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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E86CB3 it is the complementary color #17934C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E86CB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E86CB3 shade: #ED6CAE, #FE7EC1, #FF90D4, #FFA2E7 and #FFB4FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E86CB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E86CB3 shade: #E86CB3, #D75AA0, #C6488D, #B5367A and #A42467

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E86CB3 shade: #E86DB3, #E86D92, #E86D71 and #E86D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E86CB3 shade: #E86DB3, #E86DD4, #DA6DE8, #B96DE8 and #986DE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E86CB3 shade matches the following richer shades: #E86DB3 and #F55FB5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E86CB3 shade: #E86DB3, #DA7BB1, #CD88AF, #BF96AD and #B1A3AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E86CB3 shade: #D96DE8, #E86DD5, #E86DB5, #E86D94 and #E86D73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E86CB3 shade: #DD268E, #E249A1, #E86DB3, #ED91C6 and #F3B4D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E86CB3 shade: #E86CB3, #E8B96D and #6DE6E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E86CB3 shade: #E86CB3, #B5E86D and #6DB5E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E86CB3 shade: #E86CB3, #E8B96D, #6DE8A0 and #6D9CE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E86CB3 shade: #E86CB3, #E8DE6D, #6DE8A0 and #6D77E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 23 / 9

HEX #E86CB3

RGB 232 108 179

HSL 325.65, 0.73%, 0.67%

LAB 62.62, 55.88, -14.72

 

Complementary color

CMYK 84 / 0 / 48 / 42

HEX #17934C

RGB 23 147 76

HSL 145.65, 0.73%, 0.33%

LAB 53.57, -48.4, 28.63

 

CMYK 0 / 54 / 27 / 7

HEX #ED6CAE

RGB 237 108 174

HSL 329.3, 0.78%, 0.68%

LAB 63.17, 56.74, -10.98

 

CMYK 0 / 50 / 24 / 0

HEX #FE7EC1

RGB 254 126 193

HSL 328.59, 0.98%, 0.75%

LAB 69.36, 56.08, -12.2

 

CMYK 0 / 44 / 17 / 0

HEX #FF90D4

RGB 255 144 212

HSL 323.24, 1%, 0.78%

LAB 73.52, 50.31, -16.47

 

CMYK 0 / 36 / 9 / 0

HEX #FFA2E7

RGB 255 162 231

HSL 315.48, 1%, 0.82%

LAB 77.8, 44.17, -20.38

 

CMYK 0 / 29 / 2 / 0

HEX #FFB4FA

RGB 255 180 250

HSL 304, 1%, 0.85%

LAB 82.27, 38.07, -23.82

 

CMYK 0 / 53 / 23 / 9

HEX #E86CB3

RGB 232 108 179

HSL 325.65, 0.73%, 0.67%

LAB 62.62, 55.88, -14.72

 

CMYK 0 / 58 / 26 / 16

HEX #D75AA0

RGB 215 90 160

HSL 326.4, 0.61%, 0.6%

LAB 56.38, 56.42, -13.42

 

CMYK 0 / 64 / 29 / 22

HEX #C6488D

RGB 198 72 141

HSL 327.14, 0.53%, 0.53%

LAB 50.17, 56.76, -11.84

 

CMYK 0 / 70 / 33 / 29

HEX #B5367A

RGB 181 54 122

HSL 327.87, 0.54%, 0.46%

LAB 44.04, 56.74, -9.85

 

CMYK 0 / 78 / 37 / 36

HEX #A42467

RGB 164 36 103

HSL 328.59, 0.64%, 0.39%

LAB 38.08, 56.08, -7.26

 

CMYK 0 / 53 / 23 / 9

HEX #E86DB3

RGB 232 109 179

HSL 325.85, 0.73%, 0.67%

LAB 62.8, 55.41, -14.46

 

CMYK 0 / 53 / 37 / 9

HEX #E86D92

RGB 232 109 146

HSL 341.95, 0.73%, 0.67%

LAB 61.8, 51.26, 2.99

 

CMYK 0 / 53 / 51 / 9

HEX #E86D71

RGB 232 109 113

HSL 358.05, 0.73%, 0.67%

LAB 61.03, 47.98, 20.9

 

CMYK 0 / 53 / 53 / 9

HEX #E86D6D

RGB 232 109 109

HSL 0, 0.73%, 0.67%

LAB 60.96, 47.64, 23.09

 

CMYK 0 / 53 / 23 / 9

HEX #E86DB3

RGB 232 109 179

HSL 325.85, 0.73%, 0.67%

LAB 62.8, 55.41, -14.46

 

CMYK 0 / 53 / 9 / 9

HEX #E86DD4

RGB 232 109 212

HSL 309.76, 0.73%, 0.67%

LAB 64.04, 60.33, -31.23

 

CMYK 6 / 53 / 0 / 9

HEX #DA6DE8

RGB 218 109 232

HSL 293.17, 0.73%, 0.67%

LAB 63.07, 59.96, -44.05

 

CMYK 20 / 53 / 0 / 9

HEX #B96DE8

RGB 185 109 232

HSL 277.07, 0.73%, 0.67%

LAB 59.05, 51.35, -50.67

 

CMYK 34 / 53 / 0 / 9

HEX #986DE8

RGB 152 109 232

HSL 260.98, 0.73%, 0.67%

LAB 55.52, 43.08, -56.5

 

CMYK 0 / 53 / 23 / 9

HEX #E86DB3

RGB 232 109 179

HSL 325.85, 0.73%, 0.67%

LAB 62.8, 55.41, -14.46

 

CMYK 0 / 61 / 26 / 4

HEX #F55FB5

RGB 245 95 181

HSL 325.6, 0.88%, 0.67%

LAB 62.45, 65.72, -15.94

 

CMYK 0 / 53 / 23 / 9

HEX #E86DB3

RGB 232 109 179

HSL 325.85, 0.73%, 0.67%

LAB 62.8, 55.41, -14.46

 

CMYK 0 / 44 / 19 / 15

HEX #DA7BB1

RGB 218 123 177

HSL 325.89, 0.56%, 0.67%

LAB 63.55, 43.72, -12.38

 

CMYK 0 / 34 / 15 / 20

HEX #CD88AF

RGB 205 136 175

HSL 326.09, 0.41%, 0.67%

LAB 64.71, 32.1, -9.67

 

CMYK 0 / 21 / 9 / 25

HEX #BF96AD

RGB 191 150 173

HSL 326.34, 0.24%, 0.67%

LAB 66.45, 19.11, -6.11

 

CMYK 0 / 8 / 3 / 31

HEX #B1A3AB

RGB 177 163 171

HSL 325.71, 0.08%, 0.67%

LAB 68.37, 6.52, -2.3

 

CMYK 6 / 53 / 0 / 9

HEX #D96DE8

RGB 217 109 232

HSL 292.68, 0.73%, 0.67%

LAB 62.94, 59.7, -44.26

 

CMYK 0 / 53 / 8 / 9

HEX #E86DD5

RGB 232 109 213

HSL 309.27, 0.73%, 0.67%

LAB 64.08, 60.49, -31.73

 

CMYK 0 / 53 / 22 / 9

HEX #E86DB5

RGB 232 109 181

HSL 324.88, 0.73%, 0.67%

LAB 62.87, 55.68, -15.49

 

CMYK 0 / 53 / 36 / 9

HEX #E86D94

RGB 232 109 148

HSL 340.98, 0.73%, 0.67%

LAB 61.85, 51.49, 1.91

 

CMYK 0 / 53 / 50 / 9

HEX #E86D73

RGB 232 109 115

HSL 357.07, 0.73%, 0.67%

LAB 61.07, 48.15, 19.81

 

CMYK 0 / 83 / 36 / 13

HEX #DD268E

RGB 221 38 142

HSL 325.9, 0.73%, 0.51%

LAB 50.35, 73.74, -11.78

 

CMYK 0 / 68 / 29 / 11

HEX #E249A1

RGB 226 73 161

HSL 325.49, 0.73%, 0.59%

LAB 55.59, 66.67, -15.04

 

CMYK 0 / 53 / 23 / 9

HEX #E86DB3

RGB 232 109 179

HSL 325.85, 0.73%, 0.67%

LAB 62.8, 55.41, -14.46

 

CMYK 0 / 39 / 16 / 7

HEX #ED91C6

RGB 237 145 198

HSL 325.43, 0.72%, 0.75%

LAB 71.1, 41.84, -12.59

 

CMYK 0 / 26 / 11 / 5

HEX #F3B4D8

RGB 243 180 216

HSL 325.71, 0.72%, 0.83%

LAB 79.99, 28.31, -9.1

 

CMYK 0 / 53 / 23 / 9

HEX #E86CB3

RGB 232 108 179

HSL 325.65, 0.73%, 0.67%

LAB 62.62, 55.88, -14.72

 

CMYK 0 / 20 / 53 / 9

HEX #E8B96D

RGB 232 185 109

HSL 37.07, 0.73%, 0.67%

LAB 77.85, 8.02, 44.67

 

CMYK 53 / 1 / 0 / 9

HEX #6DE6E8

RGB 109 230 232

HSL 180.98, 0.73%, 0.67%

LAB 84.83, -33.23, -11.34

 

CMYK 0 / 53 / 23 / 9

HEX #E86CB3

RGB 232 108 179

HSL 325.65, 0.73%, 0.67%

LAB 62.62, 55.88, -14.72

 

CMYK 22 / 0 / 53 / 9

HEX #B5E86D

RGB 181 232 109

HSL 84.88, 0.73%, 0.67%

LAB 86.33, -35.63, 53.88

 

CMYK 53 / 22 / 0 / 9

HEX #6DB5E8

RGB 109 181 232

HSL 204.88, 0.73%, 0.67%

LAB 70.96, -8.43, -32.41

 

CMYK 0 / 53 / 23 / 9

HEX #E86CB3

RGB 232 108 179

HSL 325.65, 0.73%, 0.67%

LAB 62.62, 55.88, -14.72

 

CMYK 0 / 20 / 53 / 9

HEX #E8B96D

RGB 232 185 109

HSL 37.07, 0.73%, 0.67%

LAB 77.85, 8.02, 44.67

 

CMYK 53 / 0 / 31 / 9

HEX #6DE8A0

RGB 109 232 160

HSL 144.88, 0.73%, 0.67%

LAB 83.71, -50.42, 24.8

 

CMYK 53 / 33 / 0 / 9

HEX #6D9CE8

RGB 109 156 232

HSL 217.07, 0.73%, 0.67%

LAB 64.04, 5.56, -43.18

 

CMYK 0 / 53 / 23 / 9

HEX #E86CB3

RGB 232 108 179

HSL 325.65, 0.73%, 0.67%

LAB 62.62, 55.88, -14.72

 

CMYK 0 / 4 / 53 / 9

HEX #E8DE6D

RGB 232 222 109

HSL 55.12, 0.73%, 0.67%

LAB 87.24, -11.01, 55.86

 

CMYK 53 / 0 / 31 / 9

HEX #6DE8A0

RGB 109 232 160

HSL 144.88, 0.73%, 0.67%

LAB 83.71, -50.42, 24.8

 

CMYK 53 / 49 / 0 / 9

HEX #6D77E8

RGB 109 119 232

HSL 235.12, 0.73%, 0.67%

LAB 54.31, 27.5, -58.63

 

Description

Color code: HEX #E86CB3 | qconv.com Color code: HEX #E86CB3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 108 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 108 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 23 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 23% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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