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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E77A40 it is the complementary color #1885BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E77A40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E77A40 shade: #EC7A3B, #FD8C4E, #FF9E61, #FFB074 and #FFC287

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E77A40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E77A40 shade: #E77A40, #D6682D, #C5561A, #B44407 and #A33200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E77A40 shade: #E77A40, #E74D40 and #E74040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E77A40 shade: #E77A40, #E7A740, #E7D440, #CDE740 and #A0E740

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E77A40 shade matches the following richer shades: #E77A40 and #F8752F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E77A40 shade: #E77A40, #D67F51, #C48463, #B38A74 and #A28F85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E77A40 shade: #E74061, #E74B40, #E77840, #E7A440 and #E7D140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E77A40 shade: #BD5117, #E2601B, #E77A40, #EB9365 and #F0AD89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E77A40 shade: #E77A40, #8EE740 and #404BE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E77A40 shade: #E77A40, #40E778 and #7840E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E77A40 shade: #E77A40, #8EE740, #40AFE7 and #9940E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E77A40 shade: #E77A40, #5CE740, #40AFE7 and #CB40E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 72 / 9

HEX #E77A40

RGB 231 122 64

HSL 20.84, 0.78%, 0.58%

LAB 62.74, 37.89, 49.5

 

Complementary color

CMYK 87 / 30 / 0 / 25

HEX #1885BF

RGB 24 133 191

HSL 200.84, 0.78%, 0.42%

LAB 52.65, -7.9, -38.3

 

CMYK 0 / 48 / 75 / 7

HEX #EC7A3B

RGB 236 122 59

HSL 21.36, 0.82%, 0.58%

LAB 63.4, 39.63, 52.79

 

CMYK 0 / 45 / 69 / 1

HEX #FD8C4E

RGB 253 140 78

HSL 21.26, 0.98%, 0.65%

LAB 69.6, 38.01, 51.01

 

CMYK 0 / 38 / 62 / 0

HEX #FF9E61

RGB 255 158 97

HSL 23.16, 1%, 0.69%

LAB 73.92, 30.65, 46.57

 

CMYK 0 / 31 / 55 / 0

HEX #FFB074

RGB 255 176 116

HSL 25.9, 1%, 0.73%

LAB 78.21, 22.64, 42.12

 

CMYK 0 / 24 / 47 / 0

HEX #FFC287

RGB 255 194 135

HSL 29.5, 1%, 0.76%

LAB 82.7, 14.89, 38.05

 

CMYK 0 / 47 / 72 / 9

HEX #E77A40

RGB 231 122 64

HSL 20.84, 0.78%, 0.58%

LAB 62.74, 37.89, 49.5

 

CMYK 0 / 51 / 79 / 16

HEX #D6682D

RGB 214 104 45

HSL 20.95, 0.67%, 0.51%

LAB 56.47, 39.59, 51.28

 

CMYK 0 / 56 / 87 / 23

HEX #C5561A

RGB 197 86 26

HSL 21.05, 0.77%, 0.44%

LAB 50.22, 41.39, 52.65

 

CMYK 0 / 62 / 96 / 29

HEX #B44407

RGB 180 68 7

HSL 21.16, 0.93%, 0.37%

LAB 44.02, 43.21, 52.8

 

CMYK 0 / 69 / 100 / 36

HEX #A33200

RGB 163 50 0

HSL 18.4, 1%, 0.32%

LAB 37.96, 44.88, 49.98

 

CMYK 0 / 47 / 72 / 9

HEX #E77A40

RGB 231 122 64

HSL 20.84, 0.78%, 0.58%

LAB 62.74, 37.89, 49.5

 

CMYK 0 / 67 / 72 / 9

HEX #E74D40

RGB 231 77 64

HSL 4.67, 0.78%, 0.58%

LAB 54.73, 58.68, 40.69

 

CMYK 0 / 72 / 72 / 9

HEX #E74040

RGB 231 64 64

HSL 0, 0.78%, 0.58%

LAB 52.98, 63.48, 38.71

 

CMYK 0 / 47 / 72 / 9

HEX #E77A40

RGB 231 122 64

HSL 20.84, 0.78%, 0.58%

LAB 62.74, 37.89, 49.5

 

CMYK 0 / 28 / 72 / 9

HEX #E7A740

RGB 231 167 64

HSL 37.01, 0.78%, 0.58%

LAB 72.89, 14.19, 60.05

 

CMYK 0 / 8 / 72 / 9

HEX #E7D440

RGB 231 212 64

HSL 53.17, 0.78%, 0.58%

LAB 84.2, -9.2, 71.18

 

CMYK 11 / 0 / 72 / 9

HEX #CDE740

RGB 205 231 64

HSL 69.34, 0.78%, 0.58%

LAB 87.24, -29.17, 73.4

 

CMYK 31 / 0 / 72 / 9

HEX #A0E740

RGB 160 231 64

HSL 85.51, 0.78%, 0.58%

LAB 84.48, -46.32, 69.77

 

CMYK 0 / 47 / 72 / 9

HEX #E77A40

RGB 231 122 64

HSL 20.84, 0.78%, 0.58%

LAB 62.74, 37.89, 49.5

 

CMYK 0 / 53 / 81 / 3

HEX #F8752F

RGB 248 117 47

HSL 20.9, 0.93%, 0.58%

LAB 64.07, 46.26, 59.35

 

CMYK 0 / 47 / 72 / 9

HEX #E77A40

RGB 231 122 64

HSL 20.84, 0.78%, 0.58%

LAB 62.74, 37.89, 49.5

 

CMYK 0 / 41 / 62 / 16

HEX #D67F51

RGB 214 127 81

HSL 20.75, 0.62%, 0.58%

LAB 61.71, 29.47, 39.05

 

CMYK 0 / 33 / 49 / 23

HEX #C48463

RGB 196 132 99

HSL 20.41, 0.45%, 0.58%

LAB 60.9, 20.89, 27.77

 

CMYK 0 / 23 / 35 / 30

HEX #B38A74

RGB 179 138 116

HSL 20.95, 0.29%, 0.58%

LAB 60.8, 12.51, 17.79

 

CMYK 0 / 12 / 18 / 36

HEX #A28F85

RGB 162 143 133

HSL 20.69, 0.13%, 0.58%

LAB 60.8, 5.41, 7.91

 

CMYK 0 / 72 / 58 / 9

HEX #E74061

RGB 231 64 97

HSL 348.14, 0.78%, 0.58%

LAB 53.51, 65.28, 20.08

 

CMYK 0 / 68 / 72 / 9

HEX #E74B40

RGB 231 75 64

HSL 3.95, 0.78%, 0.58%

LAB 54.44, 59.47, 40.37

 

CMYK 0 / 48 / 72 / 9

HEX #E77840

RGB 231 120 64

HSL 20.12, 0.78%, 0.58%

LAB 62.33, 38.91, 49.06

 

CMYK 0 / 29 / 72 / 9

HEX #E7A440

RGB 231 164 64

HSL 35.93, 0.78%, 0.58%

LAB 72.17, 15.79, 59.32

 

CMYK 0 / 10 / 72 / 9

HEX #E7D140

RGB 231 209 64

HSL 52.1, 0.78%, 0.58%

LAB 83.42, -7.68, 70.43

 

CMYK 0 / 57 / 88 / 26

HEX #BD5117

RGB 189 81 23

HSL 20.96, 0.78%, 0.42%

LAB 47.96, 40.69, 51.41

 

CMYK 0 / 58 / 88 / 11

HEX #E2601B

RGB 226 96 27

HSL 20.8, 0.79%, 0.5%

LAB 56.7, 47.56, 59.39

 

CMYK 0 / 47 / 72 / 9

HEX #E77A40

RGB 231 122 64

HSL 20.84, 0.78%, 0.58%

LAB 62.74, 37.89, 49.5

 

CMYK 0 / 37 / 57 / 8

HEX #EB9365

RGB 235 147 101

HSL 20.6, 0.77%, 0.66%

LAB 69.09, 28.74, 38.07

 

CMYK 0 / 28 / 43 / 6

HEX #F0AD89

RGB 240 173 137

HSL 20.97, 0.77%, 0.74%

LAB 76.2, 20.22, 28.2

 

CMYK 0 / 47 / 72 / 9

HEX #E77A40

RGB 231 122 64

HSL 20.84, 0.78%, 0.58%

LAB 62.74, 37.89, 49.5

 

CMYK 39 / 0 / 72 / 9

HEX #8EE740

RGB 142 231 64

HSL 91.98, 0.78%, 0.58%

LAB 83.59, -52.52, 68.59

 

CMYK 72 / 68 / 0 / 9

HEX #404BE7

RGB 64 75 231

HSL 236.05, 0.78%, 0.58%

LAB 41.04, 46.75, -79.75

 

CMYK 0 / 47 / 72 / 9

HEX #E77A40

RGB 231 122 64

HSL 20.84, 0.78%, 0.58%

LAB 62.74, 37.89, 49.5

 

CMYK 72 / 0 / 48 / 9

HEX #40E778

RGB 64 231 120

HSL 140.12, 0.78%, 0.58%

LAB 81.62, -65.56, 41.92

 

CMYK 48 / 72 / 0 / 9

HEX #7840E7

RGB 120 64 231

HSL 260.12, 0.78%, 0.58%

LAB 43.4, 59.99, -75.71

 

CMYK 0 / 47 / 72 / 9

HEX #E77A40

RGB 231 122 64

HSL 20.84, 0.78%, 0.58%

LAB 62.74, 37.89, 49.5

 

CMYK 39 / 0 / 72 / 9

HEX #8EE740

RGB 142 231 64

HSL 91.98, 0.78%, 0.58%

LAB 83.59, -52.52, 68.59

 

CMYK 72 / 24 / 0 / 9

HEX #40AFE7

RGB 64 175 231

HSL 200.12, 0.78%, 0.58%

LAB 67.66, -13.27, -37.09

 

CMYK 34 / 72 / 0 / 9

HEX #9940E7

RGB 153 64 231

HSL 271.98, 0.78%, 0.58%

LAB 47.25, 65.51, -69.28

 

CMYK 0 / 47 / 72 / 9

HEX #E77A40

RGB 231 122 64

HSL 20.84, 0.78%, 0.58%

LAB 62.74, 37.89, 49.5

 

CMYK 60 / 0 / 72 / 9

HEX #5CE740

RGB 92 231 64

HSL 109.94, 0.78%, 0.58%

LAB 81.73, -66.6, 66.12

 

CMYK 72 / 24 / 0 / 9

HEX #40AFE7

RGB 64 175 231

HSL 200.12, 0.78%, 0.58%

LAB 67.66, -13.27, -37.09

 

CMYK 12 / 72 / 0 / 9

HEX #CB40E7

RGB 203 64 231

HSL 289.94, 0.78%, 0.58%

LAB 54.17, 74.99, -57.76

 

Description

Color code: HEX #E77A40 | qconv.com Color code: HEX #E77A40 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 122 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 122 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 72 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 72% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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