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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6F6B0 it is the complementary color #19094F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6F6B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6F6B0 shade: #EBF6AB, #FCFFBE, #FFFFD1, #FFFFE4 and #FFFFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6F6B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6F6B0 shade: #E6F6B0, #D5E49D, #C4D28A, #B3C077 and #A2AE64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6F6B0 shade: #E6F6B0, #F6F3B0, #F6E0B0, #F6CEB0 and #F6BBB0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6F6B0 shade: #E6F6B0, #D3F6B0, #C1F6B0, #B0F6B3 and #B0F6C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6F6B0 shade matches the following richer shades: #E6F6B0 and #EAFDA9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6F6B0 shade: #E6F6B0, #E2EFB7, #DEE8BE, #DBE1C6 and #D7DACD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6F6B0 shade: #F6E0B0, #F6F2B0, #E7F6B0, #D4F6B0 and #C2F6B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6F6B0 shade: #CFEE66, #DAF28B, #E6F6B0, #F2FAD6 and #FDFEFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6F6B0 shade: #E6F6B0, #B0F6CD and #E9B0F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6F6B0 shade: #E6F6B0, #B0E7F6 and #F6B0E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6F6B0 shade: #E6F6B0, #B0F6CD, #BFB0F6 and #F6B0D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6F6B0 shade: #E6F6B0, #B0F6E2, #BFB0F6 and #F6B0C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 28 / 4

HEX #E6F6B0

RGB 230 246 176

HSL 73.71, 0.8%, 0.83%

LAB 94.26, -16.46, 32

 

Complementary color

CMYK 68 / 89 / 0 / 69

HEX #19094F

RGB 25 9 79

HSL 253.71, 0.8%, 0.17%

LAB 8.71, 29.43, -39.32

 

CMYK 4 / 0 / 30 / 4

HEX #EBF6AB

RGB 235 246 171

HSL 68.8, 0.81%, 0.82%

LAB 94.53, -15.28, 34.95

 

CMYK 1 / 0 / 25 / 0

HEX #FCFFBE

RGB 252 255 190

HSL 62.77, 1%, 0.87%

LAB 98.41, -11.03, 30.82

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD1

RGB 255 255 209

HSL 60, 1%, 0.91%

LAB 98.98, -7.34, 22.04

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE4

RGB 255 255 228

HSL 60, 1%, 0.95%

LAB 99.37, -4.48, 12.91

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF7

RGB 255 255 247

HSL 60, 1%, 0.98%

LAB 99.8, -1.37, 3.81

 

CMYK 7 / 0 / 28 / 4

HEX #E6F6B0

RGB 230 246 176

HSL 73.71, 0.8%, 0.83%

LAB 94.26, -16.46, 32

 

CMYK 7 / 0 / 31 / 11

HEX #D5E49D

RGB 213 228 157

HSL 72.68, 0.57%, 0.75%

LAB 88, -16.36, 33.06

 

CMYK 7 / 0 / 34 / 18

HEX #C4D28A

RGB 196 210 138

HSL 71.67, 0.44%, 0.68%

LAB 81.66, -16.23, 34.16

 

CMYK 7 / 0 / 38 / 25

HEX #B3C077

RGB 179 192 119

HSL 70.68, 0.37%, 0.61%

LAB 75.21, -16.07, 35.3

 

CMYK 7 / 0 / 43 / 32

HEX #A2AE64

RGB 162 174 100

HSL 69.73, 0.31%, 0.54%

LAB 68.66, -15.86, 36.49

 

CMYK 7 / 0 / 28 / 4

HEX #E6F6B0

RGB 230 246 176

HSL 73.71, 0.8%, 0.83%

LAB 94.26, -16.46, 32

 

CMYK 0 / 1 / 28 / 4

HEX #F6F3B0

RGB 246 243 176

HSL 57.43, 0.8%, 0.83%

LAB 94.67, -9.1, 32.76

 

CMYK 0 / 9 / 28 / 4

HEX #F6E0B0

RGB 246 224 176

HSL 41.14, 0.8%, 0.83%

LAB 89.88, 0.47, 26.29

 

CMYK 0 / 16 / 28 / 4

HEX #F6CEB0

RGB 246 206 176

HSL 25.71, 0.8%, 0.83%

LAB 85.44, 9.77, 20.18

 

CMYK 0 / 24 / 28 / 4

HEX #F6BBB0

RGB 246 187 176

HSL 9.43, 0.8%, 0.83%

LAB 80.89, 19.74, 13.82

 

CMYK 7 / 0 / 28 / 4

HEX #E6F6B0

RGB 230 246 176

HSL 73.71, 0.8%, 0.83%

LAB 94.26, -16.46, 32

 

CMYK 14 / 0 / 28 / 4

HEX #D3F6B0

RGB 211 246 176

HSL 90, 0.8%, 0.83%

LAB 92.97, -23.26, 30.05

 

CMYK 22 / 0 / 28 / 4

HEX #C1F6B0

RGB 193 246 176

HSL 105.43, 0.8%, 0.83%

LAB 91.86, -29.45, 28.36

 

CMYK 28 / 0 / 27 / 4

HEX #B0F6B3

RGB 176 246 179

HSL 122.57, 0.8%, 0.83%

LAB 90.96, -34.52, 25.45

 

CMYK 28 / 0 / 20 / 4

HEX #B0F6C6

RGB 176 246 198

HSL 138.86, 0.8%, 0.83%

LAB 91.33, -31.23, 16.23

 

CMYK 7 / 0 / 28 / 4

HEX #E6F6B0

RGB 230 246 176

HSL 73.71, 0.8%, 0.83%

LAB 94.26, -16.46, 32

 

CMYK 8 / 0 / 33 / 1

HEX #EAFDA9

RGB 234 253 169

HSL 73.57, 0.95%, 0.83%

LAB 96.25, -19.3, 38.2

 

CMYK 7 / 0 / 28 / 4

HEX #E6F6B0

RGB 230 246 176

HSL 73.71, 0.8%, 0.83%

LAB 94.26, -16.46, 32

 

CMYK 5 / 0 / 23 / 6

HEX #E2EFB7

RGB 226 239 183

HSL 73.93, 0.64%, 0.83%

LAB 92.27, -13.5, 25.71

 

CMYK 4 / 0 / 18 / 9

HEX #DEE8BE

RGB 222 232 190

HSL 74.29, 0.48%, 0.83%

LAB 90.3, -10.41, 19.34

 

CMYK 3 / 0 / 12 / 12

HEX #DBE1C6

RGB 219 225 198

HSL 73.33, 0.31%, 0.83%

LAB 88.44, -6.68, 12.52

 

CMYK 1 / 0 / 6 / 15

HEX #D7DACD

RGB 215 218 205

HSL 73.85, 0.15%, 0.83%

LAB 86.5, -3.31, 6.03

 

CMYK 0 / 9 / 28 / 4

HEX #F6E0B0

RGB 246 224 176

HSL 41.14, 0.8%, 0.83%

LAB 89.88, 0.47, 26.29

 

CMYK 0 / 2 / 28 / 4

HEX #F6F2B0

RGB 246 242 176

HSL 56.57, 0.8%, 0.83%

LAB 94.41, -8.61, 32.42

 

CMYK 6 / 0 / 28 / 4

HEX #E7F6B0

RGB 231 246 176

HSL 72.86, 0.8%, 0.83%

LAB 94.33, -16.1, 32.11

 

CMYK 14 / 0 / 28 / 4

HEX #D4F6B0

RGB 212 246 176

HSL 89.14, 0.8%, 0.83%

LAB 93.03, -22.9, 30.15

 

CMYK 21 / 0 / 28 / 4

HEX #C2F6B0

RGB 194 246 176

HSL 104.57, 0.8%, 0.83%

LAB 91.92, -29.11, 28.45

 

CMYK 13 / 0 / 57 / 7

HEX #CFEE66

RGB 207 238 102

HSL 73.68, 0.8%, 0.67%

LAB 89.57, -29.22, 61.16

 

CMYK 10 / 0 / 43 / 5

HEX #DAF28B

RGB 218 242 139

HSL 73.98, 0.8%, 0.75%

LAB 91.81, -23.44, 46.97

 

CMYK 7 / 0 / 28 / 4

HEX #E6F6B0

RGB 230 246 176

HSL 73.71, 0.8%, 0.83%

LAB 94.26, -16.46, 32

 

CMYK 3 / 0 / 14 / 2

HEX #F2FAD6

RGB 242 250 214

HSL 73.33, 0.78%, 0.91%

LAB 96.86, -8.68, 16.39

 

CMYK 0 / 0 / 1 / 0

HEX #FDFEFB

RGB 253 254 251

HSL 80, 0.6%, 0.99%

LAB 99.51, -0.85, 1.3

 

CMYK 7 / 0 / 28 / 4

HEX #E6F6B0

RGB 230 246 176

HSL 73.71, 0.8%, 0.83%

LAB 94.26, -16.46, 32

 

CMYK 28 / 0 / 17 / 4

HEX #B0F6CD

RGB 176 246 205

HSL 144.86, 0.8%, 0.83%

LAB 91.48, -29.93, 12.82

 

CMYK 5 / 28 / 0 / 4

HEX #E9B0F6

RGB 233 176 246

HSL 288.86, 0.8%, 0.83%

LAB 79.06, 32.51, -26.78

 

CMYK 7 / 0 / 28 / 4

HEX #E6F6B0

RGB 230 246 176

HSL 73.71, 0.8%, 0.83%

LAB 94.26, -16.46, 32

 

CMYK 28 / 6 / 0 / 4

HEX #B0E7F6

RGB 176 231 246

HSL 192.86, 0.8%, 0.83%

LAB 88.46, -14.06, -12.96

 

CMYK 0 / 28 / 6 / 4

HEX #F6B0E7

RGB 246 176 231

HSL 312.86, 0.8%, 0.83%

LAB 79.85, 33.95, -17.38

 

CMYK 7 / 0 / 28 / 4

HEX #E6F6B0

RGB 230 246 176

HSL 73.71, 0.8%, 0.83%

LAB 94.26, -16.46, 32

 

CMYK 28 / 0 / 17 / 4

HEX #B0F6CD

RGB 176 246 205

HSL 144.86, 0.8%, 0.83%

LAB 91.48, -29.93, 12.82

 

CMYK 22 / 28 / 0 / 4

HEX #BFB0F6

RGB 191 176 246

HSL 252.86, 0.8%, 0.83%

LAB 75.31, 19.61, -32.85

 

CMYK 0 / 28 / 12 / 4

HEX #F6B0D9

RGB 246 176 217

HSL 324.86, 0.8%, 0.83%

LAB 79.42, 31.61, -10.46

 

CMYK 7 / 0 / 28 / 4

HEX #E6F6B0

RGB 230 246 176

HSL 73.71, 0.8%, 0.83%

LAB 94.26, -16.46, 32

 

CMYK 28 / 0 / 8 / 4

HEX #B0F6E2

RGB 176 246 226

HSL 162.86, 0.8%, 0.83%

LAB 91.97, -25.8, 2.64

 

CMYK 22 / 28 / 0 / 4

HEX #BFB0F6

RGB 191 176 246

HSL 252.86, 0.8%, 0.83%

LAB 75.31, 19.61, -32.85

 

CMYK 0 / 28 / 20 / 4

HEX #F6B0C4

RGB 246 176 196

HSL 342.86, 0.8%, 0.83%

LAB 78.83, 28.35, 0.05

 

Description

Color code: HEX #E6F6B0 | qconv.com Color code: HEX #E6F6B0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 246 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 246 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 28 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 28% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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