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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E807C4 it is the complementary color #17F83B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E807C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E807C4 shade: #ED07BF, #FE19D2, #FF2BE5, #FF3DF8 and #FF4FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E807C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E807C4 shade: #E807C4, #D700B1, #C6009E, #B5008B and #A40078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E807C4 shade: #E807C4, #E80787, #E8074A, #E8070E and #E80707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E807C4 shade: #E807C4, #CF07E8, #9307E8, #5607E8 and #1907E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E807C4 shade matches the following richer shades: #E807C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E807C4 shade: #E807C4, #D51AB7, #C12DAA, #AE419C and #9A548F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E807C4 shade: #9207E8, #CE07E8, #E807C6, #E8078A and #E8074E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E807C4 shade: #980480, #C005A2, #E807C4, #F820D5 and #F948DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E807C4 shade: #E807C4, #E85607 and #07E8B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E807C4 shade: #E807C4, #C6E807 and #07C6E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E807C4 shade: #E807C4, #E85607, #07E828 and #0799E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E807C4 shade: #E807C4, #E89907, #07E828 and #0756E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 16 / 9

HEX #E807C4

RGB 232 7 196

HSL 309.6, 0.94%, 0.47%

LAB 53.27, 86.21, -38.93

 

Complementary color

CMYK 91 / 0 / 76 / 3

HEX #17F83B

RGB 23 248 59

HSL 129.6, 0.94%, 0.53%

LAB 85.82, -81.5, 71.44

 

CMYK 0 / 97 / 19 / 7

HEX #ED07BF

RGB 237 7 191

HSL 312, 0.94%, 0.48%

LAB 53.94, 86.51, -34.92

 

CMYK 0 / 90 / 17 / 0

HEX #FE19D2

RGB 254 25 210

HSL 311.53, 0.99%, 0.55%

LAB 58.43, 90.33, -38.58

 

CMYK 0 / 83 / 10 / 0

HEX #FF2BE5

RGB 255 43 229

HSL 307.36, 1%, 0.58%

LAB 60.47, 90.18, -46.11

 

CMYK 0 / 76 / 3 / 0

HEX #FF3DF8

RGB 255 61 248

HSL 302.16, 1%, 0.62%

LAB 62.82, 88.81, -52.98

 

CMYK 0 / 69 / 0 / 0

HEX #FF4FFF

RGB 255 79 255

HSL 300, 1%, 0.65%

LAB 65.02, 84.61, -53.35

 

CMYK 0 / 97 / 16 / 9

HEX #E807C4

RGB 232 7 196

HSL 309.6, 0.94%, 0.47%

LAB 53.27, 86.21, -38.93

 

CMYK 0 / 100 / 18 / 16

HEX #D700B1

RGB 215 0 177

HSL 310.6, 1%, 0.42%

LAB 49.03, 81.31, -34.72

 

CMYK 0 / 100 / 20 / 22

HEX #C6009E

RGB 198 0 158

HSL 312.12, 1%, 0.39%

LAB 44.91, 75.85, -30.13

 

CMYK 0 / 100 / 23 / 29

HEX #B5008B

RGB 181 0 139

HSL 313.92, 1%, 0.35%

LAB 40.72, 70.32, -25.38

 

CMYK 0 / 100 / 27 / 36

HEX #A40078

RGB 164 0 120

HSL 316.1, 1%, 0.32%

LAB 36.46, 64.69, -20.46

 

CMYK 0 / 97 / 16 / 9

HEX #E807C4

RGB 232 7 196

HSL 309.6, 0.94%, 0.47%

LAB 53.27, 86.21, -38.93

 

CMYK 0 / 97 / 42 / 9

HEX #E80787

RGB 232 7 135

HSL 325.87, 0.94%, 0.47%

LAB 50.75, 79.73, -6.74

 

CMYK 0 / 97 / 68 / 9

HEX #E8074A

RGB 232 7 74

HSL 342.13, 0.94%, 0.47%

LAB 49.26, 75.71, 28.42

 

CMYK 0 / 97 / 94 / 9

HEX #E8070E

RGB 232 7 14

HSL 358.13, 0.94%, 0.47%

LAB 48.68, 74.14, 58.75

 

CMYK 0 / 97 / 97 / 9

HEX #E80707

RGB 232 7 7

HSL 0, 0.94%, 0.47%

LAB 48.66, 74.08, 60.69

 

CMYK 0 / 97 / 16 / 9

HEX #E807C4

RGB 232 7 196

HSL 309.6, 0.94%, 0.47%

LAB 53.27, 86.21, -38.93

 

CMYK 11 / 97 / 0 / 9

HEX #CF07E8

RGB 207 7 232

HSL 293.33, 0.94%, 0.47%

LAB 50.97, 87.19, -63.43

 

CMYK 37 / 97 / 0 / 9

HEX #9307E8

RGB 147 7 232

HSL 277.33, 0.94%, 0.47%

LAB 41.5, 79.5, -79.27

 

CMYK 63 / 97 / 0 / 9

HEX #5607E8

RGB 86 7 232

HSL 261.07, 0.94%, 0.47%

LAB 33.89, 74.6, -92.09

 

CMYK 89 / 97 / 0 / 9

HEX #1907E8

RGB 25 7 232

HSL 244.8, 0.94%, 0.47%

LAB 29.87, 72.72, -98.9

 

CMYK 0 / 97 / 16 / 9

HEX #E807C4

RGB 232 7 196

HSL 309.6, 0.94%, 0.47%

LAB 53.27, 86.21, -38.93

 

CMYK 0 / 97 / 16 / 9

HEX #E807C4

RGB 232 7 196

HSL 309.6, 0.94%, 0.47%

LAB 53.27, 86.21, -38.93

 

CMYK 0 / 88 / 14 / 16

HEX #D51AB7

RGB 213 26 183

HSL 309.63, 0.78%, 0.47%

LAB 49.86, 79.07, -36.97

 

CMYK 0 / 77 / 12 / 24

HEX #C12DAA

RGB 193 45 170

HSL 309.32, 0.62%, 0.47%

LAB 47.13, 69.04, -33.86

 

CMYK 0 / 63 / 10 / 32

HEX #AE419C

RGB 174 65 156

HSL 309.91, 0.46%, 0.47%

LAB 45.88, 55.11, -27.72

 

CMYK 0 / 45 / 7 / 40

HEX #9A548F

RGB 154 84 143

HSL 309.43, 0.29%, 0.47%

LAB 45.9, 37.63, -20.14

 

CMYK 37 / 97 / 0 / 9

HEX #9207E8

RGB 146 7 232

HSL 277.07, 0.94%, 0.47%

LAB 41.36, 79.39, -79.51

 

CMYK 11 / 97 / 0 / 9

HEX #CE07E8

RGB 206 7 232

HSL 293.07, 0.94%, 0.47%

LAB 50.8, 87.04, -63.71

 

CMYK 0 / 97 / 15 / 9

HEX #E807C6

RGB 232 7 198

HSL 309.07, 0.94%, 0.47%

LAB 53.37, 86.46, -39.93

 

CMYK 0 / 97 / 41 / 9

HEX #E8078A

RGB 232 7 138

HSL 325.07, 0.94%, 0.47%

LAB 50.85, 79.99, -8.4

 

CMYK 0 / 97 / 66 / 9

HEX #E8074E

RGB 232 7 78

HSL 341.07, 0.94%, 0.47%

LAB 49.32, 75.89, 26.08

 

CMYK 0 / 97 / 16 / 40

HEX #980480

RGB 152 4 128

HSL 309.73, 0.95%, 0.31%

LAB 34.64, 62.81, -28.49

 

CMYK 0 / 97 / 16 / 25

HEX #C005A2

RGB 192 5 162

HSL 309.63, 0.95%, 0.39%

LAB 44.12, 74.78, -33.83

 

CMYK 0 / 97 / 16 / 9

HEX #E807C4

RGB 232 7 196

HSL 309.6, 0.94%, 0.47%

LAB 53.27, 86.21, -38.93

 

CMYK 0 / 87 / 14 / 3

HEX #F820D5

RGB 248 32 213

HSL 309.72, 0.94%, 0.55%

LAB 57.84, 88.65, -41.29

 

CMYK 0 / 71 / 11 / 2

HEX #F948DD

RGB 249 72 221

HSL 309.49, 0.94%, 0.63%

LAB 61.65, 80.53, -39.82

 

CMYK 0 / 97 / 16 / 9

HEX #E807C4

RGB 232 7 196

HSL 309.6, 0.94%, 0.47%

LAB 53.27, 86.21, -38.93

 

CMYK 0 / 63 / 97 / 9

HEX #E85607

RGB 232 86 7

HSL 21.07, 0.94%, 0.47%

LAB 55.91, 53.94, 64.48

 

CMYK 97 / 0 / 24 / 9

HEX #07E8B0

RGB 7 232 176

HSL 165.07, 0.94%, 0.47%

LAB 82.32, -59.44, 14.31

 

CMYK 0 / 97 / 16 / 9

HEX #E807C4

RGB 232 7 196

HSL 309.6, 0.94%, 0.47%

LAB 53.27, 86.21, -38.93

 

CMYK 15 / 0 / 97 / 9

HEX #C6E807

RGB 198 232 7

HSL 69.07, 0.94%, 0.47%

LAB 86.87, -33.97, 84.46

 

CMYK 97 / 15 / 0 / 9

HEX #07C6E8

RGB 7 198 232

HSL 189.07, 0.94%, 0.47%

LAB 73.71, -28.84, -28.34

 

CMYK 0 / 97 / 16 / 9

HEX #E807C4

RGB 232 7 196

HSL 309.6, 0.94%, 0.47%

LAB 53.27, 86.21, -38.93

 

CMYK 0 / 63 / 97 / 9

HEX #E85607

RGB 232 86 7

HSL 21.07, 0.94%, 0.47%

LAB 55.91, 53.94, 64.48

 

CMYK 97 / 0 / 83 / 9

HEX #07E828

RGB 7 232 40

HSL 128.8, 0.94%, 0.47%

LAB 80.69, -78.9, 71.79

 

CMYK 97 / 34 / 0 / 9

HEX #0799E8

RGB 7 153 232

HSL 201.07, 0.94%, 0.47%

LAB 60.47, -4.87, -48.99

 

CMYK 0 / 97 / 16 / 9

HEX #E807C4

RGB 232 7 196

HSL 309.6, 0.94%, 0.47%

LAB 53.27, 86.21, -38.93

 

CMYK 0 / 34 / 97 / 9

HEX #E89907

RGB 232 153 7

HSL 38.93, 0.94%, 0.47%

LAB 69.44, 20.59, 73.12

 

CMYK 97 / 0 / 83 / 9

HEX #07E828

RGB 7 232 40

HSL 128.8, 0.94%, 0.47%

LAB 80.69, -78.9, 71.79

 

CMYK 97 / 63 / 0 / 9

HEX #0756E8

RGB 7 86 232

HSL 218.93, 0.94%, 0.47%

LAB 42.04, 36.85, -78.74

 

Description

Color code: HEX #E807C4 | qconv.com Color code: HEX #E807C4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 7 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 7 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 16 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 16% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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