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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E71CA5 it is the complementary color #18E35A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E71CA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E71CA5 shade: #EC1CA0, #FD2EB3, #FF40C6, #FF52D9 and #FF64EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E71CA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E71CA5 shade: #E71CA5, #D60A92, #C5007F, #B4006C and #A30059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E71CA5 shade: #E71CA5, #E71C6E, #E71C38 and #E71C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E71CA5 shade: #E71CA5, #E71CDC, #BB1CE7, #851CE7 and #4E1CE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E71CA5 shade matches the following richer shades: #E71CA5 and #FB08AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E71CA5 shade: #E71CA5, #D3319E, #BE4597, #AA5990 and #966D89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E71CA5 shade: #BB1CE7, #E71CDD, #E71CA7, #E71C71 and #E71C3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E71CA5 shade: #A01071, #C6148C, #E71CA5, #EB42B4 and #EF67C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E71CA5 shade: #E71CA5, #E7851C and #1CE7D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E71CA5 shade: #E71CA5, #A7E71C and #1CA7E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E71CA5 shade: #E71CA5, #E7851C, #1CE75C and #1C7EE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E71CA5 shade: #E71CA5, #E7C21C, #1CE75C and #1C41E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 29 / 9

HEX #E71CA5

RGB 231 28 165

HSL 319.51, 0.81%, 0.51%

LAB 52.44, 80.21, -22.13

 

Complementary color

CMYK 89 / 0 / 60 / 11

HEX #18E35A

RGB 24 227 90

HSL 139.51, 0.81%, 0.49%

LAB 79.54, -72.55, 53.17

 

CMYK 0 / 88 / 32 / 7

HEX #EC1CA0

RGB 236 28 160

HSL 321.92, 0.85%, 0.52%

LAB 53.17, 80.73, -17.97

 

CMYK 0 / 82 / 29 / 1

HEX #FD2EB3

RGB 253 46 179

HSL 321.45, 0.98%, 0.59%

LAB 58.12, 83.11, -21.25

 

CMYK 0 / 75 / 22 / 0

HEX #FF40C6

RGB 255 64 198

HSL 317.91, 1%, 0.63%

LAB 60.79, 81.26, -28.06

 

CMYK 0 / 68 / 15 / 0

HEX #FF52D9

RGB 255 82 217

HSL 313.18, 1%, 0.66%

LAB 63.59, 78.03, -34.46

 

CMYK 0 / 61 / 7 / 0

HEX #FF64EC

RGB 255 100 236

HSL 307.35, 1%, 0.7%

LAB 66.85, 74.04, -39.99

 

CMYK 0 / 88 / 29 / 9

HEX #E71CA5

RGB 231 28 165

HSL 319.51, 0.81%, 0.51%

LAB 52.44, 80.21, -22.13

 

CMYK 0 / 95 / 32 / 16

HEX #D60A92

RGB 214 10 146

HSL 320, 0.91%, 0.44%

LAB 47.74, 76.79, -18.28

 

CMYK 0 / 100 / 36 / 23

HEX #C5007F

RGB 197 0 127

HSL 321.32, 1%, 0.39%

LAB 43.36, 72.22, -13.66

 

CMYK 0 / 100 / 40 / 29

HEX #B4006C

RGB 180 0 108

HSL 324, 1%, 0.35%

LAB 39.22, 66.78, -8.4

 

CMYK 0 / 100 / 45 / 36

HEX #A30059

RGB 163 0 89

HSL 327.24, 1%, 0.32%

LAB 35.02, 61.29, -2.88

 

CMYK 0 / 88 / 29 / 9

HEX #E71CA5

RGB 231 28 165

HSL 319.51, 0.81%, 0.51%

LAB 52.44, 80.21, -22.13

 

CMYK 0 / 88 / 52 / 9

HEX #E71C6E

RGB 231 28 110

HSL 335.76, 0.81%, 0.51%

LAB 50.62, 75.21, 8.24

 

CMYK 0 / 88 / 76 / 9

HEX #E71C38

RGB 231 28 56

HSL 351.72, 0.81%, 0.51%

LAB 49.62, 72.37, 39.48

 

CMYK 0 / 88 / 88 / 9

HEX #E71C1C

RGB 231 28 28

HSL 0, 0.81%, 0.51%

LAB 49.38, 71.66, 53.8

 

CMYK 0 / 88 / 29 / 9

HEX #E71CA5

RGB 231 28 165

HSL 319.51, 0.81%, 0.51%

LAB 52.44, 80.21, -22.13

 

CMYK 0 / 88 / 5 / 9

HEX #E71CDC

RGB 231 28 220

HSL 303.25, 0.81%, 0.51%

LAB 55.06, 87.1, -49.86

 

CMYK 19 / 88 / 0 / 9

HEX #BB1CE7

RGB 187 28 231

HSL 287, 0.81%, 0.51%

LAB 48.47, 81.64, -67.08

 

CMYK 42 / 88 / 0 / 9

HEX #851CE7

RGB 133 28 231

HSL 271.03, 0.81%, 0.51%

LAB 40.55, 74.5, -80.33

 

CMYK 66 / 88 / 0 / 9

HEX #4E1CE7

RGB 78 28 231

HSL 254.78, 0.81%, 0.51%

LAB 34.44, 69.63, -90.64

 

CMYK 0 / 88 / 29 / 9

HEX #E71CA5

RGB 231 28 165

HSL 319.51, 0.81%, 0.51%

LAB 52.44, 80.21, -22.13

 

CMYK 0 / 97 / 31 / 2

HEX #FB08AC

RGB 251 8 172

HSL 319.51, 0.97%, 0.51%

LAB 55.75, 87.02, -20.84

 

CMYK 0 / 88 / 29 / 9

HEX #E71CA5

RGB 231 28 165

HSL 319.51, 0.81%, 0.51%

LAB 52.44, 80.21, -22.13

 

CMYK 0 / 77 / 25 / 17

HEX #D3319E

RGB 211 49 158

HSL 319.63, 0.65%, 0.51%

LAB 50.11, 70.43, -21.86

 

CMYK 0 / 64 / 21 / 25

HEX #BE4597

RGB 190 69 151

HSL 319.34, 0.48%, 0.51%

LAB 48.81, 57.07, -20

 

CMYK 0 / 48 / 15 / 33

HEX #AA5990

RGB 170 89 144

HSL 319.26, 0.32%, 0.51%

LAB 49.14, 40.39, -15.6

 

CMYK 0 / 27 / 9 / 41

HEX #966D89

RGB 150 109 137

HSL 319.02, 0.16%, 0.51%

LAB 50.95, 21, -8.94

 

CMYK 19 / 88 / 0 / 9

HEX #BB1CE7

RGB 187 28 231

HSL 287, 0.81%, 0.51%

LAB 48.47, 81.64, -67.08

 

CMYK 0 / 88 / 4 / 9

HEX #E71CDD

RGB 231 28 221

HSL 302.96, 0.81%, 0.51%

LAB 55.11, 87.24, -50.34

 

CMYK 0 / 88 / 28 / 9

HEX #E71CA7

RGB 231 28 167

HSL 318.92, 0.81%, 0.51%

LAB 52.52, 80.43, -23.18

 

CMYK 0 / 88 / 51 / 9

HEX #E71C71

RGB 231 28 113

HSL 334.88, 0.81%, 0.51%

LAB 50.7, 75.43, 6.52

 

CMYK 0 / 88 / 74 / 9

HEX #E71C3B

RGB 231 28 59

HSL 350.84, 0.81%, 0.51%

LAB 49.66, 72.47, 37.79

 

CMYK 0 / 90 / 29 / 37

HEX #A01071

RGB 160 16 113

HSL 319.58, 0.82%, 0.35%

LAB 36.05, 60.96, -16.74

 

CMYK 0 / 90 / 29 / 22

HEX #C6148C

RGB 198 20 140

HSL 319.55, 0.82%, 0.43%

LAB 44.8, 71.7, -19.41

 

CMYK 0 / 88 / 29 / 9

HEX #E71CA5

RGB 231 28 165

HSL 319.51, 0.81%, 0.51%

LAB 52.44, 80.21, -22.13

 

CMYK 0 / 72 / 23 / 8

HEX #EB42B4

RGB 235 66 180

HSL 319.53, 0.81%, 0.59%

LAB 56.93, 73.73, -23.93

 

CMYK 0 / 57 / 18 / 6

HEX #EF67C3

RGB 239 103 195

HSL 319.41, 0.81%, 0.67%

LAB 63.34, 62.46, -22.64

 

CMYK 0 / 88 / 29 / 9

HEX #E71CA5

RGB 231 28 165

HSL 319.51, 0.81%, 0.51%

LAB 52.44, 80.21, -22.13

 

CMYK 0 / 42 / 88 / 9

HEX #E7851C

RGB 231 133 28

HSL 31.03, 0.81%, 0.51%

LAB 64.84, 31.02, 65.71

 

CMYK 88 / 0 / 7 / 9

HEX #1CE7D6

RGB 28 231 214

HSL 174.98, 0.81%, 0.51%

LAB 83.05, -48.55, -4.64

 

CMYK 0 / 88 / 29 / 9

HEX #E71CA5

RGB 231 28 165

HSL 319.51, 0.81%, 0.51%

LAB 52.44, 80.21, -22.13

 

CMYK 28 / 0 / 88 / 9

HEX #A7E71C

RGB 167 231 28

HSL 78.92, 0.81%, 0.51%

LAB 84.72, -45.23, 79.45

 

CMYK 88 / 28 / 0 / 9

HEX #1CA7E7

RGB 28 167 231

HSL 198.92, 0.81%, 0.51%

LAB 64.69, -12.26, -41.79

 

CMYK 0 / 88 / 29 / 9

HEX #E71CA5

RGB 231 28 165

HSL 319.51, 0.81%, 0.51%

LAB 52.44, 80.21, -22.13

 

CMYK 0 / 42 / 88 / 9

HEX #E7851C

RGB 231 133 28

HSL 31.03, 0.81%, 0.51%

LAB 64.84, 31.02, 65.71

 

CMYK 88 / 0 / 60 / 9

HEX #1CE75C

RGB 28 231 92

HSL 138.92, 0.81%, 0.51%

LAB 80.83, -73.26, 53.8

 

CMYK 88 / 45 / 0 / 9

HEX #1C7EE7

RGB 28 126 231

HSL 211.03, 0.81%, 0.51%

LAB 52.88, 11.77, -60.55

 

CMYK 0 / 88 / 29 / 9

HEX #E71CA5

RGB 231 28 165

HSL 319.51, 0.81%, 0.51%

LAB 52.44, 80.21, -22.13

 

CMYK 0 / 16 / 88 / 9

HEX #E7C21C

RGB 231 194 28

HSL 49.06, 0.81%, 0.51%

LAB 79.42, -1.15, 77.15

 

CMYK 88 / 0 / 60 / 9

HEX #1CE75C

RGB 28 231 92

HSL 138.92, 0.81%, 0.51%

LAB 80.83, -73.26, 53.8

 

CMYK 88 / 72 / 0 / 9

HEX #1C41E7

RGB 28 65 231

HSL 229.06, 0.81%, 0.51%

LAB 37.48, 50.07, -85.68

 

Description

Color code: HEX #E71CA5 | qconv.com Color code: HEX #E71CA5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 28 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 28 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 29 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 29% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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