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Color name
HEX #E6B350

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6B350 it is the complementary color #194CAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6B350. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6B350 shade: #EBB34B, #FCC55E, #FFD771, #FFE984 and #FFFB97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6B350. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6B350 shade: #E6B350, #D5A13D, #C48F2A, #B37D17 and #A26B04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6B350 shade: #E6B350, #E68B50, #E66250 and #E65050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6B350 shade: #E6B350, #E6DB50, #C8E650, #A0E650 and #77E650

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6B350 shade matches the following richer shades: #E6B350 and #F6B840

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6B350 shade: #E6B350, #D6AE61, #C5A971, #B5A381 and #A59E91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6B350 shade: #E66250, #E68A50, #E6B150, #E6D950 and #CAE650

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6B350 shade: #C88D1C, #E0A32C, #E6B350, #EBC375 and #F0D299

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6B350 shade: #E6B350, #67E650 and #7650E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6B350 shade: #E6B350, #50E6B1 and #B150E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6B350 shade: #E6B350, #67E650, #5085E6 and #CF50E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6B350 shade: #E6B350, #50E667, #5085E6 and #E650CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 65 / 10

HEX #E6B350

RGB 230 179 80

HSL 39.6, 0.75%, 0.61%

LAB 75.85, 8.27, 56.17

 

Complementary color

CMYK 86 / 57 / 0 / 31

HEX #194CAF

RGB 25 76 175

HSL 219.6, 0.75%, 0.39%

LAB 34.94, 22.01, -57.32

 

CMYK 0 / 24 / 68 / 8

HEX #EBB34B

RGB 235 179 75

HSL 39, 0.8%, 0.61%

LAB 76.32, 10.09, 59.04

 

CMYK 0 / 22 / 63 / 1

HEX #FCC55E

RGB 252 197 94

HSL 39.11, 0.96%, 0.68%

LAB 82.61, 8.88, 57.92

 

CMYK 0 / 16 / 56 / 0

HEX #FFD771

RGB 255 215 113

HSL 43.1, 1%, 0.72%

LAB 87.51, 2.16, 54.82

 

CMYK 0 / 9 / 48 / 0

HEX #FFE984

RGB 255 233 132

HSL 49.27, 1%, 0.76%

LAB 92.22, -5.38, 51.47

 

CMYK 0 / 2 / 41 / 0

HEX #FFFB97

RGB 255 251 151

HSL 57.69, 1%, 0.8%

LAB 97.02, -12.48, 48.3

 

CMYK 0 / 22 / 65 / 10

HEX #E6B350

RGB 230 179 80

HSL 39.6, 0.75%, 0.61%

LAB 75.85, 8.27, 56.17

 

CMYK 0 / 24 / 71 / 16

HEX #D5A13D

RGB 213 161 61

HSL 39.47, 0.64%, 0.54%

LAB 69.45, 9.56, 57.19

 

CMYK 0 / 27 / 79 / 23

HEX #C48F2A

RGB 196 143 42

HSL 39.35, 0.65%, 0.47%

LAB 62.97, 11.06, 57.82

 

CMYK 0 / 30 / 87 / 30

HEX #B37D17

RGB 179 125 23

HSL 39.23, 0.77%, 0.4%

LAB 56.4, 12.83, 57.63

 

CMYK 0 / 34 / 98 / 36

HEX #A26B04

RGB 162 107 4

HSL 39.11, 0.95%, 0.33%

LAB 49.74, 14.9, 56.02

 

CMYK 0 / 22 / 65 / 10

HEX #E6B350

RGB 230 179 80

HSL 39.6, 0.75%, 0.61%

LAB 75.85, 8.27, 56.17

 

CMYK 0 / 40 / 65 / 10

HEX #E68B50

RGB 230 139 80

HSL 23.6, 0.75%, 0.61%

LAB 66.42, 29.52, 45.6

 

CMYK 0 / 57 / 65 / 10

HEX #E66250

RGB 230 98 80

HSL 7.2, 0.75%, 0.61%

LAB 58.17, 50.1, 35.85

 

CMYK 0 / 65 / 65 / 10

HEX #E65050

RGB 230 80 80

HSL 0, 0.75%, 0.61%

LAB 55.22, 57.95, 32.23

 

CMYK 0 / 22 / 65 / 10

HEX #E6B350

RGB 230 179 80

HSL 39.6, 0.75%, 0.61%

LAB 75.85, 8.27, 56.17

 

CMYK 0 / 5 / 65 / 10

HEX #E6DB50

RGB 230 219 80

HSL 55.6, 0.75%, 0.61%

LAB 86.04, -12.31, 66.99

 

CMYK 13 / 0 / 65 / 10

HEX #C8E650

RGB 200 230 80

HSL 72, 0.75%, 0.61%

LAB 86.73, -29.79, 67

 

CMYK 30 / 0 / 65 / 10

HEX #A0E650

RGB 160 230 80

HSL 88, 0.75%, 0.61%

LAB 84.3, -44.84, 63.71

 

CMYK 48 / 0 / 65 / 10

HEX #77E650

RGB 119 230 80

HSL 104.4, 0.75%, 0.61%

LAB 82.43, -58.03, 61.15

 

CMYK 0 / 22 / 65 / 10

HEX #E6B350

RGB 230 179 80

HSL 39.6, 0.75%, 0.61%

LAB 75.85, 8.27, 56.17

 

CMYK 0 / 25 / 74 / 4

HEX #F6B840

RGB 246 184 64

HSL 39.56, 0.91%, 0.61%

LAB 78.6, 11.57, 66.26

 

CMYK 0 / 22 / 65 / 10

HEX #E6B350

RGB 230 179 80

HSL 39.6, 0.75%, 0.61%

LAB 75.85, 8.27, 56.17

 

CMYK 0 / 19 / 55 / 16

HEX #D6AE61

RGB 214 174 97

HSL 39.49, 0.59%, 0.61%

LAB 73.17, 5.4, 44.59

 

CMYK 0 / 14 / 43 / 23

HEX #C5A971

RGB 197 169 113

HSL 40, 0.42%, 0.61%

LAB 70.48, 2.53, 32.64

 

CMYK 0 / 10 / 29 / 29

HEX #B5A381

RGB 181 163 129

HSL 39.23, 0.26%, 0.61%

LAB 67.73, 1.26, 20.08

 

CMYK 0 / 4 / 12 / 35

HEX #A59E91

RGB 165 158 145

HSL 39, 0.1%, 0.61%

LAB 65.36, 0.24, 7.69

 

CMYK 0 / 57 / 65 / 10

HEX #E66250

RGB 230 98 80

HSL 7.2, 0.75%, 0.61%

LAB 58.17, 50.1, 35.85

 

CMYK 0 / 40 / 65 / 10

HEX #E68A50

RGB 230 138 80

HSL 23.2, 0.75%, 0.61%

LAB 66.2, 30.04, 45.35

 

CMYK 0 / 23 / 65 / 10

HEX #E6B150

RGB 230 177 80

HSL 38.8, 0.75%, 0.61%

LAB 75.36, 9.32, 55.63

 

CMYK 0 / 6 / 65 / 10

HEX #E6D950

RGB 230 217 80

HSL 54.8, 0.75%, 0.61%

LAB 85.52, -11.31, 66.45

 

CMYK 12 / 0 / 65 / 10

HEX #CAE650

RGB 202 230 80

HSL 71.2, 0.75%, 0.61%

LAB 86.86, -29, 67.19

 

CMYK 0 / 30 / 86 / 22

HEX #C88D1C

RGB 200 141 28

HSL 39.42, 0.75%, 0.45%

LAB 62.85, 13.49, 62.51

 

CMYK 0 / 27 / 80 / 12

HEX #E0A32C

RGB 224 163 44

HSL 39.67, 0.74%, 0.53%

LAB 71.02, 12.54, 65.59

 

CMYK 0 / 22 / 65 / 10

HEX #E6B350

RGB 230 179 80

HSL 39.6, 0.75%, 0.61%

LAB 75.85, 8.27, 56.17

 

CMYK 0 / 17 / 50 / 8

HEX #EBC375

RGB 235 195 117

HSL 39.66, 0.75%, 0.69%

LAB 80.73, 4.69, 44.27

 

CMYK 0 / 13 / 36 / 6

HEX #F0D299

RGB 240 210 153

HSL 39.31, 0.74%, 0.77%

LAB 85.46, 2.57, 32.12

 

CMYK 0 / 22 / 65 / 10

HEX #E6B350

RGB 230 179 80

HSL 39.6, 0.75%, 0.61%

LAB 75.85, 8.27, 56.17

 

CMYK 55 / 0 / 65 / 10

HEX #67E650

RGB 103 230 80

HSL 110.8, 0.75%, 0.61%

LAB 81.87, -62.32, 60.38

 

CMYK 49 / 65 / 0 / 10

HEX #7650E6

RGB 118 80 230

HSL 255.2, 0.75%, 0.61%

LAB 46.05, 51.3, -70.84

 

CMYK 0 / 22 / 65 / 10

HEX #E6B350

RGB 230 179 80

HSL 39.6, 0.75%, 0.61%

LAB 75.85, 8.27, 56.17

 

CMYK 65 / 0 / 23 / 10

HEX #50E6B1

RGB 80 230 177

HSL 158.8, 0.75%, 0.61%

LAB 82.63, -51.89, 14.35

 

CMYK 23 / 65 / 0 / 10

HEX #B150E6

RGB 177 80 230

HSL 278.8, 0.75%, 0.61%

LAB 52.73, 63.11, -59.7

 

CMYK 0 / 22 / 65 / 10

HEX #E6B350

RGB 230 179 80

HSL 39.6, 0.75%, 0.61%

LAB 75.85, 8.27, 56.17

 

CMYK 55 / 0 / 65 / 10

HEX #67E650

RGB 103 230 80

HSL 110.8, 0.75%, 0.61%

LAB 81.87, -62.32, 60.38

 

CMYK 65 / 42 / 0 / 10

HEX #5085E6

RGB 80 133 230

HSL 218.8, 0.75%, 0.61%

LAB 56.28, 12.93, -54.46

 

CMYK 10 / 65 / 0 / 10

HEX #CF50E6

RGB 207 80 230

HSL 290.8, 0.75%, 0.61%

LAB 56.8, 69.71, -52.96

 

CMYK 0 / 22 / 65 / 10

HEX #E6B350

RGB 230 179 80

HSL 39.6, 0.75%, 0.61%

LAB 75.85, 8.27, 56.17

 

CMYK 65 / 0 / 55 / 10

HEX #50E667

RGB 80 230 103

HSL 129.2, 0.75%, 0.61%

LAB 81.44, -64.9, 49.8

 

CMYK 65 / 42 / 0 / 10

HEX #5085E6

RGB 80 133 230

HSL 218.8, 0.75%, 0.61%

LAB 56.28, 12.93, -54.46

 

CMYK 0 / 65 / 10 / 10

HEX #E650CF

RGB 230 80 207

HSL 309.2, 0.75%, 0.61%

LAB 59.03, 71.3, -36.21

 

Description

Color code: HEX #E6B350 | qconv.com Color code: HEX #E6B350 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 179 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 179 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 65 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 65% 10% C M Y K

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Provide designers and agencies with accurate color values.

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