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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E71C88 it is the complementary color #18E377. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E71C88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E71C88 shade: #EC1C83, #FD2E96, #FF40A9, #FF52BC and #FF64CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E71C88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E71C88 shade: #E71C88, #D60A75, #C50062, #B4004F and #A3003C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E71C88 shade: #E71C88, #E71C51 and #E71C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E71C88 shade: #E71C88, #E71CBF, #D81CE7, #A21CE7 and #6B1CE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E71C88 shade matches the following richer shades: #E71C88 and #FB0889

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E71C88 shade: #E71C88, #D33187, #BE4585, #AA5984 and #966D83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E71C88 shade: #D91CE7, #E71CBE, #E71C88, #E71C52 and #E71C1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E71C88 shade: #A0105D, #C61473, #E71C88, #EB429C and #EF67AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E71C88 shade: #E71C88, #E7A31C and #1CD9E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E71C88 shade: #E71C88, #88E71C and #1C88E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E71C88 shade: #E71C88, #E7A31C, #1CE77B and #1C60E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E71C88 shade: #E71C88, #E7E01C, #1CE77B and #1C23E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 41 / 9

HEX #E71C88

RGB 231 28 136

HSL 328.08, 0.81%, 0.51%

LAB 51.38, 77.32, -6.43

 

Complementary color

CMYK 89 / 0 / 48 / 11

HEX #18E377

RGB 24 227 119

HSL 148.08, 0.81%, 0.49%

LAB 79.88, -68.44, 40.11

 

CMYK 0 / 88 / 44 / 7

HEX #EC1C83

RGB 236 28 131

HSL 330.29, 0.85%, 0.52%

LAB 52.18, 78.01, -2.13

 

CMYK 0 / 82 / 41 / 1

HEX #FD2E96

RGB 253 46 150

HSL 329.86, 0.98%, 0.59%

LAB 57.11, 80.22, -5.81

 

CMYK 0 / 75 / 34 / 0

HEX #FF40A9

RGB 255 64 169

HSL 327.02, 1%, 0.63%

LAB 59.7, 77.97, -13.02

 

CMYK 0 / 68 / 26 / 0

HEX #FF52BC

RGB 255 82 188

HSL 323.24, 1%, 0.66%

LAB 62.44, 74.28, -19.8

 

CMYK 0 / 61 / 19 / 0

HEX #FF64CF

RGB 255 100 207

HSL 318.58, 1%, 0.7%

LAB 65.65, 69.83, -25.66

 

CMYK 0 / 88 / 41 / 9

HEX #E71C88

RGB 231 28 136

HSL 328.08, 0.81%, 0.51%

LAB 51.38, 77.32, -6.43

 

CMYK 0 / 95 / 45 / 16

HEX #D60A75

RGB 214 10 117

HSL 328.53, 0.91%, 0.44%

LAB 46.71, 74.07, -2.14

 

CMYK 0 / 100 / 50 / 23

HEX #C50062

RGB 197 0 98

HSL 330.15, 1%, 0.39%

LAB 42.39, 69.67, 2.98

 

CMYK 0 / 100 / 56 / 29

HEX #B4004F

RGB 180 0 79

HSL 333.67, 1%, 0.35%

LAB 38.32, 64.42, 8.81

 

CMYK 0 / 100 / 63 / 36

HEX #A3003C

RGB 163 0 60

HSL 337.91, 1%, 0.32%

LAB 34.22, 59.16, 14.95

 

CMYK 0 / 88 / 41 / 9

HEX #E71C88

RGB 231 28 136

HSL 328.08, 0.81%, 0.51%

LAB 51.38, 77.32, -6.43

 

CMYK 0 / 88 / 65 / 9

HEX #E71C51

RGB 231 28 81

HSL 344.33, 0.81%, 0.51%

LAB 49.99, 73.43, 25.07

 

CMYK 0 / 88 / 88 / 9

HEX #E71C1C

RGB 231 28 28

HSL 0, 0.81%, 0.51%

LAB 49.38, 71.66, 53.8

 

CMYK 0 / 88 / 41 / 9

HEX #E71C88

RGB 231 28 136

HSL 328.08, 0.81%, 0.51%

LAB 51.38, 77.32, -6.43

 

CMYK 0 / 88 / 17 / 9

HEX #E71CBF

RGB 231 28 191

HSL 311.82, 0.81%, 0.51%

LAB 53.58, 83.25, -35.56

 

CMYK 6 / 88 / 0 / 9

HEX #D81CE7

RGB 216 28 231

HSL 295.57, 0.81%, 0.51%

LAB 53.17, 86.17, -59.26

 

CMYK 30 / 88 / 0 / 9

HEX #A21CE7

RGB 162 28 231

HSL 279.61, 0.81%, 0.51%

LAB 44.63, 78.09, -73.48

 

CMYK 54 / 88 / 0 / 9

HEX #6B1CE7

RGB 107 28 231

HSL 263.35, 0.81%, 0.51%

LAB 37.35, 71.86, -85.73

 

CMYK 0 / 88 / 41 / 9

HEX #E71C88

RGB 231 28 136

HSL 328.08, 0.81%, 0.51%

LAB 51.38, 77.32, -6.43

 

CMYK 0 / 97 / 45 / 2

HEX #FB0889

RGB 251 8 137

HSL 328.15, 0.97%, 0.51%

LAB 54.54, 83.86, -1.93

 

CMYK 0 / 88 / 41 / 9

HEX #E71C88

RGB 231 28 136

HSL 328.08, 0.81%, 0.51%

LAB 51.38, 77.32, -6.43

 

CMYK 0 / 77 / 36 / 17

HEX #D33187

RGB 211 49 135

HSL 328.15, 0.65%, 0.51%

LAB 49.25, 67.81, -9.4

 

CMYK 0 / 64 / 30 / 25

HEX #BE4585

RGB 190 69 133

HSL 328.26, 0.48%, 0.51%

LAB 48.13, 54.67, -10.24

 

CMYK 0 / 48 / 22 / 33

HEX #AA5984

RGB 170 89 132

HSL 328.15, 0.32%, 0.51%

LAB 48.71, 38.5, -9.08

 

CMYK 0 / 27 / 13 / 41

HEX #966D83

RGB 150 109 131

HSL 327.8, 0.16%, 0.51%

LAB 50.76, 19.91, -5.69

 

CMYK 6 / 88 / 0 / 9

HEX #D91CE7

RGB 217 28 231

HSL 295.86, 0.81%, 0.51%

LAB 53.33, 86.34, -58.98

 

CMYK 0 / 88 / 18 / 9

HEX #E71CBE

RGB 231 28 190

HSL 312.12, 0.81%, 0.51%

LAB 53.53, 83.13, -35.06

 

CMYK 0 / 88 / 41 / 9

HEX #E71C88

RGB 231 28 136

HSL 328.08, 0.81%, 0.51%

LAB 51.38, 77.32, -6.43

 

CMYK 0 / 88 / 65 / 9

HEX #E71C52

RGB 231 28 82

HSL 344.04, 0.81%, 0.51%

LAB 50.01, 73.48, 24.49

 

CMYK 0 / 88 / 88 / 9

HEX #E71C1C

RGB 231 28 28

HSL 0, 0.81%, 0.51%

LAB 49.38, 71.66, 53.8

 

CMYK 0 / 90 / 42 / 37

HEX #A0105D

RGB 160 16 93

HSL 327.92, 0.82%, 0.35%

LAB 35.27, 58.82, -5.16

 

CMYK 0 / 90 / 42 / 22

HEX #C61473

RGB 198 20 115

HSL 327.98, 0.82%, 0.43%

LAB 43.86, 69.16, -5.46

 

CMYK 0 / 88 / 41 / 9

HEX #E71C88

RGB 231 28 136

HSL 328.08, 0.81%, 0.51%

LAB 51.38, 77.32, -6.43

 

CMYK 0 / 72 / 34 / 8

HEX #EB429C

RGB 235 66 156

HSL 328.05, 0.81%, 0.59%

LAB 56.05, 70.93, -11.27

 

CMYK 0 / 57 / 27 / 6

HEX #EF67AF

RGB 239 103 175

HSL 328.24, 0.81%, 0.67%

LAB 62.63, 59.76, -12.33

 

CMYK 0 / 88 / 41 / 9

HEX #E71C88

RGB 231 28 136

HSL 328.08, 0.81%, 0.51%

LAB 51.38, 77.32, -6.43

 

CMYK 0 / 29 / 88 / 9

HEX #E7A31C

RGB 231 163 28

HSL 39.9, 0.81%, 0.51%

LAB 71.74, 15.13, 71.1

 

CMYK 88 / 6 / 0 / 9

HEX #1CD9E7

RGB 28 217 231

HSL 184.14, 0.81%, 0.51%

LAB 79.41, -37.44, -19.11

 

CMYK 0 / 88 / 41 / 9

HEX #E71C88

RGB 231 28 136

HSL 328.08, 0.81%, 0.51%

LAB 51.38, 77.32, -6.43

 

CMYK 41 / 0 / 88 / 9

HEX #88E71C

RGB 136 231 28

HSL 88.08, 0.81%, 0.51%

LAB 83.16, -56.07, 77.53

 

CMYK 88 / 41 / 0 / 9

HEX #1C88E7

RGB 28 136 231

HSL 208.08, 0.81%, 0.51%

LAB 55.71, 5.64, -56.01

 

CMYK 0 / 88 / 41 / 9

HEX #E71C88

RGB 231 28 136

HSL 328.08, 0.81%, 0.51%

LAB 51.38, 77.32, -6.43

 

CMYK 0 / 29 / 88 / 9

HEX #E7A31C

RGB 231 163 28

HSL 39.9, 0.81%, 0.51%

LAB 71.74, 15.13, 71.1

 

CMYK 88 / 0 / 47 / 9

HEX #1CE77B

RGB 28 231 123

HSL 148.08, 0.81%, 0.51%

LAB 81.2, -68.85, 39.83

 

CMYK 88 / 58 / 0 / 9

HEX #1C60E7

RGB 28 96 231

HSL 219.9, 0.81%, 0.51%

LAB 44.78, 30.83, -73.69

 

CMYK 0 / 88 / 41 / 9

HEX #E71C88

RGB 231 28 136

HSL 328.08, 0.81%, 0.51%

LAB 51.38, 77.32, -6.43

 

CMYK 0 / 3 / 88 / 9

HEX #E7E01C

RGB 231 224 28

HSL 57.93, 0.81%, 0.51%

LAB 87.18, -16.27, 83.28

 

CMYK 88 / 0 / 47 / 9

HEX #1CE77B

RGB 28 231 123

HSL 148.08, 0.81%, 0.51%

LAB 81.2, -68.85, 39.83

 

CMYK 88 / 85 / 0 / 9

HEX #1C23E7

RGB 28 35 231

HSL 237.93, 0.81%, 0.51%

LAB 32.3, 65.01, -94.27

 

Description

Color code: HEX #E71C88 | qconv.com Color code: HEX #E71C88 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 28 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 28 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 41 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 41% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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