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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6CE60 it is the complementary color #19319F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6CE60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6CE60 shade: #EBCE5B, #FCE06E, #FFF281, #FFFF94 and #FFFFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6CE60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6CE60 shade: #E6CE60, #D5BC4D, #C4AA3A, #B39827 and #A28614

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6CE60 shade: #E6CE60, #E6AA60, #E68560, #E66160 and #E66060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6CE60 shade: #E6CE60, #DAE660, #B5E660, #91E660 and #6DE660

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6CE60 shade matches the following richer shades: #E6CE60 and #F5D751

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6CE60 shade: #E6CE60, #D7C46F, #C8BB7D, #B9B18C and #AAA89B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6CE60 shade: #E68660, #E6A960, #E6CD60, #DBE660 and #B7E660

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6CE60 shade: #D2B320, #E0C33C, #E6CE60, #EBD983 and #F1E4A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6CE60 shade: #E6CE60, #60E662 and #9860E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6CE60 shade: #E6CE60, #60E6CD and #CD60E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6CE60 shade: #E6CE60, #60E662, #6078E6 and #E660E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6CE60 shade: #E6CE60, #60E68A, #6078E6 and #E660BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 58 / 10

HEX #E6CE60

RGB 230 206 96

HSL 49.25, 0.73%, 0.64%

LAB 82.81, -4.72, 56.67

 

Complementary color

CMYK 84 / 69 / 0 / 38

HEX #19319F

RGB 25 49 159

HSL 229.25, 0.73%, 0.36%

LAB 26.47, 33.84, -61.58

 

CMYK 0 / 12 / 61 / 8

HEX #EBCE5B

RGB 235 206 91

HSL 47.92, 0.78%, 0.64%

LAB 83.21, -3, 59.48

 

CMYK 0 / 11 / 56 / 1

HEX #FCE06E

RGB 252 224 110

HSL 48.17, 0.96%, 0.71%

LAB 89.46, -3.84, 58.4

 

CMYK 0 / 5 / 49 / 0

HEX #FFF281

RGB 255 242 129

HSL 53.81, 1%, 0.75%

LAB 94.46, -10.11, 55.59

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF94

RGB 255 255 148

HSL 60, 1%, 0.79%

LAB 98, -14.73, 50.97

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA7

RGB 255 255 167

HSL 60, 1%, 0.83%

LAB 98.26, -12.73, 42.11

 

CMYK 0 / 10 / 58 / 10

HEX #E6CE60

RGB 230 206 96

HSL 49.25, 0.73%, 0.64%

LAB 82.81, -4.72, 56.67

 

CMYK 0 / 12 / 64 / 16

HEX #D5BC4D

RGB 213 188 77

HSL 48.97, 0.62%, 0.57%

LAB 76.47, -3.84, 57.68

 

CMYK 0 / 13 / 70 / 23

HEX #C4AA3A

RGB 196 170 58

HSL 48.7, 0.54%, 0.5%

LAB 70.03, -2.78, 58.46

 

CMYK 0 / 15 / 78 / 30

HEX #B39827

RGB 179 152 39

HSL 48.43, 0.64%, 0.43%

LAB 63.5, -1.53, 58.73

 

CMYK 0 / 17 / 88 / 36

HEX #A28614

RGB 162 134 20

HSL 48.17, 0.78%, 0.36%

LAB 56.86, -0.01, 58.03

 

CMYK 0 / 10 / 58 / 10

HEX #E6CE60

RGB 230 206 96

HSL 49.25, 0.73%, 0.64%

LAB 82.81, -4.72, 56.67

 

CMYK 0 / 26 / 58 / 10

HEX #E6AA60

RGB 230 170 96

HSL 33.13, 0.73%, 0.64%

LAB 73.82, 14.11, 46.24

 

CMYK 0 / 42 / 58 / 10

HEX #E68560

RGB 230 133 96

HSL 16.57, 0.73%, 0.64%

LAB 65.31, 33.74, 35.9

 

CMYK 0 / 58 / 58 / 10

HEX #E66160

RGB 230 97 96

HSL 0.45, 0.73%, 0.64%

LAB 58.24, 51.6, 26.89

 

CMYK 0 / 58 / 58 / 10

HEX #E66060

RGB 230 96 96

HSL 0, 0.73%, 0.64%

LAB 58.07, 52.05, 26.66

 

CMYK 0 / 10 / 58 / 10

HEX #E6CE60

RGB 230 206 96

HSL 49.25, 0.73%, 0.64%

LAB 82.81, -4.72, 56.67

 

CMYK 5 / 0 / 58 / 10

HEX #DAE660

RGB 218 230 96

HSL 65.37, 0.73%, 0.64%

LAB 88.13, -21.56, 62.35

 

CMYK 21 / 0 / 58 / 10

HEX #B5E660

RGB 181 230 96

HSL 81.94, 0.73%, 0.64%

LAB 85.64, -35.91, 58.88

 

CMYK 37 / 0 / 58 / 10

HEX #91E660

RGB 145 230 96

HSL 98.06, 0.73%, 0.64%

LAB 83.68, -48.57, 56.14

 

CMYK 53 / 0 / 58 / 10

HEX #6DE660

RGB 109 230 96

HSL 114.18, 0.73%, 0.64%

LAB 82.21, -59.18, 54.06

 

CMYK 0 / 10 / 58 / 10

HEX #E6CE60

RGB 230 206 96

HSL 49.25, 0.73%, 0.64%

LAB 82.81, -4.72, 56.67

 

CMYK 0 / 12 / 67 / 4

HEX #F5D751

RGB 245 215 81

HSL 49.02, 0.89%, 0.64%

LAB 86.31, -4.02, 67.28

 

CMYK 0 / 10 / 58 / 10

HEX #E6CE60

RGB 230 206 96

HSL 49.25, 0.73%, 0.64%

LAB 82.81, -4.72, 56.67

 

CMYK 0 / 9 / 48 / 16

HEX #D7C46F

RGB 215 196 111

HSL 49.04, 0.57%, 0.64%

LAB 79.08, -4.52, 44.83

 

CMYK 0 / 7 / 38 / 22

HEX #C8BB7D

RGB 200 187 125

HSL 49.6, 0.41%, 0.64%

LAB 75.64, -4.45, 33.08

 

CMYK 0 / 4 / 24 / 27

HEX #B9B18C

RGB 185 177 140

HSL 49.33, 0.24%, 0.64%

LAB 72, -3.15, 20

 

CMYK 0 / 1 / 9 / 33

HEX #AAA89B

RGB 170 168 155

HSL 52, 0.08%, 0.64%

LAB 68.69, -1.63, 6.96

 

CMYK 0 / 42 / 58 / 10

HEX #E68660

RGB 230 134 96

HSL 17.01, 0.73%, 0.64%

LAB 65.53, 33.22, 36.17

 

CMYK 0 / 27 / 58 / 10

HEX #E6A960

RGB 230 169 96

HSL 32.69, 0.73%, 0.64%

LAB 73.57, 14.64, 45.96

 

CMYK 0 / 11 / 58 / 10

HEX #E6CD60

RGB 230 205 96

HSL 48.81, 0.73%, 0.64%

LAB 82.56, -4.21, 56.38

 

CMYK 5 / 0 / 58 / 10

HEX #DBE660

RGB 219 230 96

HSL 64.93, 0.73%, 0.64%

LAB 88.21, -21.16, 62.46

 

CMYK 20 / 0 / 58 / 10

HEX #B7E660

RGB 183 230 96

HSL 81.04, 0.73%, 0.64%

LAB 85.76, -35.16, 59.05

 

CMYK 0 / 15 / 85 / 18

HEX #D2B320

RGB 210 179 32

HSL 49.55, 0.74%, 0.47%

LAB 73.58, -2.39, 70.71

 

CMYK 0 / 13 / 73 / 12

HEX #E0C33C

RGB 224 195 60

HSL 49.39, 0.73%, 0.56%

LAB 79.16, -3.68, 67.55

 

CMYK 0 / 10 / 58 / 10

HEX #E6CE60

RGB 230 206 96

HSL 49.25, 0.73%, 0.64%

LAB 82.81, -4.72, 56.67

 

CMYK 0 / 8 / 44 / 8

HEX #EBD983

RGB 235 217 131

HSL 49.62, 0.72%, 0.72%

LAB 86.47, -5.33, 44.47

 

CMYK 0 / 5 / 31 / 5

HEX #F1E4A7

RGB 241 228 167

HSL 49.46, 0.73%, 0.8%

LAB 90.31, -4.58, 31.42

 

CMYK 0 / 10 / 58 / 10

HEX #E6CE60

RGB 230 206 96

HSL 49.25, 0.73%, 0.64%

LAB 82.81, -4.72, 56.67

 

CMYK 58 / 0 / 57 / 10

HEX #60E662

RGB 96 230 98

HSL 120.9, 0.73%, 0.64%

LAB 81.82, -62.14, 52.61

 

CMYK 34 / 58 / 0 / 10

HEX #9860E6

RGB 152 96 230

HSL 265.07, 0.73%, 0.64%

LAB 52.68, 49.67, -59.94

 

CMYK 0 / 10 / 58 / 10

HEX #E6CE60

RGB 230 206 96

HSL 49.25, 0.73%, 0.64%

LAB 82.81, -4.72, 56.67

 

CMYK 58 / 0 / 11 / 10

HEX #60E6CD

RGB 96 230 205

HSL 168.81, 0.73%, 0.64%

LAB 83.7, -42.54, 1.2

 

CMYK 11 / 58 / 0 / 10

HEX #CD60E6

RGB 205 96 230

HSL 288.81, 0.73%, 0.64%

LAB 59.03, 62.34, -49.43

 

CMYK 0 / 10 / 58 / 10

HEX #E6CE60

RGB 230 206 96

HSL 49.25, 0.73%, 0.64%

LAB 82.81, -4.72, 56.67

 

CMYK 58 / 0 / 57 / 10

HEX #60E662

RGB 96 230 98

HSL 120.9, 0.73%, 0.64%

LAB 81.82, -62.14, 52.61

 

CMYK 58 / 48 / 0 / 10

HEX #6078E6

RGB 96 120 230

HSL 229.25, 0.73%, 0.64%

LAB 53.64, 23.69, -58.65

 

CMYK 0 / 58 / 1 / 10

HEX #E660E3

RGB 230 96 227

HSL 301.34, 0.73%, 0.64%

LAB 62.28, 68.02, -42.39

 

CMYK 0 / 10 / 58 / 10

HEX #E6CE60

RGB 230 206 96

HSL 49.25, 0.73%, 0.64%

LAB 82.81, -4.72, 56.67

 

CMYK 58 / 0 / 40 / 10

HEX #60E68A

RGB 96 230 138

HSL 138.81, 0.73%, 0.64%

LAB 82.33, -56.45, 34.1

 

CMYK 58 / 48 / 0 / 10

HEX #6078E6

RGB 96 120 230

HSL 229.25, 0.73%, 0.64%

LAB 53.64, 23.69, -58.65

 

CMYK 0 / 58 / 19 / 10

HEX #E660BB

RGB 230 96 187

HSL 319.25, 0.73%, 0.64%

LAB 60.58, 61.85, -22.42

 

Description

Color code: HEX #E6CE60 | qconv.com Color code: HEX #E6CE60 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 206 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 206 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 58 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 58% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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