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Color name
HEX #E78D3F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E78D3F it is the complementary color #1872C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E78D3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E78D3F shade: #EC8D3A, #FD9F4D, #FFB160, #FFC373 and #FFD586

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E78D3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E78D3F shade: #E78D3F, #D67B2C, #C56919, #B45706 and #A34500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E78D3F shade: #E78D40, #E76040 and #E74040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E78D3F shade: #E78D40, #E7BA40, #E6E740, #B9E740 and #8CE740

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E78D3F shade matches the following richer shades: #E78D40 and #F88C2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E78D3F shade: #E78D40, #D68F51, #C49063, #B39174 and #A29285

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E78D3F shade: #E7404E, #E75E40, #E78B40, #E7B840 and #E7E440

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E78D3F shade: #BD6417, #E2781B, #E78D40, #EBA365 and #F0B989

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E78D3F shade: #E78D3F, #7AE740 and #4840E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E78D3F shade: #E78D3F, #40E78B and #8B40E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E78D3F shade: #E78D3F, #7AE740, #409CE7 and #AC40E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E78D3F shade: #E78D3F, #48E740, #409CE7 and #DF40E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 73 / 9

HEX #E78D3F

RGB 231 141 63

HSL 27.86, 0.78%, 0.58%

LAB 66.82, 27.96, 54.27

 

Complementary color

CMYK 88 / 41 / 0 / 25

HEX #1872C0

RGB 24 114 192

HSL 207.86, 0.78%, 0.42%

LAB 47.02, 3.91, -47.8

 

CMYK 0 / 40 / 75 / 7

HEX #EC8D3A

RGB 236 141 58

HSL 27.98, 0.82%, 0.58%

LAB 67.42, 29.79, 57.3

 

CMYK 0 / 37 / 70 / 1

HEX #FD9F4D

RGB 253 159 77

HSL 27.95, 0.98%, 0.65%

LAB 73.68, 28.17, 55.94

 

CMYK 0 / 31 / 62 / 0

HEX #FFB160

RGB 255 177 96

HSL 30.57, 1%, 0.69%

LAB 78.2, 20.67, 52.06

 

CMYK 0 / 24 / 55 / 0

HEX #FFC373

RGB 255 195 115

HSL 34.29, 1%, 0.73%

LAB 82.66, 12.64, 48.08

 

CMYK 0 / 16 / 47 / 0

HEX #FFD586

RGB 255 213 134

HSL 39.17, 1%, 0.76%

LAB 87.28, 4.95, 44.37

 

CMYK 0 / 39 / 73 / 9

HEX #E78D3F

RGB 231 141 63

HSL 27.86, 0.78%, 0.58%

LAB 66.82, 27.96, 54.27

 

CMYK 0 / 43 / 79 / 16

HEX #D67B2C

RGB 214 123 44

HSL 27.88, 0.67%, 0.51%

LAB 60.47, 29.7, 55.51

 

CMYK 0 / 47 / 87 / 23

HEX #C56919

RGB 197 105 25

HSL 27.91, 0.77%, 0.44%

LAB 54.07, 31.65, 56.12

 

CMYK 0 / 52 / 97 / 29

HEX #B45706

RGB 180 87 6

HSL 27.93, 0.94%, 0.36%

LAB 47.67, 33.79, 55.38

 

CMYK 0 / 58 / 100 / 36

HEX #A34500

RGB 163 69 0

HSL 25.4, 1%, 0.32%

LAB 41.28, 36.08, 51.73

 

CMYK 0 / 39 / 72 / 9

HEX #E78D40

RGB 231 141 64

HSL 27.66, 0.78%, 0.58%

LAB 66.83, 28.01, 53.83

 

CMYK 0 / 58 / 72 / 9

HEX #E76040

RGB 231 96 64

HSL 11.5, 0.78%, 0.58%

LAB 57.77, 50.55, 44.1

 

CMYK 0 / 72 / 72 / 9

HEX #E74040

RGB 231 64 64

HSL 0, 0.78%, 0.58%

LAB 52.98, 63.48, 38.71

 

CMYK 0 / 39 / 72 / 9

HEX #E78D40

RGB 231 141 64

HSL 27.66, 0.78%, 0.58%

LAB 66.83, 28.01, 53.83

 

CMYK 0 / 19 / 72 / 9

HEX #E7BA40

RGB 231 186 64

HSL 43.83, 0.78%, 0.58%

LAB 77.57, 4.17, 64.72

 

CMYK 0 / 0 / 72 / 9

HEX #E6E740

RGB 230 231 64

HSL 60.36, 0.78%, 0.58%

LAB 89.09, -19.01, 75.81

 

CMYK 20 / 0 / 72 / 9

HEX #B9E740

RGB 185 231 64

HSL 76.53, 0.78%, 0.58%

LAB 85.92, -37.03, 71.68

 

CMYK 39 / 0 / 72 / 9

HEX #8CE740

RGB 140 231 64

HSL 92.69, 0.78%, 0.58%

LAB 83.49, -53.17, 68.47

 

CMYK 0 / 39 / 72 / 9

HEX #E78D40

RGB 231 141 64

HSL 27.66, 0.78%, 0.58%

LAB 66.83, 28.01, 53.83

 

CMYK 0 / 44 / 81 / 3

HEX #F88C2F

RGB 248 140 47

HSL 27.76, 0.93%, 0.58%

LAB 68.69, 34.78, 63.53

 

CMYK 0 / 39 / 72 / 9

HEX #E78D40

RGB 231 141 64

HSL 27.66, 0.78%, 0.58%

LAB 66.83, 28.01, 53.83

 

CMYK 0 / 33 / 62 / 16

HEX #D68F51

RGB 214 143 81

HSL 27.97, 0.62%, 0.58%

LAB 65.39, 20.87, 43.39

 

CMYK 0 / 27 / 49 / 23

HEX #C49063

RGB 196 144 99

HSL 27.84, 0.45%, 0.58%

LAB 63.82, 14.29, 31.54

 

CMYK 0 / 19 / 35 / 30

HEX #B39174

RGB 179 145 116

HSL 27.62, 0.29%, 0.58%

LAB 62.59, 8.62, 20.23

 

CMYK 0 / 10 / 18 / 36

HEX #A29285

RGB 162 146 133

HSL 26.9, 0.13%, 0.58%

LAB 61.6, 3.73, 9.05

 

CMYK 0 / 72 / 66 / 9

HEX #E7404E

RGB 231 64 78

HSL 354.97, 0.78%, 0.58%

LAB 53.17, 64.15, 30.89

 

CMYK 0 / 59 / 72 / 9

HEX #E75E40

RGB 231 94 64

HSL 10.78, 0.78%, 0.58%

LAB 57.43, 51.46, 43.72

 

CMYK 0 / 40 / 72 / 9

HEX #E78B40

RGB 231 139 64

HSL 26.95, 0.78%, 0.58%

LAB 66.39, 29.06, 53.36

 

CMYK 0 / 20 / 72 / 9

HEX #E7B840

RGB 231 184 64

HSL 43.11, 0.78%, 0.58%

LAB 77.07, 5.21, 64.23

 

CMYK 0 / 1 / 72 / 9

HEX #E7E440

RGB 231 228 64

HSL 58.92, 0.78%, 0.58%

LAB 88.37, -17.14, 75.16

 

CMYK 0 / 47 / 88 / 26

HEX #BD6417

RGB 189 100 23

HSL 27.83, 0.78%, 0.42%

LAB 51.83, 30.94, 54.5

 

CMYK 0 / 47 / 88 / 11

HEX #E2781B

RGB 226 120 27

HSL 28.04, 0.79%, 0.5%

LAB 61.38, 35.71, 63.01

 

CMYK 0 / 39 / 72 / 9

HEX #E78D40

RGB 231 141 64

HSL 27.66, 0.78%, 0.58%

LAB 66.83, 28.01, 53.83

 

CMYK 0 / 31 / 57 / 8

HEX #EBA365

RGB 235 163 101

HSL 27.76, 0.77%, 0.66%

LAB 72.76, 20.26, 42.58

 

CMYK 0 / 23 / 43 / 6

HEX #F0B989

RGB 240 185 137

HSL 27.96, 0.77%, 0.74%

LAB 79.06, 13.88, 31.98

 

CMYK 0 / 39 / 73 / 9

HEX #E78D3F

RGB 231 141 63

HSL 27.86, 0.78%, 0.58%

LAB 66.82, 27.96, 54.27

 

CMYK 47 / 0 / 72 / 9

HEX #7AE740

RGB 122 231 64

HSL 99.16, 0.78%, 0.58%

LAB 82.73, -58.76, 67.46

 

CMYK 69 / 72 / 0 / 9

HEX #4840E7

RGB 72 64 231

HSL 242.87, 0.78%, 0.58%

LAB 39.27, 53.78, -82.66

 

CMYK 0 / 39 / 73 / 9

HEX #E78D3F

RGB 231 141 63

HSL 27.86, 0.78%, 0.58%

LAB 66.82, 27.96, 54.27

 

CMYK 72 / 0 / 40 / 9

HEX #40E78B

RGB 64 231 139

HSL 146.95, 0.78%, 0.58%

LAB 81.9, -62.39, 32.88

 

CMYK 40 / 72 / 0 / 9

HEX #8B40E7

RGB 139 64 231

HSL 266.95, 0.78%, 0.58%

LAB 45.53, 63.07, -72.15

 

CMYK 0 / 39 / 73 / 9

HEX #E78D3F

RGB 231 141 63

HSL 27.86, 0.78%, 0.58%

LAB 66.82, 27.96, 54.27

 

CMYK 47 / 0 / 72 / 9

HEX #7AE740

RGB 122 231 64

HSL 99.16, 0.78%, 0.58%

LAB 82.73, -58.76, 67.46

 

CMYK 72 / 32 / 0 / 9

HEX #409CE7

RGB 64 156 231

HSL 206.95, 0.78%, 0.58%

LAB 62.2, -2.69, -45.66

 

CMYK 26 / 72 / 0 / 9

HEX #AC40E7

RGB 172 64 231

HSL 278.8, 0.78%, 0.58%

LAB 49.75, 68.99, -65.11

 

CMYK 0 / 39 / 73 / 9

HEX #E78D3F

RGB 231 141 63

HSL 27.86, 0.78%, 0.58%

LAB 66.82, 27.96, 54.27

 

CMYK 69 / 0 / 72 / 9

HEX #48E740

RGB 72 231 64

HSL 117.13, 0.78%, 0.58%

LAB 81.24, -70.66, 65.46

 

CMYK 72 / 32 / 0 / 9

HEX #409CE7

RGB 64 156 231

HSL 206.95, 0.78%, 0.58%

LAB 62.2, -2.69, -45.66

 

CMYK 3 / 72 / 0 / 9

HEX #DF40E7

RGB 223 64 231

HSL 297.13, 0.78%, 0.58%

LAB 57.2, 79.01, -52.75

 

Description

Color code: HEX #E78D3F | qconv.com Color code: HEX #E78D3F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 141 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 141 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 73 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 73% 9% C M Y K

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Provide designers and agencies with accurate color values.

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