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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E797BC it is the complementary color #186843. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E797BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E797BC shade: #EC97B7, #FDA9CA, #FFBBDD, #FFCDF0 and #FFDFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E797BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E797BC shade: #E797BC, #D685A9, #C57396, #B46183 and #A34F70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E797BC shade: #E797BC, #E797A6 and #E79797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E797BC shade: #E797BC, #E797D1, #E797E7, #D197E7 and #BB97E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E797BC shade matches the following richer shades: #E797BC, #F18CBB and #FC82BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E797BC shade: #E797BC, #DDA1BD, #D2ABBD, #C8B6BE and #BEC0BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E797BC shade: #E797E7, #E797D1, #E797BC, #E797A7 and #E79C97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E797BC shade: #D85391, #DF75A6, #E797BC, #EFB8D1 and #F6DAE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E797BC shade: #E797BC, #E7D197 and #97DCE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E797BC shade: #E797BC, #BCE797 and #97BCE7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E797BC shade: #E797BC, #E7D197, #97E7C1 and #97ACE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E797BC shade: #E797BC, #E4E797, #97E7C1 and #9997E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 19 / 9

HEX #E797BC

RGB 231 151 188

HSL 332.25, 0.63%, 0.75%

LAB 71.39, 35.13, -6.69

 

Complementary color

CMYK 77 / 0 / 36 / 59

HEX #186843

RGB 24 104 67

HSL 152.25, 0.63%, 0.25%

LAB 38.73, -33.11, 14.22

 

CMYK 0 / 36 / 22 / 7

HEX #EC97B7

RGB 236 151 183

HSL 337.41, 0.69%, 0.76%

LAB 71.82, 36.13, -3.22

 

CMYK 0 / 33 / 20 / 1

HEX #FDA9CA

RGB 253 169 202

HSL 336.43, 0.95%, 0.83%

LAB 78.18, 35.36, -4.06

 

CMYK 0 / 27 / 13 / 0

HEX #FFBBDD

RGB 255 187 221

HSL 330, 1%, 0.87%

LAB 82.92, 29.52, -7.3

 

CMYK 0 / 20 / 6 / 0

HEX #FFCDF0

RGB 255 205 240

HSL 318, 1%, 0.9%

LAB 87.59, 23.21, -10.5

 

CMYK 0 / 13 / 0 / 0

HEX #FFDFFF

RGB 255 223 255

HSL 300, 1%, 0.94%

LAB 92.25, 16.43, -11.45

 

CMYK 0 / 35 / 19 / 9

HEX #E797BC

RGB 231 151 188

HSL 332.25, 0.63%, 0.75%

LAB 71.39, 35.13, -6.69

 

CMYK 0 / 38 / 21 / 16

HEX #D685A9

RGB 214 133 169

HSL 333.33, 0.5%, 0.68%

LAB 64.91, 35.91, -5.86

 

CMYK 0 / 42 / 24 / 23

HEX #C57396

RGB 197 115 150

HSL 334.39, 0.41%, 0.61%

LAB 58.35, 36.74, -4.93

 

CMYK 0 / 46 / 27 / 29

HEX #B46183

RGB 180 97 131

HSL 335.42, 0.36%, 0.54%

LAB 51.71, 37.6, -3.86

 

CMYK 0 / 52 / 31 / 36

HEX #A34F70

RGB 163 79 112

HSL 336.43, 0.35%, 0.47%

LAB 45.01, 38.46, -2.59

 

CMYK 0 / 35 / 19 / 9

HEX #E797BC

RGB 231 151 188

HSL 332.25, 0.63%, 0.75%

LAB 71.39, 35.13, -6.69

 

CMYK 0 / 35 / 28 / 9

HEX #E797A6

RGB 231 151 166

HSL 348.75, 0.63%, 0.75%

LAB 70.78, 31.97, 4.65

 

CMYK 0 / 35 / 35 / 9

HEX #E79797

RGB 231 151 151

HSL 0, 0.63%, 0.75%

LAB 70.42, 30.05, 12.47

 

CMYK 0 / 35 / 19 / 9

HEX #E797BC

RGB 231 151 188

HSL 332.25, 0.63%, 0.75%

LAB 71.39, 35.13, -6.69

 

CMYK 0 / 35 / 10 / 9

HEX #E797D1

RGB 231 151 209

HSL 316.5, 0.63%, 0.75%

LAB 72.04, 38.49, -17.32

 

CMYK 0 / 35 / 0 / 9

HEX #E797E7

RGB 231 151 231

HSL 300, 0.63%, 0.75%

LAB 72.82, 42.33, -28.22

 

CMYK 10 / 35 / 0 / 9

HEX #D197E7

RGB 209 151 231

HSL 283.5, 0.63%, 0.75%

LAB 70.5, 35.55, -32

 

CMYK 19 / 35 / 0 / 9

HEX #BB97E7

RGB 187 151 231

HSL 267, 0.63%, 0.75%

LAB 68.36, 28.88, -35.47

 

CMYK 0 / 35 / 19 / 9

HEX #E797BC

RGB 231 151 188

HSL 332.25, 0.63%, 0.75%

LAB 71.39, 35.13, -6.69

 

CMYK 0 / 42 / 22 / 5

HEX #F18CBB

RGB 241 140 187

HSL 332.08, 0.78%, 0.75%

LAB 70.21, 44.12, -7.75

 

CMYK 0 / 48 / 26 / 1

HEX #FC82BA

RGB 252 130 186

HSL 332.46, 0.95%, 0.75%

LAB 69.62, 52.59, -7.92

 

CMYK 0 / 35 / 19 / 9

HEX #E797BC

RGB 231 151 188

HSL 332.25, 0.63%, 0.75%

LAB 71.39, 35.13, -6.69

 

CMYK 0 / 27 / 14 / 13

HEX #DDA1BD

RGB 221 161 189

HSL 332, 0.47%, 0.75%

LAB 72.59, 26.45, -5.59

 

CMYK 0 / 19 / 10 / 18

HEX #D2ABBD

RGB 210 171 189

HSL 332.31, 0.3%, 0.75%

LAB 73.87, 17.13, -3.82

 

CMYK 0 / 9 / 5 / 22

HEX #C8B6BE

RGB 200 182 190

HSL 333.33, 0.14%, 0.75%

LAB 75.73, 7.8, -1.73

 

CMYK 1 / 0 / 1 / 25

HEX #BEC0BF

RGB 190 192 191

HSL 150, 0.02%, 0.75%

LAB 77.52, -0.87, 0.25

 

CMYK 0 / 35 / 0 / 9

HEX #E797E7

RGB 231 151 231

HSL 300, 0.63%, 0.75%

LAB 72.82, 42.33, -28.22

 

CMYK 0 / 35 / 10 / 9

HEX #E797D1

RGB 231 151 209

HSL 316.5, 0.63%, 0.75%

LAB 72.04, 38.49, -17.32

 

CMYK 0 / 35 / 19 / 9

HEX #E797BC

RGB 231 151 188

HSL 332.25, 0.63%, 0.75%

LAB 71.39, 35.13, -6.69

 

CMYK 0 / 35 / 28 / 9

HEX #E797A7

RGB 231 151 167

HSL 348, 0.63%, 0.75%

LAB 70.81, 32.11, 4.13

 

CMYK 0 / 32 / 35 / 9

HEX #E79C97

RGB 231 156 151

HSL 3.75, 0.63%, 0.75%

LAB 71.56, 27.39, 14.06

 

CMYK 0 / 62 / 33 / 15

HEX #D85391

RGB 216 83 145

HSL 332.03, 0.63%, 0.59%

LAB 54.9, 57.92, -6.84

 

CMYK 0 / 48 / 26 / 13

HEX #DF75A6

RGB 223 117 166

HSL 332.26, 0.62%, 0.67%

LAB 62.65, 46.85, -7.39

 

CMYK 0 / 35 / 19 / 9

HEX #E797BC

RGB 231 151 188

HSL 332.25, 0.63%, 0.75%

LAB 71.39, 35.13, -6.69

 

CMYK 0 / 23 / 13 / 6

HEX #EFB8D1

RGB 239 184 209

HSL 332.73, 0.63%, 0.83%

LAB 80.31, 23.67, -4.89

 

CMYK 0 / 11 / 6 / 4

HEX #F6DAE7

RGB 246 218 231

HSL 332.14, 0.61%, 0.91%

LAB 89.63, 11.82, -2.82

 

CMYK 0 / 35 / 19 / 9

HEX #E797BC

RGB 231 151 188

HSL 332.25, 0.63%, 0.75%

LAB 71.39, 35.13, -6.69

 

CMYK 0 / 10 / 35 / 9

HEX #E7D197

RGB 231 209 151

HSL 43.5, 0.63%, 0.75%

LAB 84.39, -0.64, 31.59

 

CMYK 35 / 5 / 0 / 9

HEX #97DCE7

RGB 151 220 231

HSL 188.25, 0.63%, 0.75%

LAB 83.72, -18.87, -12.28

 

CMYK 0 / 35 / 19 / 9

HEX #E797BC

RGB 231 151 188

HSL 332.25, 0.63%, 0.75%

LAB 71.39, 35.13, -6.69

 

CMYK 19 / 0 / 35 / 9

HEX #BCE797

RGB 188 231 151

HSL 92.25, 0.63%, 0.75%

LAB 87.03, -27.71, 34.51

 

CMYK 35 / 19 / 0 / 9

HEX #97BCE7

RGB 151 188 231

HSL 212.25, 0.63%, 0.75%

LAB 75.02, -2.16, -25.43

 

CMYK 0 / 35 / 19 / 9

HEX #E797BC

RGB 231 151 188

HSL 332.25, 0.63%, 0.75%

LAB 71.39, 35.13, -6.69

 

CMYK 0 / 10 / 35 / 9

HEX #E7D197

RGB 231 209 151

HSL 43.5, 0.63%, 0.75%

LAB 84.39, -0.64, 31.59

 

CMYK 35 / 0 / 16 / 9

HEX #97E7C1

RGB 151 231 193

HSL 151.5, 0.63%, 0.75%

LAB 85.8, -32.57, 10.81

 

CMYK 35 / 26 / 0 / 9

HEX #97ACE7

RGB 151 172 231

HSL 224.25, 0.63%, 0.75%

LAB 70.77, 6.64, -31.97

 

CMYK 0 / 35 / 19 / 9

HEX #E797BC

RGB 231 151 188

HSL 332.25, 0.63%, 0.75%

LAB 71.39, 35.13, -6.69

 

CMYK 1 / 0 / 35 / 9

HEX #E4E797

RGB 228 231 151

HSL 62.25, 0.63%, 0.75%

LAB 89.8, -12.94, 38.66

 

CMYK 35 / 0 / 16 / 9

HEX #97E7C1

RGB 151 231 193

HSL 151.5, 0.63%, 0.75%

LAB 85.8, -32.57, 10.81

 

CMYK 34 / 35 / 0 / 9

HEX #9997E7

RGB 153 151 231

HSL 241.5, 0.63%, 0.75%

LAB 65.49, 19.09, -40.16

 

Description

Color code: HEX #E797BC | qconv.com Color code: HEX #E797BC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 151 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 151 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 19 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 19% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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