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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E86107 it is the complementary color #179EF8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E86107. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E86107 shade: #ED6102, #FE7315, #FF8528, #FF973B and #FFA94E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E86107. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E86107 shade: #E86107, #D74F00, #C63D00, #B52B00 and #A41900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E86107 shade: #E86107, #E82407 and #E80707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E86107 shade: #E86107, #E89E07, #E8DA07, #B9E807 and #7CE807

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E86107 shade matches the following richer shades: #E86107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E86107 shade: #E86107, #D5651A, #C1692D, #AE6C41 and #9A7054

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E86107 shade: #E80725, #E82507, #E86107, #E89D07 and #E8D907

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E86107 shade: #983F04, #C05005, #E86107, #F87620 and #F98F48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E86107 shade: #E86107, #61E807 and #0707E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E86107 shade: #E86107, #07E861 and #6107E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E86107 shade: #E86107, #61E807, #078EE8 and #8E07E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E86107 shade: #E86107, #1DE807, #078EE8 and #D107E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 97 / 9

HEX #E86107

RGB 232 97 7

HSL 24, 0.94%, 0.47%

LAB 57.77, 49.04, 65.57

 

Complementary color

CMYK 91 / 36 / 0 / 3

HEX #179EF8

RGB 23 158 248

HSL 204, 0.94%, 0.53%

LAB 62.85, -1.27, -54.02

 

CMYK 0 / 59 / 99 / 7

HEX #ED6102

RGB 237 97 2

HSL 24.26, 0.98%, 0.47%

LAB 58.56, 50.82, 67.38

 

CMYK 0 / 55 / 92 / 0

HEX #FE7315

RGB 254 115 21

HSL 24.21, 0.99%, 0.54%

LAB 64.47, 48.91, 68.74

 

CMYK 0 / 48 / 84 / 0

HEX #FF8528

RGB 255 133 40

HSL 25.95, 1%, 0.58%

LAB 68.16, 40.9, 65.98

 

CMYK 0 / 41 / 77 / 0

HEX #FF973B

RGB 255 151 59

HSL 28.16, 1%, 0.62%

LAB 72.03, 32.34, 62.23

 

CMYK 0 / 34 / 69 / 0

HEX #FFA94E

RGB 255 169 78

HSL 30.85, 1%, 0.65%

LAB 76.18, 23.82, 58.23

 

CMYK 0 / 58 / 97 / 9

HEX #E86107

RGB 232 97 7

HSL 24, 0.94%, 0.47%

LAB 57.77, 49.04, 65.57

 

CMYK 0 / 63 / 100 / 16

HEX #D74F00

RGB 215 79 0

HSL 22.05, 1%, 0.42%

LAB 51.88, 50.92, 62.21

 

CMYK 0 / 69 / 100 / 22

HEX #C63D00

RGB 198 61 0

HSL 18.48, 1%, 0.39%

LAB 46.1, 52.5, 57.62

 

CMYK 0 / 76 / 100 / 29

HEX #B52B00

RGB 181 43 0

HSL 14.25, 1%, 0.35%

LAB 40.49, 53.49, 53.15

 

CMYK 0 / 85 / 100 / 36

HEX #A41900

RGB 164 25 0

HSL 9.15, 1%, 0.32%

LAB 35.18, 53.5, 48.75

 

CMYK 0 / 58 / 97 / 9

HEX #E86107

RGB 232 97 7

HSL 24, 0.94%, 0.47%

LAB 57.77, 49.04, 65.57

 

CMYK 0 / 84 / 97 / 9

HEX #E82407

RGB 232 36 7

HSL 7.73, 0.94%, 0.47%

LAB 50.02, 70.2, 61.32

 

CMYK 0 / 97 / 97 / 9

HEX #E80707

RGB 232 7 7

HSL 0, 0.94%, 0.47%

LAB 48.66, 74.08, 60.69

 

CMYK 0 / 58 / 97 / 9

HEX #E86107

RGB 232 97 7

HSL 24, 0.94%, 0.47%

LAB 57.77, 49.04, 65.57

 

CMYK 0 / 32 / 97 / 9

HEX #E89E07

RGB 232 158 7

HSL 40.27, 0.94%, 0.47%

LAB 70.61, 17.94, 73.93

 

CMYK 0 / 6 / 97 / 9

HEX #E8DA07

RGB 232 218 7

HSL 56.27, 0.94%, 0.47%

LAB 85.66, -13.16, 84.7

 

CMYK 20 / 0 / 97 / 9

HEX #B9E807

RGB 185 232 7

HSL 72.53, 0.94%, 0.47%

LAB 86.03, -39.12, 83.45

 

CMYK 47 / 0 / 97 / 9

HEX #7CE807

RGB 124 232 7

HSL 88.8, 0.94%, 0.47%

LAB 82.92, -60.62, 79.69

 

CMYK 0 / 58 / 97 / 9

HEX #E86107

RGB 232 97 7

HSL 24, 0.94%, 0.47%

LAB 57.77, 49.04, 65.57

 

CMYK 0 / 58 / 97 / 9

HEX #E86107

RGB 232 97 7

HSL 24, 0.94%, 0.47%

LAB 57.77, 49.04, 65.57

 

CMYK 0 / 53 / 88 / 16

HEX #D5651A

RGB 213 101 26

HSL 24.06, 0.78%, 0.47%

LAB 55.61, 40.18, 58.01

 

CMYK 0 / 46 / 77 / 24

HEX #C1692D

RGB 193 105 45

HSL 24.32, 0.62%, 0.47%

LAB 53.63, 30.63, 47.46

 

CMYK 0 / 38 / 63 / 32

HEX #AE6C41

RGB 174 108 65

HSL 23.67, 0.46%, 0.47%

LAB 51.96, 22.11, 34.71

 

CMYK 0 / 27 / 45 / 40

HEX #9A7054

RGB 154 112 84

HSL 24, 0.29%, 0.47%

LAB 50.8, 12.99, 22.08

 

CMYK 0 / 97 / 84 / 9

HEX #E80725

RGB 232 7 37

HSL 352, 0.94%, 0.47%

LAB 48.81, 74.49, 49.13

 

CMYK 0 / 84 / 97 / 9

HEX #E82507

RGB 232 37 7

HSL 8, 0.94%, 0.47%

LAB 50.09, 69.99, 61.36

 

CMYK 0 / 58 / 97 / 9

HEX #E86107

RGB 232 97 7

HSL 24, 0.94%, 0.47%

LAB 57.77, 49.04, 65.57

 

CMYK 0 / 32 / 97 / 9

HEX #E89D07

RGB 232 157 7

HSL 40, 0.94%, 0.47%

LAB 70.38, 18.47, 73.76

 

CMYK 0 / 6 / 97 / 9

HEX #E8D907

RGB 232 217 7

HSL 56, 0.94%, 0.47%

LAB 85.4, -12.66, 84.5

 

CMYK 0 / 59 / 97 / 40

HEX #983F04

RGB 152 63 4

HSL 23.92, 0.95%, 0.31%

LAB 38.27, 34.77, 47.69

 

CMYK 0 / 58 / 97 / 25

HEX #C05005

RGB 192 80 5

HSL 24.06, 0.95%, 0.39%

LAB 48.2, 42.05, 56.91

 

CMYK 0 / 58 / 97 / 9

HEX #E86107

RGB 232 97 7

HSL 24, 0.94%, 0.47%

LAB 57.77, 49.04, 65.57

 

CMYK 0 / 52 / 87 / 3

HEX #F87620

RGB 248 118 32

HSL 23.89, 0.94%, 0.55%

LAB 64.18, 45.41, 65.01

 

CMYK 0 / 43 / 71 / 2

HEX #F98F48

RGB 249 143 72

HSL 24.07, 0.94%, 0.63%

LAB 69.65, 34.61, 53.79

 

CMYK 0 / 58 / 97 / 9

HEX #E86107

RGB 232 97 7

HSL 24, 0.94%, 0.47%

LAB 57.77, 49.04, 65.57

 

CMYK 58 / 0 / 97 / 9

HEX #61E807

RGB 97 232 7

HSL 96, 0.94%, 0.47%

LAB 81.98, -68.02, 78.55

 

CMYK 97 / 97 / 0 / 9

HEX #0707E8

RGB 7 7 232

HSL 240, 0.94%, 0.47%

LAB 29.47, 72.57, -99.58

 

CMYK 0 / 58 / 97 / 9

HEX #E86107

RGB 232 97 7

HSL 24, 0.94%, 0.47%

LAB 57.77, 49.04, 65.57

 

CMYK 97 / 0 / 58 / 9

HEX #07E861

RGB 7 232 97

HSL 144, 0.94%, 0.47%

LAB 81.08, -73.91, 51.86

 

CMYK 58 / 97 / 0 / 9

HEX #6107E8

RGB 97 7 232

HSL 264, 0.94%, 0.47%

LAB 35.04, 75.24, -90.15

 

CMYK 0 / 58 / 97 / 9

HEX #E86107

RGB 232 97 7

HSL 24, 0.94%, 0.47%

LAB 57.77, 49.04, 65.57

 

CMYK 58 / 0 / 97 / 9

HEX #61E807

RGB 97 232 7

HSL 96, 0.94%, 0.47%

LAB 81.98, -68.02, 78.55

 

CMYK 97 / 39 / 0 / 9

HEX #078EE8

RGB 7 142 232

HSL 204, 0.94%, 0.47%

LAB 57.29, 1.56, -54.06

 

CMYK 39 / 97 / 0 / 9

HEX #8E07E8

RGB 142 7 232

HSL 276, 0.94%, 0.47%

LAB 40.78, 78.98, -80.48

 

CMYK 0 / 58 / 97 / 9

HEX #E86107

RGB 232 97 7

HSL 24, 0.94%, 0.47%

LAB 57.77, 49.04, 65.57

 

CMYK 88 / 0 / 97 / 9

HEX #1DE807

RGB 29 232 7

HSL 114.13, 0.94%, 0.47%

LAB 80.73, -78.8, 77.02

 

CMYK 97 / 39 / 0 / 9

HEX #078EE8

RGB 7 142 232

HSL 204, 0.94%, 0.47%

LAB 57.29, 1.56, -54.06

 

CMYK 10 / 97 / 0 / 9

HEX #D107E8

RGB 209 7 232

HSL 293.87, 0.94%, 0.47%

LAB 51.31, 87.48, -62.88

 

Description

Color code: HEX #E86107 | qconv.com Color code: HEX #E86107 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 97 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 97 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 97 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 97% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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