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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E849AA it is the complementary color #17B655. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E849AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E849AA shade: #ED49A5, #FE5BB8, #FF6DCB, #FF7FDE and #FF91F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E849AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E849AA shade: #E849AA, #D73797, #C62584, #B51371 and #A4015E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E849AA shade: #E849AA, #E8497F, #E84954 and #E84949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E849AA shade: #E849AA, #E849D5, #D049E8, #A549E8 and #7A49E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E849AA shade matches the following richer shades: #E849AA and #F938AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E849AA shade: #E849AA, #D859A6, #C76AA3, #B77A9F and #A68B9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E849AA shade: #D049E8, #E849D5, #E849AB, #E84981 and #E84956

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E849AA shade: #C61882, #E42499, #E849AA, #ED6EBB and #F192CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E849AA shade: #E849AA, #E8A649 and #49E8E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E849AA shade: #E849AA, #ABE849 and #49ABE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E849AA shade: #E849AA, #E8A649, #49E886 and #498BE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E849AA shade: #E849AA, #E8D549, #49E886 and #495CE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 27 / 9

HEX #E849AA

RGB 232 73 170

HSL 323.4, 0.78%, 0.6%

LAB 56.9, 69.35, -18.21

 

Complementary color

CMYK 87 / 0 / 53 / 29

HEX #17B655

RGB 23 182 85

HSL 143.4, 0.78%, 0.4%

LAB 65.2, -59.06, 38.5

 

CMYK 0 / 69 / 30 / 7

HEX #ED49A5

RGB 237 73 165

HSL 326.34, 0.82%, 0.61%

LAB 57.55, 70.07, -14.24

 

CMYK 0 / 64 / 28 / 0

HEX #FE5BB8

RGB 254 91 184

HSL 325.77, 0.99%, 0.68%

LAB 63.35, 70.19, -16.15

 

CMYK 0 / 57 / 20 / 0

HEX #FF6DCB

RGB 255 109 203

HSL 321.37, 1%, 0.71%

LAB 66.91, 65.49, -21.49

 

CMYK 0 / 50 / 13 / 0

HEX #FF7FDE

RGB 255 127 222

HSL 315.47, 1%, 0.75%

LAB 70.67, 60.08, -26.32

 

CMYK 0 / 43 / 5 / 0

HEX #FF91F1

RGB 255 145 241

HSL 307.64, 1%, 0.78%

LAB 74.74, 54.41, -30.49

 

CMYK 0 / 69 / 27 / 9

HEX #E849AA

RGB 232 73 170

HSL 323.4, 0.78%, 0.6%

LAB 56.9, 69.35, -18.21

 

CMYK 0 / 74 / 30 / 16

HEX #D73797

RGB 215 55 151

HSL 324, 0.67%, 0.53%

LAB 51.17, 68.79, -16.02

 

CMYK 0 / 81 / 33 / 22

HEX #C62584

RGB 198 37 132

HSL 324.6, 0.69%, 0.46%

LAB 45.63, 67.51, -13.27

 

CMYK 0 / 90 / 38 / 29

HEX #B51371

RGB 181 19 113

HSL 325.19, 0.81%, 0.39%

LAB 40.38, 65.23, -9.78

 

CMYK 0 / 99 / 43 / 36

HEX #A4015E

RGB 164 1 94

HSL 325.77, 0.99%, 0.32%

LAB 35.44, 61.84, -5.45

 

CMYK 0 / 69 / 27 / 9

HEX #E849AA

RGB 232 73 170

HSL 323.4, 0.78%, 0.6%

LAB 56.9, 69.35, -18.21

 

CMYK 0 / 69 / 45 / 9

HEX #E8497F

RGB 232 73 127

HSL 339.62, 0.78%, 0.6%

LAB 55.54, 64.76, 5.05

 

CMYK 0 / 69 / 64 / 9

HEX #E84954

RGB 232 73 84

HSL 355.85, 0.78%, 0.6%

LAB 54.62, 61.56, 29.24

 

CMYK 0 / 69 / 69 / 9

HEX #E84949

RGB 232 73 73

HSL 0, 0.78%, 0.6%

LAB 54.45, 60.97, 35.38

 

CMYK 0 / 69 / 27 / 9

HEX #E849AA

RGB 232 73 170

HSL 323.4, 0.78%, 0.6%

LAB 56.9, 69.35, -18.21

 

CMYK 0 / 69 / 8 / 9

HEX #E849D5

RGB 232 73 213

HSL 307.17, 0.78%, 0.6%

LAB 58.72, 75.2, -40.09

 

CMYK 10 / 69 / 0 / 9

HEX #D049E8

RGB 208 73 232

HSL 290.94, 0.78%, 0.6%

LAB 56.09, 72.99, -55.21

 

CMYK 29 / 69 / 0 / 9

HEX #A549E8

RGB 165 73 232

HSL 274.72, 0.78%, 0.6%

LAB 50.2, 64.15, -64.98

 

CMYK 47 / 69 / 0 / 9

HEX #7A49E8

RGB 122 73 232

HSL 258.49, 0.78%, 0.6%

LAB 45.26, 56.19, -73.23

 

CMYK 0 / 69 / 27 / 9

HEX #E849AA

RGB 232 73 170

HSL 323.4, 0.78%, 0.6%

LAB 56.9, 69.35, -18.21

 

CMYK 0 / 78 / 30 / 2

HEX #F938AE

RGB 249 56 174

HSL 323.32, 0.94%, 0.6%

LAB 58.06, 79.28, -18.51

 

CMYK 0 / 69 / 27 / 9

HEX #E849AA

RGB 232 73 170

HSL 323.4, 0.78%, 0.6%

LAB 56.9, 69.35, -18.21

 

CMYK 0 / 59 / 23 / 15

HEX #D859A6

RGB 216 89 166

HSL 323.62, 0.62%, 0.6%

LAB 56.58, 57.97, -16.6

 

CMYK 0 / 47 / 18 / 22

HEX #C76AA3

RGB 199 106 163

HSL 323.23, 0.45%, 0.6%

LAB 57.17, 44.09, -14.21

 

CMYK 0 / 33 / 13 / 28

HEX #B77A9F

RGB 183 122 159

HSL 323.61, 0.3%, 0.6%

LAB 58.5, 29.4, -10.09

 

CMYK 0 / 16 / 7 / 35

HEX #A68B9B

RGB 166 139 155

HSL 324.44, 0.13%, 0.6%

LAB 60.73, 12.99, -4.67

 

CMYK 10 / 69 / 0 / 9

HEX #D049E8

RGB 208 73 232

HSL 290.94, 0.78%, 0.6%

LAB 56.09, 72.99, -55.21

 

CMYK 0 / 69 / 8 / 9

HEX #E849D5

RGB 232 73 213

HSL 307.17, 0.78%, 0.6%

LAB 58.72, 75.2, -40.09

 

CMYK 0 / 69 / 26 / 9

HEX #E849AB

RGB 232 73 171

HSL 323.02, 0.78%, 0.6%

LAB 56.94, 69.48, -18.74

 

CMYK 0 / 69 / 44 / 9

HEX #E84981

RGB 232 73 129

HSL 338.87, 0.78%, 0.6%

LAB 55.59, 64.94, 3.94

 

CMYK 0 / 69 / 63 / 9

HEX #E84956

RGB 232 73 86

HSL 355.09, 0.78%, 0.6%

LAB 54.65, 61.67, 28.11

 

CMYK 0 / 88 / 34 / 22

HEX #C61882

RGB 198 24 130

HSL 323.45, 0.78%, 0.44%

LAB 44.62, 69.99, -13.58

 

CMYK 0 / 84 / 33 / 11

HEX #E42499

RGB 228 36 153

HSL 323.44, 0.78%, 0.52%

LAB 51.9, 76.88, -15.88

 

CMYK 0 / 69 / 27 / 9

HEX #E849AA

RGB 232 73 170

HSL 323.4, 0.78%, 0.6%

LAB 56.9, 69.35, -18.21

 

CMYK 0 / 54 / 21 / 7

HEX #ED6EBB

RGB 237 110 187

HSL 323.62, 0.78%, 0.68%

LAB 63.95, 57.57, -17.19

 

CMYK 0 / 39 / 15 / 5

HEX #F192CC

RGB 241 146 204

HSL 323.37, 0.77%, 0.76%

LAB 71.97, 43.57, -14.55

 

CMYK 0 / 69 / 27 / 9

HEX #E849AA

RGB 232 73 170

HSL 323.4, 0.78%, 0.6%

LAB 56.9, 69.35, -18.21

 

CMYK 0 / 28 / 69 / 9

HEX #E8A649

RGB 232 166 73

HSL 35.09, 0.78%, 0.6%

LAB 72.83, 15.6, 56.12

 

CMYK 69 / 0 / 1 / 9

HEX #49E8E5

RGB 73 232 229

HSL 178.87, 0.78%, 0.6%

LAB 84.37, -40.8, -10.53

 

CMYK 0 / 69 / 27 / 9

HEX #E849AA

RGB 232 73 170

HSL 323.4, 0.78%, 0.6%

LAB 56.9, 69.35, -18.21

 

CMYK 26 / 0 / 69 / 9

HEX #ABE849

RGB 171 232 73

HSL 83.02, 0.78%, 0.6%

LAB 85.43, -42.22, 67.74

 

CMYK 69 / 26 / 0 / 9

HEX #49ABE8

RGB 73 171 232

HSL 203.02, 0.78%, 0.6%

LAB 66.8, -9.51, -38.97

 

CMYK 0 / 69 / 27 / 9

HEX #E849AA

RGB 232 73 170

HSL 323.4, 0.78%, 0.6%

LAB 56.9, 69.35, -18.21

 

CMYK 0 / 28 / 69 / 9

HEX #E8A649

RGB 232 166 73

HSL 35.09, 0.78%, 0.6%

LAB 72.83, 15.6, 56.12

 

CMYK 69 / 0 / 42 / 9

HEX #49E886

RGB 73 232 134

HSL 143.02, 0.78%, 0.6%

LAB 82.3, -62.25, 35.95

 

CMYK 69 / 40 / 0 / 9

HEX #498BE8

RGB 73 139 232

HSL 215.09, 0.78%, 0.6%

LAB 57.76, 8.9, -53.23

 

CMYK 0 / 69 / 27 / 9

HEX #E849AA

RGB 232 73 170

HSL 323.4, 0.78%, 0.6%

LAB 56.9, 69.35, -18.21

 

CMYK 0 / 8 / 69 / 9

HEX #E8D549

RGB 232 213 73

HSL 52.83, 0.78%, 0.6%

LAB 84.6, -8.85, 68.3

 

CMYK 69 / 0 / 42 / 9

HEX #49E886

RGB 73 232 134

HSL 143.02, 0.78%, 0.6%

LAB 82.3, -62.25, 35.95

 

CMYK 69 / 60 / 0 / 9

HEX #495CE8

RGB 73 92 232

HSL 232.83, 0.78%, 0.6%

LAB 45.49, 37.89, -73.01

 

Description

Color code: HEX #E849AA | qconv.com Color code: HEX #E849AA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 73 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 73 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 27 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 27% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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