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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E65B69 it is the complementary color #19A496. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E65B69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E65B69 shade: #EB5B64, #FC6D77, #FF7F8A, #FF919D and #FFA3B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E65B69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E65B69 shade: #E65B69, #D54956, #C43743, #B32530 and #A2131D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E65B69 shade: #E65A68 and #E65A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E65B69 shade: #E65A68, #E65A8E, #E65AB4, #E65AD9 and #CD5AE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E65B69 shade matches the following richer shades: #E65A68 and #F54B5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E65B69 shade: #E65A68, #D76A75, #C77981, #B8888D and #A99799

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E65B69 shade: #E65AB5, #E65A90, #E65A6B, #E66F5A and #E6955A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E65B69 shade: #CF1F30, #E13648, #E65A68, #EB7E89 and #F1A2AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E65B69 shade: #E65B69, #DAE65A and #5AA2E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E65B69 shade: #E65B69, #6BE65A and #5A6BE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E65B69 shade: #E65B69, #DAE65A, #5AE6D6 and #665AE6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E65B69 shade: #E65B69, #B0E65A, #5AE6D6 and #905AE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 54 / 10

HEX #E65B69

RGB 230 91 105

HSL 353.96, 0.74%, 0.63%

LAB 57.39, 54.96, 20.56

 

Complementary color

CMYK 85 / 0 / 9 / 36

HEX #19A496

RGB 25 164 150

HSL 173.96, 0.74%, 0.37%

LAB 60.75, -37.52, -2.61

 

CMYK 0 / 61 / 57 / 8

HEX #EB5B64

RGB 235 91 100

HSL 356.25, 0.78%, 0.64%

LAB 58.1, 56.25, 24.55

 

CMYK 0 / 57 / 53 / 1

HEX #FC6D77

RGB 252 109 119

HSL 355.8, 0.96%, 0.71%

LAB 64.13, 55.37, 22.17

 

CMYK 0 / 50 / 46 / 0

HEX #FF7F8A

RGB 255 127 138

HSL 354.84, 1%, 0.75%

LAB 68.22, 49.59, 17.1

 

CMYK 0 / 43 / 38 / 0

HEX #FF919D

RGB 255 145 157

HSL 353.45, 1%, 0.78%

LAB 72.19, 42.62, 12.05

 

CMYK 0 / 36 / 31 / 0

HEX #FFA3B0

RGB 255 163 176

HSL 351.52, 1%, 0.82%

LAB 76.43, 35.63, 7.61

 

CMYK 0 / 60 / 54 / 10

HEX #E65B69

RGB 230 91 105

HSL 353.96, 0.74%, 0.63%

LAB 57.39, 54.96, 20.56

 

CMYK 0 / 66 / 60 / 16

HEX #D54956

RGB 213 73 86

HSL 354.43, 0.63%, 0.56%

LAB 51.36, 55.67, 23.21

 

CMYK 0 / 72 / 66 / 23

HEX #C43743

RGB 196 55 67

HSL 354.89, 0.56%, 0.49%

LAB 45.46, 56.06, 26.4

 

CMYK 0 / 79 / 73 / 30

HEX #B32530

RGB 179 37 48

HSL 355.35, 0.66%, 0.42%

LAB 39.78, 55.89, 30.25

 

CMYK 0 / 88 / 82 / 36

HEX #A2131D

RGB 162 19 29

HSL 355.8, 0.79%, 0.35%

LAB 34.47, 54.78, 34.75

 

CMYK 0 / 61 / 55 / 10

HEX #E65A68

RGB 230 90 104

HSL 354, 0.74%, 0.63%

LAB 57.21, 55.33, 20.89

 

CMYK 0 / 61 / 61 / 10

HEX #E65A5A

RGB 230 90 90

HSL 0, 0.74%, 0.63%

LAB 56.95, 54.33, 28.67

 

CMYK 0 / 61 / 55 / 10

HEX #E65A68

RGB 230 90 104

HSL 354, 0.74%, 0.63%

LAB 57.21, 55.33, 20.89

 

CMYK 0 / 61 / 38 / 10

HEX #E65A8E

RGB 230 90 142

HSL 337.71, 0.74%, 0.63%

LAB 58.12, 58.83, -0.08

 

CMYK 0 / 61 / 22 / 10

HEX #E65AB4

RGB 230 90 180

HSL 321.43, 0.74%, 0.63%

LAB 59.37, 63.46, -20.26

 

CMYK 0 / 61 / 6 / 10

HEX #E65AD9

RGB 230 90 217

HSL 305.57, 0.74%, 0.63%

LAB 60.91, 68.9, -38.93

 

CMYK 11 / 61 / 0 / 10

HEX #CD5AE6

RGB 205 90 230

HSL 289.29, 0.74%, 0.63%

LAB 58.04, 65.04, -51

 

CMYK 0 / 61 / 55 / 10

HEX #E65A68

RGB 230 90 104

HSL 354, 0.74%, 0.63%

LAB 57.21, 55.33, 20.89

 

CMYK 0 / 69 / 62 / 4

HEX #F54B5C

RGB 245 75 92

HSL 354, 0.89%, 0.63%

LAB 57.29, 65.26, 28.45

 

CMYK 0 / 61 / 55 / 10

HEX #E65A68

RGB 230 90 104

HSL 354, 0.74%, 0.63%

LAB 57.21, 55.33, 20.89

 

CMYK 0 / 51 / 46 / 16

HEX #D76A75

RGB 215 106 117

HSL 353.94, 0.58%, 0.63%

LAB 58.07, 43.78, 14.14

 

CMYK 0 / 39 / 35 / 22

HEX #C77981

RGB 199 121 129

HSL 353.85, 0.41%, 0.63%

LAB 59.34, 31.4, 8.68

 

CMYK 0 / 26 / 23 / 28

HEX #B8888D

RGB 184 136 141

HSL 353.75, 0.25%, 0.63%

LAB 61.41, 19.08, 4.53

 

CMYK 0 / 11 / 9 / 34

HEX #A99799

RGB 169 151 153

HSL 353.33, 0.09%, 0.63%

LAB 64.05, 6.99, 1.37

 

CMYK 0 / 61 / 21 / 10

HEX #E65AB5

RGB 230 90 181

HSL 321, 0.74%, 0.63%

LAB 59.41, 63.59, -20.78

 

CMYK 0 / 61 / 37 / 10

HEX #E65A90

RGB 230 90 144

HSL 336.86, 0.74%, 0.63%

LAB 58.18, 59.05, -1.16

 

CMYK 0 / 61 / 53 / 10

HEX #E65A6B

RGB 230 90 107

HSL 352.71, 0.74%, 0.63%

LAB 57.27, 55.56, 19.22

 

CMYK 0 / 52 / 61 / 10

HEX #E66F5A

RGB 230 111 90

HSL 9, 0.74%, 0.63%

LAB 60.72, 44.51, 33.44

 

CMYK 0 / 35 / 61 / 10

HEX #E6955A

RGB 230 149 90

HSL 25.29, 0.74%, 0.63%

LAB 68.79, 24.87, 43.3

 

CMYK 0 / 85 / 77 / 19

HEX #CF1F30

RGB 207 31 48

HSL 354.2, 0.74%, 0.47%

LAB 44.88, 65.26, 37.52

 

CMYK 0 / 76 / 68 / 12

HEX #E13648

RGB 225 54 72

HSL 353.68, 0.74%, 0.55%

LAB 50.82, 65.31, 31.26

 

CMYK 0 / 61 / 55 / 10

HEX #E65A68

RGB 230 90 104

HSL 354, 0.74%, 0.63%

LAB 57.21, 55.33, 20.89

 

CMYK 0 / 46 / 42 / 8

HEX #EB7E89

RGB 235 126 137

HSL 353.94, 0.73%, 0.71%

LAB 65.27, 42.93, 13.14

 

CMYK 0 / 33 / 29 / 5

HEX #F1A2AA

RGB 241 162 170

HSL 353.92, 0.74%, 0.79%

LAB 74.47, 30.32, 7.89

 

CMYK 0 / 60 / 54 / 10

HEX #E65B69

RGB 230 91 105

HSL 353.96, 0.74%, 0.63%

LAB 57.39, 54.96, 20.56

 

CMYK 5 / 0 / 61 / 10

HEX #DAE65A

RGB 218 230 90

HSL 65.14, 0.74%, 0.63%

LAB 88.08, -21.98, 64.82

 

CMYK 61 / 30 / 0 / 10

HEX #5AA2E6

RGB 90 162 230

HSL 209.14, 0.74%, 0.63%

LAB 64.75, -2.32, -41.04

 

CMYK 0 / 60 / 54 / 10

HEX #E65B69

RGB 230 91 105

HSL 353.96, 0.74%, 0.63%

LAB 57.39, 54.96, 20.56

 

CMYK 53 / 0 / 61 / 10

HEX #6BE65A

RGB 107 230 90

HSL 112.71, 0.74%, 0.63%

LAB 82.09, -60.33, 56.51

 

CMYK 61 / 53 / 0 / 10

HEX #5A6BE6

RGB 90 107 230

HSL 232.71, 0.74%, 0.63%

LAB 49.98, 30.56, -64.55

 

CMYK 0 / 60 / 54 / 10

HEX #E65B69

RGB 230 91 105

HSL 353.96, 0.74%, 0.63%

LAB 57.39, 54.96, 20.56

 

CMYK 5 / 0 / 61 / 10

HEX #DAE65A

RGB 218 230 90

HSL 65.14, 0.74%, 0.63%

LAB 88.08, -21.98, 64.82

 

CMYK 61 / 0 / 7 / 10

HEX #5AE6D6

RGB 90 230 214

HSL 173.14, 0.74%, 0.63%

LAB 83.77, -41.35, -3.47

 

CMYK 56 / 61 / 0 / 10

HEX #665AE6

RGB 102 90 230

HSL 245.14, 0.74%, 0.63%

LAB 46.78, 42.86, -69.71

 

CMYK 0 / 60 / 54 / 10

HEX #E65B69

RGB 230 91 105

HSL 353.96, 0.74%, 0.63%

LAB 57.39, 54.96, 20.56

 

CMYK 23 / 0 / 61 / 10

HEX #B0E65A

RGB 176 230 90

HSL 83.14, 0.74%, 0.63%

LAB 85.28, -38.26, 60.96

 

CMYK 61 / 0 / 7 / 10

HEX #5AE6D6

RGB 90 230 214

HSL 173.14, 0.74%, 0.63%

LAB 83.77, -41.35, -3.47

 

CMYK 37 / 61 / 0 / 10

HEX #905AE6

RGB 144 90 230

HSL 263.14, 0.74%, 0.63%

LAB 50.63, 51.09, -63.28

 

Description

Color code: HEX #E65B69 | qconv.com Color code: HEX #E65B69 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 91 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 91 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 54 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 54% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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