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Color name
HEX #E6CD46

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6CD46 it is the complementary color #1932B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6CD46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6CD46 shade: #EBCD41, #FCDF54, #FFF167, #FFFF7A and #FFFF8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6CD46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6CD46 shade: #E6CD46, #D5BB33, #C4A920, #B3970D and #A28500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6CD46 shade: #E5CD46, #E5A246, #E57746, #E54C46 and #E54646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6CD46 shade: #E5CD46, #D3E546, #A9E546, #7EE546 and #53E546

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6CD46 shade matches the following richer shades: #E5CD46 and #F6D836

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6CD46 shade: #E5CD46, #D4C157, #C4B568, #B3AA79 and #A29E8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6CD46 shade: #E57646, #E5A146, #E5CB46, #D6E546 and #ABE546

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6CD46 shade: #C0A61A, #E0C322, #E5CD46, #EAD66B and #EFE08F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6CD46 shade: #E6CD46, #46E54C and #8B46E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6CD46 shade: #E6CD46, #46E5CB and #CB46E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6CD46 shade: #E6CD46, #46E54C, #4661E5 and #E546E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6CD46 shade: #E6CD46, #46E57B, #4661E5 and #E546B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 70 / 10

HEX #E6CD46

RGB 230 205 70

HSL 50.63, 0.76%, 0.59%

LAB 82.34, -5.79, 67.12

 

Complementary color

CMYK 86 / 73 / 0 / 27

HEX #1932B9

RGB 25 50 185

HSL 230.63, 0.76%, 0.41%

LAB 29.39, 42.73, -72.37

 

CMYK 0 / 13 / 72 / 8

HEX #EBCD41

RGB 235 205 65

HSL 49.41, 0.81%, 0.59%

LAB 82.76, -3.92, 69.55

 

CMYK 0 / 12 / 67 / 1

HEX #FCDF54

RGB 252 223 84

HSL 49.64, 0.97%, 0.66%

LAB 88.97, -5, 69.03

 

CMYK 0 / 5 / 60 / 0

HEX #FFF167

RGB 255 241 103

HSL 54.47, 1%, 0.7%

LAB 93.95, -11.58, 66.6

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7A

RGB 255 255 122

HSL 60, 1%, 0.74%

LAB 97.71, -17.02, 62.59

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 0 / 11 / 70 / 10

HEX #E6CD46

RGB 230 205 70

HSL 50.63, 0.76%, 0.59%

LAB 82.34, -5.79, 67.12

 

CMYK 0 / 12 / 76 / 16

HEX #D5BB33

RGB 213 187 51

HSL 50.37, 0.66%, 0.52%

LAB 76.02, -4.64, 67.37

 

CMYK 0 / 14 / 84 / 23

HEX #C4A920

RGB 196 169 32

HSL 50.12, 0.72%, 0.45%

LAB 69.62, -3.28, 66.87

 

CMYK 0 / 16 / 93 / 30

HEX #B3970D

RGB 179 151 13

HSL 49.88, 0.86%, 0.38%

LAB 63.13, -1.68, 65.1

 

CMYK 0 / 18 / 100 / 36

HEX #A28500

RGB 162 133 0

HSL 49.26, 1%, 0.32%

LAB 56.54, 0.19, 61.52

 

CMYK 0 / 10 / 69 / 10

HEX #E5CD46

RGB 229 205 70

HSL 50.94, 0.75%, 0.59%

LAB 82.25, -6.21, 67.01

 

CMYK 0 / 29 / 69 / 10

HEX #E5A246

RGB 229 162 70

HSL 34.72, 0.75%, 0.59%

LAB 71.51, 16.31, 55.97

 

CMYK 0 / 48 / 69 / 10

HEX #E57746

RGB 229 119 70

HSL 18.49, 0.75%, 0.59%

LAB 61.91, 38.94, 45.52

 

CMYK 0 / 67 / 69 / 10

HEX #E54C46

RGB 229 76 70

HSL 2.26, 0.75%, 0.59%

LAB 54.31, 58.71, 36.78

 

CMYK 0 / 69 / 69 / 10

HEX #E54646

RGB 229 70 70

HSL 0, 0.75%, 0.59%

LAB 53.47, 61, 35.79

 

CMYK 0 / 10 / 69 / 10

HEX #E5CD46

RGB 229 205 70

HSL 50.94, 0.75%, 0.59%

LAB 82.25, -6.21, 67.01

 

CMYK 8 / 0 / 69 / 10

HEX #D3E546

RGB 211 229 70

HSL 66.79, 0.75%, 0.59%

LAB 87.16, -25.51, 71.41

 

CMYK 26 / 0 / 69 / 10

HEX #A9E546

RGB 169 229 70

HSL 82.64, 0.75%, 0.59%

LAB 84.44, -41.83, 67.79

 

CMYK 45 / 0 / 69 / 10

HEX #7EE546

RGB 126 229 70

HSL 98.87, 0.75%, 0.59%

LAB 82.33, -56.39, 64.97

 

CMYK 64 / 0 / 69 / 10

HEX #53E546

RGB 83 229 70

HSL 115.09, 0.75%, 0.59%

LAB 80.92, -67.42, 63.06

 

CMYK 0 / 10 / 69 / 10

HEX #E5CD46

RGB 229 205 70

HSL 50.94, 0.75%, 0.59%

LAB 82.25, -6.21, 67.01

 

CMYK 0 / 12 / 78 / 4

HEX #F6D836

RGB 246 216 54

HSL 50.63, 0.91%, 0.59%

LAB 86.49, -5.29, 77.05

 

CMYK 0 / 10 / 69 / 10

HEX #E5CD46

RGB 229 205 70

HSL 50.94, 0.75%, 0.59%

LAB 82.25, -6.21, 67.01

 

CMYK 0 / 9 / 59 / 17

HEX #D4C157

RGB 212 193 87

HSL 50.88, 0.59%, 0.59%

LAB 77.77, -6.18, 54.65

 

CMYK 0 / 8 / 47 / 23

HEX #C4B568

RGB 196 181 104

HSL 50.22, 0.44%, 0.59%

LAB 73.4, -5.17, 40.97

 

CMYK 0 / 5 / 32 / 30

HEX #B3AA79

RGB 179 170 121

HSL 50.69, 0.28%, 0.59%

LAB 69.27, -4.37, 26.47

 

CMYK 0 / 2 / 15 / 36

HEX #A29E8A

RGB 162 158 138

HSL 50, 0.11%, 0.59%

LAB 64.94, -2.08, 10.97

 

CMYK 0 / 48 / 69 / 10

HEX #E57646

RGB 229 118 70

HSL 18.11, 0.75%, 0.59%

LAB 61.7, 39.44, 45.29

 

CMYK 0 / 30 / 69 / 10

HEX #E5A146

RGB 229 161 70

HSL 34.34, 0.75%, 0.59%

LAB 71.28, 16.84, 55.71

 

CMYK 0 / 11 / 69 / 10

HEX #E5CB46

RGB 229 203 70

HSL 50.19, 0.75%, 0.59%

LAB 81.74, -5.19, 66.49

 

CMYK 7 / 0 / 69 / 10

HEX #D6E546

RGB 214 229 70

HSL 65.66, 0.75%, 0.59%

LAB 87.38, -24.3, 71.7

 

CMYK 25 / 0 / 69 / 10

HEX #ABE546

RGB 171 229 70

HSL 81.89, 0.75%, 0.59%

LAB 84.56, -41.09, 67.95

 

CMYK 0 / 14 / 86 / 25

HEX #C0A61A

RGB 192 166 26

HSL 50.6, 0.76%, 0.43%

LAB 68.43, -3.62, 67.22

 

CMYK 0 / 13 / 85 / 12

HEX #E0C322

RGB 224 195 34

HSL 50.84, 0.75%, 0.51%

LAB 79.04, -4.56, 75.26

 

CMYK 0 / 10 / 69 / 10

HEX #E5CD46

RGB 229 205 70

HSL 50.94, 0.75%, 0.59%

LAB 82.25, -6.21, 67.01

 

CMYK 0 / 9 / 54 / 8

HEX #EAD66B

RGB 234 214 107

HSL 50.55, 0.75%, 0.67%

LAB 85.33, -6.33, 54.6

 

CMYK 0 / 6 / 40 / 6

HEX #EFE08F

RGB 239 224 143

HSL 50.63, 0.75%, 0.75%

LAB 88.75, -6.07, 41.48

 

CMYK 0 / 11 / 70 / 10

HEX #E6CD46

RGB 230 205 70

HSL 50.63, 0.76%, 0.59%

LAB 82.34, -5.79, 67.12

 

CMYK 69 / 0 / 67 / 10

HEX #46E54C

RGB 70 229 76

HSL 122.26, 0.75%, 0.59%

LAB 80.66, -69.36, 60.4

 

CMYK 39 / 69 / 0 / 10

HEX #8B46E5

RGB 139 70 229

HSL 266.04, 0.75%, 0.59%

LAB 46.35, 59.87, -69.69

 

CMYK 0 / 11 / 70 / 10

HEX #E6CD46

RGB 230 205 70

HSL 50.63, 0.76%, 0.59%

LAB 82.34, -5.79, 67.12

 

CMYK 69 / 0 / 11 / 10

HEX #46E5CB

RGB 70 229 203

HSL 170.19, 0.75%, 0.59%

LAB 82.73, -46.77, 0.77

 

CMYK 11 / 69 / 0 / 10

HEX #CB46E5

RGB 203 70 229

HSL 290.19, 0.75%, 0.59%

LAB 54.8, 72.51, -55.63

 

CMYK 0 / 11 / 70 / 10

HEX #E6CD46

RGB 230 205 70

HSL 50.63, 0.76%, 0.59%

LAB 82.34, -5.79, 67.12

 

CMYK 69 / 0 / 67 / 10

HEX #46E54C

RGB 70 229 76

HSL 122.26, 0.75%, 0.59%

LAB 80.66, -69.36, 60.4

 

CMYK 69 / 58 / 0 / 10

HEX #4661E5

RGB 70 97 229

HSL 229.81, 0.75%, 0.59%

LAB 46.32, 33.37, -69.97

 

CMYK 0 / 69 / 2 / 10

HEX #E546E0

RGB 229 70 224

HSL 301.89, 0.75%, 0.59%

LAB 58.43, 77.22, -46.79

 

CMYK 0 / 11 / 70 / 10

HEX #E6CD46

RGB 230 205 70

HSL 50.63, 0.76%, 0.59%

LAB 82.34, -5.79, 67.12

 

CMYK 69 / 0 / 46 / 10

HEX #46E57B

RGB 70 229 123

HSL 140, 0.75%, 0.59%

LAB 81.17, -63.46, 39.91

 

CMYK 69 / 58 / 0 / 10

HEX #4661E5

RGB 70 97 229

HSL 229.81, 0.75%, 0.59%

LAB 46.32, 33.37, -69.97

 

CMYK 0 / 69 / 23 / 10

HEX #E546B0

RGB 229 70 176

HSL 320, 0.75%, 0.59%

LAB 56.26, 70.39, -22.72

 

Description

Color code: HEX #E6CD46 | qconv.com Color code: HEX #E6CD46 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 205 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 205 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 70 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 70% 10% C M Y K

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