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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6AD36 it is the complementary color #1952C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6AD36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6AD36 shade: #EBAD31, #FCBF44, #FFD157, #FFE36A and #FFF57D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6AD36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6AD36 shade: #E6AD36, #D59B23, #C48910, #B37700 and #A26500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6AD36 shade: #E6AD37, #E67E37, #E64F37 and #E63737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6AD36 shade: #E6AD37, #E6DC37, #C0E637, #91E637 and #62E637

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6AD36 shade matches the following richer shades: #E6AD37 and #F8B425

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6AD36 shade: #E6AD37, #D4A749, #C2A05B, #AF9A6D and #9D947F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6AD36 shade: #E64E37, #E67D37, #E6AB37, #E6DA37 and #C3E637

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6AD36 shade: #B48116, #D99B1A, #E6AD37, #EABC5C and #EFCB80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6AD36 shade: #E6AD36, #4EE637 and #6537E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6AD36 shade: #E6AD36, #37E6AB and #AB37E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6AD36 shade: #E6AD36, #4EE637, #3771E6 and #CE37E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6AD36 shade: #E6AD36, #37E654, #3771E6 and #E637C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 77 / 10

HEX #E6AD36

RGB 230 173 54

HSL 40.57, 0.78%, 0.56%

LAB 74.17, 10.16, 65.19

 

Complementary color

CMYK 88 / 59 / 0 / 21

HEX #1952C9

RGB 25 82 201

HSL 220.57, 0.78%, 0.44%

LAB 38.65, 28.24, -66.53

 

CMYK 0 / 26 / 79 / 8

HEX #EBAD31

RGB 235 173 49

HSL 40, 0.82%, 0.56%

LAB 74.68, 12.11, 67.63

 

CMYK 0 / 24 / 73 / 1

HEX #FCBF44

RGB 252 191 68

HSL 40.11, 0.97%, 0.63%

LAB 80.95, 10.61, 67.22

 

CMYK 0 / 18 / 66 / 0

HEX #FFD157

RGB 255 209 87

HSL 43.57, 1%, 0.67%

LAB 85.78, 3.52, 64.53

 

CMYK 0 / 11 / 58 / 0

HEX #FFE36A

RGB 255 227 106

HSL 48.72, 1%, 0.71%

LAB 90.43, -4.42, 61.39

 

CMYK 0 / 4 / 51 / 0

HEX #FFF57D

RGB 255 245 125

HSL 55.38, 1%, 0.75%

LAB 95.18, -11.92, 58.29

 

CMYK 0 / 25 / 77 / 10

HEX #E6AD36

RGB 230 173 54

HSL 40.57, 0.78%, 0.56%

LAB 74.17, 10.16, 65.19

 

CMYK 0 / 27 / 84 / 16

HEX #D59B23

RGB 213 155 35

HSL 40.45, 0.72%, 0.49%

LAB 67.81, 11.78, 65.19

 

CMYK 0 / 30 / 92 / 23

HEX #C48910

RGB 196 137 16

HSL 40.33, 0.85%, 0.42%

LAB 61.36, 13.66, 64.03

 

CMYK 0 / 34 / 100 / 30

HEX #B37700

RGB 179 119 0

HSL 39.89, 1%, 0.35%

LAB 54.84, 15.8, 61.28

 

CMYK 0 / 38 / 100 / 36

HEX #A26500

RGB 162 101 0

HSL 37.41, 1%, 0.32%

LAB 48.25, 18.25, 55.9

 

CMYK 0 / 25 / 76 / 10

HEX #E6AD37

RGB 230 173 55

HSL 40.46, 0.78%, 0.56%

LAB 74.18, 10.2, 64.83

 

CMYK 0 / 45 / 76 / 10

HEX #E67E37

RGB 230 126 55

HSL 24.34, 0.78%, 0.56%

LAB 63.36, 35.06, 54.32

 

CMYK 0 / 66 / 76 / 10

HEX #E64F37

RGB 230 79 55

HSL 8.23, 0.78%, 0.56%

LAB 54.75, 57.19, 45.5

 

CMYK 0 / 76 / 76 / 10

HEX #E63737

RGB 230 55 55

HSL 0, 0.78%, 0.56%

LAB 51.65, 65.74, 42.19

 

CMYK 0 / 25 / 76 / 10

HEX #E6AD37

RGB 230 173 55

HSL 40.46, 0.78%, 0.56%

LAB 74.18, 10.2, 64.83

 

CMYK 0 / 4 / 76 / 10

HEX #E6DC37

RGB 230 220 55

HSL 56.57, 0.78%, 0.56%

LAB 86.15, -13.98, 75.93

 

CMYK 17 / 0 / 76 / 10

HEX #C0E637

RGB 192 230 55

HSL 73.03, 0.78%, 0.56%

LAB 86.04, -34.28, 74.8

 

CMYK 37 / 0 / 76 / 10

HEX #91E637

RGB 145 230 55

HSL 89.14, 0.78%, 0.56%

LAB 83.38, -51.62, 71.35

 

CMYK 57 / 0 / 76 / 10

HEX #62E637

RGB 98 230 55

HSL 105.26, 0.78%, 0.56%

LAB 81.55, -65.44, 68.95

 

CMYK 0 / 25 / 76 / 10

HEX #E6AD37

RGB 230 173 55

HSL 40.46, 0.78%, 0.56%

LAB 74.18, 10.2, 64.83

 

CMYK 0 / 27 / 85 / 3

HEX #F8B425

RGB 248 180 37

HSL 40.66, 0.94%, 0.56%

LAB 77.72, 13.63, 74.43

 

CMYK 0 / 25 / 76 / 10

HEX #E6AD37

RGB 230 173 55

HSL 40.46, 0.78%, 0.56%

LAB 74.18, 10.2, 64.83

 

CMYK 0 / 21 / 66 / 17

HEX #D4A749

RGB 212 167 73

HSL 40.58, 0.62%, 0.56%

LAB 70.95, 6.57, 53.47

 

CMYK 0 / 18 / 53 / 24

HEX #C2A05B

RGB 194 160 91

HSL 40.19, 0.46%, 0.56%

LAB 67.55, 3.98, 40.36

 

CMYK 0 / 12 / 38 / 31

HEX #AF9A6D

RGB 175 154 109

HSL 40.91, 0.29%, 0.56%

LAB 64.43, 1.15, 26.48

 

CMYK 0 / 6 / 19 / 38

HEX #9D947F

RGB 157 148 127

HSL 42, 0.13%, 0.56%

LAB 61.55, -0.29, 12.31

 

CMYK 0 / 66 / 76 / 10

HEX #E64E37

RGB 230 78 55

HSL 7.89, 0.78%, 0.56%

LAB 54.6, 57.6, 45.34

 

CMYK 0 / 46 / 76 / 10

HEX #E67D37

RGB 230 125 55

HSL 24, 0.78%, 0.56%

LAB 63.15, 35.57, 54.11

 

CMYK 0 / 26 / 76 / 10

HEX #E6AB37

RGB 230 171 55

HSL 39.77, 0.78%, 0.56%

LAB 73.69, 11.26, 64.37

 

CMYK 0 / 5 / 76 / 10

HEX #E6DA37

RGB 230 218 55

HSL 55.89, 0.78%, 0.56%

LAB 85.63, -12.99, 75.45

 

CMYK 15 / 0 / 76 / 10

HEX #C3E637

RGB 195 230 55

HSL 72, 0.78%, 0.56%

LAB 86.24, -33.09, 75.05

 

CMYK 0 / 28 / 88 / 29

HEX #B48116

RGB 180 129 22

HSL 40.63, 0.78%, 0.4%

LAB 57.52, 11.03, 58.87

 

CMYK 0 / 29 / 88 / 15

HEX #D99B1A

RGB 217 155 26

HSL 40.52, 0.79%, 0.48%

LAB 68.22, 13.31, 68.14

 

CMYK 0 / 25 / 76 / 10

HEX #E6AD37

RGB 230 173 55

HSL 40.46, 0.78%, 0.56%

LAB 74.18, 10.2, 64.83

 

CMYK 0 / 20 / 61 / 8

HEX #EABC5C

RGB 234 188 92

HSL 40.56, 0.77%, 0.64%

LAB 78.6, 5.98, 53.83

 

CMYK 0 / 15 / 46 / 6

HEX #EFCB80

RGB 239 203 128

HSL 40.54, 0.78%, 0.72%

LAB 83.24, 3.16, 41.98

 

CMYK 0 / 25 / 77 / 10

HEX #E6AD36

RGB 230 173 54

HSL 40.57, 0.78%, 0.56%

LAB 74.17, 10.16, 65.19

 

CMYK 66 / 0 / 76 / 10

HEX #4EE637

RGB 78 230 55

HSL 112.11, 0.78%, 0.56%

LAB 81.01, -69.85, 68.25

 

CMYK 56 / 76 / 0 / 10

HEX #6537E6

RGB 101 55 230

HSL 255.77, 0.78%, 0.56%

LAB 39.94, 61.25, -80.91

 

CMYK 0 / 25 / 77 / 10

HEX #E6AD36

RGB 230 173 54

HSL 40.57, 0.78%, 0.56%

LAB 74.17, 10.16, 65.19

 

CMYK 76 / 0 / 26 / 10

HEX #37E6AB

RGB 55 230 171

HSL 159.77, 0.78%, 0.56%

LAB 82.03, -56.71, 16.57

 

CMYK 26 / 76 / 0 / 10

HEX #AB37E6

RGB 171 55 230

HSL 279.77, 0.78%, 0.56%

LAB 48.39, 71.89, -66.75

 

CMYK 0 / 25 / 77 / 10

HEX #E6AD36

RGB 230 173 54

HSL 40.57, 0.78%, 0.56%

LAB 74.17, 10.16, 65.19

 

CMYK 66 / 0 / 76 / 10

HEX #4EE637

RGB 78 230 55

HSL 112.11, 0.78%, 0.56%

LAB 81.01, -69.85, 68.25

 

CMYK 76 / 51 / 0 / 10

HEX #3771E6

RGB 55 113 230

HSL 220.11, 0.78%, 0.56%

LAB 49.9, 21.84, -64.76

 

CMYK 10 / 76 / 0 / 10

HEX #CE37E6

RGB 206 55 230

HSL 291.77, 0.78%, 0.56%

LAB 53.56, 78.26, -58.14

 

CMYK 0 / 25 / 77 / 10

HEX #E6AD36

RGB 230 173 54

HSL 40.57, 0.78%, 0.56%

LAB 74.17, 10.16, 65.19

 

CMYK 76 / 0 / 63 / 10

HEX #37E654

RGB 55 230 84

HSL 129.94, 0.78%, 0.56%

LAB 80.76, -71.17, 57.21

 

CMYK 76 / 51 / 0 / 10

HEX #3771E6

RGB 55 113 230

HSL 220.11, 0.78%, 0.56%

LAB 49.9, 21.84, -64.76

 

CMYK 0 / 76 / 13 / 10

HEX #E637C9

RGB 230 55 201

HSL 309.94, 0.78%, 0.56%

LAB 55.86, 78.63, -37.76

 

Description

Color code: HEX #E6AD36 | qconv.com Color code: HEX #E6AD36 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 173 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 173 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 77 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 77% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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