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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E85FED it is the complementary color #17A012. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E85FED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E85FED shade: #ED5FE8, #FE71FB, #FF83FF, #FF95FF and #FFA7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E85FED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E85FED shade: #E85FED, #D74DDA, #C63BC7, #B529B4 and #A417A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E85FED shade: #E85EED, #ED5ECB, #ED5EA5, #ED5E7E and #ED5E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E85FED shade: #E85EED, #C15EED, #9B5EED, #745EED and #5E5EED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E85FED shade matches the following richer shades: #E85EED and #F54FFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E85FED shade: #E85EED, #DA6CDE, #CD7BD0, #BF89C1 and #B298B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E85FED shade: #995EED, #BF5EED, #E65EED, #ED5ECE and #ED5EA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E85FED shade: #D918E0, #E239E9, #E85EED, #ED83F1 and #F2A8F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E85FED shade: #E85FED, #ED735E and #5EEDAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E85FED shade: #E85FED, #EDE65E and #5EEDE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E85FED shade: #E85FED, #ED735E, #65ED5E and #5ED7ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E85FED shade: #E85FED, #ED9E5E, #65ED5E and #5EACED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 60 / 0 / 7

HEX #E85FED

RGB 232 95 237

HSL 297.89, 0.8%, 0.65%

LAB 62.89, 70.61, -46.99

 

Complementary color

CMYK 86 / 0 / 89 / 37

HEX #17A012

RGB 23 160 18

HSL 117.89, 0.8%, 0.35%

LAB 57.43, -58.68, 56.04

 

CMYK 0 / 60 / 2 / 7

HEX #ED5FE8

RGB 237 95 232

HSL 302.11, 0.8%, 0.65%

LAB 63.36, 71, -43.42

 

CMYK 0 / 56 / 1 / 0

HEX #FE71FB

RGB 254 113 251

HSL 301.28, 0.99%, 0.72%

LAB 69.36, 70.75, -44.32

 

CMYK 0 / 49 / 0 / 0

HEX #FF83FF

RGB 255 131 255

HSL 300, 1%, 0.76%

LAB 72.7, 63.55, -41.27

 

CMYK 0 / 42 / 0 / 0

HEX #FF95FF

RGB 255 149 255

HSL 300, 1%, 0.79%

LAB 76.05, 54.83, -36.06

 

CMYK 0 / 35 / 0 / 0

HEX #FFA7FF

RGB 255 167 255

HSL 300, 1%, 0.83%

LAB 79.68, 45.7, -30.46

 

CMYK 2 / 60 / 0 / 7

HEX #E85FED

RGB 232 95 237

HSL 297.89, 0.8%, 0.65%

LAB 62.89, 70.61, -46.99

 

CMYK 1 / 65 / 0 / 15

HEX #D74DDA

RGB 215 77 218

HSL 298.72, 0.66%, 0.58%

LAB 56.9, 70.62, -45.97

 

CMYK 1 / 70 / 0 / 22

HEX #C63BC7

RGB 198 59 199

HSL 299.57, 0.56%, 0.51%

LAB 50.99, 70.2, -44.65

 

CMYK 0 / 77 / 1 / 29

HEX #B529B4

RGB 181 41 180

HSL 300.43, 0.63%, 0.44%

LAB 45.23, 69.13, -42.9

 

CMYK 0 / 86 / 2 / 36

HEX #A417A1

RGB 164 23 161

HSL 301.28, 0.75%, 0.37%

LAB 39.71, 67.08, -40.55

 

CMYK 2 / 60 / 0 / 7

HEX #E85EED

RGB 232 94 237

HSL 297.9, 0.8%, 0.65%

LAB 62.74, 71.03, -47.22

 

CMYK 0 / 60 / 14 / 7

HEX #ED5ECB

RGB 237 94 203

HSL 314.27, 0.8%, 0.65%

LAB 61.93, 66.93, -29.36

 

CMYK 0 / 60 / 30 / 7

HEX #ED5EA5

RGB 237 94 165

HSL 330.21, 0.8%, 0.65%

LAB 60.54, 61.85, -9.75

 

CMYK 0 / 60 / 47 / 7

HEX #ED5E7E

RGB 237 94 126

HSL 346.57, 0.8%, 0.65%

LAB 59.45, 57.71, 11.32

 

CMYK 0 / 60 / 60 / 7

HEX #ED5E5E

RGB 237 94 94

HSL 0, 0.8%, 0.65%

LAB 58.81, 55.19, 28.98

 

CMYK 2 / 60 / 0 / 7

HEX #E85EED

RGB 232 94 237

HSL 297.9, 0.8%, 0.65%

LAB 62.74, 71.03, -47.22

 

CMYK 19 / 60 / 0 / 7

HEX #C15EED

RGB 193 94 237

HSL 281.54, 0.8%, 0.65%

LAB 57.52, 61.76, -55.84

 

CMYK 35 / 60 / 0 / 7

HEX #9B5EED

RGB 155 94 237

HSL 265.59, 0.8%, 0.65%

LAB 53.05, 53.12, -63.26

 

CMYK 51 / 60 / 0 / 7

HEX #745EED

RGB 116 94 237

HSL 249.23, 0.8%, 0.65%

LAB 49.29, 45.17, -69.51

 

CMYK 60 / 60 / 0 / 7

HEX #5E5EED

RGB 94 94 237

HSL 240, 0.8%, 0.65%

LAB 47.62, 41.37, -72.3

 

CMYK 2 / 60 / 0 / 7

HEX #E85EED

RGB 232 94 237

HSL 297.9, 0.8%, 0.65%

LAB 62.74, 71.03, -47.22

 

CMYK 2 / 69 / 0 / 2

HEX #F54FFB

RGB 245 79 251

HSL 297.91, 0.96%, 0.65%

LAB 63.32, 81.88, -53.94

 

CMYK 2 / 60 / 0 / 7

HEX #E85EED

RGB 232 94 237

HSL 297.9, 0.8%, 0.65%

LAB 62.74, 71.03, -47.22

 

CMYK 2 / 51 / 0 / 13

HEX #DA6CDE

RGB 218 108 222

HSL 297.89, 0.63%, 0.65%

LAB 62.43, 58.63, -39.48

 

CMYK 1 / 41 / 0 / 18

HEX #CD7BD0

RGB 205 123 208

HSL 297.88, 0.47%, 0.65%

LAB 63.09, 44.83, -30.72

 

CMYK 1 / 29 / 0 / 24

HEX #BF89C1

RGB 191 137 193

HSL 297.86, 0.31%, 0.65%

LAB 64.01, 29.99, -21.01

 

CMYK 1 / 15 / 0 / 30

HEX #B298B3

RGB 178 152 179

HSL 297.78, 0.15%, 0.65%

LAB 65.89, 14.5, -10.45

 

CMYK 35 / 60 / 0 / 7

HEX #995EED

RGB 153 94 237

HSL 264.76, 0.8%, 0.65%

LAB 52.83, 52.68, -63.62

 

CMYK 19 / 60 / 0 / 7

HEX #BF5EED

RGB 191 94 237

HSL 280.7, 0.8%, 0.65%

LAB 57.27, 61.3, -56.26

 

CMYK 3 / 60 / 0 / 7

HEX #E65EED

RGB 230 94 237

HSL 297.06, 0.8%, 0.65%

LAB 62.46, 70.55, -47.69

 

CMYK 0 / 60 / 13 / 7

HEX #ED5ECE

RGB 237 94 206

HSL 313.01, 0.8%, 0.65%

LAB 62.05, 67.37, -30.87

 

CMYK 0 / 60 / 29 / 7

HEX #ED5EA8

RGB 237 94 168

HSL 328.95, 0.8%, 0.65%

LAB 60.64, 62.22, -11.33

 

CMYK 3 / 89 / 0 / 12

HEX #D918E0

RGB 217 24 224

HSL 297.9, 0.81%, 0.49%

LAB 52.72, 85.85, -56.01

 

CMYK 3 / 76 / 0 / 9

HEX #E239E9

RGB 226 57 233

HSL 297.61, 0.8%, 0.57%

LAB 57.05, 81.99, -54.07

 

CMYK 2 / 60 / 0 / 7

HEX #E85EED

RGB 232 94 237

HSL 297.9, 0.8%, 0.65%

LAB 62.74, 71.03, -47.22

 

CMYK 2 / 46 / 0 / 5

HEX #ED83F1

RGB 237 131 241

HSL 297.82, 0.8%, 0.73%

LAB 69.89, 56.13, -38.18

 

CMYK 1 / 31 / 0 / 4

HEX #F2A8F5

RGB 242 168 245

HSL 297.66, 0.79%, 0.81%

LAB 78.15, 39.38, -27.54

 

CMYK 2 / 60 / 0 / 7

HEX #E85FED

RGB 232 95 237

HSL 297.89, 0.8%, 0.65%

LAB 62.89, 70.61, -46.99

 

CMYK 0 / 51 / 60 / 7

HEX #ED735E

RGB 237 115 94

HSL 8.81, 0.8%, 0.65%

LAB 62.57, 45.4, 33.76

 

CMYK 60 / 0 / 27 / 7

HEX #5EEDAC

RGB 94 237 172

HSL 152.73, 0.8%, 0.65%

LAB 84.96, -53.28, 20.26

 

CMYK 2 / 60 / 0 / 7

HEX #E85FED

RGB 232 95 237

HSL 297.89, 0.8%, 0.65%

LAB 62.89, 70.61, -46.99

 

CMYK 0 / 3 / 60 / 7

HEX #EDE65E

RGB 237 230 94

HSL 57.06, 0.8%, 0.65%

LAB 89.58, -14.04, 65.21

 

CMYK 60 / 0 / 3 / 7

HEX #5EEDE6

RGB 94 237 230

HSL 177.06, 0.8%, 0.65%

LAB 86.34, -39.69, -8.09

 

CMYK 2 / 60 / 0 / 7

HEX #E85FED

RGB 232 95 237

HSL 297.89, 0.8%, 0.65%

LAB 62.89, 70.61, -46.99

 

CMYK 0 / 51 / 60 / 7

HEX #ED735E

RGB 237 115 94

HSL 8.81, 0.8%, 0.65%

LAB 62.57, 45.4, 33.76

 

CMYK 57 / 0 / 60 / 7

HEX #65ED5E

RGB 101 237 94

HSL 117.06, 0.8%, 0.65%

LAB 84.04, -63.93, 56.96

 

CMYK 60 / 9 / 0 / 7

HEX #5ED7ED

RGB 94 215 237

HSL 189.23, 0.8%, 0.65%

LAB 80.23, -27.42, -20.95

 

CMYK 2 / 60 / 0 / 7

HEX #E85FED

RGB 232 95 237

HSL 297.89, 0.8%, 0.65%

LAB 62.89, 70.61, -46.99

 

CMYK 0 / 33 / 60 / 7

HEX #ED9E5E

RGB 237 158 94

HSL 26.85, 0.8%, 0.65%

LAB 71.74, 23.22, 44.97

 

CMYK 57 / 0 / 60 / 7

HEX #65ED5E

RGB 101 237 94

HSL 117.06, 0.8%, 0.65%

LAB 84.04, -63.93, 56.96

 

CMYK 60 / 27 / 0 / 7

HEX #5EACED

RGB 94 172 237

HSL 207.27, 0.8%, 0.65%

LAB 68.02, -4.96, -39.75

 

Description

Color code: HEX #E85FED | qconv.com Color code: HEX #E85FED | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 95 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 95 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 60 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 60% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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