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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E865C0 it is the complementary color #179A3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E865C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E865C0 shade: #ED65BB, #FE77CE, #FF89E1, #FF9BF4 and #FFADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E865C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E865C0 shade: #E865C0, #D753AD, #C6419A, #B52F87 and #A41D74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E865C0 shade: #E763BF, #E7639B, #E76378 and #E76363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E865C0 shade: #E763BF, #E763E3, #C863E7, #A563E7 and #8163E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E865C0 shade matches the following richer shades: #E763BF and #F655C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E865C0 shade: #E763BF, #D972B9, #CA80B4, #BC8FAE and #AE9DA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E865C0 shade: #C863E7, #E763E3, #E763C0, #E7639C and #E76379

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E865C0 shade: #D820A0, #E23FB0, #E763BF, #ED87CE and #F2ABDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E865C0 shade: #E865C0, #E7A563 and #63E7DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E865C0 shade: #E865C0, #C0E763 and #63C0E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E865C0 shade: #E865C0, #E7A563, #63E78B and #63A5E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E865C0 shade: #E865C0, #E7CD63, #63E78B and #637EE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 17 / 9

HEX #E865C0

RGB 232 101 192

HSL 318.32, 0.74%, 0.65%

LAB 61.89, 60.92, -23.25

 

Complementary color

CMYK 85 / 0 / 59 / 40

HEX #179A3F

RGB 23 154 63

HSL 138.32, 0.74%, 0.35%

LAB 55.74, -52.89, 37.9

 

CMYK 0 / 57 / 21 / 7

HEX #ED65BB

RGB 237 101 187

HSL 322.06, 0.79%, 0.66%

LAB 62.42, 61.65, -19.52

 

CMYK 0 / 53 / 19 / 0

HEX #FE77CE

RGB 254 119 206

HSL 321.33, 0.99%, 0.73%

LAB 68.55, 61.15, -20.69

 

CMYK 0 / 46 / 12 / 0

HEX #FF89E1

RGB 255 137 225

HSL 315.25, 1%, 0.77%

LAB 72.62, 55.75, -24.99

 

CMYK 0 / 39 / 4 / 0

HEX #FF9BF4

RGB 255 155 244

HSL 306.6, 1%, 0.8%

LAB 76.82, 49.91, -28.92

 

CMYK 0 / 32 / 0 / 0

HEX #FFADFF

RGB 255 173 255

HSL 300, 1%, 0.84%

LAB 80.94, 42.6, -28.53

 

CMYK 0 / 56 / 17 / 9

HEX #E865C0

RGB 232 101 192

HSL 318.32, 0.74%, 0.65%

LAB 61.89, 60.92, -23.25

 

CMYK 0 / 61 / 20 / 16

HEX #D753AD

RGB 215 83 173

HSL 319.09, 0.62%, 0.58%

LAB 55.74, 61.26, -21.98

 

CMYK 0 / 67 / 22 / 22

HEX #C6419A

RGB 198 65 154

HSL 319.85, 0.54%, 0.52%

LAB 49.64, 61.28, -20.4

 

CMYK 0 / 74 / 25 / 29

HEX #B52F87

RGB 181 47 135

HSL 320.6, 0.59%, 0.45%

LAB 43.66, 60.81, -18.38

 

CMYK 0 / 82 / 29 / 36

HEX #A41D74

RGB 164 29 116

HSL 321.33, 0.7%, 0.38%

LAB 37.9, 59.52, -15.73

 

CMYK 0 / 57 / 17 / 9

HEX #E763BF

RGB 231 99 191

HSL 318.18, 0.73%, 0.65%

LAB 61.37, 61.38, -23.48

 

CMYK 0 / 57 / 33 / 9

HEX #E7639B

RGB 231 99 155

HSL 334.55, 0.73%, 0.65%

LAB 60.14, 56.64, -4.66

 

CMYK 0 / 57 / 48 / 9

HEX #E76378

RGB 231 99 120

HSL 350.45, 0.73%, 0.65%

LAB 59.22, 52.96, 14.36

 

CMYK 0 / 57 / 57 / 9

HEX #E76363

RGB 231 99 99

HSL 0, 0.73%, 0.65%

LAB 58.8, 51.24, 25.93

 

CMYK 0 / 57 / 17 / 9

HEX #E763BF

RGB 231 99 191

HSL 318.18, 0.73%, 0.65%

LAB 61.37, 61.38, -23.48

 

CMYK 0 / 57 / 2 / 9

HEX #E763E3

RGB 231 99 227

HSL 301.82, 0.73%, 0.65%

LAB 62.89, 66.99, -41.42

 

CMYK 13 / 57 / 0 / 9

HEX #C863E7

RGB 200 99 231

HSL 285.91, 0.73%, 0.65%

LAB 58.95, 59.9, -50.16

 

CMYK 29 / 57 / 0 / 9

HEX #A563E7

RGB 165 99 231

HSL 270, 0.73%, 0.65%

LAB 54.75, 51.36, -57.09

 

CMYK 44 / 57 / 0 / 9

HEX #8163E7

RGB 129 99 231

HSL 253.64, 0.73%, 0.65%

LAB 51.11, 43.2, -63.15

 

CMYK 0 / 57 / 17 / 9

HEX #E763BF

RGB 231 99 191

HSL 318.18, 0.73%, 0.65%

LAB 61.37, 61.38, -23.48

 

CMYK 0 / 65 / 20 / 4

HEX #F655C5

RGB 246 85 197

HSL 318.26, 0.9%, 0.65%

LAB 61.76, 72.02, -26.11

 

CMYK 0 / 57 / 17 / 9

HEX #E763BF

RGB 231 99 191

HSL 318.18, 0.73%, 0.65%

LAB 61.37, 61.38, -23.48

 

CMYK 0 / 47 / 15 / 15

HEX #D972B9

RGB 217 114 185

HSL 318.64, 0.58%, 0.65%

LAB 61.9, 49.2, -19.43

 

CMYK 0 / 37 / 11 / 21

HEX #CA80B4

RGB 202 128 180

HSL 317.84, 0.41%, 0.65%

LAB 62.75, 36.23, -15.47

 

CMYK 0 / 24 / 7 / 26

HEX #BC8FAE

RGB 188 143 174

HSL 318.67, 0.25%, 0.65%

LAB 64.48, 22.11, -9.64

 

CMYK 0 / 10 / 3 / 32

HEX #AE9DA8

RGB 174 157 168

HSL 321.18, 0.09%, 0.65%

LAB 66.47, 8.21, -3.46

 

CMYK 13 / 57 / 0 / 9

HEX #C863E7

RGB 200 99 231

HSL 285.91, 0.73%, 0.65%

LAB 58.95, 59.9, -50.16

 

CMYK 0 / 57 / 2 / 9

HEX #E763E3

RGB 231 99 227

HSL 301.82, 0.73%, 0.65%

LAB 62.89, 66.99, -41.42

 

CMYK 0 / 57 / 17 / 9

HEX #E763C0

RGB 231 99 192

HSL 317.73, 0.73%, 0.65%

LAB 61.41, 61.53, -23.99

 

CMYK 0 / 57 / 32 / 9

HEX #E7639C

RGB 231 99 156

HSL 334.09, 0.73%, 0.65%

LAB 60.17, 56.75, -5.19

 

CMYK 0 / 57 / 48 / 9

HEX #E76379

RGB 231 99 121

HSL 350, 0.73%, 0.65%

LAB 59.24, 53.06, 13.81

 

CMYK 0 / 85 / 26 / 15

HEX #D820A0

RGB 216 32 160

HSL 318.26, 0.74%, 0.49%

LAB 49.7, 75.8, -23.61

 

CMYK 0 / 72 / 22 / 11

HEX #E23FB0

RGB 226 63 176

HSL 318.4, 0.74%, 0.57%

LAB 54.93, 72.01, -24.82

 

CMYK 0 / 57 / 17 / 9

HEX #E763BF

RGB 231 99 191

HSL 318.18, 0.73%, 0.65%

LAB 61.37, 61.38, -23.48

 

CMYK 0 / 43 / 13 / 7

HEX #ED87CE

RGB 237 135 206

HSL 318.24, 0.74%, 0.73%

LAB 69.32, 48.22, -19.72

 

CMYK 0 / 29 / 9 / 5

HEX #F2ABDC

RGB 242 171 220

HSL 318.59, 0.73%, 0.81%

LAB 77.98, 33.4, -14.28

 

CMYK 0 / 56 / 17 / 9

HEX #E865C0

RGB 232 101 192

HSL 318.32, 0.74%, 0.65%

LAB 61.89, 60.92, -23.25

 

CMYK 0 / 29 / 57 / 9

HEX #E7A563

RGB 231 165 99

HSL 30, 0.73%, 0.65%

LAB 72.76, 17.41, 43.5

 

CMYK 57 / 0 / 6 / 9

HEX #63E7DA

RGB 99 231 218

HSL 174.09, 0.73%, 0.65%

LAB 84.41, -39.19, -4.6

 

CMYK 0 / 56 / 17 / 9

HEX #E865C0

RGB 232 101 192

HSL 318.32, 0.74%, 0.65%

LAB 61.89, 60.92, -23.25

 

CMYK 17 / 0 / 57 / 9

HEX #C0E763

RGB 192 231 99

HSL 77.73, 0.73%, 0.65%

LAB 86.63, -31.96, 58.88

 

CMYK 57 / 17 / 0 / 9

HEX #63C0E7

RGB 99 192 231

HSL 197.73, 0.73%, 0.65%

LAB 73.62, -16.62, -27.79

 

CMYK 0 / 56 / 17 / 9

HEX #E865C0

RGB 232 101 192

HSL 318.32, 0.74%, 0.65%

LAB 61.89, 60.92, -23.25

 

CMYK 0 / 29 / 57 / 9

HEX #E7A563

RGB 231 165 99

HSL 30, 0.73%, 0.65%

LAB 72.76, 17.41, 43.5

 

CMYK 57 / 0 / 40 / 9

HEX #63E78B

RGB 99 231 139

HSL 138.18, 0.73%, 0.65%

LAB 82.74, -56.02, 34.14

 

CMYK 57 / 29 / 0 / 9

HEX #63A5E7

RGB 99 165 231

HSL 210, 0.73%, 0.65%

LAB 66.01, -1.97, -39.59

 

CMYK 0 / 56 / 17 / 9

HEX #E865C0

RGB 232 101 192

HSL 318.32, 0.74%, 0.65%

LAB 61.89, 60.92, -23.25

 

CMYK 0 / 11 / 57 / 9

HEX #E7CD63

RGB 231 205 99

HSL 48.18, 0.73%, 0.65%

LAB 82.67, -3.58, 55.17

 

CMYK 57 / 0 / 40 / 9

HEX #63E78B

RGB 99 231 139

HSL 138.18, 0.73%, 0.65%

LAB 82.74, -56.02, 34.14

 

CMYK 57 / 45 / 0 / 9

HEX #637EE7

RGB 99 126 231

HSL 227.73, 0.73%, 0.65%

LAB 55.42, 20.94, -56.33

 

Description

Color code: HEX #E865C0 | qconv.com Color code: HEX #E865C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 101 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 101 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 17 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 17% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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