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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E643F8 it is the complementary color #19BC07. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E643F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E643F8 shade: #EB43F3, #FC55FF, #FF67FF, #FF79FF and #FF8BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E643F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E643F8 shade: #E643F8, #D531E5, #C41FD2, #B30DBF and #A200AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E643F8 shade: #E643F8, #F843D9, #F843A8, #F84378 and #F84347

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E643F8 shade: #E643F8, #B543F8, #8543F8, #5443F8 and #4343F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E643F8 shade matches the following richer shades: #E643F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E643F8 shade: #E643F8, #D953E8, #CD63D8, #C073C9 and #B482B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E643F8 shade: #8643F8, #B643F8, #E643F8, #F843DA and #F843AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E643F8 shade: #CB08E1, #E11CF6, #E643F8, #EB6BF9 and #F093FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E643F8 shade: #E643F8, #F85643 and #43F89E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E643F8 shade: #E643F8, #F8E643 and #43F8E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E643F8 shade: #E643F8, #F85643, #56F843 and #43E6F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E643F8 shade: #E643F8, #F88C43, #56F843 and #43B0F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 73 / 0 / 3

HEX #E643F8

RGB 230 67 248

HSL 294.03, 0.93%, 0.62%

LAB 59.54, 82.25, -58.44

 

Complementary color

CMYK 87 / 0 / 96 / 26

HEX #19BC07

RGB 25 188 7

HSL 114.03, 0.93%, 0.38%

LAB 66.66, -66.95, 65.52

 

CMYK 3 / 72 / 0 / 5

HEX #EB43F3

RGB 235 67 243

HSL 297.27, 0.88%, 0.61%

LAB 60.02, 82.42, -54.84

 

CMYK 1 / 67 / 0 / 0

HEX #FC55FF

RGB 252 85 255

HSL 298.94, 1%, 0.67%

LAB 65.29, 81.95, -52.96

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 0 / 53 / 0 / 0

HEX #FF79FF

RGB 255 121 255

HSL 300, 1%, 0.74%

LAB 70.98, 68.15, -43.96

 

CMYK 0 / 45 / 0 / 0

HEX #FF8BFF

RGB 255 139 255

HSL 300, 1%, 0.77%

LAB 74.15, 59.74, -39

 

CMYK 7 / 73 / 0 / 3

HEX #E643F8

RGB 230 67 248

HSL 294.03, 0.93%, 0.62%

LAB 59.54, 82.25, -58.44

 

CMYK 7 / 79 / 0 / 10

HEX #D531E5

RGB 213 49 229

HSL 294.67, 0.78%, 0.55%

LAB 54.03, 81.05, -56.77

 

CMYK 7 / 85 / 0 / 18

HEX #C41FD2

RGB 196 31 210

HSL 295.31, 0.74%, 0.47%

LAB 48.72, 79.03, -54.61

 

CMYK 6 / 93 / 0 / 25

HEX #B30DBF

RGB 179 13 191

HSL 295.96, 0.87%, 0.4%

LAB 43.7, 75.9, -51.82

 

CMYK 6 / 100 / 0 / 33

HEX #A200AC

RGB 162 0 172

HSL 296.51, 1%, 0.34%

LAB 39, 71.52, -48.3

 

CMYK 7 / 73 / 0 / 3

HEX #E643F8

RGB 230 67 248

HSL 294.03, 0.93%, 0.62%

LAB 59.54, 82.25, -58.44

 

CMYK 0 / 73 / 13 / 3

HEX #F843D9

RGB 248 67 217

HSL 310.28, 0.93%, 0.62%

LAB 60.76, 81.29, -38.96

 

CMYK 0 / 73 / 32 / 3

HEX #F843A8

RGB 248 67 168

HSL 326.52, 0.93%, 0.62%

LAB 58.79, 75.22, -13.94

 

CMYK 0 / 73 / 52 / 3

HEX #F84378

RGB 248 67 120

HSL 342.43, 0.93%, 0.62%

LAB 57.39, 70.76, 12.22

 

CMYK 0 / 73 / 71 / 3

HEX #F84347

RGB 248 67 71

HSL 358.67, 0.93%, 0.62%

LAB 56.51, 67.85, 39.64

 

CMYK 7 / 73 / 0 / 3

HEX #E643F8

RGB 230 67 248

HSL 294.03, 0.93%, 0.62%

LAB 59.54, 82.25, -58.44

 

CMYK 27 / 73 / 0 / 3

HEX #B543F8

RGB 181 67 248

HSL 277.79, 0.93%, 0.62%

LAB 52.53, 72.99, -70.09

 

CMYK 46 / 73 / 0 / 3

HEX #8543F8

RGB 133 67 248

HSL 261.88, 0.93%, 0.62%

LAB 46.68, 64.96, -79.86

 

CMYK 66 / 73 / 0 / 3

HEX #5443F8

RGB 84 67 248

HSL 245.64, 0.93%, 0.62%

LAB 42.27, 58.62, -87.27

 

CMYK 73 / 73 / 0 / 3

HEX #4343F8

RGB 67 67 248

HSL 240, 0.93%, 0.62%

LAB 41.19, 57.02, -89.09

 

CMYK 7 / 73 / 0 / 3

HEX #E643F8

RGB 230 67 248

HSL 294.03, 0.93%, 0.62%

LAB 59.54, 82.25, -58.44

 

CMYK 7 / 73 / 0 / 3

HEX #E643F8

RGB 230 67 248

HSL 294.03, 0.93%, 0.62%

LAB 59.54, 82.25, -58.44

 

CMYK 6 / 64 / 0 / 9

HEX #D953E8

RGB 217 83 232

HSL 293.96, 0.76%, 0.62%

LAB 58.76, 71.12, -50.88

 

CMYK 5 / 54 / 0 / 15

HEX #CD63D8

RGB 205 99 216

HSL 294.36, 0.6%, 0.62%

LAB 58.85, 58.33, -41.86

 

CMYK 4 / 43 / 0 / 21

HEX #C073C9

RGB 192 115 201

HSL 293.72, 0.44%, 0.62%

LAB 59.6, 43.79, -32.31

 

CMYK 3 / 30 / 0 / 27

HEX #B482B9

RGB 180 130 185

HSL 294.55, 0.28%, 0.62%

LAB 60.93, 28.68, -21.3

 

CMYK 46 / 73 / 0 / 3

HEX #8643F8

RGB 134 67 248

HSL 262.21, 0.93%, 0.62%

LAB 46.79, 65.11, -79.68

 

CMYK 27 / 73 / 0 / 3

HEX #B643F8

RGB 182 67 248

HSL 278.12, 0.93%, 0.62%

LAB 52.66, 73.17, -69.87

 

CMYK 7 / 73 / 0 / 3

HEX #E643F8

RGB 230 67 248

HSL 294.03, 0.93%, 0.62%

LAB 59.54, 82.25, -58.44

 

CMYK 0 / 73 / 12 / 3

HEX #F843DA

RGB 248 67 218

HSL 309.94, 0.93%, 0.62%

LAB 60.81, 81.43, -39.46

 

CMYK 0 / 73 / 31 / 3

HEX #F843AA

RGB 248 67 170

HSL 325.86, 0.93%, 0.62%

LAB 58.86, 75.44, -14.99

 

CMYK 10 / 96 / 0 / 12

HEX #CB08E1

RGB 203 8 225

HSL 293.92, 0.93%, 0.46%

LAB 49.87, 85.42, -61.28

 

CMYK 9 / 89 / 0 / 4

HEX #E11CF6

RGB 225 28 246

HSL 294.22, 0.92%, 0.54%

LAB 55.58, 89.94, -63.72

 

CMYK 7 / 73 / 0 / 3

HEX #E643F8

RGB 230 67 248

HSL 294.03, 0.93%, 0.62%

LAB 59.54, 82.25, -58.44

 

CMYK 6 / 57 / 0 / 2

HEX #EB6BF9

RGB 235 107 249

HSL 294.08, 0.92%, 0.7%

LAB 65.76, 68.28, -49.06

 

CMYK 4 / 41 / 0 / 2

HEX #F093FB

RGB 240 147 251

HSL 293.65, 0.93%, 0.78%

LAB 73.78, 50.78, -37.56

 

CMYK 7 / 73 / 0 / 3

HEX #E643F8

RGB 230 67 248

HSL 294.03, 0.93%, 0.62%

LAB 59.54, 82.25, -58.44

 

CMYK 0 / 65 / 73 / 3

HEX #F85643

RGB 248 86 67

HSL 6.3, 0.93%, 0.62%

LAB 58.99, 60.76, 44.64

 

CMYK 73 / 0 / 36 / 3

HEX #43F89E

RGB 67 248 158

HSL 150.17, 0.93%, 0.62%

LAB 87.39, -64.63, 30.62

 

CMYK 7 / 73 / 0 / 3

HEX #E643F8

RGB 230 67 248

HSL 294.03, 0.93%, 0.62%

LAB 59.54, 82.25, -58.44

 

CMYK 0 / 7 / 73 / 3

HEX #F8E643

RGB 248 230 67

HSL 54.03, 0.93%, 0.62%

LAB 90.3, -10.96, 76.48

 

CMYK 73 / 0 / 7 / 3

HEX #43F8E6

RGB 67 248 230

HSL 174.03, 0.93%, 0.62%

LAB 88.94, -48.27, -4.3

 

CMYK 7 / 73 / 0 / 3

HEX #E643F8

RGB 230 67 248

HSL 294.03, 0.93%, 0.62%

LAB 59.54, 82.25, -58.44

 

CMYK 0 / 65 / 73 / 3

HEX #F85643

RGB 248 86 67

HSL 6.3, 0.93%, 0.62%

LAB 58.99, 60.76, 44.64

 

CMYK 65 / 0 / 73 / 3

HEX #56F843

RGB 86 248 67

HSL 113.7, 0.93%, 0.62%

LAB 86.76, -73.24, 70.11

 

CMYK 73 / 7 / 0 / 3

HEX #43E6F8

RGB 67 230 248

HSL 185.97, 0.93%, 0.62%

LAB 84.26, -35.21, -20.74

 

CMYK 7 / 73 / 0 / 3

HEX #E643F8

RGB 230 67 248

HSL 294.03, 0.93%, 0.62%

LAB 59.54, 82.25, -58.44

 

CMYK 0 / 44 / 73 / 3

HEX #F88C43

RGB 248 140 67

HSL 24.2, 0.93%, 0.62%

LAB 68.84, 35.52, 55.22

 

CMYK 65 / 0 / 73 / 3

HEX #56F843

RGB 86 248 67

HSL 113.7, 0.93%, 0.62%

LAB 86.76, -73.24, 70.11

 

CMYK 73 / 29 / 0 / 3

HEX #43B0F8

RGB 67 176 248

HSL 203.87, 0.93%, 0.62%

LAB 68.77, -7.73, -44.63

 

Description

Color code: HEX #E643F8 | qconv.com Color code: HEX #E643F8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 67 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 67 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 73 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 73% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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