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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6E0B6 it is the complementary color #191F49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6E0B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6E0B6 shade: #EBE0B1, #FCF2C4, #FFFFD7, #FFFFEA and #FFFFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6E0B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6E0B6 shade: #E6E0B6, #D5CEA3, #C4BC90, #B3AA7D and #A2986A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6E0B6 shade: #E6E0B6, #E6D3B6, #E6C6B6, #E6B9B6 and #E6B6B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6E0B6 shade: #E6E0B6, #DFE6B6, #D2E6B6, #C5E6B6 and #B9E6B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6E0B6 shade matches the following richer shades: #E6E0B6, #EEE6AE, #F5ECA7 and #FDF19F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6E0B6 shade: #E6E0B6, #DEDABE, #D6D4C6, #CECECE and #C6C8D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6E0B6 shade: #E6C6B6, #E6D3B6, #E6DFB6, #DFE6B6 and #D3E6B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6E0B6 shade: #D1C679, #DBD398, #E6E0B6, #F0EDD5 and #FBFAF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6E0B6 shade: #E6E0B6, #B6E6B9 and #CCB6E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6E0B6 shade: #E6E0B6, #B6E6DF and #DFB6E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6E0B6 shade: #E6E0B6, #B6E6B9, #B6BDE6 and #E6B6E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6E0B6 shade: #E6E0B6, #B6E6C8, #B6BDE6 and #E6B6D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 21 / 10

HEX #E6E0B6

RGB 230 224 182

HSL 52.5, 0.49%, 0.81%

LAB 88.69, -4.65, 21.34

 

Complementary color

CMYK 66 / 58 / 0 / 71

HEX #191F49

RGB 25 31 73

HSL 232.5, 0.49%, 0.19%

LAB 13.64, 12.41, -27.13

 

CMYK 0 / 5 / 25 / 8

HEX #EBE0B1

RGB 235 224 177

HSL 48.62, 0.59%, 0.81%

LAB 88.99, -3.5, 24.41

 

CMYK 0 / 4 / 22 / 1

HEX #FCF2C4

RGB 252 242 196

HSL 49.29, 0.9%, 0.88%

LAB 95.24, -3.76, 23.45

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD7

RGB 255 255 215

HSL 60, 1%, 0.92%

LAB 99.1, -6.46, 19.16

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEA

RGB 255 255 234

HSL 60, 1%, 0.96%

LAB 99.5, -3.53, 10.03

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 0 / 3 / 21 / 10

HEX #E6E0B6

RGB 230 224 182

HSL 52.5, 0.49%, 0.81%

LAB 88.69, -4.65, 21.34

 

CMYK 0 / 3 / 23 / 16

HEX #D5CEA3

RGB 213 206 163

HSL 51.6, 0.37%, 0.74%

LAB 82.34, -4.42, 22.31

 

CMYK 0 / 4 / 27 / 23

HEX #C4BC90

RGB 196 188 144

HSL 50.77, 0.31%, 0.67%

LAB 75.89, -4.15, 23.33

 

CMYK 0 / 5 / 30 / 30

HEX #B3AA7D

RGB 179 170 125

HSL 50, 0.26%, 0.6%

LAB 69.34, -3.85, 24.41

 

CMYK 0 / 6 / 35 / 36

HEX #A2986A

RGB 162 152 106

HSL 49.29, 0.23%, 0.53%

LAB 62.66, -3.48, 25.57

 

CMYK 0 / 3 / 21 / 10

HEX #E6E0B6

RGB 230 224 182

HSL 52.5, 0.49%, 0.81%

LAB 88.69, -4.65, 21.34

 

CMYK 0 / 8 / 21 / 10

HEX #E6D3B6

RGB 230 211 182

HSL 36.25, 0.49%, 0.81%

LAB 85.4, 2.03, 16.75

 

CMYK 0 / 14 / 21 / 10

HEX #E6C6B6

RGB 230 198 182

HSL 20, 0.49%, 0.81%

LAB 82.16, 8.83, 12.19

 

CMYK 0 / 20 / 21 / 10

HEX #E6B9B6

RGB 230 185 182

HSL 3.75, 0.49%, 0.81%

LAB 78.98, 15.73, 7.66

 

CMYK 0 / 21 / 21 / 10

HEX #E6B6B6

RGB 230 182 182

HSL 0, 0.49%, 0.81%

LAB 78.26, 17.32, 6.62

 

CMYK 0 / 3 / 21 / 10

HEX #E6E0B6

RGB 230 224 182

HSL 52.5, 0.49%, 0.81%

LAB 88.69, -4.65, 21.34

 

CMYK 3 / 0 / 21 / 10

HEX #DFE6B6

RGB 223 230 182

HSL 68.75, 0.49%, 0.81%

LAB 89.7, -10.24, 22.65

 

CMYK 9 / 0 / 21 / 10

HEX #D2E6B6

RGB 210 230 182

HSL 85, 0.49%, 0.81%

LAB 88.77, -14.9, 21.22

 

CMYK 14 / 0 / 21 / 10

HEX #C5E6B6

RGB 197 230 182

HSL 101.25, 0.49%, 0.81%

LAB 87.89, -19.45, 19.87

 

CMYK 20 / 0 / 21 / 10

HEX #B9E6B6

RGB 185 230 182

HSL 116.25, 0.49%, 0.81%

LAB 87.14, -23.53, 18.7

 

CMYK 0 / 3 / 21 / 10

HEX #E6E0B6

RGB 230 224 182

HSL 52.5, 0.49%, 0.81%

LAB 88.69, -4.65, 21.34

 

CMYK 0 / 3 / 27 / 7

HEX #EEE6AE

RGB 238 230 174

HSL 52.5, 0.65%, 0.81%

LAB 90.7, -5.83, 28.33

 

CMYK 0 / 4 / 32 / 4

HEX #F5ECA7

RGB 245 236 167

HSL 53.08, 0.8%, 0.81%

LAB 92.66, -7.09, 34.61

 

CMYK 0 / 5 / 37 / 1

HEX #FDF19F

RGB 253 241 159

HSL 52.34, 0.96%, 0.81%

LAB 94.44, -7.47, 41.07

 

CMYK 0 / 3 / 21 / 10

HEX #E6E0B6

RGB 230 224 182

HSL 52.5, 0.49%, 0.81%

LAB 88.69, -4.65, 21.34

 

CMYK 0 / 2 / 14 / 13

HEX #DEDABE

RGB 222 218 190

HSL 52.5, 0.33%, 0.81%

LAB 86.7, -3.3, 14.28

 

CMYK 0 / 1 / 7 / 16

HEX #D6D4C6

RGB 214 212 198

HSL 52.5, 0.16%, 0.81%

LAB 84.72, -1.75, 7.16

 

CMYK 0 / 0 / 0 / 19

HEX #CECECE

RGB 206 206 206

HSL 0, 0%, 0.81%

LAB 82.76, 0, -0.01

 

CMYK 7 / 7 / 0 / 16

HEX #C6C8D6

RGB 198 200 214

HSL 232.5, 0.16%, 0.81%

LAB 80.83, 1.98, -7.2

 

CMYK 0 / 14 / 21 / 10

HEX #E6C6B6

RGB 230 198 182

HSL 20, 0.49%, 0.81%

LAB 82.16, 8.83, 12.19

 

CMYK 0 / 8 / 21 / 10

HEX #E6D3B6

RGB 230 211 182

HSL 36.25, 0.49%, 0.81%

LAB 85.4, 2.03, 16.75

 

CMYK 0 / 3 / 21 / 10

HEX #E6DFB6

RGB 230 223 182

HSL 51.25, 0.49%, 0.81%

LAB 88.44, -4.14, 20.99

 

CMYK 3 / 0 / 21 / 10

HEX #DFE6B6

RGB 223 230 182

HSL 68.75, 0.49%, 0.81%

LAB 89.7, -10.24, 22.65

 

CMYK 8 / 0 / 21 / 10

HEX #D3E6B6

RGB 211 230 182

HSL 83.75, 0.49%, 0.81%

LAB 88.84, -14.54, 21.33

 

CMYK 0 / 5 / 42 / 18

HEX #D1C679

RGB 209 198 121

HSL 52.5, 0.49%, 0.65%

LAB 79.23, -7, 39.89

 

CMYK 0 / 4 / 31 / 14

HEX #DBD398

RGB 219 211 152

HSL 52.84, 0.48%, 0.73%

LAB 83.92, -6.17, 30.27

 

CMYK 0 / 3 / 21 / 10

HEX #E6E0B6

RGB 230 224 182

HSL 52.5, 0.49%, 0.81%

LAB 88.69, -4.65, 21.34

 

CMYK 0 / 1 / 11 / 6

HEX #F0EDD5

RGB 240 237 213

HSL 53.33, 0.47%, 0.89%

LAB 93.41, -3, 11.98

 

CMYK 0 / 0 / 3 / 2

HEX #FBFAF4

RGB 251 250 244

HSL 51.43, 0.47%, 0.97%

LAB 98.2, -0.7, 2.98

 

CMYK 0 / 3 / 21 / 10

HEX #E6E0B6

RGB 230 224 182

HSL 52.5, 0.49%, 0.81%

LAB 88.69, -4.65, 21.34

 

CMYK 21 / 0 / 20 / 10

HEX #B6E6B9

RGB 182 230 185

HSL 123.75, 0.49%, 0.81%

LAB 87.02, -24.01, 16.95

 

CMYK 11 / 21 / 0 / 10

HEX #CCB6E6

RGB 204 182 230

HSL 267.5, 0.49%, 0.81%

LAB 77.28, 16.86, -21.09

 

CMYK 0 / 3 / 21 / 10

HEX #E6E0B6

RGB 230 224 182

HSL 52.5, 0.49%, 0.81%

LAB 88.69, -4.65, 21.34

 

CMYK 21 / 0 / 3 / 10

HEX #B6E6DF

RGB 182 230 223

HSL 171.25, 0.49%, 0.81%

LAB 87.9, -16.79, -1.68

 

CMYK 3 / 21 / 0 / 10

HEX #DFB6E6

RGB 223 182 230

HSL 291.25, 0.49%, 0.81%

LAB 78.96, 23.02, -18.4

 

CMYK 0 / 3 / 21 / 10

HEX #E6E0B6

RGB 230 224 182

HSL 52.5, 0.49%, 0.81%

LAB 88.69, -4.65, 21.34

 

CMYK 21 / 0 / 20 / 10

HEX #B6E6B9

RGB 182 230 185

HSL 123.75, 0.49%, 0.81%

LAB 87.02, -24.01, 16.95

 

CMYK 21 / 18 / 0 / 10

HEX #B6BDE6

RGB 182 189 230

HSL 231.25, 0.49%, 0.81%

LAB 77.31, 6.13, -21.21

 

CMYK 0 / 21 / 1 / 10

HEX #E6B6E3

RGB 230 182 227

HSL 303.75, 0.49%, 0.81%

LAB 79.51, 24.77, -15.88

 

CMYK 0 / 3 / 21 / 10

HEX #E6E0B6

RGB 230 224 182

HSL 52.5, 0.49%, 0.81%

LAB 88.69, -4.65, 21.34

 

CMYK 21 / 0 / 13 / 10

HEX #B6E6C8

RGB 182 230 200

HSL 142.5, 0.49%, 0.81%

LAB 87.34, -21.31, 9.57

 

CMYK 21 / 18 / 0 / 10

HEX #B6BDE6

RGB 182 189 230

HSL 231.25, 0.49%, 0.81%

LAB 77.31, 6.13, -21.21

 

CMYK 0 / 21 / 8 / 10

HEX #E6B6D4

RGB 230 182 212

HSL 322.5, 0.49%, 0.81%

LAB 79.06, 22.12, -8.46

 

Description

Color code: HEX #E6E0B6 | qconv.com Color code: HEX #E6E0B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 224 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 224 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 21 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 21% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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