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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E85E4E it is the complementary color #17A1B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E85E4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E85E4E shade: #ED5E49, #FE705C, #FF826F, #FF9482 and #FFA695

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E85E4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E85E4E shade: #E85E4E, #D74C3B, #C63A28, #B52815 and #A41602

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E85E4E shade: #E85E4E and #E84E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E85E4E shade: #E85E4E, #E8884E, #E8B14E, #E8DA4E and #CCE84E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E85E4E shade matches the following richer shades: #E85E4E and #F8523E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E85E4E shade: #E85E4E, #D86B5F, #C7786F, #B7857F and #A7918F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E85E4E shade: #E84E91, #E84E68, #E85E4E, #E8874E and #E8AF4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E85E4E shade: #CA2C1A, #E33D2A, #E85E4E, #EC8073 and #F1A198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E85E4E shade: #E85E4E, #BAE84E and #4E7CE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E85E4E shade: #E85E4E, #4EE85E and #5E4EE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E85E4E shade: #E85E4E, #BAE84E, #4ED8E8 and #7C4EE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E85E4E shade: #E85E4E, #8CE84E, #4ED8E8 and #AA4EE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 66 / 9

HEX #E85E4E

RGB 232 94 78

HSL 6.23, 0.77%, 0.61%

LAB 57.76, 52.51, 36.54

 

Complementary color

CMYK 87 / 9 / 0 / 31

HEX #17A1B1

RGB 23 161 177

HSL 186.23, 0.77%, 0.39%

LAB 60.65, -27.93, -17.98

 

CMYK 0 / 60 / 69 / 7

HEX #ED5E49

RGB 237 94 73

HSL 7.68, 0.82%, 0.61%

LAB 58.5, 53.98, 40.37

 

CMYK 0 / 56 / 64 / 0

HEX #FE705C

RGB 254 112 92

HSL 7.41, 0.99%, 0.68%

LAB 64.51, 52.8, 37.82

 

CMYK 0 / 49 / 56 / 0

HEX #FF826F

RGB 255 130 111

HSL 7.92, 1%, 0.72%

LAB 68.29, 45.84, 32.22

 

CMYK 0 / 42 / 49 / 0

HEX #FF9482

RGB 255 148 130

HSL 8.64, 1%, 0.75%

LAB 72.26, 38.37, 27.03

 

CMYK 0 / 35 / 42 / 0

HEX #FFA695

RGB 255 166 149

HSL 9.62, 1%, 0.79%

LAB 76.5, 30.93, 22.42

 

CMYK 0 / 59 / 66 / 9

HEX #E85E4E

RGB 232 94 78

HSL 6.23, 0.77%, 0.61%

LAB 57.76, 52.51, 36.54

 

CMYK 0 / 65 / 73 / 16

HEX #D74C3B

RGB 215 76 59

HSL 6.54, 0.66%, 0.54%

LAB 51.76, 53.57, 39.35

 

CMYK 0 / 71 / 80 / 22

HEX #C63A28

RGB 198 58 40

HSL 6.84, 0.66%, 0.47%

LAB 45.89, 54.39, 42.44

 

CMYK 0 / 78 / 88 / 29

HEX #B52815

RGB 181 40 21

HSL 7.13, 0.79%, 0.4%

LAB 40.24, 54.74, 45.48

 

CMYK 0 / 87 / 99 / 36

HEX #A41602

RGB 164 22 2

HSL 7.41, 0.98%, 0.33%

LAB 34.94, 54.21, 47.81

 

CMYK 0 / 59 / 66 / 9

HEX #E85E4E

RGB 232 94 78

HSL 6.23, 0.77%, 0.61%

LAB 57.76, 52.51, 36.54

 

CMYK 0 / 66 / 66 / 9

HEX #E84E4E

RGB 232 78 78

HSL 0, 0.77%, 0.61%

LAB 55.23, 59.29, 33.47

 

CMYK 0 / 59 / 66 / 9

HEX #E85E4E

RGB 232 94 78

HSL 6.23, 0.77%, 0.61%

LAB 57.76, 52.51, 36.54

 

CMYK 0 / 41 / 66 / 9

HEX #E8884E

RGB 232 136 78

HSL 22.6, 0.77%, 0.61%

LAB 65.99, 31.78, 46.19

 

CMYK 0 / 24 / 66 / 9

HEX #E8B14E

RGB 232 177 78

HSL 38.57, 0.77%, 0.61%

LAB 75.54, 10.05, 56.8

 

CMYK 0 / 6 / 66 / 9

HEX #E8DA4E

RGB 232 218 78

HSL 54.55, 0.77%, 0.61%

LAB 85.93, -11.09, 67.72

 

CMYK 12 / 0 / 66 / 9

HEX #CCE84E

RGB 204 232 78

HSL 70.91, 0.77%, 0.61%

LAB 87.53, -29.27, 68.69

 

CMYK 0 / 59 / 66 / 9

HEX #E85E4E

RGB 232 94 78

HSL 6.23, 0.77%, 0.61%

LAB 57.76, 52.51, 36.54

 

CMYK 0 / 67 / 75 / 3

HEX #F8523E

RGB 248 82 62

HSL 6.45, 0.93%, 0.61%

LAB 58.36, 62.13, 46.6

 

CMYK 0 / 59 / 66 / 9

HEX #E85E4E

RGB 232 94 78

HSL 6.23, 0.77%, 0.61%

LAB 57.76, 52.51, 36.54

 

CMYK 0 / 50 / 56 / 15

HEX #D86B5F

RGB 216 107 95

HSL 5.95, 0.61%, 0.61%

LAB 57.98, 41.68, 26.72

 

CMYK 0 / 40 / 44 / 22

HEX #C7786F

RGB 199 120 111

HSL 6.14, 0.44%, 0.61%

LAB 58.72, 29.86, 18.15

 

CMYK 0 / 27 / 31 / 28

HEX #B7857F

RGB 183 133 127

HSL 6.43, 0.28%, 0.61%

LAB 60.23, 18.36, 10.81

 

CMYK 0 / 13 / 14 / 35

HEX #A7918F

RGB 167 145 143

HSL 5, 0.12%, 0.61%

LAB 62.04, 7.87, 4.08

 

CMYK 0 / 66 / 38 / 9

HEX #E84E91

RGB 232 78 145

HSL 333.9, 0.77%, 0.61%

LAB 56.73, 64.64, -3.84

 

CMYK 0 / 66 / 55 / 9

HEX #E84E68

RGB 232 78 104

HSL 349.87, 0.77%, 0.61%

LAB 55.69, 60.95, 18.9

 

CMYK 0 / 59 / 66 / 9

HEX #E85E4E

RGB 232 94 78

HSL 6.23, 0.77%, 0.61%

LAB 57.76, 52.51, 36.54

 

CMYK 0 / 42 / 66 / 9

HEX #E8874E

RGB 232 135 78

HSL 22.21, 0.77%, 0.61%

LAB 65.77, 32.3, 45.94

 

CMYK 0 / 25 / 66 / 9

HEX #E8AF4E

RGB 232 175 78

HSL 37.79, 0.77%, 0.61%

LAB 75.06, 11.11, 56.27

 

CMYK 0 / 78 / 87 / 21

HEX #CA2C1A

RGB 202 44 26

HSL 6.14, 0.77%, 0.45%

LAB 44.85, 59.97, 48.66

 

CMYK 0 / 73 / 81 / 11

HEX #E33D2A

RGB 227 61 42

HSL 6.16, 0.77%, 0.53%

LAB 51.65, 62.52, 48.85

 

CMYK 0 / 59 / 66 / 9

HEX #E85E4E

RGB 232 94 78

HSL 6.23, 0.77%, 0.61%

LAB 57.76, 52.51, 36.54

 

CMYK 0 / 46 / 51 / 7

HEX #EC8073

RGB 236 128 115

HSL 6.45, 0.76%, 0.69%

LAB 65.36, 40.16, 25.68

 

CMYK 0 / 33 / 37 / 5

HEX #F1A198

RGB 241 161 152

HSL 6.07, 0.76%, 0.77%

LAB 73.84, 28.62, 16.87

 

CMYK 0 / 59 / 66 / 9

HEX #E85E4E

RGB 232 94 78

HSL 6.23, 0.77%, 0.61%

LAB 57.76, 52.51, 36.54

 

CMYK 20 / 0 / 66 / 9

HEX #BAE84E

RGB 186 232 78

HSL 77.92, 0.77%, 0.61%

LAB 86.36, -36.27, 67.1

 

CMYK 66 / 47 / 0 / 9

HEX #4E7CE8

RGB 78 124 232

HSL 222.08, 0.77%, 0.61%

LAB 53.88, 18.79, -59.42

 

CMYK 0 / 59 / 66 / 9

HEX #E85E4E

RGB 232 94 78

HSL 6.23, 0.77%, 0.61%

LAB 57.76, 52.51, 36.54

 

CMYK 66 / 0 / 59 / 9

HEX #4EE85E

RGB 78 232 94

HSL 126.23, 0.77%, 0.61%

LAB 81.91, -67.04, 54.37

 

CMYK 59 / 66 / 0 / 9

HEX #5E4EE8

RGB 94 78 232

HSL 246.23, 0.77%, 0.61%

LAB 43.73, 49.08, -75.83

 

CMYK 0 / 59 / 66 / 9

HEX #E85E4E

RGB 232 94 78

HSL 6.23, 0.77%, 0.61%

LAB 57.76, 52.51, 36.54

 

CMYK 20 / 0 / 66 / 9

HEX #BAE84E

RGB 186 232 78

HSL 77.92, 0.77%, 0.61%

LAB 86.36, -36.27, 67.1

 

CMYK 66 / 7 / 0 / 9

HEX #4ED8E8

RGB 78 216 232

HSL 186.23, 0.77%, 0.61%

LAB 79.93, -31.86, -18.78

 

CMYK 47 / 66 / 0 / 9

HEX #7C4EE8

RGB 124 78 232

HSL 257.92, 0.77%, 0.61%

LAB 46.39, 53.98, -71.38

 

CMYK 0 / 59 / 66 / 9

HEX #E85E4E

RGB 232 94 78

HSL 6.23, 0.77%, 0.61%

LAB 57.76, 52.51, 36.54

 

CMYK 40 / 0 / 66 / 9

HEX #8CE84E

RGB 140 232 78

HSL 95.84, 0.77%, 0.61%

LAB 83.88, -52.59, 63.75

 

CMYK 66 / 7 / 0 / 9

HEX #4ED8E8

RGB 78 216 232

HSL 186.23, 0.77%, 0.61%

LAB 79.93, -31.86, -18.78

 

CMYK 27 / 66 / 0 / 9

HEX #AA4EE8

RGB 170 78 232

HSL 275.84, 0.77%, 0.61%

LAB 51.63, 62.95, -62.64

 

Description

Color code: HEX #E85E4E | qconv.com Color code: HEX #E85E4E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 94 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 94 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 66 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 66% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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