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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E699EA it is the complementary color #196615. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E699EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E699EA shade: #EB99E5, #FCABF8, #FFBDFF, #FFCFFF and #FFE1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E699EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E699EA shade: #E699EA, #D587D7, #C475C4, #B363B1 and #A2519E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E699EA shade: #E699EA, #EA99D8, #EA99C2, #EA99AC and #EA9999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E699EA shade: #E699EA, #D099EA, #BA99EA, #A499EA and #9999EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E699EA shade matches the following richer shades: #E699EA, #EF8FF4 and #F885FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E699EA shade: #E699EA, #DDA3E0, #D4ADD6, #CBB7CC and #C2C1C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E699EA shade: #BB99EA, #D099EA, #E699EA, #EA99D8 and #EA99C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E699EA shade: #D554DC, #DD77E3, #E699EA, #EEBBF1 and #F6DDF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E699EA shade: #E699EA, #EAA599 and #99EAC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E699EA shade: #E699EA, #EAE699 and #99EAE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E699EA shade: #E699EA, #EAA599, #9DEA99 and #99DEEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E699EA shade: #E699EA, #EABD99, #9DEA99 and #99C5EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 35 / 0 / 8

HEX #E699EA

RGB 230 153 234

HSL 297.04, 0.66%, 0.76%

LAB 73.25, 41.52, -29.21

 

Complementary color

CMYK 75 / 0 / 79 / 60

HEX #196615

RGB 25 102 21

HSL 117.04, 0.66%, 0.24%

LAB 37.41, -39.36, 36.69

 

CMYK 0 / 35 / 3 / 8

HEX #EB99E5

RGB 235 153 229

HSL 304.39, 0.67%, 0.76%

LAB 73.61, 42.17, -25.87

 

CMYK 0 / 32 / 2 / 1

HEX #FCABF8

RGB 252 171 248

HSL 302.96, 0.93%, 0.83%

LAB 79.95, 41.46, -26.31

 

CMYK 0 / 26 / 0 / 0

HEX #FFBDFF

RGB 255 189 255

HSL 300, 1%, 0.87%

LAB 84.42, 34.25, -23.22

 

CMYK 0 / 19 / 0 / 0

HEX #FFCFFF

RGB 255 207 255

HSL 300, 1%, 0.91%

LAB 88.5, 24.79, -17.06

 

CMYK 0 / 12 / 0 / 0

HEX #FFE1FF

RGB 255 225 255

HSL 300, 1%, 0.94%

LAB 92.72, 15.38, -10.74

 

CMYK 2 / 35 / 0 / 8

HEX #E699EA

RGB 230 153 234

HSL 297.04, 0.66%, 0.76%

LAB 73.25, 41.52, -29.21

 

CMYK 1 / 37 / 0 / 16

HEX #D587D7

RGB 213 135 215

HSL 298.5, 0.5%, 0.69%

LAB 66.81, 42.26, -28.82

 

CMYK 0 / 40 / 0 / 23

HEX #C475C4

RGB 196 117 196

HSL 300, 0.4%, 0.61%

LAB 60.29, 43.01, -28.38

 

CMYK 0 / 45 / 1 / 30

HEX #B363B1

RGB 179 99 177

HSL 301.5, 0.34%, 0.55%

LAB 53.69, 43.75, -27.88

 

CMYK 0 / 50 / 2 / 36

HEX #A2519E

RGB 162 81 158

HSL 302.96, 0.33%, 0.48%

LAB 47.02, 44.45, -27.27

 

CMYK 2 / 35 / 0 / 8

HEX #E699EA

RGB 230 153 234

HSL 297.04, 0.66%, 0.76%

LAB 73.25, 41.52, -29.21

 

CMYK 0 / 35 / 8 / 8

HEX #EA99D8

RGB 234 153 216

HSL 313.33, 0.66%, 0.76%

LAB 73.04, 39.59, -19.62

 

CMYK 0 / 35 / 17 / 8

HEX #EA99C2

RGB 234 153 194

HSL 329.63, 0.66%, 0.76%

LAB 72.34, 36.03, -8.56

 

CMYK 0 / 35 / 26 / 8

HEX #EA99AC

RGB 234 153 172

HSL 345.93, 0.66%, 0.76%

LAB 71.73, 32.81, 2.72

 

CMYK 0 / 35 / 35 / 8

HEX #EA9999

RGB 234 153 153

HSL 0, 0.66%, 0.76%

LAB 71.27, 30.35, 12.59

 

CMYK 2 / 35 / 0 / 8

HEX #E699EA

RGB 230 153 234

HSL 297.04, 0.66%, 0.76%

LAB 73.25, 41.52, -29.21

 

CMYK 11 / 35 / 0 / 8

HEX #D099EA

RGB 208 153 234

HSL 280.74, 0.66%, 0.76%

LAB 70.96, 34.77, -32.93

 

CMYK 21 / 35 / 0 / 8

HEX #BA99EA

RGB 186 153 234

HSL 264.44, 0.66%, 0.76%

LAB 68.87, 28.15, -36.34

 

CMYK 30 / 35 / 0 / 8

HEX #A499EA

RGB 164 153 234

HSL 248.15, 0.66%, 0.76%

LAB 66.99, 21.78, -39.41

 

CMYK 35 / 35 / 0 / 8

HEX #9999EA

RGB 153 153 234

HSL 240, 0.66%, 0.76%

LAB 66.13, 18.73, -40.81

 

CMYK 2 / 35 / 0 / 8

HEX #E699EA

RGB 230 153 234

HSL 297.04, 0.66%, 0.76%

LAB 73.25, 41.52, -29.21

 

CMYK 2 / 41 / 0 / 4

HEX #EF8FF4

RGB 239 143 244

HSL 297.03, 0.82%, 0.76%

LAB 72.58, 51.24, -35.62

 

CMYK 2 / 47 / 0 / 1

HEX #F885FD

RGB 248 133 253

HSL 297.5, 0.97%, 0.76%

LAB 72.11, 60.34, -41.17

 

CMYK 2 / 35 / 0 / 8

HEX #E699EA

RGB 230 153 234

HSL 297.04, 0.66%, 0.76%

LAB 73.25, 41.52, -29.21

 

CMYK 1 / 27 / 0 / 12

HEX #DDA3E0

RGB 221 163 224

HSL 297.05, 0.5%, 0.76%

LAB 74.16, 31.48, -22.44

 

CMYK 1 / 19 / 0 / 16

HEX #D4ADD6

RGB 212 173 214

HSL 297.07, 0.33%, 0.76%

LAB 75.29, 21.22, -15.36

 

CMYK 0 / 10 / 0 / 20

HEX #CBB7CC

RGB 203 183 204

HSL 297.14, 0.17%, 0.76%

LAB 76.63, 10.87, -7.99

 

CMYK 0 / 1 / 0 / 24

HEX #C2C1C2

RGB 194 193 194

HSL 300, 0.01%, 0.76%

LAB 78.17, 0.54, -0.39

 

CMYK 20 / 35 / 0 / 8

HEX #BB99EA

RGB 187 153 234

HSL 265.19, 0.66%, 0.76%

LAB 68.96, 28.44, -36.19

 

CMYK 11 / 35 / 0 / 8

HEX #D099EA

RGB 208 153 234

HSL 280.74, 0.66%, 0.76%

LAB 70.96, 34.77, -32.93

 

CMYK 2 / 35 / 0 / 8

HEX #E699EA

RGB 230 153 234

HSL 297.04, 0.66%, 0.76%

LAB 73.25, 41.52, -29.21

 

CMYK 0 / 35 / 8 / 8

HEX #EA99D8

RGB 234 153 216

HSL 313.33, 0.66%, 0.76%

LAB 73.04, 39.59, -19.62

 

CMYK 0 / 35 / 17 / 8

HEX #EA99C3

RGB 234 153 195

HSL 328.89, 0.66%, 0.76%

LAB 72.37, 36.18, -9.06

 

CMYK 3 / 62 / 0 / 14

HEX #D554DC

RGB 213 84 220

HSL 296.91, 0.66%, 0.6%

LAB 57.71, 67.7, -45.83

 

CMYK 3 / 48 / 0 / 11

HEX #DD77E3

RGB 221 119 227

HSL 296.67, 0.66%, 0.68%

LAB 65.05, 55.02, -38.14

 

CMYK 2 / 35 / 0 / 8

HEX #E699EA

RGB 230 153 234

HSL 297.04, 0.66%, 0.76%

LAB 73.25, 41.52, -29.21

 

CMYK 1 / 22 / 0 / 5

HEX #EEBBF1

RGB 238 187 241

HSL 296.67, 0.66%, 0.84%

LAB 81.88, 27.29, -19.76

 

CMYK 1 / 11 / 0 / 3

HEX #F6DDF8

RGB 246 221 248

HSL 295.56, 0.66%, 0.92%

LAB 90.82, 13.24, -9.99

 

CMYK 2 / 35 / 0 / 8

HEX #E699EA

RGB 230 153 234

HSL 297.04, 0.66%, 0.76%

LAB 73.25, 41.52, -29.21

 

CMYK 0 / 29 / 35 / 8

HEX #EAA599

RGB 234 165 153

HSL 8.89, 0.66%, 0.76%

LAB 74, 23.97, 16.43

 

CMYK 35 / 0 / 16 / 8

HEX #99EAC5

RGB 153 234 197

HSL 152.59, 0.66%, 0.76%

LAB 86.82, -32.61, 10.19

 

CMYK 2 / 35 / 0 / 8

HEX #E699EA

RGB 230 153 234

HSL 297.04, 0.66%, 0.76%

LAB 73.25, 41.52, -29.21

 

CMYK 0 / 2 / 35 / 8

HEX #EAE699

RGB 234 230 153

HSL 57.04, 0.66%, 0.76%

LAB 90.04, -9.92, 38.05

 

CMYK 35 / 0 / 2 / 8

HEX #99EAE6

RGB 153 234 230

HSL 177.04, 0.66%, 0.76%

LAB 87.65, -25.49, -5.91

 

CMYK 2 / 35 / 0 / 8

HEX #E699EA

RGB 230 153 234

HSL 297.04, 0.66%, 0.76%

LAB 73.25, 41.52, -29.21

 

CMYK 0 / 29 / 35 / 8

HEX #EAA599

RGB 234 165 153

HSL 8.89, 0.66%, 0.76%

LAB 74, 23.97, 16.43

 

CMYK 33 / 0 / 35 / 8

HEX #9DEA99

RGB 157 234 153

HSL 117.04, 0.66%, 0.76%

LAB 86.16, -39.23, 32.03

 

CMYK 35 / 5 / 0 / 8

HEX #99DEEA

RGB 153 222 234

HSL 188.89, 0.66%, 0.76%

LAB 84.46, -18.63, -12.75

 

CMYK 2 / 35 / 0 / 8

HEX #E699EA

RGB 230 153 234

HSL 297.04, 0.66%, 0.76%

LAB 73.25, 41.52, -29.21

 

CMYK 0 / 19 / 35 / 8

HEX #EABD99

RGB 234 189 153

HSL 26.67, 0.66%, 0.76%

LAB 79.72, 11.22, 24.31

 

CMYK 33 / 0 / 35 / 8

HEX #9DEA99

RGB 157 234 153

HSL 117.04, 0.66%, 0.76%

LAB 86.16, -39.23, 32.03

 

CMYK 35 / 16 / 0 / 8

HEX #99C5EA

RGB 153 197 234

HSL 207.41, 0.66%, 0.76%

LAB 77.67, -5.68, -23.01

 

Description

Color code: HEX #E699EA | qconv.com Color code: HEX #E699EA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 153 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 153 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 35 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 35% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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