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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E826E6 it is the complementary color #17D919. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E826E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E826E6 shade: #ED26E1, #FE38F4, #FF4AFF, #FF5CFF and #FF6EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E826E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E826E6 shade: #E826E6, #D714D3, #C602C0, #B500AD and #A4009A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E826E6 shade: #E826E6, #E826B1, #E8267D, #E82649 and #E82626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E826E6 shade: #E826E6, #B526E8, #8126E8, #4D26E8 and #2626E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E826E6 shade matches the following richer shades: #E826E6 and #FB12F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E826E6 shade: #E826E6, #D439D3, #C14CC0, #AE60AD and #9A739A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E826E6 shade: #8026E8, #B426E8, #E826E8, #E826B4 and #E82680

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E826E6 shade: #A911A8, #CF15CD, #E826E6, #EC4BEA and #F070EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E826E6 shade: #E826E6, #E84C26 and #26E89A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E826E6 shade: #E826E6, #E8E826 and #26E8E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E826E6 shade: #E826E6, #E84C26, #26E826 and #26C1E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E826E6 shade: #E826E6, #E88726, #26E826 and #2687E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 1 / 9

HEX #E826E6

RGB 232 38 230

HSL 300.62, 0.81%, 0.53%

LAB 56.34, 87.05, -53.46

 

Complementary color

CMYK 89 / 0 / 88 / 15

HEX #17D919

RGB 23 217 25

HSL 120.62, 0.81%, 0.47%

LAB 75.99, -74.72, 70.81

 

CMYK 0 / 84 / 5 / 7

HEX #ED26E1

RGB 237 38 225

HSL 303.62, 0.85%, 0.54%

LAB 56.91, 87.23, -49.69

 

CMYK 0 / 78 / 4 / 0

HEX #FE38F4

RGB 254 56 244

HSL 303.03, 0.99%, 0.61%

LAB 62.02, 89.28, -52.03

 

CMYK 0 / 71 / 0 / 0

HEX #FF4AFF

RGB 255 74 255

HSL 300, 1%, 0.65%

LAB 64.47, 86.19, -54.23

 

CMYK 0 / 64 / 0 / 0

HEX #FF5CFF

RGB 255 92 255

HSL 300, 1%, 0.68%

LAB 66.62, 80.09, -50.82

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 0 / 84 / 1 / 9

HEX #E826E6

RGB 232 38 230

HSL 300.62, 0.81%, 0.53%

LAB 56.34, 87.05, -53.46

 

CMYK 0 / 91 / 2 / 16

HEX #D714D3

RGB 215 20 211

HSL 301.23, 0.83%, 0.46%

LAB 51.44, 84.11, -50.66

 

CMYK 0 / 99 / 3 / 22

HEX #C602C0

RGB 198 2 192

HSL 301.84, 0.98%, 0.39%

LAB 46.78, 80.18, -47.28

 

CMYK 0 / 100 / 4 / 29

HEX #B500AD

RGB 181 0 173

HSL 302.65, 1%, 0.35%

LAB 42.52, 74.8, -43.07

 

CMYK 0 / 100 / 6 / 36

HEX #A4009A

RGB 164 0 154

HSL 303.66, 1%, 0.32%

LAB 38.24, 69.14, -38.65

 

CMYK 0 / 84 / 1 / 9

HEX #E826E6

RGB 232 38 230

HSL 300.62, 0.81%, 0.53%

LAB 56.34, 87.05, -53.46

 

CMYK 0 / 84 / 24 / 9

HEX #E826B1

RGB 232 38 177

HSL 317.01, 0.81%, 0.53%

LAB 53.72, 80.02, -27.17

 

CMYK 0 / 84 / 46 / 9

HEX #E8267D

RGB 232 38 125

HSL 333.09, 0.81%, 0.53%

LAB 51.86, 74.77, 0.94

 

CMYK 0 / 84 / 69 / 9

HEX #E82649

RGB 232 38 73

HSL 349.18, 0.81%, 0.53%

LAB 50.71, 71.42, 30.84

 

CMYK 0 / 84 / 84 / 9

HEX #E82626

RGB 232 38 38

HSL 0, 0.81%, 0.53%

LAB 50.31, 70.22, 49.96

 

CMYK 0 / 84 / 1 / 9

HEX #E826E6

RGB 232 38 230

HSL 300.62, 0.81%, 0.53%

LAB 56.34, 87.05, -53.46

 

CMYK 22 / 84 / 0 / 9

HEX #B526E8

RGB 181 38 232

HSL 284.23, 0.81%, 0.53%

LAB 48.31, 78.85, -67.95

 

CMYK 44 / 84 / 0 / 9

HEX #8126E8

RGB 129 38 232

HSL 268.14, 0.81%, 0.53%

LAB 41.02, 71.6, -80.14

 

CMYK 67 / 84 / 0 / 9

HEX #4D26E8

RGB 77 38 232

HSL 252.06, 0.81%, 0.53%

LAB 35.58, 66.5, -89.32

 

CMYK 84 / 84 / 0 / 9

HEX #2626E8

RGB 38 38 232

HSL 240, 0.81%, 0.53%

LAB 33.19, 64.39, -93.35

 

CMYK 0 / 84 / 1 / 9

HEX #E826E6

RGB 232 38 230

HSL 300.62, 0.81%, 0.53%

LAB 56.34, 87.05, -53.46

 

CMYK 0 / 93 / 1 / 2

HEX #FB12F9

RGB 251 18 249

HSL 300.52, 0.97%, 0.53%

LAB 59.69, 95.64, -58.56

 

CMYK 0 / 84 / 1 / 9

HEX #E826E6

RGB 232 38 230

HSL 300.62, 0.81%, 0.53%

LAB 56.34, 87.05, -53.46

 

CMYK 0 / 73 / 0 / 17

HEX #D439D3

RGB 212 57 211

HSL 300.39, 0.64%, 0.53%

LAB 53.63, 75.73, -47.2

 

CMYK 0 / 61 / 1 / 24

HEX #C14CC0

RGB 193 76 192

HSL 300.51, 0.49%, 0.53%

LAB 52.19, 61.34, -38.76

 

CMYK 0 / 45 / 1 / 32

HEX #AE60AD

RGB 174 96 173

HSL 300.77, 0.33%, 0.53%

LAB 52.27, 43.06, -27.81

 

CMYK 0 / 25 / 0 / 40

HEX #9A739A

RGB 154 115 154

HSL 300, 0.16%, 0.53%

LAB 53.45, 22.22, -15.11

 

CMYK 45 / 84 / 0 / 9

HEX #8026E8

RGB 128 38 232

HSL 267.84, 0.81%, 0.53%

LAB 40.9, 71.48, -80.35

 

CMYK 22 / 84 / 0 / 9

HEX #B426E8

RGB 180 38 232

HSL 283.92, 0.81%, 0.53%

LAB 48.15, 78.69, -68.2

 

CMYK 0 / 84 / 0 / 9

HEX #E826E8

RGB 232 38 232

HSL 300, 0.81%, 0.53%

LAB 56.45, 87.35, -54.41

 

CMYK 0 / 84 / 22 / 9

HEX #E826B4

RGB 232 38 180

HSL 316.08, 0.81%, 0.53%

LAB 53.85, 80.38, -28.73

 

CMYK 0 / 84 / 45 / 9

HEX #E82680

RGB 232 38 128

HSL 332.16, 0.81%, 0.53%

LAB 51.95, 75.02, -0.74

 

CMYK 0 / 90 / 1 / 34

HEX #A911A8

RGB 169 17 168

HSL 300.39, 0.82%, 0.36%

LAB 40.68, 70.11, -43.16

 

CMYK 0 / 90 / 1 / 19

HEX #CF15CD

RGB 207 21 205

HSL 300.65, 0.82%, 0.45%

LAB 49.75, 81.75, -49.99

 

CMYK 0 / 84 / 1 / 9

HEX #E826E6

RGB 232 38 230

HSL 300.62, 0.81%, 0.53%

LAB 56.34, 87.05, -53.46

 

CMYK 0 / 68 / 1 / 7

HEX #EC4BEA

RGB 236 75 234

HSL 300.75, 0.81%, 0.61%

LAB 60.61, 78.62, -48.88

 

CMYK 0 / 53 / 1 / 6

HEX #F070EE

RGB 240 112 238

HSL 300.94, 0.81%, 0.69%

LAB 66.74, 65.41, -41.42

 

CMYK 0 / 84 / 1 / 9

HEX #E826E6

RGB 232 38 230

HSL 300.62, 0.81%, 0.53%

LAB 56.34, 87.05, -53.46

 

CMYK 0 / 67 / 84 / 9

HEX #E84C26

RGB 232 76 38

HSL 11.75, 0.81%, 0.53%

LAB 54.52, 58.52, 53.68

 

CMYK 84 / 0 / 34 / 9

HEX #26E89A

RGB 38 232 154

HSL 155.88, 0.81%, 0.53%

LAB 82.09, -62.75, 25.43

 

CMYK 0 / 84 / 1 / 9

HEX #E826E6

RGB 232 38 230

HSL 300.62, 0.81%, 0.53%

LAB 56.34, 87.05, -53.46

 

CMYK 0 / 0 / 84 / 9

HEX #E8E826

RGB 232 232 38

HSL 60, 0.81%, 0.53%

LAB 89.4, -19.54, 83.19

 

CMYK 84 / 0 / 0 / 9

HEX #26E8E8

RGB 38 232 232

HSL 180, 0.81%, 0.53%

LAB 83.94, -43.34, -12.82

 

CMYK 0 / 84 / 1 / 9

HEX #E826E6

RGB 232 38 230

HSL 300.62, 0.81%, 0.53%

LAB 56.34, 87.05, -53.46

 

CMYK 0 / 67 / 84 / 9

HEX #E84C26

RGB 232 76 38

HSL 11.75, 0.81%, 0.53%

LAB 54.52, 58.52, 53.68

 

CMYK 84 / 0 / 84 / 9

HEX #26E826

RGB 38 232 38

HSL 120, 0.81%, 0.53%

LAB 80.89, -77.16, 72.51

 

CMYK 84 / 17 / 0 / 9

HEX #26C1E8

RGB 38 193 232

HSL 192.06, 0.81%, 0.53%

LAB 72.48, -24.94, -30.22

 

CMYK 0 / 84 / 1 / 9

HEX #E826E6

RGB 232 38 230

HSL 300.62, 0.81%, 0.53%

LAB 56.34, 87.05, -53.46

 

CMYK 0 / 42 / 84 / 9

HEX #E88726

RGB 232 135 38

HSL 30, 0.81%, 0.53%

LAB 65.45, 30.62, 63.13

 

CMYK 84 / 0 / 84 / 9

HEX #26E826

RGB 38 232 38

HSL 120, 0.81%, 0.53%

LAB 80.89, -77.16, 72.51

 

CMYK 84 / 42 / 0 / 9

HEX #2687E8

RGB 38 135 232

HSL 210, 0.81%, 0.53%

LAB 55.65, 7.32, -56.65

 

Description

Color code: HEX #E826E6 | qconv.com Color code: HEX #E826E6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 38 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 38 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 1 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 1% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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