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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E664E0 it is the complementary color #199B1F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E664E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E664E0 shade: #EB64DB, #FC76EE, #FF88FF, #FF9AFF and #FFACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E664E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E664E0 shade: #E664E0, #D552CD, #C440BA, #B32EA7 and #A21C94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E664E0 shade: #E665E0, #E665BD, #E6659A, #E66578 and #E66565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E664E0 shade: #E665E0, #C965E6, #A665E6, #8365E6 and #6565E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E664E0 shade matches the following richer shades: #E665E0 and #F457ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E664E0 shade: #E665E0, #D773D2, #C982C5, #BA90B8 and #AC9FAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E664E0 shade: #A565E6, #C865E6, #E665E1, #E665BF and #E6659D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E664E0 shade: #D622CD, #E042D8, #E665E0, #EB88E7 and #F1ACEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E664E0 shade: #E664E0, #E68365 and #65E6B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E664E0 shade: #E664E0, #E1E665 and #65E1E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E664E0 shade: #E664E0, #E68365, #65E669 and #65C8E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E664E0 shade: #E664E0, #E6AA65, #65E669 and #65A1E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 3 / 10

HEX #E664E0

RGB 230 100 224

HSL 302.77, 0.72%, 0.65%

LAB 62.78, 65.8, -39.94

 

Complementary color

CMYK 84 / 0 / 80 / 39

HEX #199B1F

RGB 25 155 31

HSL 122.77, 0.72%, 0.35%

LAB 55.83, -56.25, 51.16

 

CMYK 0 / 57 / 7 / 8

HEX #EB64DB

RGB 235 100 219

HSL 307.11, 0.77%, 0.66%

LAB 63.25, 66.29, -36.34

 

CMYK 0 / 53 / 6 / 1

HEX #FC76EE

RGB 252 118 238

HSL 306.27, 0.96%, 0.73%

LAB 69.34, 65.9, -37.23

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FF

RGB 255 136 255

HSL 300, 1%, 0.77%

LAB 73.6, 61.18, -39.86

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 0 / 33 / 0 / 0

HEX #FFACFF

RGB 255 172 255

HSL 300, 1%, 0.84%

LAB 80.73, 43.12, -28.85

 

CMYK 0 / 57 / 3 / 10

HEX #E664E0

RGB 230 100 224

HSL 302.77, 0.72%, 0.65%

LAB 62.78, 65.8, -39.94

 

CMYK 0 / 62 / 4 / 16

HEX #D552CD

RGB 213 82 205

HSL 303.66, 0.61%, 0.58%

LAB 56.67, 66.01, -38.96

 

CMYK 0 / 67 / 5 / 23

HEX #C440BA

RGB 196 64 186

HSL 304.55, 0.53%, 0.51%

LAB 50.63, 65.87, -37.71

 

CMYK 0 / 74 / 7 / 30

HEX #B32EA7

RGB 179 46 167

HSL 305.41, 0.59%, 0.44%

LAB 44.7, 65.18, -36.07

 

CMYK 0 / 83 / 9 / 36

HEX #A21C94

RGB 162 28 148

HSL 306.27, 0.71%, 0.37%

LAB 38.98, 63.63, -33.85

 

CMYK 0 / 56 / 3 / 10

HEX #E665E0

RGB 230 101 224

HSL 302.79, 0.72%, 0.65%

LAB 62.94, 65.36, -39.69

 

CMYK 0 / 56 / 18 / 10

HEX #E665BD

RGB 230 101 189

HSL 319.07, 0.72%, 0.65%

LAB 61.49, 59.91, -22.18

 

CMYK 0 / 56 / 33 / 10

HEX #E6659A

RGB 230 101 154

HSL 335.35, 0.72%, 0.65%

LAB 60.31, 55.29, -3.85

 

CMYK 0 / 56 / 48 / 10

HEX #E66578

RGB 230 101 120

HSL 351.16, 0.72%, 0.65%

LAB 59.42, 51.7, 14.61

 

CMYK 0 / 56 / 56 / 10

HEX #E66565

RGB 230 101 101

HSL 0, 0.72%, 0.65%

LAB 59.04, 50.11, 25.07

 

CMYK 0 / 56 / 3 / 10

HEX #E665E0

RGB 230 101 224

HSL 302.79, 0.72%, 0.65%

LAB 62.94, 65.36, -39.69

 

CMYK 13 / 56 / 0 / 10

HEX #C965E6

RGB 201 101 230

HSL 286.51, 0.72%, 0.65%

LAB 59.38, 59, -48.91

 

CMYK 28 / 56 / 0 / 10

HEX #A665E6

RGB 166 101 230

HSL 270.23, 0.72%, 0.65%

LAB 55.2, 50.32, -55.81

 

CMYK 43 / 56 / 0 / 10

HEX #8365E6

RGB 131 101 230

HSL 253.95, 0.72%, 0.65%

LAB 51.66, 42.22, -61.68

 

CMYK 56 / 56 / 0 / 10

HEX #6565E6

RGB 101 101 230

HSL 240, 0.72%, 0.65%

LAB 49.24, 36.16, -65.72

 

CMYK 0 / 56 / 3 / 10

HEX #E665E0

RGB 230 101 224

HSL 302.79, 0.72%, 0.65%

LAB 62.94, 65.36, -39.69

 

CMYK 0 / 64 / 3 / 4

HEX #F457ED

RGB 244 87 237

HSL 302.68, 0.88%, 0.65%

LAB 63.48, 76.59, -45.94

 

CMYK 0 / 56 / 3 / 10

HEX #E665E0

RGB 230 101 224

HSL 302.79, 0.72%, 0.65%

LAB 62.94, 65.36, -39.69

 

CMYK 0 / 47 / 2 / 16

HEX #D773D2

RGB 215 115 210

HSL 303, 0.56%, 0.65%

LAB 62.81, 52.25, -32.18

 

CMYK 0 / 35 / 2 / 21

HEX #C982C5

RGB 201 130 197

HSL 303.38, 0.4%, 0.65%

LAB 63.68, 37.82, -23.67

 

CMYK 0 / 23 / 1 / 27

HEX #BA90B8

RGB 186 144 184

HSL 302.86, 0.23%, 0.65%

LAB 64.84, 22.7, -14.75

 

CMYK 0 / 8 / 1 / 33

HEX #AC9FAB

RGB 172 159 171

HSL 304.62, 0.07%, 0.65%

LAB 66.91, 6.95, -4.52

 

CMYK 28 / 56 / 0 / 10

HEX #A565E6

RGB 165 101 230

HSL 269.77, 0.72%, 0.65%

LAB 55.09, 50.07, -55.99

 

CMYK 13 / 56 / 0 / 10

HEX #C865E6

RGB 200 101 230

HSL 286.05, 0.72%, 0.65%

LAB 59.25, 58.75, -49.12

 

CMYK 0 / 56 / 2 / 10

HEX #E665E1

RGB 230 101 225

HSL 302.33, 0.72%, 0.65%

LAB 62.98, 65.53, -40.17

 

CMYK 0 / 56 / 17 / 10

HEX #E665BF

RGB 230 101 191

HSL 318.14, 0.72%, 0.65%

LAB 61.56, 60.2, -23.2

 

CMYK 0 / 56 / 32 / 10

HEX #E6659D

RGB 230 101 157

HSL 333.95, 0.72%, 0.65%

LAB 60.4, 55.65, -5.45

 

CMYK 0 / 84 / 4 / 16

HEX #D622CD

RGB 214 34 205

HSL 303, 0.73%, 0.49%

LAB 51.66, 80.91, -46.86

 

CMYK 0 / 71 / 4 / 12

HEX #E042D8

RGB 224 66 216

HSL 303.04, 0.72%, 0.57%

LAB 56.78, 76.22, -44.93

 

CMYK 0 / 56 / 3 / 10

HEX #E665E0

RGB 230 101 224

HSL 302.79, 0.72%, 0.65%

LAB 62.94, 65.36, -39.69

 

CMYK 0 / 42 / 2 / 8

HEX #EB88E7

RGB 235 136 231

HSL 302.42, 0.71%, 0.73%

LAB 70.2, 51.28, -32.21

 

CMYK 0 / 29 / 1 / 5

HEX #F1ACEE

RGB 241 172 238

HSL 302.61, 0.71%, 0.81%

LAB 78.68, 35.68, -22.97

 

CMYK 0 / 57 / 3 / 10

HEX #E664E0

RGB 230 100 224

HSL 302.77, 0.72%, 0.65%

LAB 62.78, 65.8, -39.94

 

CMYK 0 / 43 / 56 / 10

HEX #E68365

RGB 230 131 101

HSL 13.95, 0.72%, 0.65%

LAB 64.96, 35.17, 32.74

 

CMYK 56 / 0 / 21 / 10

HEX #65E6B6

RGB 101 230 182

HSL 157.67, 0.72%, 0.65%

LAB 83.3, -46.87, 12.76

 

CMYK 0 / 57 / 3 / 10

HEX #E664E0

RGB 230 100 224

HSL 302.77, 0.72%, 0.65%

LAB 62.78, 65.8, -39.94

 

CMYK 2 / 0 / 56 / 10

HEX #E1E665

RGB 225 230 101

HSL 62.33, 0.72%, 0.65%

LAB 88.7, -18.39, 60.98

 

CMYK 56 / 2 / 0 / 10

HEX #65E1E6

RGB 101 225 230

HSL 182.33, 0.72%, 0.65%

LAB 83.09, -32.91, -12.91

 

CMYK 0 / 57 / 3 / 10

HEX #E664E0

RGB 230 100 224

HSL 302.77, 0.72%, 0.65%

LAB 62.78, 65.8, -39.94

 

CMYK 0 / 43 / 56 / 10

HEX #E68365

RGB 230 131 101

HSL 13.95, 0.72%, 0.65%

LAB 64.96, 35.17, 32.74

 

CMYK 56 / 0 / 54 / 10

HEX #65E669

RGB 101 230 105

HSL 121.86, 0.72%, 0.65%

LAB 82.04, -60.13, 49.74

 

CMYK 56 / 13 / 0 / 10

HEX #65C8E6

RGB 101 200 230

HSL 193.95, 0.72%, 0.65%

LAB 75.94, -20.65, -23.7

 

CMYK 0 / 57 / 3 / 10

HEX #E664E0

RGB 230 100 224

HSL 302.77, 0.72%, 0.65%

LAB 62.78, 65.8, -39.94

 

CMYK 0 / 26 / 56 / 10

HEX #E6AA65

RGB 230 170 101

HSL 32.09, 0.72%, 0.65%

LAB 73.88, 14.49, 43.81

 

CMYK 56 / 0 / 54 / 10

HEX #65E669

RGB 101 230 105

HSL 121.86, 0.72%, 0.65%

LAB 82.04, -60.13, 49.74

 

CMYK 56 / 30 / 0 / 10

HEX #65A1E6

RGB 101 161 230

HSL 212.09, 0.72%, 0.65%

LAB 64.94, 0.39, -40.71

 

Description

Color code: HEX #E664E0 | qconv.com Color code: HEX #E664E0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 100 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 100 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 3 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 3% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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