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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7277D it is the complementary color #18D882. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7277D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7277D shade: #EC2778, #FD398B, #FF4B9E, #FF5DB1 and #FF6FC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7277D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7277D shade: #E7277D, #D6156A, #C50357, #B40044 and #A30031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7277D shade: #E7277D, #E72749 and #E72727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7277D shade: #E7277D, #E727B0, #E727E4, #B527E7 and #8227E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7277D shade matches the following richer shades: #E7277D and #FA137B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7277D shade: #E7277D, #D33A7F, #C04E81, #AC6183 and #997485

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7277D shade: #E727E3, #E727B0, #E7277D, #E7274A and #E73727

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7277D shade: #A91256, #CE1668, #E7277D, #EB4C93 and #EF71A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7277D shade: #E7277D, #E7B727 and #27CAE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7277D shade: #E7277D, #7DE727 and #277DE7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7277D shade: #E7277D, #E7B727, #27E790 and #2757E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7277D shade: #E7277D, #DDE727, #27E790 and #3027E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 46 / 9

HEX #E7277D

RGB 231 39 125

HSL 333.13, 0.8%, 0.53%

LAB 51.75, 74.32, 0.75

 

Complementary color

CMYK 89 / 0 / 40 / 15

HEX #18D882

RGB 24 216 130

HSL 153.13, 0.8%, 0.47%

LAB 76.63, -62.8, 30.41

 

CMYK 0 / 83 / 49 / 7

HEX #EC2778

RGB 236 39 120

HSL 335.33, 0.84%, 0.54%

LAB 52.55, 75.13, 5.05

 

CMYK 0 / 77 / 45 / 1

HEX #FD398B

RGB 253 57 139

HSL 334.9, 0.98%, 0.61%

LAB 57.73, 76.57, 1.58

 

CMYK 0 / 71 / 38 / 0

HEX #FF4B9E

RGB 255 75 158

HSL 332.33, 1%, 0.65%

LAB 60.57, 73.39, -5.34

 

CMYK 0 / 64 / 31 / 0

HEX #FF5DB1

RGB 255 93 177

HSL 328.89, 1%, 0.68%

LAB 63.56, 68.85, -11.83

 

CMYK 0 / 56 / 23 / 0

HEX #FF6FC4

RGB 255 111 196

HSL 324.58, 1%, 0.72%

LAB 66.99, 63.67, -17.44

 

CMYK 0 / 83 / 46 / 9

HEX #E7277D

RGB 231 39 125

HSL 333.13, 0.8%, 0.53%

LAB 51.75, 74.32, 0.75

 

CMYK 0 / 90 / 50 / 16

HEX #D6156A

RGB 214 21 106

HSL 333.58, 0.82%, 0.46%

LAB 46.81, 71.97, 4.8

 

CMYK 0 / 98 / 56 / 23

HEX #C50357

RGB 197 3 87

HSL 334.02, 0.97%, 0.39%

LAB 42.19, 68.59, 9.65

 

CMYK 0 / 100 / 62 / 29

HEX #B40044

RGB 180 0 68

HSL 337.33, 1%, 0.35%

LAB 38.06, 63.72, 15.54

 

CMYK 0 / 100 / 70 / 36

HEX #A30031

RGB 163 0 49

HSL 341.96, 1%, 0.32%

LAB 34, 58.58, 21.86

 

CMYK 0 / 83 / 46 / 9

HEX #E7277D

RGB 231 39 125

HSL 333.13, 0.8%, 0.53%

LAB 51.75, 74.32, 0.75

 

CMYK 0 / 83 / 68 / 9

HEX #E72749

RGB 231 39 73

HSL 349.38, 0.8%, 0.53%

LAB 50.59, 70.94, 30.65

 

CMYK 0 / 83 / 83 / 9

HEX #E72727

RGB 231 39 39

HSL 0, 0.8%, 0.53%

LAB 50.2, 69.75, 49.28

 

CMYK 0 / 83 / 46 / 9

HEX #E7277D

RGB 231 39 125

HSL 333.13, 0.8%, 0.53%

LAB 51.75, 74.32, 0.75

 

CMYK 0 / 83 / 24 / 9

HEX #E727B0

RGB 231 39 176

HSL 317.19, 0.8%, 0.53%

LAB 53.57, 79.49, -26.84

 

CMYK 0 / 83 / 1 / 9

HEX #E727E4

RGB 231 39 228

HSL 300.94, 0.8%, 0.53%

LAB 56.13, 86.4, -52.68

 

CMYK 22 / 83 / 0 / 9

HEX #B527E7

RGB 181 39 231

HSL 284.38, 0.8%, 0.53%

LAB 48.32, 78.43, -67.36

 

CMYK 44 / 83 / 0 / 9

HEX #8227E7

RGB 130 39 231

HSL 268.44, 0.8%, 0.53%

LAB 41.16, 71.19, -79.34

 

CMYK 0 / 83 / 46 / 9

HEX #E7277D

RGB 231 39 125

HSL 333.13, 0.8%, 0.53%

LAB 51.75, 74.32, 0.75

 

CMYK 0 / 92 / 51 / 2

HEX #FA137B

RGB 250 19 123

HSL 332.99, 0.96%, 0.53%

LAB 54.26, 81.68, 6.05

 

CMYK 0 / 83 / 46 / 9

HEX #E7277D

RGB 231 39 125

HSL 333.13, 0.8%, 0.53%

LAB 51.75, 74.32, 0.75

 

CMYK 0 / 73 / 40 / 17

HEX #D33A7F

RGB 211 58 127

HSL 332.94, 0.63%, 0.53%

LAB 49.99, 64.16, -3.47

 

CMYK 0 / 59 / 33 / 25

HEX #C04E81

RGB 192 78 129

HSL 333.16, 0.48%, 0.53%

LAB 49.79, 50.81, -5.33

 

CMYK 0 / 44 / 24 / 33

HEX #AC6183

RGB 172 97 131

HSL 332.8, 0.31%, 0.53%

LAB 50.64, 34.76, -5.57

 

CMYK 0 / 24 / 13 / 40

HEX #997485

RGB 153 116 133

HSL 332.43, 0.15%, 0.53%

LAB 52.9, 17.34, -3.66

 

CMYK 0 / 83 / 2 / 9

HEX #E727E3

RGB 231 39 227

HSL 301.25, 0.8%, 0.53%

LAB 56.07, 86.25, -52.2

 

CMYK 0 / 83 / 24 / 9

HEX #E727B0

RGB 231 39 176

HSL 317.19, 0.8%, 0.53%

LAB 53.57, 79.49, -26.84

 

CMYK 0 / 83 / 46 / 9

HEX #E7277D

RGB 231 39 125

HSL 333.13, 0.8%, 0.53%

LAB 51.75, 74.32, 0.75

 

CMYK 0 / 83 / 68 / 9

HEX #E7274A

RGB 231 39 74

HSL 349.06, 0.8%, 0.53%

LAB 50.61, 70.98, 30.07

 

CMYK 0 / 76 / 83 / 9

HEX #E73727

RGB 231 55 39

HSL 5, 0.8%, 0.53%

LAB 51.69, 65.56, 50.63

 

CMYK 0 / 89 / 49 / 34

HEX #A91256

RGB 169 18 86

HSL 332.98, 0.81%, 0.37%

LAB 37, 60.04, 2.11

 

CMYK 0 / 89 / 50 / 19

HEX #CE1668

RGB 206 22 104

HSL 333.26, 0.81%, 0.45%

LAB 45.21, 69.79, 3.54

 

CMYK 0 / 83 / 46 / 9

HEX #E7277D

RGB 231 39 125

HSL 333.13, 0.8%, 0.53%

LAB 51.75, 74.32, 0.75

 

CMYK 0 / 68 / 37 / 8

HEX #EB4C93

RGB 235 76 147

HSL 333.21, 0.8%, 0.61%

LAB 57.01, 66.46, -4.54

 

CMYK 0 / 53 / 29 / 6

HEX #EF71A9

RGB 239 113 169

HSL 333.33, 0.8%, 0.69%

LAB 64.18, 54.39, -6.58

 

CMYK 0 / 83 / 46 / 9

HEX #E7277D

RGB 231 39 125

HSL 333.13, 0.8%, 0.53%

LAB 51.75, 74.32, 0.75

 

CMYK 0 / 21 / 83 / 9

HEX #E7B727

RGB 231 183 39

HSL 45, 0.8%, 0.53%

LAB 76.68, 4.83, 72.3

 

CMYK 83 / 13 / 0 / 9

HEX #27CAE7

RGB 39 202 231

HSL 189.06, 0.8%, 0.53%

LAB 75.1, -29.65, -25.65

 

CMYK 0 / 83 / 46 / 9

HEX #E7277D

RGB 231 39 125

HSL 333.13, 0.8%, 0.53%

LAB 51.75, 74.32, 0.75

 

CMYK 46 / 0 / 83 / 9

HEX #7DE727

RGB 125 231 39

HSL 93.13, 0.8%, 0.53%

LAB 82.73, -59.17, 74.74

 

CMYK 83 / 46 / 0 / 9

HEX #277DE7

RGB 39 125 231

HSL 213.13, 0.8%, 0.53%

LAB 52.8, 13.16, -60.66

 

CMYK 0 / 83 / 46 / 9

HEX #E7277D

RGB 231 39 125

HSL 333.13, 0.8%, 0.53%

LAB 51.75, 74.32, 0.75

 

CMYK 0 / 21 / 83 / 9

HEX #E7B727

RGB 231 183 39

HSL 45, 0.8%, 0.53%

LAB 76.68, 4.83, 72.3

 

CMYK 83 / 0 / 38 / 9

HEX #27E790

RGB 39 231 144

HSL 152.81, 0.8%, 0.53%

LAB 81.62, -64.29, 29.92

 

CMYK 83 / 62 / 0 / 9

HEX #2757E7

RGB 39 87 231

HSL 225, 0.8%, 0.53%

LAB 42.79, 37.24, -76.93

 

CMYK 0 / 83 / 46 / 9

HEX #E7277D

RGB 231 39 125

HSL 333.13, 0.8%, 0.53%

LAB 51.75, 74.32, 0.75

 

CMYK 4 / 0 / 83 / 9

HEX #DDE727

RGB 221 231 39

HSL 63.13, 0.8%, 0.53%

LAB 88.29, -23.58, 81.71

 

CMYK 83 / 0 / 38 / 9

HEX #27E790

RGB 39 231 144

HSL 152.81, 0.8%, 0.53%

LAB 81.62, -64.29, 29.92

 

CMYK 79 / 83 / 0 / 9

HEX #3027E7

RGB 48 39 231

HSL 242.81, 0.8%, 0.53%

LAB 33.67, 64.1, -91.98

 

Description

Color code: HEX #E7277D | qconv.com Color code: HEX #E7277D | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 39 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 39 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 46 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 46% 9% C M Y K

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Provide designers and agencies with accurate color values.

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