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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E79AE5 it is the complementary color #18651A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E79AE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E79AE5 shade: #EC9AE0, #FDACF3, #FFBEFF, #FFD0FF and #FFE2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E79AE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E79AE5 shade: #E79AE5, #D688D2, #C576BF, #B464AC and #A35299

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E79AE5 shade: #E697E4, #E697CF, #E697BA, #E697A4 and #E69797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E79AE5 shade: #E697E4, #D397E6, #BE97E6, #A897E6 and #9797E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E79AE5 shade matches the following richer shades: #E697E4, #F18DEE and #FB83F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E79AE5 shade: #E697E4, #DCA2DA, #D2ACD1, #C7B6C7 and #BDC0BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E79AE5 shade: #BD97E6, #D397E6, #E697E5, #E697D0 and #E697BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E79AE5 shade: #D754D3, #DE76DC, #E697E4, #EEB9ED and #F6DAF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E79AE5 shade: #E79AE5, #E6A897 and #97E6C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E79AE5 shade: #E79AE5, #E5E697 and #97E5E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E79AE5 shade: #E79AE5, #E6A897, #97E699 and #97D5E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E79AE5 shade: #E79AE5, #E6C097, #97E699 and #97BDE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 1 / 9

HEX #E79AE5

RGB 231 154 229

HSL 301.56, 0.62%, 0.75%

LAB 73.39, 40.39, -26.26

 

Complementary color

CMYK 76 / 0 / 74 / 60

HEX #18651A

RGB 24 101 26

HSL 121.56, 0.62%, 0.25%

LAB 37.07, -38.74, 34.27

 

CMYK 0 / 35 / 5 / 7

HEX #EC9AE0

RGB 236 154 224

HSL 308.78, 0.68%, 0.76%

LAB 73.76, 41.09, -22.91

 

CMYK 0 / 32 / 4 / 1

HEX #FDACF3

RGB 253 172 243

HSL 307.41, 0.95%, 0.83%

LAB 80.1, 40.38, -23.39

 

CMYK 0 / 25 / 0 / 0

HEX #FFBEFF

RGB 255 190 255

HSL 300, 1%, 0.87%

LAB 84.64, 33.72, -22.89

 

CMYK 0 / 18 / 0 / 0

HEX #FFD0FF

RGB 255 208 255

HSL 300, 1%, 0.91%

LAB 88.73, 24.27, -16.71

 

CMYK 0 / 11 / 0 / 0

HEX #FFE2FF

RGB 255 226 255

HSL 300, 1%, 0.94%

LAB 92.96, 14.86, -10.39

 

CMYK 0 / 33 / 1 / 9

HEX #E79AE5

RGB 231 154 229

HSL 301.56, 0.62%, 0.75%

LAB 73.39, 40.39, -26.26

 

CMYK 0 / 36 / 2 / 16

HEX #D688D2

RGB 214 136 210

HSL 303.08, 0.49%, 0.69%

LAB 66.94, 41.12, -25.82

 

CMYK 0 / 40 / 3 / 23

HEX #C576BF

RGB 197 118 191

HSL 304.56, 0.41%, 0.62%

LAB 60.42, 41.87, -25.33

 

CMYK 0 / 44 / 4 / 29

HEX #B464AC

RGB 180 100 172

HSL 306, 0.35%, 0.55%

LAB 53.81, 42.62, -24.78

 

CMYK 0 / 50 / 6 / 36

HEX #A35299

RGB 163 82 153

HSL 307.41, 0.33%, 0.48%

LAB 47.13, 43.34, -24.11

 

CMYK 0 / 34 / 1 / 10

HEX #E697E4

RGB 230 151 228

HSL 301.52, 0.61%, 0.75%

LAB 72.6, 41.48, -26.93

 

CMYK 0 / 34 / 10 / 10

HEX #E697CF

RGB 230 151 207

HSL 317.47, 0.61%, 0.75%

LAB 71.87, 37.82, -16.5

 

CMYK 0 / 34 / 19 / 10

HEX #E697BA

RGB 230 151 186

HSL 333.42, 0.61%, 0.75%

LAB 71.22, 34.48, -5.85

 

CMYK 0 / 34 / 29 / 10

HEX #E697A4

RGB 230 151 164

HSL 350.13, 0.61%, 0.75%

LAB 70.62, 31.34, 5.51

 

CMYK 0 / 34 / 34 / 10

HEX #E69797

RGB 230 151 151

HSL 0, 0.61%, 0.75%

LAB 70.31, 29.67, 12.29

 

CMYK 0 / 34 / 1 / 10

HEX #E697E4

RGB 230 151 228

HSL 301.52, 0.61%, 0.75%

LAB 72.6, 41.48, -26.93

 

CMYK 8 / 34 / 0 / 10

HEX #D397E6

RGB 211 151 230

HSL 285.57, 0.61%, 0.75%

LAB 70.66, 35.96, -31.18

 

CMYK 17 / 34 / 0 / 10

HEX #BE97E6

RGB 190 151 230

HSL 269.62, 0.61%, 0.75%

LAB 68.6, 29.56, -34.53

 

CMYK 27 / 34 / 0 / 10

HEX #A897E6

RGB 168 151 230

HSL 252.91, 0.61%, 0.75%

LAB 66.65, 23.06, -37.71

 

CMYK 34 / 34 / 0 / 10

HEX #9797E6

RGB 151 151 230

HSL 240, 0.61%, 0.75%

LAB 65.3, 18.28, -39.92

 

CMYK 0 / 34 / 1 / 10

HEX #E697E4

RGB 230 151 228

HSL 301.52, 0.61%, 0.75%

LAB 72.6, 41.48, -26.93

 

CMYK 0 / 41 / 1 / 5

HEX #F18DEE

RGB 241 141 238

HSL 301.8, 0.78%, 0.75%

LAB 72.18, 51.76, -32.94

 

CMYK 0 / 48 / 1 / 2

HEX #FB83F8

RGB 251 131 248

HSL 301.5, 0.94%, 0.75%

LAB 71.91, 61.26, -38.73

 

CMYK 0 / 34 / 1 / 10

HEX #E697E4

RGB 230 151 228

HSL 301.52, 0.61%, 0.75%

LAB 72.6, 41.48, -26.93

 

CMYK 0 / 26 / 1 / 14

HEX #DCA2DA

RGB 220 162 218

HSL 302.07, 0.45%, 0.75%

LAB 73.62, 30.58, -19.99

 

CMYK 0 / 18 / 0 / 18

HEX #D2ACD1

RGB 210 172 209

HSL 301.58, 0.3%, 0.75%

LAB 74.71, 20.16, -13.52

 

CMYK 0 / 9 / 0 / 22

HEX #C7B6C7

RGB 199 182 199

HSL 300, 0.13%, 0.75%

LAB 75.9, 9.1, -6.4

 

CMYK 2 / 0 / 2 / 25

HEX #BDC0BD

RGB 189 192 189

HSL 120, 0.02%, 0.75%

LAB 77.4, -1.59, 1.14

 

CMYK 18 / 34 / 0 / 10

HEX #BD97E6

RGB 189 151 230

HSL 268.86, 0.61%, 0.75%

LAB 68.51, 29.26, -34.68

 

CMYK 8 / 34 / 0 / 10

HEX #D397E6

RGB 211 151 230

HSL 285.57, 0.61%, 0.75%

LAB 70.66, 35.96, -31.18

 

CMYK 0 / 34 / 0 / 10

HEX #E697E5

RGB 230 151 229

HSL 300.76, 0.61%, 0.75%

LAB 72.64, 41.66, -27.42

 

CMYK 0 / 34 / 10 / 10

HEX #E697D0

RGB 230 151 208

HSL 316.71, 0.61%, 0.75%

LAB 71.9, 37.99, -17

 

CMYK 0 / 34 / 19 / 10

HEX #E697BB

RGB 230 151 187

HSL 332.66, 0.61%, 0.75%

LAB 71.24, 34.63, -6.36

 

CMYK 0 / 61 / 2 / 16

HEX #D754D3

RGB 215 84 211

HSL 301.83, 0.62%, 0.59%

LAB 57.55, 66.67, -40.97

 

CMYK 0 / 47 / 1 / 13

HEX #DE76DC

RGB 222 118 220

HSL 301.15, 0.61%, 0.67%

LAB 64.69, 54.55, -34.8

 

CMYK 0 / 34 / 1 / 10

HEX #E697E4

RGB 230 151 228

HSL 301.52, 0.61%, 0.75%

LAB 72.6, 41.48, -26.93

 

CMYK 0 / 22 / 0 / 7

HEX #EEB9ED

RGB 238 185 237

HSL 301.13, 0.61%, 0.83%

LAB 81.29, 27.63, -18.51

 

CMYK 0 / 11 / 0 / 4

HEX #F6DAF5

RGB 246 218 245

HSL 302.14, 0.61%, 0.91%

LAB 90.01, 14.27, -9.61

 

CMYK 0 / 33 / 1 / 9

HEX #E79AE5

RGB 231 154 229

HSL 301.56, 0.62%, 0.75%

LAB 73.39, 40.39, -26.26

 

CMYK 0 / 27 / 34 / 10

HEX #E6A897

RGB 230 168 151

HSL 12.91, 0.61%, 0.75%

LAB 74.23, 20.6, 17.77

 

CMYK 34 / 0 / 13 / 10

HEX #97E6C8

RGB 151 230 200

HSL 157.22, 0.61%, 0.75%

LAB 85.68, -30.68, 6.96

 

CMYK 0 / 33 / 1 / 9

HEX #E79AE5

RGB 231 154 229

HSL 301.56, 0.62%, 0.75%

LAB 73.39, 40.39, -26.26

 

CMYK 0 / 0 / 34 / 10

HEX #E5E697

RGB 229 230 151

HSL 60.76, 0.61%, 0.75%

LAB 89.62, -12.06, 38.44

 

CMYK 34 / 0 / 0 / 10

HEX #97E5E6

RGB 151 229 230

HSL 180.76, 0.61%, 0.75%

LAB 86.17, -23.58, -8.1

 

CMYK 0 / 33 / 1 / 9

HEX #E79AE5

RGB 231 154 229

HSL 301.56, 0.62%, 0.75%

LAB 73.39, 40.39, -26.26

 

CMYK 0 / 27 / 34 / 10

HEX #E6A897

RGB 230 168 151

HSL 12.91, 0.61%, 0.75%

LAB 74.23, 20.6, 17.77

 

CMYK 34 / 0 / 33 / 10

HEX #97E699

RGB 151 230 153

HSL 121.52, 0.61%, 0.75%

LAB 84.73, -39.32, 30.06

 

CMYK 34 / 7 / 0 / 10

HEX #97D5E6

RGB 151 213 230

HSL 192.91, 0.61%, 0.75%

LAB 81.77, -15.56, -14.67

 

CMYK 0 / 33 / 1 / 9

HEX #E79AE5

RGB 231 154 229

HSL 301.56, 0.62%, 0.75%

LAB 73.39, 40.39, -26.26

 

CMYK 0 / 17 / 34 / 10

HEX #E6C097

RGB 230 192 151

HSL 31.14, 0.61%, 0.75%

LAB 80.04, 7.84, 25.74

 

CMYK 34 / 0 / 33 / 10

HEX #97E699

RGB 151 230 153

HSL 121.52, 0.61%, 0.75%

LAB 84.73, -39.32, 30.06

 

CMYK 34 / 18 / 0 / 10

HEX #97BDE6

RGB 151 189 230

HSL 211.14, 0.61%, 0.75%

LAB 75.26, -2.95, -24.53

 

Description

Color code: HEX #E79AE5 | qconv.com Color code: HEX #E79AE5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 154 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 154 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 1 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 1% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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