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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E68E5B it is the complementary color #1971A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E68E5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E68E5B shade: #EB8E56, #FCA069, #FFB27C, #FFC48F and #FFD6A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E68E5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E68E5B shade: #E68E5B, #D57C48, #C46A35, #B35822 and #A2460F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E68E5B shade: #E68E5A, #E6685A and #E65A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E68E5B shade: #E68E5A, #E6B35A, #E6D95A, #CDE65A and #A8E65A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E68E5B shade matches the following richer shades: #E68E5A and #F5894B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E68E5B shade: #E68E5A, #D7926A, #C79679, #B89A88 and #A99E97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E68E5B shade: #E65A72, #E6685A, #E68E5A, #E6B35A and #E6D85A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E68E5B shade: #CF5F1F, #E17536, #E68E5A, #EBA67E and #F1BFA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E68E5B shade: #E68E5B, #97E65A and #5A5FE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E68E5B shade: #E68E5B, #5AE68E and #8E5AE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E68E5B shade: #E68E5B, #97E65A, #5AB3E6 and #A95AE6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E68E5B shade: #E68E5B, #6DE65A, #5AB3E6 and #D35AE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 60 / 10

HEX #E68E5B

RGB 230 142 91

HSL 22.01, 0.74%, 0.63%

LAB 67.22, 28.65, 40.89

 

Complementary color

CMYK 85 / 31 / 0 / 36

HEX #1971A4

RGB 25 113 164

HSL 202.01, 0.74%, 0.37%

LAB 45.22, -6.2, -34.36

 

CMYK 0 / 40 / 63 / 8

HEX #EB8E56

RGB 235 142 86

HSL 22.55, 0.79%, 0.63%

LAB 67.78, 30.32, 44.3

 

CMYK 0 / 37 / 58 / 1

HEX #FCA069

RGB 252 160 105

HSL 22.45, 0.96%, 0.7%

LAB 74.1, 28.97, 42.62

 

CMYK 0 / 30 / 51 / 0

HEX #FFB27C

RGB 255 178 124

HSL 24.73, 1%, 0.74%

LAB 78.78, 22.26, 38.72

 

CMYK 0 / 23 / 44 / 0

HEX #FFC48F

RGB 255 196 143

HSL 28.39, 1%, 0.78%

LAB 83.3, 14.62, 34.7

 

CMYK 0 / 16 / 36 / 0

HEX #FFD6A2

RGB 255 214 162

HSL 33.55, 1%, 0.82%

LAB 87.95, 7.33, 31.04

 

CMYK 0 / 38 / 60 / 10

HEX #E68E5B

RGB 230 142 91

HSL 22.01, 0.74%, 0.63%

LAB 67.22, 28.65, 40.89

 

CMYK 0 / 42 / 66 / 16

HEX #D57C48

RGB 213 124 72

HSL 22.13, 0.63%, 0.56%

LAB 60.81, 30.09, 42.66

 

CMYK 0 / 46 / 73 / 23

HEX #C46A35

RGB 196 106 53

HSL 22.24, 0.57%, 0.49%

LAB 54.34, 31.69, 44.48

 

CMYK 0 / 51 / 81 / 30

HEX #B35822

RGB 179 88 34

HSL 22.34, 0.68%, 0.42%

LAB 47.85, 33.47, 46.18

 

CMYK 0 / 57 / 91 / 36

HEX #A2460F

RGB 162 70 15

HSL 22.45, 0.83%, 0.35%

LAB 41.37, 35.41, 47.21

 

CMYK 0 / 38 / 61 / 10

HEX #E68E5A

RGB 230 142 90

HSL 22.29, 0.74%, 0.63%

LAB 67.21, 28.58, 41.4

 

CMYK 0 / 55 / 61 / 10

HEX #E6685A

RGB 230 104 90

HSL 6, 0.74%, 0.63%

LAB 59.4, 47.91, 31.78

 

CMYK 0 / 61 / 61 / 10

HEX #E65A5A

RGB 230 90 90

HSL 0, 0.74%, 0.63%

LAB 56.95, 54.33, 28.67

 

CMYK 0 / 38 / 61 / 10

HEX #E68E5A

RGB 230 142 90

HSL 22.29, 0.74%, 0.63%

LAB 67.21, 28.58, 41.4

 

CMYK 0 / 22 / 61 / 10

HEX #E6B35A

RGB 230 179 90

HSL 38.14, 0.74%, 0.63%

LAB 75.95, 8.91, 51.65

 

CMYK 0 / 6 / 61 / 10

HEX #E6D95A

RGB 230 217 90

HSL 54.43, 0.74%, 0.63%

LAB 85.6, -10.7, 62.4

 

CMYK 11 / 0 / 61 / 10

HEX #CDE65A

RGB 205 230 90

HSL 70.71, 0.74%, 0.63%

LAB 87.15, -27.15, 63.53

 

CMYK 27 / 0 / 61 / 10

HEX #A8E65A

RGB 168 230 90

HSL 86.57, 0.74%, 0.63%

LAB 84.82, -41.18, 60.32

 

CMYK 0 / 38 / 61 / 10

HEX #E68E5A

RGB 230 142 90

HSL 22.29, 0.74%, 0.63%

LAB 67.21, 28.58, 41.4

 

CMYK 0 / 44 / 69 / 4

HEX #F5894B

RGB 245 137 75

HSL 21.88, 0.89%, 0.63%

LAB 67.88, 36.26, 50.27

 

CMYK 0 / 38 / 61 / 10

HEX #E68E5A

RGB 230 142 90

HSL 22.29, 0.74%, 0.63%

LAB 67.21, 28.58, 41.4

 

CMYK 0 / 32 / 51 / 16

HEX #D7926A

RGB 215 146 106

HSL 22.02, 0.58%, 0.63%

LAB 66.55, 21.66, 31.69

 

CMYK 0 / 25 / 39 / 22

HEX #C79679

RGB 199 150 121

HSL 22.31, 0.41%, 0.63%

LAB 66.01, 14.57, 22.44

 

CMYK 0 / 16 / 26 / 28

HEX #B89A88

RGB 184 154 136

HSL 22.5, 0.25%, 0.63%

LAB 65.81, 8.35, 13.6

 

CMYK 0 / 7 / 11 / 34

HEX #A99E97

RGB 169 158 151

HSL 23.33, 0.09%, 0.63%

LAB 65.84, 2.77, 5.08

 

CMYK 0 / 61 / 50 / 10

HEX #E65A72

RGB 230 90 114

HSL 349.71, 0.74%, 0.63%

LAB 57.42, 56.14, 15.33

 

CMYK 0 / 55 / 61 / 10

HEX #E6685A

RGB 230 104 90

HSL 6, 0.74%, 0.63%

LAB 59.4, 47.91, 31.78

 

CMYK 0 / 38 / 61 / 10

HEX #E68E5A

RGB 230 142 90

HSL 22.29, 0.74%, 0.63%

LAB 67.21, 28.58, 41.4

 

CMYK 0 / 22 / 61 / 10

HEX #E6B35A

RGB 230 179 90

HSL 38.14, 0.74%, 0.63%

LAB 75.95, 8.91, 51.65

 

CMYK 0 / 6 / 61 / 10

HEX #E6D85A

RGB 230 216 90

HSL 54, 0.74%, 0.63%

LAB 85.34, -10.2, 62.12

 

CMYK 0 / 54 / 85 / 19

HEX #CF5F1F

RGB 207 95 31

HSL 21.82, 0.74%, 0.47%

LAB 53.54, 40.94, 54.14

 

CMYK 0 / 48 / 76 / 12

HEX #E17536

RGB 225 117 54

HSL 22.11, 0.74%, 0.55%

LAB 60.78, 37.65, 51.95

 

CMYK 0 / 38 / 61 / 10

HEX #E68E5A

RGB 230 142 90

HSL 22.29, 0.74%, 0.63%

LAB 67.21, 28.58, 41.4

 

CMYK 0 / 29 / 46 / 8

HEX #EBA67E

RGB 235 166 126

HSL 22.02, 0.73%, 0.71%

LAB 73.83, 20.85, 30.83

 

CMYK 0 / 21 / 33 / 5

HEX #F1BFA2

RGB 241 191 162

HSL 22.03, 0.74%, 0.79%

LAB 81.06, 13.95, 21.46

 

CMYK 0 / 38 / 60 / 10

HEX #E68E5B

RGB 230 142 91

HSL 22.01, 0.74%, 0.63%

LAB 67.22, 28.65, 40.89

 

CMYK 34 / 0 / 61 / 10

HEX #97E65A

RGB 151 230 90

HSL 93.86, 0.74%, 0.63%

LAB 83.92, -47.13, 59.07

 

CMYK 61 / 59 / 0 / 10

HEX #5A5FE6

RGB 90 95 230

HSL 237.86, 0.74%, 0.63%

LAB 47.07, 37.88, -69.27

 

CMYK 0 / 38 / 60 / 10

HEX #E68E5B

RGB 230 142 91

HSL 22.01, 0.74%, 0.63%

LAB 67.22, 28.65, 40.89

 

CMYK 61 / 0 / 38 / 10

HEX #5AE68E

RGB 90 230 142

HSL 142.29, 0.74%, 0.63%

LAB 82.23, -57.02, 31.91

 

CMYK 38 / 61 / 0 / 10

HEX #8E5AE6

RGB 142 90 230

HSL 262.29, 0.74%, 0.63%

LAB 50.42, 50.66, -63.63

 

CMYK 0 / 38 / 60 / 10

HEX #E68E5B

RGB 230 142 91

HSL 22.01, 0.74%, 0.63%

LAB 67.22, 28.65, 40.89

 

CMYK 34 / 0 / 61 / 10

HEX #97E65A

RGB 151 230 90

HSL 93.86, 0.74%, 0.63%

LAB 83.92, -47.13, 59.07

 

CMYK 61 / 22 / 0 / 10

HEX #5AB3E6

RGB 90 179 230

HSL 201.86, 0.74%, 0.63%

LAB 69.56, -11.71, -33.54

 

CMYK 27 / 61 / 0 / 10

HEX #A95AE6

RGB 169 90 230

HSL 273.86, 0.74%, 0.63%

LAB 53.45, 56.63, -58.6

 

CMYK 0 / 38 / 60 / 10

HEX #E68E5B

RGB 230 142 91

HSL 22.01, 0.74%, 0.63%

LAB 67.22, 28.65, 40.89

 

CMYK 53 / 0 / 61 / 10

HEX #6DE65A

RGB 109 230 90

HSL 111.86, 0.74%, 0.63%

LAB 82.15, -59.82, 56.6

 

CMYK 61 / 22 / 0 / 10

HEX #5AB3E6

RGB 90 179 230

HSL 201.86, 0.74%, 0.63%

LAB 69.56, -11.71, -33.54

 

CMYK 8 / 61 / 0 / 10

HEX #D35AE6

RGB 211 90 230

HSL 291.86, 0.74%, 0.63%

LAB 58.86, 66.47, -49.65

 

Description

Color code: HEX #E68E5B | qconv.com Color code: HEX #E68E5B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 142 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 142 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 60 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 60% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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