6

RGB 65 161 230

HSL 205.09, 0.77%, 0.58%

LAB 63.61, -5.75, -42.88

 

CMYK 0 / 72 / 30 / 10

HEX #E641A0

RGB 230 65 160

HSL 325.45, 0.77%, 0.58%

LAB 55.22, 70.41, -14.95

 

CMYK 0 / 27 / 72 / 10

HEX #E6A741

RGB 230 167 65

HSL 37.09, 0.77%, 0.58%

LAB 72.79, 13.82, 59.49

 

CMYK 72 / 0 / 42 / 10

HEX #41E686

RGB 65 230 134

HSL 145.09, 0.77%, 0.58%

LAB 81.53, -62.77, 34.92

 

CMYK 72 / 44 / 0 / 10

HEX #4180E6

RGB 65 128 230

HSL 217.09, 0.77%, 0.58%

LAB 54.32, 13.73, -57.63

 

CMYK 0 / 72 / 30 / 10

HEX #E641A0

RGB 230 65 160

HSL 325.45, 0.77%, 0.58%

LAB 55.22, 70.41, -14.95

 

CMYK 0 / 6 / 72 / 10

HEX #E6D841

RGB 230 216 65

HSL 54.91, 0.77%, 0.58%

LAB 85.16, -11.58, 71.72

 

CMYK 72 / 0 / 42 / 10

HEX #41E686

RGB 65 230 134

HSL 145.09, 0.77%, 0.58%

LAB 81.53, -62.77, 34.92

 

CMYK 72 / 66 / 0 / 10

HEX #414FE6

RGB 65 79 230

HSL 234.91, 0.77%, 0.58%

LAB 41.89, 44.15, -77.79

 

Description

Color code: HEX #E641A0 | qconv.com Color code: HEX #E641A0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 65 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 65 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 30 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 30% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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