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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E64BDA it is the complementary color #19B425. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E64BDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E64BDA shade: #EB4BD5, #FC5DE8, #FF6FFB, #FF81FF and #FF93FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E64BDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E64BDA shade: #E64BDA, #D539C7, #C427B4, #B315A1 and #A2038E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E64BDA shade: #E64BDA, #E64BB0, #E64B86, #E64B5D and #E64B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E64BDA shade: #E64BDA, #C84BE6, #9E4BE6, #754BE6 and #4B4BE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E64BDA shade matches the following richer shades: #E64BDA and #F73AE8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E64BDA shade: #E64BDA, #D65BCC, #C56CBE, #B57CB0 and #A48DA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E64BDA shade: #9E4BE6, #C74BE6, #E64BDC, #E64BB2 and #E64B89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E64BDA shade: #C41AB7, #E127D3, #E64BDA, #EB6FE1 and #F094E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E64BDA shade: #E64BDA, #E6744B and #4BE6B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E64BDA shade: #E64BDA, #DCE64B and #4BDCE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E64BDA shade: #E64BDA, #E6744B, #4BE655 and #4BBDE6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E64BDA shade: #E64BDA, #E6A34B, #4BE655 and #4B8EE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 5 / 10

HEX #E64BDA

RGB 230 75 218

HSL 304.65, 0.76%, 0.6%

LAB 58.9, 74.8, -42.66

 

Complementary color

CMYK 86 / 0 / 79 / 29

HEX #19B425

RGB 25 180 37

HSL 124.65, 0.76%, 0.4%

LAB 64.15, -63.44, 57.24

 

CMYK 0 / 68 / 9 / 8

HEX #EB4BD5

RGB 235 75 213

HSL 308.25, 0.8%, 0.61%

LAB 59.43, 75.2, -38.94

 

CMYK 0 / 63 / 8 / 1

HEX #FC5DE8

RGB 252 93 232

HSL 307.55, 0.96%, 0.68%

LAB 65.24, 75.44, -40.32

 

CMYK 0 / 56 / 2 / 0

HEX #FF6FFB

RGB 255 111 251

HSL 301.67, 1%, 0.72%

LAB 69.18, 71.86, -44.6

 

CMYK 0 / 49 / 0 / 0

HEX #FF81FF

RGB 255 129 255

HSL 300, 1%, 0.75%

LAB 72.35, 64.48, -41.82

 

CMYK 0 / 42 / 0 / 0

HEX #FF93FF

RGB 255 147 255

HSL 300, 1%, 0.79%

LAB 75.67, 55.82, -36.66

 

CMYK 0 / 67 / 5 / 10

HEX #E64BDA

RGB 230 75 218

HSL 304.65, 0.76%, 0.6%

LAB 58.9, 74.8, -42.66

 

CMYK 0 / 73 / 7 / 16

HEX #D539C7

RGB 213 57 199

HSL 305.38, 0.65%, 0.53%

LAB 53.16, 74.1, -41.05

 

CMYK 0 / 80 / 8 / 23

HEX #C427B4

RGB 196 39 180

HSL 306.11, 0.67%, 0.46%

LAB 47.6, 72.71, -38.97

 

CMYK 0 / 88 / 10 / 30

HEX #B315A1

RGB 179 21 161

HSL 306.84, 0.79%, 0.39%

LAB 42.3, 70.32, -36.28

 

CMYK 0 / 98 / 12 / 36

HEX #A2038E

RGB 162 3 142

HSL 307.55, 0.96%, 0.32%

LAB 37.3, 66.75, -32.85

 

CMYK 0 / 67 / 5 / 10

HEX #E64BDA

RGB 230 75 218

HSL 304.65, 0.76%, 0.6%

LAB 58.9, 74.8, -42.66

 

CMYK 0 / 67 / 23 / 10

HEX #E64BB0

RGB 230 75 176

HSL 320.9, 0.76%, 0.6%

LAB 57.07, 68.86, -21.48

 

CMYK 0 / 67 / 42 / 10

HEX #E64B86

RGB 230 75 134

HSL 337.16, 0.76%, 0.6%

LAB 55.66, 64.09, 1.04

 

CMYK 0 / 67 / 60 / 10

HEX #E64B5D

RGB 230 75 93

HSL 353.03, 0.76%, 0.6%

LAB 54.71, 60.73, 24.01

 

CMYK 0 / 67 / 67 / 10

HEX #E64B4B

RGB 230 75 75

HSL 0, 0.76%, 0.6%

LAB 54.41, 59.67, 34.1

 

CMYK 0 / 67 / 5 / 10

HEX #E64BDA

RGB 230 75 218

HSL 304.65, 0.76%, 0.6%

LAB 58.9, 74.8, -42.66

 

CMYK 13 / 67 / 0 / 10

HEX #C84BE6

RGB 200 75 230

HSL 288.39, 0.76%, 0.6%

LAB 55.1, 70.16, -55.73

 

CMYK 31 / 67 / 0 / 10

HEX #9E4BE6

RGB 158 75 230

HSL 272.13, 0.76%, 0.6%

LAB 49.51, 61.42, -65.01

 

CMYK 49 / 67 / 0 / 10

HEX #754BE6

RGB 117 75 230

HSL 256.26, 0.76%, 0.6%

LAB 44.98, 53.78, -72.58

 

CMYK 67 / 67 / 0 / 10

HEX #4B4BE6

RGB 75 75 230

HSL 240, 0.76%, 0.6%

LAB 41.6, 47.64, -78.25

 

CMYK 0 / 67 / 5 / 10

HEX #E64BDA

RGB 230 75 218

HSL 304.65, 0.76%, 0.6%

LAB 58.9, 74.8, -42.66

 

CMYK 0 / 77 / 6 / 3

HEX #F73AE8

RGB 247 58 232

HSL 304.76, 0.92%, 0.6%

LAB 60.45, 85.7, -47.9

 

CMYK 0 / 67 / 5 / 10

HEX #E64BDA

RGB 230 75 218

HSL 304.65, 0.76%, 0.6%

LAB 58.9, 74.8, -42.66

 

CMYK 0 / 57 / 5 / 16

HEX #D65BCC

RGB 214 91 204

HSL 304.88, 0.6%, 0.6%

LAB 58.17, 62.27, -36.04

 

CMYK 0 / 45 / 4 / 23

HEX #C56CBE

RGB 197 108 190

HSL 304.72, 0.43%, 0.6%

LAB 58.33, 46.91, -27.98

 

CMYK 0 / 31 / 3 / 29

HEX #B57CB0

RGB 181 124 176

HSL 305.26, 0.28%, 0.6%

LAB 59.32, 30.64, -18.63

 

CMYK 0 / 14 / 1 / 36

HEX #A48DA2

RGB 164 141 162

HSL 305.22, 0.11%, 0.6%

LAB 61.26, 12.45, -7.88

 

CMYK 31 / 67 / 0 / 10

HEX #9E4BE6

RGB 158 75 230

HSL 272.13, 0.76%, 0.6%

LAB 49.51, 61.42, -65.01

 

CMYK 13 / 67 / 0 / 10

HEX #C74BE6

RGB 199 75 230

HSL 288, 0.76%, 0.6%

LAB 54.96, 69.95, -55.97

 

CMYK 0 / 67 / 4 / 10

HEX #E64BDC

RGB 230 75 220

HSL 303.87, 0.76%, 0.6%

LAB 59, 75.1, -43.63

 

CMYK 0 / 67 / 23 / 10

HEX #E64BB2

RGB 230 75 178

HSL 320.13, 0.76%, 0.6%

LAB 57.14, 69.11, -22.52

 

CMYK 0 / 67 / 40 / 10

HEX #E64B89

RGB 230 75 137

HSL 336, 0.76%, 0.6%

LAB 55.75, 64.39, -0.61

 

CMYK 0 / 87 / 7 / 23

HEX #C41AB7

RGB 196 26 183

HSL 304.59, 0.77%, 0.44%

LAB 46.83, 75.84, -41.95

 

CMYK 0 / 83 / 6 / 12

HEX #E127D3

RGB 225 39 211

HSL 304.52, 0.76%, 0.52%

LAB 54.2, 82.84, -46.16

 

CMYK 0 / 67 / 5 / 10

HEX #E64BDA

RGB 230 75 218

HSL 304.65, 0.76%, 0.6%

LAB 58.9, 74.8, -42.66

 

CMYK 0 / 53 / 4 / 8

HEX #EB6FE1

RGB 235 111 225

HSL 304.84, 0.76%, 0.68%

LAB 65.33, 62.36, -36.45

 

CMYK 0 / 38 / 3 / 6

HEX #F094E9

RGB 240 148 233

HSL 304.57, 0.75%, 0.76%

LAB 73.28, 47.02, -28.52

 

CMYK 0 / 67 / 5 / 10

HEX #E64BDA

RGB 230 75 218

HSL 304.65, 0.76%, 0.6%

LAB 58.9, 74.8, -42.66

 

CMYK 0 / 50 / 67 / 10

HEX #E6744B

RGB 230 116 75

HSL 15.87, 0.76%, 0.6%

LAB 61.5, 41.11, 42.5

 

CMYK 67 / 0 / 23 / 10

HEX #4BE6B2

RGB 75 230 178

HSL 159.87, 0.76%, 0.6%

LAB 82.54, -52.46, 13.68

 

CMYK 0 / 67 / 5 / 10

HEX #E64BDA

RGB 230 75 218

HSL 304.65, 0.76%, 0.6%

LAB 58.9, 74.8, -42.66

 

CMYK 4 / 0 / 67 / 10

HEX #DCE64B

RGB 220 230 75

HSL 63.87, 0.76%, 0.6%

LAB 88.12, -22.08, 70.78

 

CMYK 67 / 4 / 0 / 10

HEX #4BDCE6

RGB 75 220 230

HSL 183.87, 0.76%, 0.6%

LAB 80.96, -34.75, -16.17

 

CMYK 0 / 67 / 5 / 10

HEX #E64BDA

RGB 230 75 218

HSL 304.65, 0.76%, 0.6%

LAB 58.9, 74.8, -42.66

 

CMYK 0 / 50 / 67 / 10

HEX #E6744B

RGB 230 116 75

HSL 15.87, 0.76%, 0.6%

LAB 61.5, 41.11, 42.5

 

CMYK 67 / 0 / 63 / 10

HEX #4BE655

RGB 75 230 85

HSL 123.87, 0.76%, 0.6%

LAB 81.15, -67.91, 57.33

 

CMYK 67 / 18 / 0 / 10

HEX #4BBDE6

RGB 75 189 230

HSL 195.87, 0.76%, 0.6%

LAB 71.96, -19.47, -29.87

 

CMYK 0 / 67 / 5 / 10

HEX #E64BDA

RGB 230 75 218

HSL 304.65, 0.76%, 0.6%

LAB 58.9, 74.8, -42.66

 

CMYK 0 / 29 / 67 / 10

HEX #E6A34B

RGB 230 163 75

HSL 34.06, 0.76%, 0.6%

LAB 71.91, 16.47, 54.16

 

CMYK 67 / 0 / 63 / 10

HEX #4BE655

RGB 75 230 85

HSL 123.87, 0.76%, 0.6%

LAB 81.15, -67.91, 57.33

 

CMYK 67 / 38 / 0 / 10

HEX #4B8EE6

RGB 75 142 230

HSL 214.06, 0.76%, 0.6%

LAB 58.56, 6.72, -50.84

 

Description

Color code: HEX #E64BDA | qconv.com Color code: HEX #E64BDA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 75 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 75 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 5 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 5% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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