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Color name
HEX #E6C58E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6C58E it is the complementary color #193A71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6C58E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6C58E shade: #EBC589, #FCD79C, #FFE9AF, #FFFBC2 and #FFFFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6C58E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6C58E shade: #E6C58E, #D5B37B, #C4A168, #B38F55 and #A27D42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6C58E shade: #E6C58E, #E6AD8E, #E6958E and #E68E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6C58E shade: #E6C58E, #E6DC8E, #D7E68E, #BFE68E and #A8E68E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6C58E shade matches the following richer shades: #E6C58E, #F1C782 and #FCCA77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6C58E shade: #E6C58E, #DBC299, #CFBFA4, #C4BCAF and #B9BABA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6C58E shade: #E6958E, #E6AC8E, #E6C48E, #E6DB8E and #D8E68E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6C58E shade: #D7A24A, #DEB36C, #E6C58E, #EDD6AF and #F5E7D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6C58E shade: #E6C58E, #9EE68E and #A18EE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6C58E shade: #E6C58E, #8EE6C4 and #C48EE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6C58E shade: #E6C58E, #9EE68E, #8EAFE6 and #D68EE6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6C58E shade: #E6C58E, #8EE698, #8EAFE6 and #E68EDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 38 / 10

HEX #E6C58E

RGB 230 197 142

HSL 37.5, 0.64%, 0.73%

LAB 81.13, 4.16, 31.92

 

Complementary color

CMYK 78 / 49 / 0 / 56

HEX #193A71

RGB 25 58 113

HSL 217.5, 0.64%, 0.27%

LAB 25.03, 9.17, -35.28

 

CMYK 0 / 16 / 42 / 8

HEX #EBC589

RGB 235 197 137

HSL 36.73, 0.71%, 0.73%

LAB 81.51, 5.59, 35.1

 

CMYK 0 / 15 / 38 / 1

HEX #FCD79C

RGB 252 215 156

HSL 36.88, 0.94%, 0.8%

LAB 87.82, 4.98, 33.9

 

CMYK 0 / 9 / 31 / 0

HEX #FFE9AF

RGB 255 233 175

HSL 43.5, 1%, 0.84%

LAB 92.85, -0.84, 30.96

 

CMYK 0 / 2 / 24 / 0

HEX #FFFBC2

RGB 255 251 194

HSL 56.07, 1%, 0.88%

LAB 97.69, -7.43, 27.87

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD5

RGB 255 255 213

HSL 60, 1%, 0.92%

LAB 99.06, -6.76, 20.12

 

CMYK 0 / 14 / 38 / 10

HEX #E6C58E

RGB 230 197 142

HSL 37.5, 0.64%, 0.73%

LAB 81.13, 4.16, 31.92

 

CMYK 0 / 16 / 42 / 16

HEX #D5B37B

RGB 213 179 123

HSL 37.33, 0.52%, 0.66%

LAB 74.71, 4.78, 33.14

 

CMYK 0 / 18 / 47 / 23

HEX #C4A168

RGB 196 161 104

HSL 37.17, 0.44%, 0.59%

LAB 68.19, 5.5, 34.43

 

CMYK 0 / 20 / 53 / 30

HEX #B38F55

RGB 179 143 85

HSL 37.02, 0.38%, 0.52%

LAB 61.55, 6.34, 35.79

 

CMYK 0 / 23 / 59 / 36

HEX #A27D42

RGB 162 125 66

HSL 36.88, 0.42%, 0.45%

LAB 54.81, 7.36, 37.21

 

CMYK 0 / 14 / 38 / 10

HEX #E6C58E

RGB 230 197 142

HSL 37.5, 0.64%, 0.73%

LAB 81.13, 4.16, 31.92

 

CMYK 0 / 25 / 38 / 10

HEX #E6AD8E

RGB 230 173 142

HSL 21.14, 0.64%, 0.73%

LAB 75.24, 16.86, 24.04

 

CMYK 0 / 35 / 38 / 10

HEX #E6958E

RGB 230 149 142

HSL 4.77, 0.64%, 0.73%

LAB 69.66, 29.67, 16.38

 

CMYK 0 / 38 / 38 / 10

HEX #E68E8E

RGB 230 142 142

HSL 0, 0.64%, 0.73%

LAB 68.11, 33.37, 14.21

 

CMYK 0 / 14 / 38 / 10

HEX #E6C58E

RGB 230 197 142

HSL 37.5, 0.64%, 0.73%

LAB 81.13, 4.16, 31.92

 

CMYK 0 / 4 / 38 / 10

HEX #E6DC8E

RGB 230 220 142

HSL 53.18, 0.64%, 0.73%

LAB 86.98, -7.67, 39.55

 

CMYK 7 / 0 / 38 / 10

HEX #D7E68E

RGB 215 230 142

HSL 70.23, 0.64%, 0.73%

LAB 88.44, -18.43, 41.2

 

CMYK 17 / 0 / 38 / 10

HEX #BFE68E

RGB 191 230 142

HSL 86.59, 0.64%, 0.73%

LAB 86.81, -27.34, 38.78

 

CMYK 27 / 0 / 38 / 10

HEX #A8E68E

RGB 168 230 142

HSL 102.27, 0.64%, 0.73%

LAB 85.44, -35.43, 36.73

 

CMYK 0 / 14 / 38 / 10

HEX #E6C58E

RGB 230 197 142

HSL 37.5, 0.64%, 0.73%

LAB 81.13, 4.16, 31.92

 

CMYK 0 / 17 / 46 / 5

HEX #F1C782

RGB 241 199 130

HSL 37.3, 0.8%, 0.73%

LAB 82.46, 6.23, 40.03

 

CMYK 0 / 20 / 53 / 1

HEX #FCCA77

RGB 252 202 119

HSL 37.44, 0.96%, 0.73%

LAB 84.11, 8.11, 47.8

 

CMYK 0 / 14 / 38 / 10

HEX #E6C58E

RGB 230 197 142

HSL 37.5, 0.64%, 0.73%

LAB 81.13, 4.16, 31.92

 

CMYK 0 / 11 / 30 / 14

HEX #DBC299

RGB 219 194 153

HSL 37.27, 0.48%, 0.73%

LAB 79.58, 2.78, 23.89

 

CMYK 0 / 8 / 21 / 19

HEX #CFBFA4

RGB 207 191 164

HSL 37.67, 0.31%, 0.73%

LAB 78, 1.31, 15.67

 

CMYK 0 / 4 / 11 / 23

HEX #C4BCAF

RGB 196 188 175

HSL 37.14, 0.15%, 0.73%

LAB 76.56, 0.56, 7.57

 

CMYK 1 / 0 / 0 / 27

HEX #B9BABA

RGB 185 186 186

HSL 180, 0.01%, 0.73%

LAB 75.44, -0.34, -0.13

 

CMYK 0 / 35 / 38 / 10

HEX #E6958E

RGB 230 149 142

HSL 4.77, 0.64%, 0.73%

LAB 69.66, 29.67, 16.38

 

CMYK 0 / 25 / 38 / 10

HEX #E6AC8E

RGB 230 172 142

HSL 20.45, 0.64%, 0.73%

LAB 75, 17.39, 23.71

 

CMYK 0 / 15 / 38 / 10

HEX #E6C48E

RGB 230 196 142

HSL 36.82, 0.64%, 0.73%

LAB 80.88, 4.69, 31.59

 

CMYK 0 / 5 / 38 / 10

HEX #E6DB8E

RGB 230 219 142

HSL 52.5, 0.64%, 0.73%

LAB 86.72, -7.17, 39.22

 

CMYK 6 / 0 / 38 / 10

HEX #D8E68E

RGB 216 230 142

HSL 69.55, 0.64%, 0.73%

LAB 88.52, -18.05, 41.31

 

CMYK 0 / 25 / 66 / 16

HEX #D7A24A

RGB 215 162 74

HSL 37.45, 0.64%, 0.57%

LAB 70.02, 10.59, 52.09

 

CMYK 0 / 19 / 51 / 13

HEX #DEB36C

RGB 222 179 108

HSL 37.37, 0.63%, 0.65%

LAB 75.36, 6.99, 41.9

 

CMYK 0 / 14 / 38 / 10

HEX #E6C58E

RGB 230 197 142

HSL 37.5, 0.64%, 0.73%

LAB 81.13, 4.16, 31.92

 

CMYK 0 / 10 / 26 / 7

HEX #EDD6AF

RGB 237 214 175

HSL 37.74, 0.63%, 0.81%

LAB 86.6, 2.11, 22.19

 

CMYK 0 / 6 / 15 / 4

HEX #F5E7D1

RGB 245 231 209

HSL 36.67, 0.64%, 0.89%

LAB 92.21, 1.19, 12.41

 

CMYK 0 / 14 / 38 / 10

HEX #E6C58E

RGB 230 197 142

HSL 37.5, 0.64%, 0.73%

LAB 81.13, 4.16, 31.92

 

CMYK 31 / 0 / 38 / 10

HEX #9EE68E

RGB 158 230 142

HSL 109.09, 0.64%, 0.73%

LAB 84.9, -38.75, 35.93

 

CMYK 30 / 38 / 0 / 10

HEX #A18EE6

RGB 161 142 230

HSL 252.95, 0.64%, 0.73%

LAB 63.87, 26.2, -42.11

 

CMYK 0 / 14 / 38 / 10

HEX #E6C58E

RGB 230 197 142

HSL 37.5, 0.64%, 0.73%

LAB 81.13, 4.16, 31.92

 

CMYK 38 / 0 / 15 / 10

HEX #8EE6C4

RGB 142 230 196

HSL 156.82, 0.64%, 0.73%

LAB 85.16, -34, 8.27

 

CMYK 15 / 38 / 0 / 10

HEX #C48EE6

RGB 196 142 230

HSL 276.82, 0.64%, 0.73%

LAB 67.12, 36.32, -36.78

 

CMYK 0 / 14 / 38 / 10

HEX #E6C58E

RGB 230 197 142

HSL 37.5, 0.64%, 0.73%

LAB 81.13, 4.16, 31.92

 

CMYK 31 / 0 / 38 / 10

HEX #9EE68E

RGB 158 230 142

HSL 109.09, 0.64%, 0.73%

LAB 84.9, -38.75, 35.93

 

CMYK 38 / 24 / 0 / 10

HEX #8EAFE6

RGB 142 175 230

HSL 217.5, 0.64%, 0.73%

LAB 70.96, 2.27, -31.18

 

CMYK 7 / 38 / 0 / 10

HEX #D68EE6

RGB 214 142 230

HSL 289.09, 0.64%, 0.73%

LAB 69.01, 41.7, -33.71

 

CMYK 0 / 14 / 38 / 10

HEX #E6C58E

RGB 230 197 142

HSL 37.5, 0.64%, 0.73%

LAB 81.13, 4.16, 31.92

 

CMYK 38 / 0 / 34 / 10

HEX #8EE698

RGB 142 230 152

HSL 126.82, 0.64%, 0.73%

LAB 84.28, -42.21, 29.9

 

CMYK 38 / 24 / 0 / 10

HEX #8EAFE6

RGB 142 175 230

HSL 217.5, 0.64%, 0.73%

LAB 70.96, 2.27, -31.18

 

CMYK 0 / 38 / 5 / 10

HEX #E68EDB

RGB 230 142 219

HSL 307.5, 0.64%, 0.73%

LAB 70.37, 44.59, -25.39

 

Description

Color code: HEX #E6C58E | qconv.com Color code: HEX #E6C58E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 197 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 197 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 38 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 38% 10% C M Y K

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Provide designers and agencies with accurate color values.

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