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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E69E60 it is the complementary color #19619F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E69E60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E69E60 shade: #EB9E5B, #FCB06E, #FFC281, #FFD494 and #FFE6A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E69E60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E69E60 shade: #E69E60, #D58C4D, #C47A3A, #B36827 and #A25614

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E69E60 shade: #E69E60, #E67A60 and #E66060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E69E60 shade: #E69E60, #E6C260, #E5E660, #C1E660 and #9DE660

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E69E60 shade matches the following richer shades: #E69E60 and #F59D51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E69E60 shade: #E69E60, #D79F6F, #C8A07D, #B9A18C and #AAA29B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E69E60 shade: #E6606B, #E67860, #E69C60, #E6C060 and #E6E360

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E69E60 shade: #D27320, #E0883C, #E69E60, #EBB383 and #F1C9A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E69E60 shade: #E69E60, #8FE660 and #6660E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E69E60 shade: #E69E60, #60E69C and #9C60E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E69E60 shade: #E69E60, #8FE660, #60A9E6 and #B760E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E69E60 shade: #E69E60, #66E660, #60A9E6 and #DF60E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 58 / 10

HEX #E69E60

RGB 230 158 96

HSL 27.76, 0.73%, 0.64%

LAB 70.95, 20.5, 42.82

 

Complementary color

CMYK 84 / 39 / 0 / 38

HEX #19619F

RGB 25 97 159

HSL 207.76, 0.73%, 0.36%

LAB 40.01, 1.73, -39.64

 

CMYK 0 / 33 / 61 / 8

HEX #EB9E5B

RGB 235 158 91

HSL 27.92, 0.78%, 0.64%

LAB 71.47, 22.19, 46.1

 

CMYK 0 / 30 / 56 / 1

HEX #FCB06E

RGB 252 176 110

HSL 27.89, 0.96%, 0.71%

LAB 77.8, 20.97, 44.59

 

CMYK 0 / 24 / 49 / 0

HEX #FFC281

RGB 255 194 129

HSL 30.95, 1%, 0.75%

LAB 82.61, 14.33, 41

 

CMYK 0 / 17 / 42 / 0

HEX #FFD494

RGB 255 212 148

HSL 35.89, 1%, 0.79%

LAB 87.23, 6.83, 37.27

 

CMYK 0 / 10 / 35 / 0

HEX #FFE6A7

RGB 255 230 167

HSL 42.95, 1%, 0.83%

LAB 91.97, -0.28, 33.85

 

CMYK 0 / 31 / 58 / 10

HEX #E69E60

RGB 230 158 96

HSL 27.76, 0.73%, 0.64%

LAB 70.95, 20.5, 42.82

 

CMYK 0 / 34 / 64 / 16

HEX #D58C4D

RGB 213 140 77

HSL 27.79, 0.62%, 0.57%

LAB 64.51, 21.81, 44.38

 

CMYK 0 / 38 / 70 / 23

HEX #C47A3A

RGB 196 122 58

HSL 27.83, 0.54%, 0.5%

LAB 58, 23.31, 45.94

 

CMYK 0 / 42 / 78 / 30

HEX #B36827

RGB 179 104 39

HSL 27.86, 0.64%, 0.43%

LAB 51.42, 25.03, 47.35

 

CMYK 0 / 47 / 88 / 36

HEX #A25614

RGB 162 86 20

HSL 27.89, 0.78%, 0.36%

LAB 44.78, 27.01, 48.17

 

CMYK 0 / 31 / 58 / 10

HEX #E69E60

RGB 230 158 96

HSL 27.76, 0.73%, 0.64%

LAB 70.95, 20.5, 42.82

 

CMYK 0 / 47 / 58 / 10

HEX #E67A60

RGB 230 122 96

HSL 11.64, 0.73%, 0.64%

LAB 63, 39.43, 32.99

 

CMYK 0 / 58 / 58 / 10

HEX #E66060

RGB 230 96 96

HSL 0, 0.73%, 0.64%

LAB 58.07, 52.05, 26.66

 

CMYK 0 / 31 / 58 / 10

HEX #E69E60

RGB 230 158 96

HSL 27.76, 0.73%, 0.64%

LAB 70.95, 20.5, 42.82

 

CMYK 0 / 16 / 58 / 10

HEX #E6C260

RGB 230 194 96

HSL 43.88, 0.73%, 0.64%

LAB 79.76, 1.46, 53.19

 

CMYK 0 / 0 / 58 / 10

HEX #E5E660

RGB 229 230 96

HSL 60.45, 0.73%, 0.64%

LAB 88.97, -17.14, 63.51

 

CMYK 16 / 0 / 58 / 10

HEX #C1E660

RGB 193 230 96

HSL 76.57, 0.73%, 0.64%

LAB 86.39, -31.36, 59.93

 

CMYK 32 / 0 / 58 / 10

HEX #9DE660

RGB 157 230 96

HSL 92.69, 0.73%, 0.64%

LAB 84.28, -44.54, 56.98

 

CMYK 0 / 31 / 58 / 10

HEX #E69E60

RGB 230 158 96

HSL 27.76, 0.73%, 0.64%

LAB 70.95, 20.5, 42.82

 

CMYK 0 / 36 / 67 / 4

HEX #F59D51

RGB 245 157 81

HSL 27.8, 0.89%, 0.64%

LAB 72.31, 26.18, 52.28

 

CMYK 0 / 31 / 58 / 10

HEX #E69E60

RGB 230 158 96

HSL 27.76, 0.73%, 0.64%

LAB 70.95, 20.5, 42.82

 

CMYK 0 / 26 / 48 / 16

HEX #D79F6F

RGB 215 159 111

HSL 27.69, 0.57%, 0.64%

LAB 69.75, 15.1, 33.11

 

CMYK 0 / 20 / 38 / 22

HEX #C8A07D

RGB 200 160 125

HSL 28, 0.41%, 0.64%

LAB 68.68, 9.98, 23.86

 

CMYK 0 / 13 / 24 / 27

HEX #B9A18C

RGB 185 161 140

HSL 28, 0.24%, 0.64%

LAB 67.8, 5.48, 14.17

 

CMYK 0 / 5 / 9 / 33

HEX #AAA29B

RGB 170 162 155

HSL 28, 0.08%, 0.64%

LAB 67.09, 1.64, 4.66

 

CMYK 0 / 58 / 53 / 10

HEX #E6606B

RGB 230 96 107

HSL 355.07, 0.73%, 0.64%

LAB 58.27, 52.89, 20.58

 

CMYK 0 / 48 / 58 / 10

HEX #E67860

RGB 230 120 96

HSL 10.75, 0.73%, 0.64%

LAB 62.59, 40.44, 32.48

 

CMYK 0 / 32 / 58 / 10

HEX #E69C60

RGB 230 156 96

HSL 26.87, 0.73%, 0.64%

LAB 70.49, 21.57, 42.25

 

CMYK 0 / 17 / 58 / 10

HEX #E6C060

RGB 230 192 96

HSL 42.99, 0.73%, 0.64%

LAB 79.25, 2.51, 52.61

 

CMYK 0 / 1 / 58 / 10

HEX #E6E360

RGB 230 227 96

HSL 58.66, 0.73%, 0.64%

LAB 88.26, -15.26, 62.75

 

CMYK 0 / 45 / 85 / 18

HEX #D27320

RGB 210 115 32

HSL 27.98, 0.74%, 0.47%

LAB 58.1, 31.91, 57.8

 

CMYK 0 / 39 / 73 / 12

HEX #E0883C

RGB 224 136 60

HSL 27.8, 0.73%, 0.56%

LAB 64.79, 27.59, 53.25

 

CMYK 0 / 31 / 58 / 10

HEX #E69E60

RGB 230 158 96

HSL 27.76, 0.73%, 0.64%

LAB 70.95, 20.5, 42.82

 

CMYK 0 / 24 / 44 / 8

HEX #EBB383

RGB 235 179 131

HSL 27.69, 0.72%, 0.72%

LAB 77.01, 14.45, 32.34

 

CMYK 0 / 17 / 31 / 5

HEX #F1C9A7

RGB 241 201 167

HSL 27.57, 0.73%, 0.8%

LAB 83.58, 9.33, 22.29

 

CMYK 0 / 31 / 58 / 10

HEX #E69E60

RGB 230 158 96

HSL 27.76, 0.73%, 0.64%

LAB 70.95, 20.5, 42.82

 

CMYK 38 / 0 / 58 / 10

HEX #8FE660

RGB 143 230 96

HSL 98.96, 0.73%, 0.64%

LAB 83.59, -49.22, 56

 

CMYK 56 / 58 / 0 / 10

HEX #6660E6

RGB 102 96 230

HSL 242.69, 0.73%, 0.64%

LAB 48.14, 39.33, -67.5

 

CMYK 0 / 31 / 58 / 10

HEX #E69E60

RGB 230 158 96

HSL 27.76, 0.73%, 0.64%

LAB 70.95, 20.5, 42.82

 

CMYK 58 / 0 / 32 / 10

HEX #60E69C

RGB 96 230 156

HSL 146.87, 0.73%, 0.64%

LAB 82.64, -53.23, 25.34

 

CMYK 32 / 58 / 0 / 10

HEX #9C60E6

RGB 156 96 230

HSL 266.87, 0.73%, 0.64%

LAB 53.11, 50.59, -59.22

 

CMYK 0 / 31 / 58 / 10

HEX #E69E60

RGB 230 158 96

HSL 27.76, 0.73%, 0.64%

LAB 70.95, 20.5, 42.82

 

CMYK 38 / 0 / 58 / 10

HEX #8FE660

RGB 143 230 96

HSL 98.96, 0.73%, 0.64%

LAB 83.59, -49.22, 56

 

CMYK 58 / 27 / 0 / 10

HEX #60A9E6

RGB 96 169 230

HSL 207.31, 0.73%, 0.64%

LAB 66.96, -5.11, -37.57

 

CMYK 20 / 58 / 0 / 10

HEX #B760E6

RGB 183 96 230

HSL 278.96, 0.73%, 0.64%

LAB 56.23, 56.97, -54.05

 

CMYK 0 / 31 / 58 / 10

HEX #E69E60

RGB 230 158 96

HSL 27.76, 0.73%, 0.64%

LAB 70.95, 20.5, 42.82

 

CMYK 56 / 0 / 58 / 10

HEX #66E660

RGB 102 230 96

HSL 117.31, 0.73%, 0.64%

LAB 81.98, -60.94, 53.73

 

CMYK 58 / 27 / 0 / 10

HEX #60A9E6

RGB 96 169 230

HSL 207.31, 0.73%, 0.64%

LAB 66.96, -5.11, -37.57

 

CMYK 3 / 58 / 0 / 10

HEX #DF60E6

RGB 223 96 230

HSL 296.87, 0.73%, 0.64%

LAB 61.45, 66.79, -45.44

 

Description

Color code: HEX #E69E60 | qconv.com Color code: HEX #E69E60 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 158 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 158 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 58 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 58% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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