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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E8447F it is the complementary color #17BB80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E8447F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E8447F shade: #ED447A, #FE568D, #FF68A0, #FF7AB3 and #FF8CC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E8447F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E8447F shade: #E8447F, #D7326C, #C62059, #B50E46 and #A40033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E8447F shade: #E7447F, #E74453 and #E74444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E8447F shade: #E7447F, #E744AB, #E744D7, #CC44E7 and #A044E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E8447F shade matches the following richer shades: #E7447F and #F8337A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E8447F shade: #E7447F, #D75584, #C66689, #B5778D and #A48892

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E8447F shade: #E744D7, #E744AC, #E74480, #E74455 and #E76044

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E8447F shade: #C21855, #E32066, #E7447F, #EC6998 and #F18EB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E8447F shade: #E8447F, #E7CC44 and #44C1E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E8447F shade: #E8447F, #80E744 and #4480E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E8447F shade: #E8447F, #E7CC44, #44E7AC and #4460E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E8447F shade: #E8447F, #D2E744, #44E7AC and #5A44E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 45 / 9

HEX #E8447F

RGB 232 68 127

HSL 338.41, 0.78%, 0.59%

LAB 54.89, 66.55, 4.12

 

Complementary color

CMYK 88 / 0 / 32 / 27

HEX #17BB80

RGB 23 187 128

HSL 158.41, 0.78%, 0.41%

LAB 67.49, -52.77, 19.14

 

CMYK 0 / 71 / 49 / 7

HEX #ED447A

RGB 237 68 122

HSL 340.83, 0.82%, 0.6%

LAB 55.63, 67.52, 8.27

 

CMYK 0 / 66 / 44 / 0

HEX #FE568D

RGB 254 86 141

HSL 340.36, 0.99%, 0.67%

LAB 61.35, 67.53, 5.67

 

CMYK 0 / 59 / 37 / 0

HEX #FF68A0

RGB 255 104 160

HSL 337.75, 1%, 0.7%

LAB 64.72, 62.4, -0.38

 

CMYK 0 / 52 / 30 / 0

HEX #FF7AB3

RGB 255 122 179

HSL 334.29, 1%, 0.74%

LAB 68.34, 56.47, -5.84

 

CMYK 0 / 45 / 22 / 0

HEX #FF8CC6

RGB 255 140 198

HSL 329.74, 1%, 0.77%

LAB 72.29, 50.28, -10.58

 

CMYK 0 / 71 / 45 / 9

HEX #E8447F

RGB 232 68 127

HSL 338.41, 0.78%, 0.59%

LAB 54.89, 66.55, 4.12

 

CMYK 0 / 77 / 50 / 16

HEX #D7326C

RGB 215 50 108

HSL 338.91, 0.67%, 0.52%

LAB 49.27, 66.05, 7.11

 

CMYK 0 / 84 / 55 / 22

HEX #C62059

RGB 198 32 89

HSL 339.4, 0.72%, 0.45%

LAB 43.89, 64.8, 10.79

 

CMYK 0 / 92 / 61 / 29

HEX #B50E46

RGB 181 14 70

HSL 339.88, 0.86%, 0.38%

LAB 38.86, 62.48, 15.38

 

CMYK 0 / 100 / 69 / 36

HEX #A40033

RGB 164 0 51

HSL 341.34, 1%, 0.32%

LAB 34.26, 58.93, 20.93

 

CMYK 0 / 71 / 45 / 9

HEX #E7447F

RGB 231 68 127

HSL 338.28, 0.77%, 0.59%

LAB 54.72, 66.27, 3.85

 

CMYK 0 / 71 / 64 / 9

HEX #E74453

RGB 231 68 83

HSL 354.48, 0.77%, 0.59%

LAB 53.76, 63.03, 28.69

 

CMYK 0 / 71 / 71 / 9

HEX #E74444

RGB 231 68 68

HSL 0, 0.77%, 0.59%

LAB 53.54, 62.26, 37.09

 

CMYK 0 / 71 / 45 / 9

HEX #E7447F

RGB 231 68 127

HSL 338.28, 0.77%, 0.59%

LAB 54.72, 66.27, 3.85

 

CMYK 0 / 71 / 26 / 9

HEX #E744AB

RGB 231 68 171

HSL 322.09, 0.77%, 0.59%

LAB 56.15, 70.96, -19.95

 

CMYK 0 / 71 / 7 / 9

HEX #E744D7

RGB 231 68 215

HSL 305.89, 0.77%, 0.59%

LAB 58.07, 76.95, -42.26

 

CMYK 12 / 71 / 0 / 9

HEX #CC44E7

RGB 204 68 231

HSL 290.06, 0.77%, 0.59%

LAB 54.8, 73.8, -56.73

 

CMYK 31 / 71 / 0 / 9

HEX #A044E7

RGB 160 68 231

HSL 273.87, 0.77%, 0.59%

LAB 48.73, 65.11, -66.83

 

CMYK 0 / 71 / 45 / 9

HEX #E7447F

RGB 231 68 127

HSL 338.28, 0.77%, 0.59%

LAB 54.72, 66.27, 3.85

 

CMYK 0 / 79 / 51 / 3

HEX #F8337A

RGB 248 51 122

HSL 338.38, 0.93%, 0.59%

LAB 55.82, 75.5, 8.81

 

CMYK 0 / 71 / 45 / 9

HEX #E7447F

RGB 231 68 127

HSL 338.28, 0.77%, 0.59%

LAB 54.72, 66.27, 3.85

 

CMYK 0 / 60 / 39 / 16

HEX #D75584

RGB 215 85 132

HSL 338.31, 0.62%, 0.59%

LAB 54.67, 55.27, 0.48

 

CMYK 0 / 48 / 31 / 22

HEX #C66689

RGB 198 102 137

HSL 338.13, 0.46%, 0.59%

LAB 55.39, 42.1, -1.7

 

CMYK 0 / 34 / 22 / 29

HEX #B5778D

RGB 181 119 141

HSL 338.71, 0.3%, 0.59%

LAB 57.02, 27.44, -1.91

 

CMYK 0 / 17 / 11 / 36

HEX #A48892

RGB 164 136 146

HSL 338.57, 0.13%, 0.59%

LAB 59.5, 12.32, -1.35

 

CMYK 0 / 71 / 7 / 9

HEX #E744D7

RGB 231 68 215

HSL 305.89, 0.77%, 0.59%

LAB 58.07, 76.95, -42.26

 

CMYK 0 / 71 / 26 / 9

HEX #E744AC

RGB 231 68 172

HSL 321.72, 0.77%, 0.59%

LAB 56.19, 71.09, -20.48

 

CMYK 0 / 71 / 45 / 9

HEX #E74480

RGB 231 68 128

HSL 337.91, 0.77%, 0.59%

LAB 54.74, 66.36, 3.29

 

CMYK 0 / 71 / 63 / 9

HEX #E74455

RGB 231 68 85

HSL 353.74, 0.77%, 0.59%

LAB 53.79, 63.14, 27.56

 

CMYK 0 / 58 / 71 / 9

HEX #E76044

RGB 231 96 68

HSL 10.31, 0.77%, 0.59%

LAB 57.82, 50.74, 42.03

 

CMYK 0 / 88 / 56 / 24

HEX #C21855

RGB 194 24 85

HSL 338.47, 0.78%, 0.43%

LAB 42.43, 65.13, 11.15

 

CMYK 0 / 86 / 55 / 11

HEX #E32066

RGB 227 32 102

HSL 338.46, 0.78%, 0.51%

LAB 49.89, 73, 11.97

 

CMYK 0 / 71 / 45 / 9

HEX #E7447F

RGB 231 68 127

HSL 338.28, 0.77%, 0.59%

LAB 54.72, 66.27, 3.85

 

CMYK 0 / 56 / 36 / 7

HEX #EC6998

RGB 236 105 152

HSL 338.47, 0.78%, 0.67%

LAB 61.83, 55.12, -0.35

 

CMYK 0 / 41 / 27 / 5

HEX #F18EB1

RGB 241 142 177

HSL 338.79, 0.78%, 0.75%

LAB 70.33, 41.71, -1.99

 

CMYK 0 / 71 / 45 / 9

HEX #E8447F

RGB 232 68 127

HSL 338.41, 0.78%, 0.59%

LAB 54.89, 66.55, 4.12

 

CMYK 0 / 12 / 71 / 9

HEX #E7CC44

RGB 231 204 68

HSL 50.06, 0.77%, 0.59%

LAB 82.16, -4.95, 67.73

 

CMYK 71 / 16 / 0 / 9

HEX #44C1E7

RGB 68 193 231

HSL 193.99, 0.77%, 0.59%

LAB 72.98, -22.19, -28.86

 

CMYK 0 / 71 / 45 / 9

HEX #E8447F

RGB 232 68 127

HSL 338.41, 0.78%, 0.59%

LAB 54.89, 66.55, 4.12

 

CMYK 45 / 0 / 71 / 9

HEX #80E744

RGB 128 231 68

HSL 97.91, 0.77%, 0.59%

LAB 83, -56.69, 66.4

 

CMYK 71 / 45 / 0 / 9

HEX #4480E7

RGB 68 128 231

HSL 217.91, 0.77%, 0.59%

LAB 54.49, 14.5, -57.91

 

CMYK 0 / 71 / 45 / 9

HEX #E8447F

RGB 232 68 127

HSL 338.41, 0.78%, 0.59%

LAB 54.89, 66.55, 4.12

 

CMYK 0 / 12 / 71 / 9

HEX #E7CC44

RGB 231 204 68

HSL 50.06, 0.77%, 0.59%

LAB 82.16, -4.95, 67.73

 

CMYK 71 / 0 / 26 / 9

HEX #44E7AC

RGB 68 231 172

HSL 158.28, 0.77%, 0.59%

LAB 82.57, -55.23, 16.84

 

CMYK 71 / 58 / 0 / 9

HEX #4460E7

RGB 68 96 231

HSL 229.69, 0.77%, 0.59%

LAB 46.13, 34.43, -71.42

 

CMYK 0 / 71 / 45 / 9

HEX #E8447F

RGB 232 68 127

HSL 338.41, 0.78%, 0.59%

LAB 54.89, 66.55, 4.12

 

CMYK 9 / 0 / 71 / 9

HEX #D2E744

RGB 210 231 68

HSL 67.73, 0.77%, 0.59%

LAB 87.62, -26.96, 72.53

 

CMYK 71 / 0 / 26 / 9

HEX #44E7AC

RGB 68 231 172

HSL 158.28, 0.77%, 0.59%

LAB 82.57, -55.23, 16.84

 

CMYK 61 / 71 / 0 / 9

HEX #5A44E7

RGB 90 68 231

HSL 248.1, 0.77%, 0.59%

LAB 41.34, 53.71, -79.2

 

Description

Color code: HEX #E8447F | qconv.com Color code: HEX #E8447F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 68 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 68 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 45 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 45% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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