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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E830CB it is the complementary color #17CF34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E830CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E830CB shade: #ED30C6, #FE42D9, #FF54EC, #FF66FF and #FF78FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E830CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E830CB shade: #E830CB, #D71EB8, #C60CA5, #B50092 and #A4007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E830CB shade: #E830CB, #E83099, #E83068, #E83036 and #E83030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E830CB shade: #E830CB, #D330E8, #A130E8, #7030E8 and #3E30E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E830CB shade matches the following richer shades: #E830CB and #FA1DD7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E830CB shade: #E830CB, #D543BE, #C255B1, #B068A4 and #9D7A98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E830CB shade: #A130E8, #D230E8, #E830CC, #E8309B and #E8306A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E830CB shade: #B21399, #D717B9, #E830CB, #EC55D4 and #F07ADD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E830CB shade: #E830CB, #E87030 and #30E8BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E830CB shade: #E830CB, #CCE830 and #30CCE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E830CB shade: #E830CB, #E87030, #30E84B and #30A7E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E830CB shade: #E830CB, #E8A730, #30E84B and #3070E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 13 / 9

HEX #E830CB

RGB 232 48 203

HSL 309.46, 0.8%, 0.55%

LAB 55.67, 81.12, -39.19

 

Complementary color

CMYK 89 / 0 / 75 / 19

HEX #17CF34

RGB 23 207 52

HSL 129.46, 0.8%, 0.45%

LAB 72.93, -70.45, 60.98

 

CMYK 0 / 80 / 16 / 7

HEX #ED30C6

RGB 237 48 198

HSL 312.38, 0.84%, 0.56%

LAB 56.28, 81.5, -35.29

 

CMYK 0 / 74 / 15 / 0

HEX #FE42D9

RGB 254 66 217

HSL 311.81, 0.99%, 0.63%

LAB 61.63, 82.9, -37.53

 

CMYK 0 / 67 / 7 / 0

HEX #FF54EC

RGB 255 84 236

HSL 306.67, 1%, 0.66%

LAB 64.69, 80.05, -43.37

 

CMYK 0 / 60 / 0 / 0

HEX #FF66FF

RGB 255 102 255

HSL 300, 1%, 0.7%

LAB 68.01, 76.24, -48.63

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 0 / 79 / 13 / 9

HEX #E830CB

RGB 232 48 203

HSL 309.46, 0.8%, 0.55%

LAB 55.67, 81.12, -39.19

 

CMYK 0 / 86 / 14 / 16

HEX #D71EB8

RGB 215 30 184

HSL 310.05, 0.76%, 0.48%

LAB 50.5, 78.93, -36.53

 

CMYK 0 / 94 / 17 / 22

HEX #C60CA5

RGB 198 12 165

HSL 310.65, 0.89%, 0.41%

LAB 45.61, 75.65, -33.2

 

CMYK 0 / 100 / 19 / 29

HEX #B50092

RGB 181 0 146

HSL 311.6, 1%, 0.35%

LAB 41.06, 71.17, -29.13

 

CMYK 0 / 100 / 23 / 36

HEX #A4007F

RGB 164 0 127

HSL 313.54, 1%, 0.32%

LAB 36.79, 65.53, -24.33

 

CMYK 0 / 79 / 13 / 9

HEX #E830CB

RGB 232 48 203

HSL 309.46, 0.8%, 0.55%

LAB 55.67, 81.12, -39.19

 

CMYK 0 / 79 / 34 / 9

HEX #E83099

RGB 232 48 153

HSL 325.76, 0.8%, 0.55%

LAB 53.57, 75.1, -13.29

 

CMYK 0 / 79 / 55 / 9

HEX #E83068

RGB 232 48 104

HSL 341.74, 0.8%, 0.55%

LAB 52.14, 70.83, 14.03

 

CMYK 0 / 79 / 77 / 9

HEX #E83036

RGB 232 48 54

HSL 358.04, 0.8%, 0.55%

LAB 51.31, 68.26, 42.5

 

CMYK 0 / 79 / 79 / 9

HEX #E83030

RGB 232 48 48

HSL 0, 0.8%, 0.55%

LAB 51.25, 68.07, 45.69

 

CMYK 0 / 79 / 13 / 9

HEX #E830CB

RGB 232 48 203

HSL 309.46, 0.8%, 0.55%

LAB 55.67, 81.12, -39.19

 

CMYK 9 / 79 / 0 / 9

HEX #D330E8

RGB 211 48 232

HSL 293.15, 0.8%, 0.55%

LAB 53.8, 81.43, -58.84

 

CMYK 31 / 79 / 0 / 9

HEX #A130E8

RGB 161 48 232

HSL 276.85, 0.8%, 0.55%

LAB 46.33, 72.96, -71.28

 

CMYK 52 / 79 / 0 / 9

HEX #7030E8

RGB 112 48 232

HSL 260.87, 0.8%, 0.55%

LAB 40.22, 66.07, -81.53

 

CMYK 73 / 79 / 0 / 9

HEX #3E30E8

RGB 62 48 232

HSL 244.57, 0.8%, 0.55%

LAB 35.92, 61.26, -88.79

 

CMYK 0 / 79 / 13 / 9

HEX #E830CB

RGB 232 48 203

HSL 309.46, 0.8%, 0.55%

LAB 55.67, 81.12, -39.19

 

CMYK 0 / 88 / 14 / 2

HEX #FA1DD7

RGB 250 29 215

HSL 309.5, 0.96%, 0.55%

LAB 58.14, 89.71, -41.93

 

CMYK 0 / 79 / 13 / 9

HEX #E830CB

RGB 232 48 203

HSL 309.46, 0.8%, 0.55%

LAB 55.67, 81.12, -39.19

 

CMYK 0 / 69 / 11 / 16

HEX #D543BE

RGB 213 67 190

HSL 309.45, 0.63%, 0.55%

LAB 53.9, 69.44, -34.7

 

CMYK 0 / 56 / 9 / 24

HEX #C255B1

RGB 194 85 177

HSL 309.36, 0.47%, 0.55%

LAB 53.1, 55.09, -28.62

 

CMYK 0 / 41 / 7 / 31

HEX #B068A4

RGB 176 104 164

HSL 310, 0.31%, 0.55%

LAB 53.83, 37.77, -20.14

 

CMYK 0 / 22 / 3 / 38

HEX #9D7A98

RGB 157 122 152

HSL 308.57, 0.15%, 0.55%

LAB 55.44, 18.86, -10.93

 

CMYK 31 / 79 / 0 / 9

HEX #A130E8

RGB 161 48 232

HSL 276.85, 0.8%, 0.55%

LAB 46.33, 72.96, -71.28

 

CMYK 9 / 79 / 0 / 9

HEX #D230E8

RGB 210 48 232

HSL 292.83, 0.8%, 0.55%

LAB 53.64, 81.25, -59.1

 

CMYK 0 / 79 / 12 / 9

HEX #E830CC

RGB 232 48 204

HSL 309.13, 0.8%, 0.55%

LAB 55.71, 81.26, -39.69

 

CMYK 0 / 79 / 33 / 9

HEX #E8309B

RGB 232 48 155

HSL 325.11, 0.8%, 0.55%

LAB 53.64, 75.31, -14.36

 

CMYK 0 / 79 / 54 / 9

HEX #E8306A

RGB 232 48 106

HSL 341.09, 0.8%, 0.55%

LAB 52.19, 70.97, 12.89

 

CMYK 0 / 89 / 14 / 30

HEX #B21399

RGB 178 19 153

HSL 309.43, 0.81%, 0.39%

LAB 41.58, 69.34, -32.6

 

CMYK 0 / 89 / 14 / 16

HEX #D717B9

RGB 215 23 185

HSL 309.38, 0.81%, 0.47%

LAB 50.17, 80.15, -37.62

 

CMYK 0 / 79 / 13 / 9

HEX #E830CB

RGB 232 48 203

HSL 309.46, 0.8%, 0.55%

LAB 55.67, 81.12, -39.19

 

CMYK 0 / 64 / 10 / 7

HEX #EC55D4

RGB 236 85 212

HSL 309.54, 0.8%, 0.63%

LAB 60.86, 71.61, -36.14

 

CMYK 0 / 49 / 8 / 6

HEX #F07ADD

RGB 240 122 221

HSL 309.66, 0.8%, 0.71%

LAB 67.77, 57.94, -30.39

 

CMYK 0 / 79 / 13 / 9

HEX #E830CB

RGB 232 48 203

HSL 309.46, 0.8%, 0.55%

LAB 55.67, 81.12, -39.19

 

CMYK 0 / 52 / 79 / 9

HEX #E87030

RGB 232 112 48

HSL 20.87, 0.8%, 0.55%

LAB 60.74, 42.67, 54.97

 

CMYK 79 / 0 / 20 / 9

HEX #30E8BA

RGB 48 232 186

HSL 165, 0.8%, 0.55%

LAB 82.85, -54.74, 9.87

 

CMYK 0 / 79 / 13 / 9

HEX #E830CB

RGB 232 48 203

HSL 309.46, 0.8%, 0.55%

LAB 55.67, 81.12, -39.19

 

CMYK 12 / 0 / 79 / 9

HEX #CCE830

RGB 204 232 48

HSL 69.13, 0.8%, 0.55%

LAB 87.37, -30.7, 78.27

 

CMYK 79 / 12 / 0 / 9

HEX #30CCE8

RGB 48 204 232

HSL 189.13, 0.8%, 0.55%

LAB 75.85, -29.58, -25.04

 

CMYK 0 / 79 / 13 / 9

HEX #E830CB

RGB 232 48 203

HSL 309.46, 0.8%, 0.55%

LAB 55.67, 81.12, -39.19

 

CMYK 0 / 52 / 79 / 9

HEX #E87030

RGB 232 112 48

HSL 20.87, 0.8%, 0.55%

LAB 60.74, 42.67, 54.97

 

CMYK 79 / 0 / 68 / 9

HEX #30E84B

RGB 48 232 75

HSL 128.8, 0.8%, 0.55%

LAB 81.21, -73.56, 61.27

 

CMYK 79 / 28 / 0 / 9

HEX #30A7E8

RGB 48 167 232

HSL 201.2, 0.8%, 0.55%

LAB 65.04, -10.37, -41.77

 

CMYK 0 / 79 / 13 / 9

HEX #E830CB

RGB 232 48 203

HSL 309.46, 0.8%, 0.55%

LAB 55.67, 81.12, -39.19

 

CMYK 0 / 28 / 79 / 9

HEX #E8A730

RGB 232 167 48

HSL 38.8, 0.8%, 0.55%

LAB 72.9, 13.98, 66.24

 

CMYK 79 / 0 / 68 / 9

HEX #30E84B

RGB 48 232 75

HSL 128.8, 0.8%, 0.55%

LAB 81.21, -73.56, 61.27

 

CMYK 79 / 52 / 0 / 9

HEX #3070E8

RGB 48 112 232

HSL 219.13, 0.8%, 0.55%

LAB 49.55, 22.49, -66.47

 

Description

Color code: HEX #E830CB | qconv.com Color code: HEX #E830CB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 48 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 48 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 13 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 13% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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