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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E72A2E it is the complementary color #18D5D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E72A2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E72A2E shade: #EC2A29, #FD3C3C, #FF4E4F, #FF6062 and #FF7275

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E72A2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E72A2E shade: #E72A2E, #D6181B, #C50608, #B40000 and #A30000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E72A2E shade: #E72B2F and #E72B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E72A2E shade: #E72B2F, #E72B62, #E72B95, #E72BC7 and #D42BE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E72A2E shade matches the following richer shades: #E72B2F and #FA181D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E72A2E shade: #E72B2F, #D43E42, #C15154, #AE6466 and #9B7778

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E72A2E shade: #E72B96, #E72B64, #E72B32, #E7572B and #E7892B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E72A2E shade: #AD1316, #D2171B, #E72B2F, #EB5054 and #EF7678

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E72A2E shade: #E72A2E, #C8E72B and #2B7DE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E72A2E shade: #E72A2E, #32E72B and #2B32E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E72A2E shade: #E72A2E, #C8E72B, #2BE7E1 and #4B2BE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E72A2E shade: #E72A2E, #8FE72B, #2BE7E1 and #832BE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 80 / 9

HEX #E72A2E

RGB 231 42 46

HSL 358.73, 0.8%, 0.54%

LAB 50.5, 69.25, 45.95

 

Complementary color

CMYK 89 / 0 / 2 / 16

HEX #18D5D1

RGB 24 213 209

HSL 178.73, 0.8%, 0.46%

LAB 77.51, -42.38, -10.19

 

CMYK 0 / 82 / 83 / 7

HEX #EC2A29

RGB 236 42 41

HSL 0.31, 0.84%, 0.54%

LAB 51.44, 70.48, 49.77

 

CMYK 0 / 76 / 76 / 1

HEX #FD3C3C

RGB 253 60 60

HSL 0, 0.98%, 0.61%

LAB 56.53, 71.04, 45.97

 

CMYK 0 / 69 / 69 / 0

HEX #FF4E4F

RGB 255 78 79

HSL 359.66, 1%, 0.65%

LAB 59.23, 66.53, 38.66

 

CMYK 0 / 62 / 62 / 0

HEX #FF6062

RGB 255 96 98

HSL 359.25, 1%, 0.69%

LAB 62.09, 60.55, 31.5

 

CMYK 0 / 55 / 54 / 0

HEX #FF7275

RGB 255 114 117

HSL 358.72, 1%, 0.72%

LAB 65.42, 53.94, 25.11

 

CMYK 0 / 82 / 80 / 9

HEX #E72A2E

RGB 231 42 46

HSL 358.73, 0.8%, 0.54%

LAB 50.5, 69.25, 45.95

 

CMYK 0 / 89 / 87 / 16

HEX #D6181B

RGB 214 24 27

HSL 359.05, 0.8%, 0.47%

LAB 45.67, 67.87, 49.88

 

CMYK 0 / 97 / 96 / 23

HEX #C50608

RGB 197 6 8

HSL 359.37, 0.94%, 0.4%

LAB 41.24, 65.44, 52.64

 

CMYK 0 / 100 / 100 / 29

HEX #B40000

RGB 180 0 0

HSL 0, 1%, 0.35%

LAB 37.3, 61.68, 51.72

 

CMYK 0 / 100 / 100 / 36

HEX #A30000

RGB 163 0 0

HSL 0, 1%, 0.32%

LAB 33.53, 57.32, 47.71

 

CMYK 0 / 81 / 80 / 9

HEX #E72B2F

RGB 231 43 47

HSL 358.72, 0.8%, 0.54%

LAB 50.6, 69.04, 45.51

 

CMYK 0 / 81 / 81 / 9

HEX #E72B2B

RGB 231 43 43

HSL 0, 0.8%, 0.54%

LAB 50.56, 68.93, 47.58

 

CMYK 0 / 81 / 80 / 9

HEX #E72B2F

RGB 231 43 47

HSL 358.72, 0.8%, 0.54%

LAB 50.6, 69.04, 45.51

 

CMYK 0 / 81 / 58 / 9

HEX #E72B62

RGB 231 43 98

HSL 342.45, 0.8%, 0.54%

LAB 51.38, 71.41, 16.59

 

CMYK 0 / 81 / 35 / 9

HEX #E72B95

RGB 231 43 149

HSL 326.17, 0.8%, 0.54%

LAB 52.83, 75.66, -12.05

 

CMYK 0 / 81 / 14 / 9

HEX #E72BC7

RGB 231 43 199

HSL 310.21, 0.8%, 0.54%

LAB 54.91, 81.53, -38.1

 

CMYK 8 / 81 / 0 / 9

HEX #D42BE7

RGB 212 43 231

HSL 293.94, 0.8%, 0.54%

LAB 53.49, 82.65, -58.78

 

CMYK 0 / 81 / 80 / 9

HEX #E72B2F

RGB 231 43 47

HSL 358.72, 0.8%, 0.54%

LAB 50.6, 69.04, 45.51

 

CMYK 0 / 90 / 88 / 2

HEX #FA181D

RGB 250 24 29

HSL 358.67, 0.96%, 0.54%

LAB 53.02, 77.1, 57.79

 

CMYK 0 / 81 / 80 / 9

HEX #E72B2F

RGB 231 43 47

HSL 358.72, 0.8%, 0.54%

LAB 50.6, 69.04, 45.51

 

CMYK 0 / 71 / 69 / 17

HEX #D43E42

RGB 212 62 66

HSL 358.4, 0.64%, 0.54%

LAB 49.3, 58.44, 32.37

 

CMYK 0 / 58 / 56 / 24

HEX #C15154

RGB 193 81 84

HSL 358.39, 0.47%, 0.54%

LAB 49.33, 45.2, 21.11

 

CMYK 0 / 43 / 41 / 32

HEX #AE6466

RGB 174 100 102

HSL 358.38, 0.31%, 0.54%

LAB 50.77, 30.01, 11.91

 

CMYK 0 / 23 / 23 / 39

HEX #9B7778

RGB 155 119 120

HSL 358.33, 0.15%, 0.54%

LAB 53.51, 14.22, 4.88

 

CMYK 0 / 81 / 35 / 9

HEX #E72B96

RGB 231 43 150

HSL 325.85, 0.8%, 0.54%

LAB 52.86, 75.76, -12.59

 

CMYK 0 / 81 / 57 / 9

HEX #E72B64

RGB 231 43 100

HSL 341.81, 0.8%, 0.54%

LAB 51.42, 71.54, 15.44

 

CMYK 0 / 81 / 78 / 9

HEX #E72B32

RGB 231 43 50

HSL 357.77, 0.8%, 0.54%

LAB 50.63, 69.13, 43.92

 

CMYK 0 / 62 / 81 / 9

HEX #E7572B

RGB 231 87 43

HSL 14.04, 0.8%, 0.54%

LAB 56.07, 53.79, 52.76

 

CMYK 0 / 41 / 81 / 9

HEX #E7892B

RGB 231 137 43

HSL 30, 0.8%, 0.54%

LAB 65.79, 29.3, 61.59

 

CMYK 0 / 89 / 87 / 32

HEX #AD1316

RGB 173 19 22

HSL 358.83, 0.8%, 0.38%

LAB 36.76, 57.64, 41.5

 

CMYK 0 / 89 / 87 / 18

HEX #D2171B

RGB 210 23 27

HSL 358.72, 0.8%, 0.46%

LAB 44.79, 66.98, 48.83

 

CMYK 0 / 81 / 80 / 9

HEX #E72B2F

RGB 231 43 47

HSL 358.72, 0.8%, 0.54%

LAB 50.6, 69.04, 45.51

 

CMYK 0 / 66 / 64 / 8

HEX #EB5054

RGB 235 80 84

HSL 358.45, 0.79%, 0.62%

LAB 56.13, 59.79, 31.25

 

CMYK 0 / 51 / 50 / 6

HEX #EF7678

RGB 239 118 120

HSL 359.01, 0.79%, 0.7%

LAB 63.89, 46.69, 20.95

 

CMYK 0 / 82 / 80 / 9

HEX #E72A2E

RGB 231 42 46

HSL 358.73, 0.8%, 0.54%

LAB 50.5, 69.25, 45.95

 

CMYK 13 / 0 / 81 / 9

HEX #C8E72B

RGB 200 231 43

HSL 69.89, 0.8%, 0.54%

LAB 86.8, -32.01, 78.93

 

CMYK 81 / 46 / 0 / 9

HEX #2B7DE7

RGB 43 125 231

HSL 213.83, 0.8%, 0.54%

LAB 52.9, 13.5, -60.51

 

CMYK 0 / 82 / 80 / 9

HEX #E72A2E

RGB 231 42 46

HSL 358.73, 0.8%, 0.54%

LAB 50.5, 69.25, 45.95

 

CMYK 78 / 0 / 81 / 9

HEX #32E72B

RGB 50 231 43

HSL 117.77, 0.8%, 0.54%

LAB 80.74, -75.32, 71.22

 

CMYK 81 / 78 / 0 / 9

HEX #2B32E7

RGB 43 50 231

HSL 237.77, 0.8%, 0.54%

LAB 35.13, 58.87, -89.55

 

CMYK 0 / 82 / 80 / 9

HEX #E72A2E

RGB 231 42 46

HSL 358.73, 0.8%, 0.54%

LAB 50.5, 69.25, 45.95

 

CMYK 13 / 0 / 81 / 9

HEX #C8E72B

RGB 200 231 43

HSL 69.89, 0.8%, 0.54%

LAB 86.8, -32.01, 78.93

 

CMYK 81 / 0 / 3 / 9

HEX #2BE7E1

RGB 43 231 225

HSL 178.09, 0.8%, 0.54%

LAB 83.5, -44.54, -9.78

 

CMYK 68 / 81 / 0 / 9

HEX #4B2BE7

RGB 75 43 231

HSL 250.21, 0.8%, 0.54%

LAB 35.97, 64.12, -88.1

 

CMYK 0 / 82 / 80 / 9

HEX #E72A2E

RGB 231 42 46

HSL 358.73, 0.8%, 0.54%

LAB 50.5, 69.25, 45.95

 

CMYK 38 / 0 / 81 / 9

HEX #8FE72B

RGB 143 231 43

HSL 88.09, 0.8%, 0.54%

LAB 83.53, -53.25, 74.79

 

CMYK 81 / 0 / 3 / 9

HEX #2BE7E1

RGB 43 231 225

HSL 178.09, 0.8%, 0.54%

LAB 83.5, -44.54, -9.78

 

CMYK 43 / 81 / 0 / 9

HEX #832BE7

RGB 131 43 231

HSL 268.09, 0.8%, 0.54%

LAB 41.72, 70.04, -78.41

 

Description

Color code: HEX #E72A2E | qconv.com Color code: HEX #E72A2E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 42 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 42 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 80 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 80% 9% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - おつまみのなとり
Link: http://www.natori.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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