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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E8303C it is the complementary color #17CFC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E8303C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E8303C shade: #ED3037, #FE424A, #FF545D, #FF6670 and #FF7883

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E8303C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E8303C shade: #E8303C, #D71E29, #C60C16, #B50003 and #A40000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E8303C shade: #E8303C and #E83030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E8303C shade: #E8303C, #E8306D, #E8309F, #E830D0 and #CD30E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E8303C shade matches the following richer shades: #E8303C and #FA1D2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E8303C shade: #E8303C, #D5434C, #C2555C, #B0686C and #9D7A7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E8303C shade: #E8309E, #E8306D, #E8303C, #E85530 and #E88630

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E8303C shade: #B2131E, #D71724, #E8303C, #EC555F and #F07A82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E8303C shade: #E8303C, #CFE830 and #3086E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E8303C shade: #E8303C, #3CE830 and #303CE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E8303C shade: #E8303C, #CFE830, #30E8DB and #4830E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E8303C shade: #E8303C, #98E830, #30E8DB and #8030E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 74 / 9

HEX #E8303C

RGB 232 48 60

HSL 356.09, 0.8%, 0.55%

LAB 51.38, 68.48, 39.2

 

Complementary color

CMYK 89 / 0 / 6 / 19

HEX #17CFC3

RGB 23 207 195

HSL 176.09, 0.8%, 0.45%

LAB 75.29, -43.81, -5.95

 

CMYK 0 / 80 / 77 / 7

HEX #ED3037

RGB 237 48 55

HSL 357.78, 0.84%, 0.56%

LAB 52.28, 69.69, 43.27

 

CMYK 0 / 74 / 71 / 0

HEX #FE424A

RGB 254 66 74

HSL 357.45, 0.99%, 0.63%

LAB 57.52, 70.05, 39.41

 

CMYK 0 / 67 / 64 / 0

HEX #FF545D

RGB 255 84 93

HSL 356.84, 1%, 0.66%

LAB 60.24, 65.04, 31.99

 

CMYK 0 / 60 / 56 / 0

HEX #FF6670

RGB 255 102 112

HSL 356.08, 1%, 0.7%

LAB 63.29, 58.93, 25.11

 

CMYK 0 / 53 / 49 / 0

HEX #FF7883

RGB 255 120 131

HSL 355.11, 1%, 0.74%

LAB 66.77, 52.3, 19.04

 

CMYK 0 / 79 / 74 / 9

HEX #E8303C

RGB 232 48 60

HSL 356.09, 0.8%, 0.55%

LAB 51.38, 68.48, 39.2

 

CMYK 0 / 86 / 81 / 16

HEX #D71E29

RGB 215 30 41

HSL 356.43, 0.76%, 0.48%

LAB 46.36, 67.39, 43.48

 

CMYK 0 / 94 / 89 / 22

HEX #C60C16

RGB 198 12 22

HSL 356.77, 0.89%, 0.41%

LAB 41.73, 65.27, 47.69

 

CMYK 0 / 100 / 98 / 29

HEX #B50003

RGB 181 0 3

HSL 359.01, 1%, 0.35%

LAB 37.54, 61.97, 50.72

 

CMYK 0 / 100 / 100 / 36

HEX #A40000

RGB 164 0 0

HSL 0, 1%, 0.32%

LAB 33.76, 57.57, 47.96

 

CMYK 0 / 79 / 74 / 9

HEX #E8303C

RGB 232 48 60

HSL 356.09, 0.8%, 0.55%

LAB 51.38, 68.48, 39.2

 

CMYK 0 / 79 / 79 / 9

HEX #E83030

RGB 232 48 48

HSL 0, 0.8%, 0.55%

LAB 51.25, 68.07, 45.69

 

CMYK 0 / 79 / 74 / 9

HEX #E8303C

RGB 232 48 60

HSL 356.09, 0.8%, 0.55%

LAB 51.38, 68.48, 39.2

 

CMYK 0 / 79 / 53 / 9

HEX #E8306D

RGB 232 48 109

HSL 340.11, 0.8%, 0.55%

LAB 52.26, 71.19, 11.17

 

CMYK 0 / 79 / 31 / 9

HEX #E8309F

RGB 232 48 159

HSL 323.8, 0.8%, 0.55%

LAB 53.79, 75.74, -16.51

 

CMYK 0 / 79 / 10 / 9

HEX #E830D0

RGB 232 48 208

HSL 307.83, 0.8%, 0.55%

LAB 55.91, 81.81, -41.66

 

CMYK 12 / 79 / 0 / 9

HEX #CD30E8

RGB 205 48 232

HSL 291.2, 0.8%, 0.55%

LAB 52.86, 80.36, -60.4

 

CMYK 0 / 79 / 74 / 9

HEX #E8303C

RGB 232 48 60

HSL 356.09, 0.8%, 0.55%

LAB 51.38, 68.48, 39.2

 

CMYK 0 / 88 / 82 / 2

HEX #FA1D2C

RGB 250 29 44

HSL 355.93, 0.96%, 0.55%

LAB 53.37, 76.69, 51.04

 

CMYK 0 / 79 / 74 / 9

HEX #E8303C

RGB 232 48 60

HSL 356.09, 0.8%, 0.55%

LAB 51.38, 68.48, 39.2

 

CMYK 0 / 69 / 64 / 16

HEX #D5434C

RGB 213 67 76

HSL 356.3, 0.63%, 0.55%

LAB 50.31, 57.42, 27.79

 

CMYK 0 / 56 / 53 / 24

HEX #C2555C

RGB 194 85 92

HSL 356.15, 0.47%, 0.55%

LAB 50.38, 44.29, 17.78

 

CMYK 0 / 41 / 39 / 31

HEX #B0686C

RGB 176 104 108

HSL 356.67, 0.31%, 0.55%

LAB 52.08, 29.3, 10.23

 

CMYK 0 / 22 / 20 / 38

HEX #9D7A7D

RGB 157 122 125

HSL 354.86, 0.15%, 0.55%

LAB 54.62, 14.08, 3.59

 

CMYK 0 / 79 / 32 / 9

HEX #E8309E

RGB 232 48 158

HSL 324.13, 0.8%, 0.55%

LAB 53.75, 75.63, -15.97

 

CMYK 0 / 79 / 53 / 9

HEX #E8306D

RGB 232 48 109

HSL 340.11, 0.8%, 0.55%

LAB 52.26, 71.19, 11.17

 

CMYK 0 / 79 / 74 / 9

HEX #E8303C

RGB 232 48 60

HSL 356.09, 0.8%, 0.55%

LAB 51.38, 68.48, 39.2

 

CMYK 0 / 63 / 79 / 9

HEX #E85530

RGB 232 85 48

HSL 12.07, 0.8%, 0.55%

LAB 55.95, 55.14, 50.35

 

CMYK 0 / 42 / 79 / 9

HEX #E88630

RGB 232 134 48

HSL 28.04, 0.8%, 0.55%

LAB 65.29, 31.45, 59.25

 

CMYK 0 / 89 / 83 / 30

HEX #B2131E

RGB 178 19 30

HSL 355.85, 0.81%, 0.39%

LAB 37.89, 59.2, 38.68

 

CMYK 0 / 89 / 83 / 16

HEX #D71724

RGB 215 23 36

HSL 355.94, 0.81%, 0.47%

LAB 45.89, 68.48, 45.7

 

CMYK 0 / 79 / 74 / 9

HEX #E8303C

RGB 232 48 60

HSL 356.09, 0.8%, 0.55%

LAB 51.38, 68.48, 39.2

 

CMYK 0 / 64 / 60 / 7

HEX #EC555F

RGB 236 85 95

HSL 356.03, 0.8%, 0.63%

LAB 57.23, 58.77, 26.33

 

CMYK 0 / 49 / 46 / 6

HEX #F07A82

RGB 240 122 130

HSL 355.93, 0.8%, 0.71%

LAB 65.01, 46.01, 16.84

 

CMYK 0 / 79 / 74 / 9

HEX #E8303C

RGB 232 48 60

HSL 356.09, 0.8%, 0.55%

LAB 51.38, 68.48, 39.2

 

CMYK 11 / 0 / 79 / 9

HEX #CFE830

RGB 207 232 48

HSL 68.15, 0.8%, 0.55%

LAB 87.58, -29.49, 78.53

 

CMYK 79 / 42 / 0 / 9

HEX #3086E8

RGB 48 134 232

HSL 211.96, 0.8%, 0.55%

LAB 55.59, 8.81, -56.74

 

CMYK 0 / 79 / 74 / 9

HEX #E8303C

RGB 232 48 60

HSL 356.09, 0.8%, 0.55%

LAB 51.38, 68.48, 39.2

 

CMYK 74 / 0 / 79 / 9

HEX #3CE830

RGB 60 232 48

HSL 116.09, 0.8%, 0.55%

LAB 81.23, -73.98, 70.39

 

CMYK 79 / 74 / 0 / 9

HEX #303CE8

RGB 48 60 232

HSL 236.09, 0.8%, 0.55%

LAB 37.27, 54.28, -86.56

 

CMYK 0 / 79 / 74 / 9

HEX #E8303C

RGB 232 48 60

HSL 356.09, 0.8%, 0.55%

LAB 51.38, 68.48, 39.2

 

CMYK 11 / 0 / 79 / 9

HEX #CFE830

RGB 207 232 48

HSL 68.15, 0.8%, 0.55%

LAB 87.58, -29.49, 78.53

 

CMYK 79 / 0 / 6 / 9

HEX #30E8DB

RGB 48 232 219

HSL 175.76, 0.8%, 0.55%

LAB 83.68, -46.24, -6.33

 

CMYK 69 / 79 / 0 / 9

HEX #4830E8

RGB 72 48 232

HSL 247.83, 0.8%, 0.55%

LAB 36.59, 62.01, -87.65

 

CMYK 0 / 79 / 74 / 9

HEX #E8303C

RGB 232 48 60

HSL 356.09, 0.8%, 0.55%

LAB 51.38, 68.48, 39.2

 

CMYK 34 / 0 / 79 / 9

HEX #98E830

RGB 152 232 48

HSL 86.09, 0.8%, 0.55%

LAB 84.28, -50.37, 74.32

 

CMYK 79 / 0 / 6 / 9

HEX #30E8DB

RGB 48 232 219

HSL 175.76, 0.8%, 0.55%

LAB 83.68, -46.24, -6.33

 

CMYK 45 / 79 / 0 / 9

HEX #8030E8

RGB 128 48 232

HSL 266.09, 0.8%, 0.55%

LAB 42.05, 68.12, -78.47

 

Description

Color code: HEX #E8303C | qconv.com Color code: HEX #E8303C | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 48 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 48 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 74 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 74% 9% C M Y K

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Provide designers and agencies with accurate color values.

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