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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6C345 it is the complementary color #193CBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6C345. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6C345 shade: #EBC340, #FCD553, #FFE766, #FFF979 and #FFFF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6C345. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6C345 shade: #E6C345, #D5B132, #C49F1F, #B38D0C and #A27B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6C345 shade: #E5C346, #E59846, #E56D46 and #E54646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6C345 shade: #E5C346, #DDE546, #B2E546, #87E546 and #5DE546

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6C345 shade matches the following richer shades: #E5C346 and #F6CC36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6C345 shade: #E5C346, #D4B957, #C4B068, #B3A679 and #A29D8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6C345 shade: #E56C46, #E59646, #E5C046, #E0E546 and #B6E546

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6C345 shade: #C09C1A, #E0B722, #E5C346, #EACF6B and #EFDA8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6C345 shade: #E6C345, #4CE546 and #8146E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6C345 shade: #E6C345, #46E5C0 and #C046E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6C345 shade: #E6C345, #4CE546, #466CE5 and #E046E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6C345 shade: #E6C345, #46E571, #466CE5 and #E546BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 70 / 10

HEX #E6C345

RGB 230 195 69

HSL 46.96, 0.76%, 0.59%

LAB 79.77, -0.7, 64.94

 

Complementary color

CMYK 87 / 68 / 0 / 27

HEX #193CBA

RGB 25 60 186

HSL 226.96, 0.76%, 0.41%

LAB 31.77, 36.87, -69.03

 

CMYK 0 / 17 / 73 / 8

HEX #EBC340

RGB 235 195 64

HSL 45.96, 0.81%, 0.59%

LAB 80.21, 1.18, 67.45

 

CMYK 0 / 15 / 67 / 1

HEX #FCD553

RGB 252 213 83

HSL 46.15, 0.97%, 0.66%

LAB 86.46, 0.01, 66.82

 

CMYK 0 / 9 / 60 / 0

HEX #FFE766

RGB 255 231 102

HSL 50.59, 1%, 0.7%

LAB 91.4, -6.69, 64.22

 

CMYK 0 / 2 / 53 / 0

HEX #FFF979

RGB 255 249 121

HSL 57.31, 1%, 0.74%

LAB 96.16, -14.19, 61.25

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8C

RGB 255 255 140

HSL 60, 1%, 0.77%

LAB 97.9, -15.49, 54.62

 

CMYK 0 / 15 / 70 / 10

HEX #E6C345

RGB 230 195 69

HSL 46.96, 0.76%, 0.59%

LAB 79.77, -0.7, 64.94

 

CMYK 0 / 17 / 77 / 16

HEX #D5B132

RGB 213 177 50

HSL 46.75, 0.66%, 0.52%

LAB 73.43, 0.55, 65.31

 

CMYK 0 / 19 / 84 / 23

HEX #C49F1F

RGB 196 159 31

HSL 46.55, 0.73%, 0.45%

LAB 67, 2.02, 64.93

 

CMYK 0 / 21 / 93 / 30

HEX #B38D0C

RGB 179 141 12

HSL 46.35, 0.87%, 0.37%

LAB 60.48, 3.75, 63.26

 

CMYK 0 / 24 / 100 / 36

HEX #A27B00

RGB 162 123 0

HSL 45.56, 1%, 0.32%

LAB 53.86, 5.78, 59.66

 

CMYK 0 / 15 / 69 / 10

HEX #E5C346

RGB 229 195 70

HSL 47.17, 0.75%, 0.59%

LAB 79.69, -1.08, 64.42

 

CMYK 0 / 34 / 69 / 10

HEX #E59846

RGB 229 152 70

HSL 30.94, 0.75%, 0.59%

LAB 69.15, 21.64, 53.45

 

CMYK 0 / 52 / 69 / 10

HEX #E56D46

RGB 229 109 70

HSL 14.72, 0.75%, 0.59%

LAB 59.92, 43.93, 43.28

 

CMYK 0 / 69 / 69 / 10

HEX #E54646

RGB 229 70 70

HSL 0, 0.75%, 0.59%

LAB 53.47, 61, 35.79

 

CMYK 0 / 15 / 69 / 10

HEX #E5C346

RGB 229 195 70

HSL 47.17, 0.75%, 0.59%

LAB 79.69, -1.08, 64.42

 

CMYK 3 / 0 / 69 / 10

HEX #DDE546

RGB 221 229 70

HSL 63.02, 0.75%, 0.59%

LAB 87.9, -21.45, 72.38

 

CMYK 22 / 0 / 69 / 10

HEX #B2E546

RGB 178 229 70

HSL 79.25, 0.75%, 0.59%

LAB 84.97, -38.47, 68.5

 

CMYK 41 / 0 / 69 / 10

HEX #87E546

RGB 135 229 70

HSL 95.47, 0.75%, 0.59%

LAB 82.72, -53.59, 65.48

 

CMYK 59 / 0 / 69 / 10

HEX #5DE546

RGB 93 229 70

HSL 111.32, 0.75%, 0.59%

LAB 81.19, -65.23, 63.42

 

CMYK 0 / 15 / 69 / 10

HEX #E5C346

RGB 229 195 70

HSL 47.17, 0.75%, 0.59%

LAB 79.69, -1.08, 64.42

 

CMYK 0 / 17 / 78 / 4

HEX #F6CC36

RGB 246 204 54

HSL 46.88, 0.91%, 0.59%

LAB 83.47, 0.82, 74.34

 

CMYK 0 / 15 / 69 / 10

HEX #E5C346

RGB 229 195 70

HSL 47.17, 0.75%, 0.59%

LAB 79.69, -1.08, 64.42

 

CMYK 0 / 13 / 59 / 17

HEX #D4B957

RGB 212 185 87

HSL 47.04, 0.59%, 0.59%

LAB 75.69, -2.02, 52.3

 

CMYK 0 / 10 / 47 / 23

HEX #C4B068

RGB 196 176 104

HSL 46.96, 0.44%, 0.59%

LAB 72.09, -2.54, 39.33

 

CMYK 0 / 7 / 32 / 30

HEX #B3A679

RGB 179 166 121

HSL 46.55, 0.28%, 0.59%

LAB 68.19, -2.23, 25.04

 

CMYK 0 / 3 / 15 / 36

HEX #A29D8A

RGB 162 157 138

HSL 47.5, 0.11%, 0.59%

LAB 64.67, -1.53, 10.59

 

CMYK 0 / 53 / 69 / 10

HEX #E56C46

RGB 229 108 70

HSL 14.34, 0.75%, 0.59%

LAB 59.73, 44.42, 43.06

 

CMYK 0 / 34 / 69 / 10

HEX #E59646

RGB 229 150 70

HSL 30.19, 0.75%, 0.59%

LAB 68.69, 22.7, 52.95

 

CMYK 0 / 16 / 69 / 10

HEX #E5C046

RGB 229 192 70

HSL 46.04, 0.75%, 0.59%

LAB 78.93, 0.48, 63.65

 

CMYK 2 / 0 / 69 / 10

HEX #E0E546

RGB 224 229 70

HSL 61.89, 0.75%, 0.59%

LAB 88.13, -20.22, 72.69

 

CMYK 21 / 0 / 69 / 10

HEX #B6E546

RGB 182 229 70

HSL 77.74, 0.75%, 0.59%

LAB 85.21, -36.94, 68.83

 

CMYK 0 / 19 / 86 / 25

HEX #C09C1A

RGB 192 156 26

HSL 46.99, 0.76%, 0.43%

LAB 65.79, 1.73, 65.08

 

CMYK 0 / 18 / 85 / 12

HEX #E0B722

RGB 224 183 34

HSL 47.05, 0.75%, 0.51%

LAB 75.96, 1.67, 72.74

 

CMYK 0 / 15 / 69 / 10

HEX #E5C346

RGB 229 195 70

HSL 47.17, 0.75%, 0.59%

LAB 79.69, -1.08, 64.42

 

CMYK 0 / 12 / 54 / 8

HEX #EACF6B

RGB 234 207 107

HSL 47.24, 0.75%, 0.67%

LAB 83.54, -2.76, 52.5

 

CMYK 0 / 9 / 40 / 6

HEX #EFDA8F

RGB 239 218 143

HSL 46.88, 0.75%, 0.75%

LAB 87.23, -3.03, 39.52

 

CMYK 0 / 15 / 70 / 10

HEX #E6C345

RGB 230 195 69

HSL 46.96, 0.76%, 0.59%

LAB 79.77, -0.7, 64.94

 

CMYK 67 / 0 / 69 / 10

HEX #4CE546

RGB 76 229 70

HSL 117.74, 0.75%, 0.59%

LAB 80.75, -68.8, 62.83

 

CMYK 44 / 69 / 0 / 10

HEX #8146E5

RGB 129 70 229

HSL 262.26, 0.75%, 0.59%

LAB 45.23, 58.09, -71.56

 

CMYK 0 / 15 / 70 / 10

HEX #E6C345

RGB 230 195 69

HSL 46.96, 0.76%, 0.59%

LAB 79.77, -0.7, 64.94

 

CMYK 69 / 0 / 16 / 10

HEX #46E5C0

RGB 70 229 192

HSL 166.04, 0.75%, 0.59%

LAB 82.46, -49.51, 6.19

 

CMYK 16 / 69 / 0 / 10

HEX #C046E5

RGB 192 70 229

HSL 286.04, 0.75%, 0.59%

LAB 53.22, 70.23, -58.25

 

CMYK 0 / 15 / 70 / 10

HEX #E6C345

RGB 230 195 69

HSL 46.96, 0.76%, 0.59%

LAB 79.77, -0.7, 64.94

 

CMYK 67 / 0 / 69 / 10

HEX #4CE546

RGB 76 229 70

HSL 117.74, 0.75%, 0.59%

LAB 80.75, -68.8, 62.83

 

CMYK 69 / 53 / 0 / 10

HEX #466CE5

RGB 70 108 229

HSL 225.66, 0.75%, 0.59%

LAB 49.11, 26.49, -65.45

 

CMYK 2 / 69 / 0 / 10

HEX #E046E5

RGB 224 70 229

HSL 298.11, 0.75%, 0.59%

LAB 57.93, 76.94, -50.45

 

CMYK 0 / 15 / 70 / 10

HEX #E6C345

RGB 230 195 69

HSL 46.96, 0.76%, 0.59%

LAB 79.77, -0.7, 64.94

 

CMYK 69 / 0 / 51 / 10

HEX #46E571

RGB 70 229 113

HSL 136.23, 0.75%, 0.59%

LAB 81.03, -64.97, 44.58

 

CMYK 69 / 53 / 0 / 10

HEX #466CE5

RGB 70 108 229

HSL 225.66, 0.75%, 0.59%

LAB 49.11, 26.49, -65.45

 

CMYK 0 / 69 / 18 / 10

HEX #E546BB

RGB 229 70 187

HSL 315.85, 0.75%, 0.59%

LAB 56.71, 71.84, -28.4

 

Description

Color code: HEX #E6C345 | qconv.com Color code: HEX #E6C345 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 195 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 195 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 70 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 70% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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