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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E841F9 it is the complementary color #17BE06. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E841F9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E841F9 shade: #ED41F4, #FE53FF, #FF65FF, #FF77FF and #FF89FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E841F9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E841F9 shade: #E841F9, #D72FE6, #C61DD3, #B50BC0 and #A400AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E841F9 shade: #E843F9, #F943D8, #F943A7, #F94376 and #F94345

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E841F9 shade: #E843F9, #B743F9, #8643F9, #5443F9 and #4343F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E841F9 shade matches the following richer shades: #E843F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E841F9 shade: #E843F9, #DB52E9, #CE62D9, #C272CA and #B581BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E841F9 shade: #8543F9, #B643F9, #E643F9, #F943DA and #F943AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E841F9 shade: #CE07E2, #E31AF7, #E843F9, #ED6BFA and #F293FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E841F9 shade: #E841F9, #F95543 and #43F99E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E841F9 shade: #E841F9, #F9E643 and #43F9E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E841F9 shade: #E841F9, #F95543, #55F943 and #43E6F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E841F9 shade: #E841F9, #F98B43, #55F943 and #43B0F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 74 / 0 / 2

HEX #E841F9

RGB 232 65 249

HSL 294.46, 0.94%, 0.62%

LAB 59.69, 83.41, -58.74

 

Complementary color

CMYK 88 / 0 / 97 / 25

HEX #17BE06

RGB 23 190 6

HSL 114.46, 0.94%, 0.38%

LAB 67.29, -67.7, 66.14

 

CMYK 3 / 73 / 0 / 4

HEX #ED41F4

RGB 237 65 244

HSL 297.65, 0.89%, 0.61%

LAB 60.17, 83.58, -55.14

 

CMYK 0 / 67 / 0 / 0

HEX #FE53FF

RGB 254 83 255

HSL 299.65, 1%, 0.66%

LAB 65.34, 83.07, -52.86

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 0 / 46 / 0 / 0

HEX #FF89FF

RGB 255 137 255

HSL 300, 1%, 0.77%

LAB 73.79, 60.7, -39.58

 

CMYK 7 / 74 / 0 / 2

HEX #E841F9

RGB 232 65 249

HSL 294.46, 0.94%, 0.62%

LAB 59.69, 83.41, -58.74

 

CMYK 7 / 80 / 0 / 10

HEX #D72FE6

RGB 215 47 230

HSL 295.08, 0.79%, 0.54%

LAB 54.23, 82.08, -56.99

 

CMYK 6 / 86 / 0 / 17

HEX #C61DD3

RGB 198 29 211

HSL 295.71, 0.76%, 0.47%

LAB 48.99, 79.89, -54.74

 

CMYK 6 / 94 / 0 / 25

HEX #B50BC0

RGB 181 11 192

HSL 296.35, 0.89%, 0.4%

LAB 44.04, 76.59, -51.83

 

CMYK 5 / 100 / 0 / 32

HEX #A400AD

RGB 164 0 173

HSL 296.88, 1%, 0.34%

LAB 39.43, 72, -48.19

 

CMYK 7 / 73 / 0 / 2

HEX #E843F9

RGB 232 67 249

HSL 294.4, 0.94%, 0.62%

LAB 59.9, 82.8, -58.4

 

CMYK 0 / 73 / 13 / 2

HEX #F943D8

RGB 249 67 216

HSL 310.88, 0.94%, 0.62%

LAB 60.88, 81.37, -38.21

 

CMYK 0 / 73 / 33 / 2

HEX #F943A7

RGB 249 67 167

HSL 327.03, 0.94%, 0.62%

LAB 58.92, 75.37, -13.13

 

CMYK 0 / 73 / 53 / 2

HEX #F94376

RGB 249 67 118

HSL 343.19, 0.94%, 0.62%

LAB 57.52, 70.89, 13.61

 

CMYK 0 / 73 / 72 / 2

HEX #F94345

RGB 249 67 69

HSL 359.34, 0.94%, 0.62%

LAB 56.67, 68.06, 40.99

 

CMYK 7 / 73 / 0 / 2

HEX #E843F9

RGB 232 67 249

HSL 294.4, 0.94%, 0.62%

LAB 59.9, 82.8, -58.4

 

CMYK 27 / 73 / 0 / 2

HEX #B743F9

RGB 183 67 249

HSL 278.24, 0.94%, 0.62%

LAB 52.86, 73.56, -70.09

 

CMYK 46 / 73 / 0 / 2

HEX #8643F9

RGB 134 67 249

HSL 262.09, 0.94%, 0.62%

LAB 46.87, 65.36, -80.11

 

CMYK 66 / 73 / 0 / 2

HEX #5443F9

RGB 84 67 249

HSL 245.6, 0.94%, 0.62%

LAB 42.37, 58.92, -87.68

 

CMYK 73 / 73 / 0 / 2

HEX #4343F9

RGB 67 67 249

HSL 240, 0.94%, 0.62%

LAB 41.29, 57.33, -89.49

 

CMYK 7 / 73 / 0 / 2

HEX #E843F9

RGB 232 67 249

HSL 294.4, 0.94%, 0.62%

LAB 59.9, 82.8, -58.4

 

CMYK 7 / 73 / 0 / 2

HEX #E843F9

RGB 232 67 249

HSL 294.4, 0.94%, 0.62%

LAB 59.9, 82.8, -58.4

 

CMYK 6 / 65 / 0 / 9

HEX #DB52E9

RGB 219 82 233

HSL 294.44, 0.77%, 0.62%

LAB 58.95, 72.14, -51.11

 

CMYK 5 / 55 / 0 / 15

HEX #CE62D9

RGB 206 98 217

HSL 294.45, 0.61%, 0.62%

LAB 58.85, 59.25, -42.4

 

CMYK 4 / 44 / 0 / 21

HEX #C272CA

RGB 194 114 202

HSL 294.55, 0.45%, 0.62%

LAB 59.68, 45.11, -32.74

 

CMYK 3 / 31 / 0 / 27

HEX #B581BA

RGB 181 129 186

HSL 294.74, 0.29%, 0.62%

LAB 60.84, 29.77, -22

 

CMYK 47 / 73 / 0 / 2

HEX #8543F9

RGB 133 67 249

HSL 261.76, 0.94%, 0.62%

LAB 46.76, 65.21, -80.29

 

CMYK 27 / 73 / 0 / 2

HEX #B643F9

RGB 182 67 249

HSL 277.91, 0.94%, 0.62%

LAB 52.73, 73.38, -70.31

 

CMYK 8 / 73 / 0 / 2

HEX #E643F9

RGB 230 67 249

HSL 293.74, 0.94%, 0.62%

LAB 59.6, 82.41, -58.9

 

CMYK 0 / 73 / 12 / 2

HEX #F943DA

RGB 249 67 218

HSL 310.22, 0.94%, 0.62%

LAB 60.97, 81.65, -39.19

 

CMYK 0 / 73 / 32 / 2

HEX #F943AA

RGB 249 67 170

HSL 326.04, 0.94%, 0.62%

LAB 59.03, 75.69, -14.72

 

CMYK 9 / 97 / 0 / 11

HEX #CE07E2

RGB 206 7 226

HSL 294.52, 0.94%, 0.46%

LAB 50.41, 86.11, -60.95

 

CMYK 8 / 89 / 0 / 3

HEX #E31AF7

RGB 227 26 247

HSL 294.57, 0.93%, 0.54%

LAB 55.87, 90.68, -63.79

 

CMYK 7 / 73 / 0 / 2

HEX #E843F9

RGB 232 67 249

HSL 294.4, 0.94%, 0.62%

LAB 59.9, 82.8, -58.4

 

CMYK 5 / 57 / 0 / 2

HEX #ED6BFA

RGB 237 107 250

HSL 294.55, 0.93%, 0.7%

LAB 66.08, 68.95, -49.1

 

CMYK 4 / 41 / 0 / 2

HEX #F293FB

RGB 242 147 251

HSL 294.81, 0.93%, 0.78%

LAB 74, 51.36, -37.19

 

CMYK 7 / 74 / 0 / 2

HEX #E841F9

RGB 232 65 249

HSL 294.46, 0.94%, 0.62%

LAB 59.69, 83.41, -58.74

 

CMYK 0 / 66 / 73 / 2

HEX #F95543

RGB 249 85 67

HSL 5.93, 0.94%, 0.62%

LAB 59.01, 61.48, 44.72

 

CMYK 73 / 0 / 37 / 2

HEX #43F99E

RGB 67 249 158

HSL 150, 0.94%, 0.62%

LAB 87.69, -64.99, 31.02

 

CMYK 7 / 74 / 0 / 2

HEX #E841F9

RGB 232 65 249

HSL 294.46, 0.94%, 0.62%

LAB 59.69, 83.41, -58.74

 

CMYK 0 / 8 / 73 / 2

HEX #F9E643

RGB 249 230 67

HSL 53.74, 0.94%, 0.62%

LAB 90.39, -10.54, 76.59

 

CMYK 73 / 0 / 8 / 2

HEX #43F9E6

RGB 67 249 230

HSL 173.74, 0.94%, 0.62%

LAB 89.23, -48.69, -3.88

 

CMYK 7 / 74 / 0 / 2

HEX #E841F9

RGB 232 65 249

HSL 294.46, 0.94%, 0.62%

LAB 59.69, 83.41, -58.74

 

CMYK 0 / 66 / 73 / 2

HEX #F95543

RGB 249 85 67

HSL 5.93, 0.94%, 0.62%

LAB 59.01, 61.48, 44.72

 

CMYK 66 / 0 / 73 / 2

HEX #55F943

RGB 85 249 67

HSL 114.07, 0.94%, 0.62%

LAB 87.04, -73.75, 70.38

 

CMYK 73 / 8 / 0 / 2

HEX #43E6F9

RGB 67 230 249

HSL 186.26, 0.94%, 0.62%

LAB 84.29, -34.92, -21.22

 

CMYK 7 / 74 / 0 / 2

HEX #E841F9

RGB 232 65 249

HSL 294.46, 0.94%, 0.62%

LAB 59.69, 83.41, -58.74

 

CMYK 0 / 44 / 73 / 2

HEX #F98B43

RGB 249 139 67

HSL 23.74, 0.94%, 0.62%

LAB 68.76, 36.43, 55.18

 

CMYK 66 / 0 / 73 / 2

HEX #55F943

RGB 85 249 67

HSL 114.07, 0.94%, 0.62%

LAB 87.04, -73.75, 70.38

 

CMYK 73 / 29 / 0 / 2

HEX #43B0F9

RGB 67 176 249

HSL 204.07, 0.94%, 0.62%

LAB 68.81, -7.39, -45.1

 

Description

Color code: HEX #E841F9 | qconv.com Color code: HEX #E841F9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 65 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 65 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 74 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 74% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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