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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E69265 it is the complementary color #196D9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E69265. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E69265 shade: #EB9260, #FCA473, #FFB686, #FFC899 and #FFDAAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E69265. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E69265 shade: #E69265, #D58052, #C46E3F, #B35C2C and #A24A19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E69265 shade: #E69265, #E66F65 and #E66565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E69265 shade: #E69265, #E6B465, #E6D765, #D1E665 and #AFE665

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E69265 shade matches the following richer shades: #E69265 and #F48D57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E69265 shade: #E69265, #D79673, #C99B82, #BA9F90 and #ACA39F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E69265 shade: #E6657F, #E66E65, #E69065, #E6B265 and #E6D465

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E69265 shade: #D66122, #E07942, #E69265, #EBAB88 and #F1C4AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E69265 shade: #E69265, #A1E665 and #656EE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E69265 shade: #E69265, #65E690 and #9065E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E69265 shade: #E69265, #A1E665, #65BBE6 and #AA65E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E69265 shade: #E69265, #7AE665, #65BBE6 and #D065E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 56 / 10

HEX #E69265

RGB 230 146 101

HSL 20.93, 0.72%, 0.65%

LAB 68.26, 27.28, 36.9

 

Complementary color

CMYK 84 / 29 / 0 / 40

HEX #196D9A

RGB 25 109 154

HSL 200.93, 0.72%, 0.35%

LAB 43.47, -7.61, -31.2

 

CMYK 0 / 38 / 59 / 8

HEX #EB9260

RGB 235 146 96

HSL 21.58, 0.78%, 0.65%

LAB 68.8, 28.9, 40.34

 

CMYK 0 / 35 / 54 / 1

HEX #FCA473

RGB 252 164 115

HSL 21.46, 0.96%, 0.72%

LAB 75.13, 27.65, 38.7

 

CMYK 0 / 29 / 47 / 0

HEX #FFB686

RGB 255 182 134

HSL 23.8, 1%, 0.76%

LAB 79.86, 21.06, 34.9

 

CMYK 0 / 22 / 40 / 0

HEX #FFC899

RGB 255 200 153

HSL 27.65, 1%, 0.8%

LAB 84.42, 13.58, 30.98

 

CMYK 0 / 15 / 33 / 0

HEX #FFDAAC

RGB 255 218 172

HSL 33.25, 1%, 0.84%

LAB 89.1, 6.45, 27.43

 

CMYK 0 / 37 / 56 / 10

HEX #E69265

RGB 230 146 101

HSL 20.93, 0.72%, 0.65%

LAB 68.26, 27.28, 36.9

 

CMYK 0 / 40 / 62 / 16

HEX #D58052

RGB 213 128 82

HSL 21.07, 0.61%, 0.58%

LAB 61.82, 28.6, 38.61

 

CMYK 0 / 44 / 68 / 23

HEX #C46E3F

RGB 196 110 63

HSL 21.2, 0.53%, 0.51%

LAB 55.33, 30.09, 40.45

 

CMYK 0 / 49 / 75 / 30

HEX #B35C2C

RGB 179 92 44

HSL 21.33, 0.61%, 0.44%

LAB 48.78, 31.75, 42.35

 

CMYK 0 / 54 / 85 / 36

HEX #A24A19

RGB 162 74 25

HSL 21.46, 0.73%, 0.37%

LAB 42.23, 33.59, 44.03

 

CMYK 0 / 37 / 56 / 10

HEX #E69265

RGB 230 146 101

HSL 20.93, 0.72%, 0.65%

LAB 68.26, 27.28, 36.9

 

CMYK 0 / 52 / 56 / 10

HEX #E66F65

RGB 230 111 101

HSL 4.65, 0.72%, 0.65%

LAB 60.9, 45.31, 27.5

 

CMYK 0 / 56 / 56 / 10

HEX #E66565

RGB 230 101 101

HSL 0, 0.72%, 0.65%

LAB 59.04, 50.11, 25.07

 

CMYK 0 / 37 / 56 / 10

HEX #E69265

RGB 230 146 101

HSL 20.93, 0.72%, 0.65%

LAB 68.26, 27.28, 36.9

 

CMYK 0 / 22 / 56 / 10

HEX #E6B465

RGB 230 180 101

HSL 36.74, 0.72%, 0.65%

LAB 76.32, 9.19, 46.75

 

CMYK 0 / 7 / 56 / 10

HEX #E6D765

RGB 230 215 101

HSL 53.02, 0.72%, 0.65%

LAB 85.18, -8.93, 57.1

 

CMYK 9 / 0 / 56 / 10

HEX #D1E665

RGB 209 230 101

HSL 69.77, 0.72%, 0.65%

LAB 87.53, -24.74, 59.33

 

CMYK 24 / 0 / 56 / 10

HEX #AFE665

RGB 175 230 101

HSL 85.58, 0.72%, 0.65%

LAB 85.33, -37.68, 56.23

 

CMYK 0 / 37 / 56 / 10

HEX #E69265

RGB 230 146 101

HSL 20.93, 0.72%, 0.65%

LAB 68.26, 27.28, 36.9

 

CMYK 0 / 42 / 64 / 4

HEX #F48D57

RGB 244 141 87

HSL 20.64, 0.88%, 0.65%

LAB 68.73, 34.48, 45.19

 

CMYK 0 / 37 / 56 / 10

HEX #E69265

RGB 230 146 101

HSL 20.93, 0.72%, 0.65%

LAB 68.26, 27.28, 36.9

 

CMYK 0 / 30 / 47 / 16

HEX #D79673

RGB 215 150 115

HSL 21, 0.56%, 0.65%

LAB 67.65, 20.36, 28.23

 

CMYK 0 / 23 / 35 / 21

HEX #C99B82

RGB 201 155 130

HSL 21.13, 0.4%, 0.65%

LAB 67.63, 13.72, 19.71

 

CMYK 0 / 15 / 23 / 27

HEX #BA9F90

RGB 186 159 144

HSL 21.43, 0.23%, 0.65%

LAB 67.46, 7.56, 11.5

 

CMYK 0 / 5 / 8 / 33

HEX #ACA39F

RGB 172 163 159

HSL 18.46, 0.07%, 0.65%

LAB 67.63, 2.53, 3.23

 

CMYK 0 / 56 / 45 / 10

HEX #E6657F

RGB 230 101 127

HSL 347.91, 0.72%, 0.65%

LAB 59.58, 52.36, 10.77

 

CMYK 0 / 52 / 56 / 10

HEX #E66E65

RGB 230 110 101

HSL 4.19, 0.72%, 0.65%

LAB 60.71, 45.8, 27.25

 

CMYK 0 / 37 / 56 / 10

HEX #E69065

RGB 230 144 101

HSL 20, 0.72%, 0.65%

LAB 67.81, 28.34, 36.33

 

CMYK 0 / 23 / 56 / 10

HEX #E6B265

RGB 230 178 101

HSL 35.81, 0.72%, 0.65%

LAB 75.83, 10.24, 46.16

 

CMYK 0 / 8 / 56 / 10

HEX #E6D465

RGB 230 212 101

HSL 51.63, 0.72%, 0.65%

LAB 84.41, -7.41, 56.21

 

CMYK 0 / 55 / 84 / 16

HEX #D66122

RGB 214 97 34

HSL 21, 0.73%, 0.49%

LAB 55.03, 42.73, 54.66

 

CMYK 0 / 46 / 71 / 12

HEX #E07942

RGB 224 121 66

HSL 20.89, 0.72%, 0.57%

LAB 61.58, 35.75, 46.98

 

CMYK 0 / 37 / 56 / 10

HEX #E69265

RGB 230 146 101

HSL 20.93, 0.72%, 0.65%

LAB 68.26, 27.28, 36.9

 

CMYK 0 / 27 / 42 / 8

HEX #EBAB88

RGB 235 171 136

HSL 21.21, 0.71%, 0.73%

LAB 75.18, 19.22, 27.27

 

CMYK 0 / 19 / 29 / 5

HEX #F1C4AC

RGB 241 196 172

HSL 20.87, 0.71%, 0.81%

LAB 82.46, 12.6, 18.09

 

CMYK 0 / 37 / 56 / 10

HEX #E69265

RGB 230 146 101

HSL 20.93, 0.72%, 0.65%

LAB 68.26, 27.28, 36.9

 

CMYK 30 / 0 / 56 / 10

HEX #A1E665

RGB 161 230 101

HSL 92.09, 0.72%, 0.65%

LAB 84.54, -42.68, 55.12

 

CMYK 56 / 52 / 0 / 10

HEX #656EE6

RGB 101 110 230

HSL 235.81, 0.72%, 0.65%

LAB 51.42, 30.72, -62.2

 

CMYK 0 / 37 / 56 / 10

HEX #E69265

RGB 230 146 101

HSL 20.93, 0.72%, 0.65%

LAB 68.26, 27.28, 36.9

 

CMYK 56 / 0 / 37 / 10

HEX #65E690

RGB 101 230 144

HSL 140, 0.72%, 0.65%

LAB 82.58, -54.33, 31.42

 

CMYK 37 / 56 / 0 / 10

HEX #9065E6

RGB 144 101 230

HSL 260, 0.72%, 0.65%

LAB 52.89, 45.12, -59.64

 

CMYK 0 / 37 / 56 / 10

HEX #E69265

RGB 230 146 101

HSL 20.93, 0.72%, 0.65%

LAB 68.26, 27.28, 36.9

 

CMYK 30 / 0 / 56 / 10

HEX #A1E665

RGB 161 230 101

HSL 92.09, 0.72%, 0.65%

LAB 84.54, -42.68, 55.12

 

CMYK 56 / 19 / 0 / 10

HEX #65BBE6

RGB 101 187 230

HSL 200, 0.72%, 0.65%

LAB 72.24, -13.9, -29.37

 

CMYK 26 / 56 / 0 / 10

HEX #AA65E6

RGB 170 101 230

HSL 272.09, 0.72%, 0.65%

LAB 55.65, 51.29, -55.06

 

CMYK 0 / 37 / 56 / 10

HEX #E69265

RGB 230 146 101

HSL 20.93, 0.72%, 0.65%

LAB 68.26, 27.28, 36.9

 

CMYK 47 / 0 / 56 / 10

HEX #7AE665

RGB 122 230 101

HSL 110.23, 0.72%, 0.65%

LAB 82.74, -55.09, 52.56

 

CMYK 56 / 19 / 0 / 10

HEX #65BBE6

RGB 101 187 230

HSL 200, 0.72%, 0.65%

LAB 72.24, -13.9, -29.37

 

CMYK 10 / 56 / 0 / 10

HEX #D065E6

RGB 208 101 230

HSL 289.77, 0.72%, 0.65%

LAB 60.28, 60.78, -47.43

 

Description

Color code: HEX #E69265 | qconv.com Color code: HEX #E69265 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 146 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 146 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 56 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 56% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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